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wrong trope usage and couldn't make it work with leitmotif
** For example, the sample heard in "Summer Crane" is reprised at the end of "Extra Kings".
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* RecurringRiff: The sample heard in "Summer Crane" is reprised at the end of "Extra Kings".
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None
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* FrontierDoctor: "Frontier Psychiatrist".
to:
* FrontierDoctor: The titular "Frontier Psychiatrist".Psychiatrist," which contains many samples of a bit by comedy duo Series/WayneAndShuster (the particular version used in the song is taken from the radio broadcast).
Changed line(s) 55 (click to see context) from:
* LoopedLyrics
to:
* LoopedLyricsLoopedLyrics: Due to the sampling nature of the album, any discernible lyrics are looped for a majority of the song.
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* RegionalBonus: {{Inverted}}. Some samples had to be taken out of international releases due to licensing issues, most notably the flute sample in "Summer Crane".
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* WordSaladLyrics: "Frontier Psychiatrist", fitting when you consider the song's theme.
to:
* WordSaladLyrics: "Frontier Psychiatrist", fitting when you consider the song's theme.theme.
----
----
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Up To Eleven is a defunct trope
Changed line(s) 63 (click to see context) from:
* {{Sampling}}: [[UpToEleven Over 3,500 of them]].
to:
* {{Sampling}}: [[UpToEleven Over 3,500 of them]].them.
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cut trope
Deleted line(s) 59 (click to see context) :
* NeoClassicalPunkZydecoRockabilly: See GenreRoulette above.
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None
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* {{Mondegreen}}: The lyric to the TitleTrack sounds like it goes "Since I Left You." However, the original sample, "Everyday" by The Main Attraction, actually says "Since I ''met'' you."
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Mondegreen is no longer a trope; dewicking
Deleted line(s) 58 (click to see context) :
* {{Mondegreen}}: "Since I Left You" [[InvokedTrope invokes]] this; the original lyric was "since I ''met'' you". It just ended up sounding like "left" when it was sampled.
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None
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[[caption-width-right:350:''"Oh, can't you hear it?"'']]
to:
->''"Get a drink, have a good time now. Welcome to paradise..."''
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Produced by members Robbie Chater and Darren Seltmann, it continued a change in sound for the Avalanches; while their previously released [=EPs=] ''did'' have elements of their later work, they were technically rap works. Instead, this album was made with over 3,500 [[{{Sampling}} samples]] of vinyl records bought by Chater and Seltmann.
to:
Produced by members Robbie Chater and Darren Seltmann, it continued a change in sound for the Avalanches; while their previously released [=EPs=] ''did'' have elements of their later work, they were technically rap works. Instead, this album was made with over 3,500 [[{{Sampling}} samples]] of vinyl records bought by Chater and Seltmann.
Seltmann, and carries a more dance-oriented energy.
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Despite Chater and Seltmann's doubts on the album, ''Since I Left You'' received critical acclaim, resulting in an international re-release once the samples were given clearance - it's since gone on to sell over a million copies.
The album is considered one of the greatest achievements of both Australian music[[note]] The album is listed as No. 10 on the [[https://en.wikipedia.org/wiki/100_Best_Australian_Albums 100 Best Australian Albums]] [[/note]]and plunderphonics[[note]]Music derived from taking elements of existing audio compositions to make a new composition[[/note]], and is often compared to the similarly fully-sample-based ''Music/{{Endtroducing}}''; however, while that album could be seen as a collection of songs, ''Since I Left You'''s tracks are so interconnected that, despite lacking any original vocals, it feels like nothing short of a musical journey.
The album is considered one of the greatest achievements of both Australian music[[note]] The album is listed as No. 10 on the [[https://en.wikipedia.org/wiki/100_Best_Australian_Albums 100 Best Australian Albums]] [[/note]]and plunderphonics[[note]]Music derived from taking elements of existing audio compositions to make a new composition[[/note]], and is often compared to the similarly fully-sample-based ''Music/{{Endtroducing}}''; however, while that album could be seen as a collection of songs, ''Since I Left You'''s tracks are so interconnected that, despite lacking any original vocals, it feels like nothing short of a musical journey.
to:
Despite Chater and Seltmann's doubts on the album, ''Since I Left You'' received critical acclaim, resulting in an international re-release once the samples were given clearance - it's clearance. It's since gone on to sell over a million copies.
The albumcopies, and is considered one of the greatest achievements of both Australian music[[note]] The album is listed as No. 10 on the [[https://en.wikipedia.org/wiki/100_Best_Australian_Albums 100 Best Australian Albums]] [[/note]]and plunderphonics[[note]]Music derived from taking elements of existing audio compositions to make a new composition[[/note]], and is often compared to the another similarly fully-sample-based ''Music/{{Endtroducing}}''; however, album, Music/DJShadow's ''Music/{{Endtroducing}}''. However, while that album could be seen as a collection of songs, ''Since I Left You'''s tracks are so interconnected that, despite lacking any original vocals, it feels like nothing short of a musical journey.
The album
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None
Changed line(s) 54 (click to see context) from:
* LighterAndSofter: When compared to ''Music/Endtroducing'', the other main staple of plunderphonics. The former is very stark and moody, whilst ''Since I Left You'' is far more uplifting and celebratory.
to:
* LighterAndSofter: When compared to ''Music/Endtroducing'', ''Music/{{Endtroducing}}'', the other main staple of plunderphonics. The former is very stark and moody, whilst ''Since I Left You'' is far more uplifting and celebratory.
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None
Added DiffLines:
* LighterAndSofter: When compared to ''Music/Endtroducing'', the other main staple of plunderphonics. The former is very stark and moody, whilst ''Since I Left You'' is far more uplifting and celebratory.
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Changed line(s) 2,3 (click to see context) from:
[[caption-width-right:350:"Oh, can't you hear it?"]]
to:
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None
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The album is considered one of the greatest achievements of both Australian music and plunderphonics[[note]]Music derived from taking elements of existing audio compositions to make a new composition[[/note]], and is often compared to the similarly fully-sample-based ''Music/{{Endtroducing}}''; however, while that album could be seen as a collection of songs, ''Since I Left You'''s tracks are so interconnected that, despite lacking any original vocals, it feels like nothing short of a musical journey.
to:
The album is considered one of the greatest achievements of both Australian music and music[[note]] The album is listed as No. 10 on the [[https://en.wikipedia.org/wiki/100_Best_Australian_Albums 100 Best Australian Albums]] [[/note]]and plunderphonics[[note]]Music derived from taking elements of existing audio compositions to make a new composition[[/note]], and is often compared to the similarly fully-sample-based ''Music/{{Endtroducing}}''; however, while that album could be seen as a collection of songs, ''Since I Left You'''s tracks are so interconnected that, despite lacking any original vocals, it feels like nothing short of a musical journey.
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None
Changed line(s) 4,7 (click to see context) from:
''Since I Left You'', released on 27 November 2000, is the debut album by Australian [[{{Electronic Music}} electronic music]] group Music/TheAvalanches, and [[DevelopmentHell until 2016]], their only one officially released. Produced by members Robbie Chater and Darren Seltmann, it continued a change in sound for the Avalanches; while their previously released [=EPs=] ''did'' have elements of their later work, they were technically rap works. Instead, this album was made with over 3,500 [[{{Sampling}} samples]] of vinyl records bought by Chater and Seltmann. Figuring [[ItWillNeverCatchOn nobody would bother listening to it]], they had no plans for an international release, and thus were very lax in regards to copyright (the Australian version and the other international versions released the next year have some notable difference in certain samples; most apparent in "Frontier Psychiatrist" and "Extra Kings").
Despite Chater and Seltmann's doubts on the album, ''Since I Left You'' received critical acclaim, resulting in an international re-release once the samples were given clearance - it's since gone on to sell over a million copies. The album is considered one of the greatest achievements of Australian music, and is often compared with ''Music/{{Endtroducing}}''; however, while that album could be seen as a collection of songs, ''Since I Left You'''s tracklist is so interconnected that, despite lacking any original vocals, feels like nothing short of a musical journey.
Despite Chater and Seltmann's doubts on the album, ''Since I Left You'' received critical acclaim, resulting in an international re-release once the samples were given clearance - it's since gone on to sell over a million copies. The album is considered one of the greatest achievements of Australian music, and is often compared with ''Music/{{Endtroducing}}''; however, while that album could be seen as a collection of songs, ''Since I Left You'''s tracklist is so interconnected that, despite lacking any original vocals, feels like nothing short of a musical journey.
to:
''Since I Left You'', released on 27 November 2000, is the debut album by Australian [[{{Electronic Music}} electronic music]] group Music/TheAvalanches, and [[DevelopmentHell until 2016]], their only one officially released. released.
Produced by members Robbie Chater and Darren Seltmann, it continued a change in sound for the Avalanches; while their previously released [=EPs=] ''did'' have elements of their later work, they were technically rap works. Instead, this album was made with over 3,500 [[{{Sampling}} samples]] of vinyl records bought by Chater andSeltmann. Seltmann.
Figuring [[ItWillNeverCatchOn nobody would bother listening to it]], they had no plans for an international release, and thus were very lax in regards to copyright (the Australian version and the other international versions released the next year have some notable difference in certain samples; most apparent in "Frontier Psychiatrist" and "Extra Kings").
Despite Chater and Seltmann's doubts on the album, ''Since I Left You'' received critical acclaim, resulting in an international re-release once the samples were given clearance - it's since gone on to sell over a million copies.
The album is considered one of the greatest achievements of both Australianmusic, music and plunderphonics[[note]]Music derived from taking elements of existing audio compositions to make a new composition[[/note]], and is often compared with to the similarly fully-sample-based ''Music/{{Endtroducing}}''; however, while that album could be seen as a collection of songs, ''Since I Left You'''s tracklist is tracks are so interconnected that, despite lacking any original vocals, it feels like nothing short of a musical journey.
Produced by members Robbie Chater and Darren Seltmann, it continued a change in sound for the Avalanches; while their previously released [=EPs=] ''did'' have elements of their later work, they were technically rap works. Instead, this album was made with over 3,500 [[{{Sampling}} samples]] of vinyl records bought by Chater and
Figuring [[ItWillNeverCatchOn nobody would bother listening to it]], they had no plans for an international release, and thus were very lax in regards to copyright (the Australian version and the other international versions released the next year have some notable difference in certain samples; most apparent in "Frontier Psychiatrist" and "Extra Kings").
Despite Chater and Seltmann's doubts on the album, ''Since I Left You'' received critical acclaim, resulting in an international re-release once the samples were given clearance - it's since gone on to sell over a million copies.
The album is considered one of the greatest achievements of both Australian
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None
Changed line(s) 4,7 (click to see context) from:
''Since I Left You'', released on 27 November 2000, is the debut album by Australian plunderphonics group Music/TheAvalanches, and [[DevelopmentHell until 2016]], their only one officially released. Produced by members Robbie Chater and Darren Seltmann, it continued a change in sound for the Avalanches; while their previously released [=EPs=] ''did'' have elements of their later work, they were technically rap works. This album instead fully embraced plunderphonics, being made with over 3,500 [[{{Sampling}} samples]] of Chater and Seltmann's favourite vinyl records. Figuring [[ItWillNeverCatchOn nobody would bother listening to it]], they had no plans for an international release, and thus were very lax in regards to copyright (the Australian version and the other international versions released the next year have some notable difference in certain samples; most apparent in "Frontier Psychiatrist" and "Extra Kings").
Despite Chater and Seltmann's doubts on the album, ''Since I Left You'' received critical acclaim, resulting in an international re-release once the samples were given clearance - it's since gone on to sell over a million copies. The album is considered one of the greatest achievements of Australian music, as well as in plunderphonics. It is often compared with ''Music/{{Endtroducing}}'', but while ''Endtroducing'' could be seen as a collection of songs, ''Since I Left You'''s tracklist is so interconnected that, despite lacking any original vocals, feels like nothing short of a musical journey.
Despite Chater and Seltmann's doubts on the album, ''Since I Left You'' received critical acclaim, resulting in an international re-release once the samples were given clearance - it's since gone on to sell over a million copies. The album is considered one of the greatest achievements of Australian music, as well as in plunderphonics. It is often compared with ''Music/{{Endtroducing}}'', but while ''Endtroducing'' could be seen as a collection of songs, ''Since I Left You'''s tracklist is so interconnected that, despite lacking any original vocals, feels like nothing short of a musical journey.
to:
''Since I Left You'', released on 27 November 2000, is the debut album by Australian plunderphonics [[{{Electronic Music}} electronic music]] group Music/TheAvalanches, and [[DevelopmentHell until 2016]], their only one officially released. Produced by members Robbie Chater and Darren Seltmann, it continued a change in sound for the Avalanches; while their previously released [=EPs=] ''did'' have elements of their later work, they were technically rap works. This Instead, this album instead fully embraced plunderphonics, being was made with over 3,500 [[{{Sampling}} samples]] of vinyl records bought by Chater and Seltmann's favourite vinyl records.Seltmann. Figuring [[ItWillNeverCatchOn nobody would bother listening to it]], they had no plans for an international release, and thus were very lax in regards to copyright (the Australian version and the other international versions released the next year have some notable difference in certain samples; most apparent in "Frontier Psychiatrist" and "Extra Kings").
Despite Chater and Seltmann's doubts on the album, ''Since I Left You'' received critical acclaim, resulting in an international re-release once the samples were given clearance - it's since gone on to sell over a million copies. The album is considered one of the greatest achievements of Australian music,as well as in plunderphonics. It and is often compared with ''Music/{{Endtroducing}}'', but ''Music/{{Endtroducing}}''; however, while ''Endtroducing'' that album could be seen as a collection of songs, ''Since I Left You'''s tracklist is so interconnected that, despite lacking any original vocals, feels like nothing short of a musical journey.
Despite Chater and Seltmann's doubts on the album, ''Since I Left You'' received critical acclaim, resulting in an international re-release once the samples were given clearance - it's since gone on to sell over a million copies. The album is considered one of the greatest achievements of Australian music,
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* FadingIntoTheNextSong: It's a gapless album, and all the songs transition into the next. Unfortunately, there are some abrupt changes on a number of versions of it, due to the overlapping parts being samples that couldn't get cleared.
to:
* FadingIntoTheNextSong: It's a gapless album, and all the songs transition into the next. Unfortunately, there are some abrupt changes on a number of versions of it, due to the overlapping parts being samples that couldn't get be cleared.
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* GenreRoulette: It's hard to exactly pin down a genre for each individual track. The only exceptions are "Live At Dominoes" (House), "Etoh" (Trip-Hop), and ''maybe'' "Frontier Psychiatrist" (Hip-Hop with a mix of classical and turntablism).
to:
* GenreRoulette: It's hard to exactly pin down a genre for each individual track. The only exceptions are "Live At Dominoes" (House), "Etoh" (Trip-Hop), and ''maybe'' "Frontier Psychiatrist" (Hip-Hop with a mix of classical and turntablism).Classical).
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* LastNoteNightmare: "Two Hearts In 3/4 Time", a [[SugarWiki/SweetDreamsFuel lovely, calming, bubbly song,]] ends with discordant blip sounds and chaotic drumming drowning out the rest of the song before segueing into "Avalanche Rock".
to:
* LastNoteNightmare: "Two Hearts In 3/4 Time", a [[SugarWiki/SweetDreamsFuel lovely, calming, bubbly song,]] ends with song]], fades into discordant blip sounds and chaotic drumming drowning out the rest of the song before segueing into "Avalanche Rock".
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* {{Mondegreen}}: "Since I Left You" [[InvokedTrope invokes]] this; the original lyric was, "since I ''met'' you". It just ended up sounding like "left" when it was sampled.
to:
* {{Mondegreen}}: "Since I Left You" [[InvokedTrope invokes]] this; the original lyric was, was "since I ''met'' you". It just ended up sounding like "left" when it was sampled.
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* RadioSong: "Radio"
to:
* RadioSong: "Radio""Radio".
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None
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->'''Mr. Kirk''': ''"Is Dexter ill-ill-Is Dexter ill-ill-Is Dexter ill-ill-ill-[[Film/{{Polyester}} Is Dexter ill today?]]"''\\
'''Mrs. Fishpaw''': "''Why, Mr. Kirk, Dexter's in school!''"\\
'''Mr. Kirk''': "''I'm afraid he's not, Mrs. Fishpaw. Dexter's truancy problem is way out of hand! The Baltimore County School Board have decided to expel Dexter from the entire public school system.''"\\
'''Mrs. Fishpaw''': "''Mr. Kirk, I'm as upset as you to learn of Dexter's truancy, but surely expulsion is not the answer?''"\\
'''Mr. Kirk''': "''I'm afraid expulsion is the only answer. It is the opinion of the entire staff that Dexter is criminally insane-sane-sane-sane-sane-sane...''"
-->-'''The opening to "Frontier Psychiatrist"'''
''Since I Left You'' is the debut album by Australian plunderphonics group Music/TheAvalanches released on 27 November 2000, and, [[DevelopmentHell until July 2016]], their only one officially released. Produced by members Robbie Chater and Darren Seltmann, ''Since I Left You'' continued a change in sound for The Avalanches; while their previously released [=EPs=] ''did'' have elements of their later work, they were technically rap works. This album instead fully embraced plunderphonics, being made with over 3,500 [[{{Sampling}} samples]] of Chater and Seltmann's favourite vinyl records. Figuring that [[ItWillNeverCatchOn nobody would bother listening to it]], they had no plans for an international release, and thus were very lax in regards to copyright (the Australian version and the other international versions released the next year have some notable difference in certain samples; most apparent in "Frontier Psychiatrist" and "Extra Kings").
Despite Chater and Seltmann's doubts on the album, ''Since I Left You'' received critical acclaim, resulting in an international re-release once the samples were given clearance - it's since gone on to sell over a million copies. The album's considered one of the greatest achievements of Australian music as well as in plunderphonics. It's often compared with ''Music/{{Endtroducing}}'', but while ''Endtroducing'' could be seen as a collection of songs, ''Since I Left You'''s tracklist is so interconnected that, despite lacking any original vocals, feels like nothing short of a musical journey.
'''Mrs. Fishpaw''': "''Why, Mr. Kirk, Dexter's in school!''"\\
'''Mr. Kirk''': "''I'm afraid he's not, Mrs. Fishpaw. Dexter's truancy problem is way out of hand! The Baltimore County School Board have decided to expel Dexter from the entire public school system.''"\\
'''Mrs. Fishpaw''': "''Mr. Kirk, I'm as upset as you to learn of Dexter's truancy, but surely expulsion is not the answer?''"\\
'''Mr. Kirk''': "''I'm afraid expulsion is the only answer. It is the opinion of the entire staff that Dexter is criminally insane-sane-sane-sane-sane-sane...''"
-->-'''The opening to "Frontier Psychiatrist"'''
''Since I Left You'' is the debut album by Australian plunderphonics group Music/TheAvalanches released on 27 November 2000, and, [[DevelopmentHell until July 2016]], their only one officially released. Produced by members Robbie Chater and Darren Seltmann, ''Since I Left You'' continued a change in sound for The Avalanches; while their previously released [=EPs=] ''did'' have elements of their later work, they were technically rap works. This album instead fully embraced plunderphonics, being made with over 3,500 [[{{Sampling}} samples]] of Chater and Seltmann's favourite vinyl records. Figuring that [[ItWillNeverCatchOn nobody would bother listening to it]], they had no plans for an international release, and thus were very lax in regards to copyright (the Australian version and the other international versions released the next year have some notable difference in certain samples; most apparent in "Frontier Psychiatrist" and "Extra Kings").
Despite Chater and Seltmann's doubts on the album, ''Since I Left You'' received critical acclaim, resulting in an international re-release once the samples were given clearance - it's since gone on to sell over a million copies. The album's considered one of the greatest achievements of Australian music as well as in plunderphonics. It's often compared with ''Music/{{Endtroducing}}'', but while ''Endtroducing'' could be seen as a collection of songs, ''Since I Left You'''s tracklist is so interconnected that, despite lacking any original vocals, feels like nothing short of a musical journey.
to:
'''Mrs. Fishpaw''': "''Why, Mr. Kirk, Dexter's in school!''"\\
'''Mr. Kirk''': "''I'm afraid he's not, Mrs. Fishpaw. Dexter's truancy problem is way out of hand! The Baltimore County School Board have decided to expel Dexter from the entire public school system.''"\\
'''Mrs. Fishpaw''': "''Mr. Kirk, I'm as upset as you to learn of Dexter's truancy, but surely expulsion is not the answer?''"\\
'''Mr. Kirk''': "''I'm afraid expulsion is the only answer. It is the opinion of the entire staff that Dexter is criminally insane-sane-sane-sane-sane-sane...''"
-->-'''The opening to "Frontier Psychiatrist"'''
Despite Chater and Seltmann's doubts on the album, ''Since I Left You'' received critical acclaim, resulting in an international re-release once the samples were given clearance - it's since gone on to sell over a million copies. The
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* AWildRapperAppears: "Flight Tonight", with an appearance from the Saian Supa Crew, who were a French rap group.
to:
* AWildRapperAppears: "Flight Tonight", with an a sampled appearance from the Saian Supa Crew, who were a French rap group.
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* FadingIntoTheNextSong: It's a gapless album, and all the songs transition into the next one.
** Unfortunately, there are some abrupt changes on a number of releases, due to the overlapping parts being samples that couldn't get cleared.
** Unfortunately, there are some abrupt changes on a number of releases, due to the overlapping parts being samples that couldn't get cleared.
to:
* FadingIntoTheNextSong: It's a gapless album, and all the songs transition into the next one.
**next. Unfortunately, there are some abrupt changes on a number of releases, versions of it, due to the overlapping parts being samples that couldn't get cleared.
**
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* GenreRoulette: It's hard to exactly pin down a genre for each individual track. The only exceptions are "Live At Dominoes" (House), "Etoh" (Trip-Hop) and ''maybe'' "Frontier Psychiatrist" (Trip-Hop with a bit of funk, classical and turntablism).
to:
* GenreRoulette: It's hard to exactly pin down a genre for each individual track. The only exceptions are "Live At Dominoes" (House), "Etoh" (Trip-Hop) (Trip-Hop), and ''maybe'' "Frontier Psychiatrist" (Trip-Hop (Hip-Hop with a bit mix of funk, classical and turntablism).
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* SiameseTwinSongs: "Since I Left You"/"Stay Another Season", "Flight Tonight"/"Close To You"/"Diners Only", and "Etoh"/"Summer Crane".
* StopAndGo: Done twice in "Close To You".
* StopAndGo: Done twice in "Close To You".
to:
* SiameseTwinSongs: "Since I Left You"/"Stay Another Season", "Flight Tonight"/"Close To to You"/"Diners Only", and "Etoh"/"Summer Crane".
Crane"/"Extra Kings".
* StopAndGo: Done twice in "CloseTo to You".
* StopAndGo: Done twice in "Close
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* LastNoteNightmare: "Two Hearts In 3/4 Time", a [[SweetDreamsFuel lovely, calming, bubbly song,]] ends with discordant blip sounds and chaotic drumming drowning out the rest of the song before segueing into "Avalanche Rock".
to:
* LastNoteNightmare: "Two Hearts In 3/4 Time", a [[SweetDreamsFuel [[SugarWiki/SweetDreamsFuel lovely, calming, bubbly song,]] ends with discordant blip sounds and chaotic drumming drowning out the rest of the song before segueing into "Avalanche Rock".
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** Unfortunately, there are some abrupt changes on a number of releases, due to the overlapping parts being samples that couldn't get cleared.
Is there an issue? Send a MessageReason:
None
Changed line(s) 11,12 (click to see context) from:
''Since I Left You'' is the debut album by Australian plunderphonics group Music/TheAvalanches released on 27 November 2000, and currently their only one [[DevelopmentHell officially released]]. Produced by members Robbie Chater and Darren Seltmann, ''Since I Left You'' continued a change in sound for The Avalanches; while their previously released [=EPs=] ''did'' have elements of their later work, they were technically rap works. This album instead fully embraced plunderphonics, being made with over 3,500 [[{{Sampling}} samples]] of Chater and Seltmann's favourite vinyl records. Figuring that [[ItWillNeverCatchOn nobody would bother listening to it]], they had no plans for an international release, and thus were very lax in regards to copyright (the Australian version and the other international versions released the next year have some notable difference in certain samples; most apparent in "Frontier Psychiatrist" and "Extra Kings").
to:
''Since I Left You'' is the debut album by Australian plunderphonics group Music/TheAvalanches released on 27 November 2000, and currently their only one and, [[DevelopmentHell until July 2016]], their only one officially released]].released. Produced by members Robbie Chater and Darren Seltmann, ''Since I Left You'' continued a change in sound for The Avalanches; while their previously released [=EPs=] ''did'' have elements of their later work, they were technically rap works. This album instead fully embraced plunderphonics, being made with over 3,500 [[{{Sampling}} samples]] of Chater and Seltmann's favourite vinyl records. Figuring that [[ItWillNeverCatchOn nobody would bother listening to it]], they had no plans for an international release, and thus were very lax in regards to copyright (the Australian version and the other international versions released the next year have some notable difference in certain samples; most apparent in "Frontier Psychiatrist" and "Extra Kings").
Is there an issue? Send a MessageReason:
The Avalanches' second album Wildflower is about to be released, so the band no longer qualifies as a One Book Author
Changed line(s) 11,12 (click to see context) from:
''Since I Left You'' is the debut (and so far, [[OneBookAuthor only]]) album by Australian plunderphonics group Music/TheAvalanches released on 27 November 2000, and currently their only one [[DevelopmentHell officially released]]. Produced by members Robbie Chater and Darren Seltmann, ''Since I Left You'' continued a change in sound for The Avalanches; while their previously released [=EPs=] ''did'' have elements of their later work, they were technically rap works. This album instead fully embraced plunderphonics, being made with over 3,500 [[{{Sampling}} samples]] of Chater and Seltmann's favourite vinyl records. Figuring that [[ItWillNeverCatchOn nobody would bother listening to it]], they had no plans for an international release, and thus were very lax in regards to copyright (the Australian version and the other international versions released the next year have some notable difference in certain samples; most apparent in "Frontier Psychiatrist" and "Extra Kings").
to:
''Since I Left You'' is the debut (and so far, [[OneBookAuthor only]]) album by Australian plunderphonics group Music/TheAvalanches released on 27 November 2000, and currently their only one [[DevelopmentHell officially released]]. Produced by members Robbie Chater and Darren Seltmann, ''Since I Left You'' continued a change in sound for The Avalanches; while their previously released [=EPs=] ''did'' have elements of their later work, they were technically rap works. This album instead fully embraced plunderphonics, being made with over 3,500 [[{{Sampling}} samples]] of Chater and Seltmann's favourite vinyl records. Figuring that [[ItWillNeverCatchOn nobody would bother listening to it]], they had no plans for an international release, and thus were very lax in regards to copyright (the Australian version and the other international versions released the next year have some notable difference in certain samples; most apparent in "Frontier Psychiatrist" and "Extra Kings").
Is there an issue? Send a MessageReason:
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'''''Since I Left You''''' is the debut (and so far, [[OneBookAuthor only]]) album by Australian plunderphonics group Music/TheAvalanches released on 27 November 2000, and currently their only one [[DevelopmentHell officially released]]. Produced by members Robbie Chater and Darren Seltmann, ''Since I Left You'' continued a change in sound for The Avalanches; while their previously released [=EPs=] ''did'' have elements of their later work, they were technically rap works. This album instead fully embraced plunderphonics, being made with over 3,500 [[{{Sampling}} samples]] of Chater and Seltmann's favourite vinyl records. Figuring that [[ItWillNeverCatchOn nobody would bother listening to it]], they had no plans for an international release, and thus were very lax in regards to copyright (the Australian version and the other international versions released the next year have some notable difference in certain samples; most apparent in "Frontier Psychiatrist" and "Extra Kings").
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* CutSong: "With My Baby", which was supposed to be placed between "Stay Another Season" and "Radio". It ended up as a B-Side on "Frontier Psychiatrist" instead.
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Despite Chater and Seltmann's doubts on the album, ''Since I Left You'' received critical acclaim, resulting in an international re-release once the samples were given clearance - it's since gone on to sell over a million copies. The album's considered one of the greatest achievements of Australian music as well as in plunderphonics. It's often compared with ''Music/{{Endtroducing}}'', but while ''Endtroducing.....'' could be seen as a collection of songs, ''Since I Left You'''s tracklist is so interconnected that, despite lacking any original vocals, feels like nothing short of a musical journey.
to:
Despite Chater and Seltmann's doubts on the album, ''Since I Left You'' received critical acclaim, resulting in an international re-release once the samples were given clearance - it's since gone on to sell over a million copies. The album's considered one of the greatest achievements of Australian music as well as in plunderphonics. It's often compared with ''Music/{{Endtroducing}}'', but while ''Endtroducing.....'' ''Endtroducing'' could be seen as a collection of songs, ''Since I Left You'''s tracklist is so interconnected that, despite lacking any original vocals, feels like nothing short of a musical journey.
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* FadingIntoTheNextSong
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* FadingIntoTheNextSongFadingIntoTheNextSong: It's a gapless album, and all the songs transition into the next one.
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* GenreRoulette: It's hard to exactly pin down a genre for each individual track. The only exceptions are "Live At Dominoes" (House), Etoh (Trip-Hop) and ''maybe'' "Frontier Psychiatrist" (Trip-Hop with a bit of funk, classical and turntablism).
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* GenreRoulette: It's hard to exactly pin down a genre for each individual track. The only exceptions are "Live At Dominoes" (House), Etoh "Etoh" (Trip-Hop) and ''maybe'' "Frontier Psychiatrist" (Trip-Hop with a bit of funk, classical and turntablism).
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'''''Since I Left You''''' is the debut album by Australian plunderphonics group Music/TheAvalanches released on 27 November 2000, and currently their only one [[DevelopmentHell officially released]]. Produced by members Robbie Chater and Darren Seltmann, ''Since I Left You'' continued a change in sound for The Avalanches; while their previously released [=EPs=] ''did'' have elements of their later work, they were technically rap works. This album instead fully embraced plunderphonics, being made with over 3,500 [[{{Sampling}} samples]] of Chater and Seltmann's favourite vinyl records. Figuring that [[ItWillNeverCatchOn nobody would bother listening to it]], they had no plans for an international release, and thus were very lax in regards to copyright (the Australian version and the other international versions released the next year have some notable difference in certain samples; most apparent in "Frontier Psychiatrist" and "Extra Kings").
to:
'''''Since I Left You''''' is the debut (and so far, [[OneBookAuthor only]]) album by Australian plunderphonics group Music/TheAvalanches released on 27 November 2000, and currently their only one [[DevelopmentHell officially released]]. Produced by members Robbie Chater and Darren Seltmann, ''Since I Left You'' continued a change in sound for The Avalanches; while their previously released [=EPs=] ''did'' have elements of their later work, they were technically rap works. This album instead fully embraced plunderphonics, being made with over 3,500 [[{{Sampling}} samples]] of Chater and Seltmann's favourite vinyl records. Figuring that [[ItWillNeverCatchOn nobody would bother listening to it]], they had no plans for an international release, and thus were very lax in regards to copyright (the Australian version and the other international versions released the next year have some notable difference in certain samples; most apparent in "Frontier Psychiatrist" and "Extra Kings").
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* AWildRapperAppears: "Flight Tonight", with an appearance from the Saian Supa Crew.
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* AWildRapperAppears: "Flight Tonight", with an appearance from the Saian Supa Crew.Crew, who were a French rap group.
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* CutSong: "With My Baby", which was supposed to be placed between "Stay Another Season" and "Radio". It ended up as a B-Side on "Frontier Psychiatrist" instead
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* CutSong: "With My Baby", which was supposed to be placed between "Stay Another Season" and "Radio". It ended up as a B-Side on "Frontier Psychiatrist" insteadinstead.
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* FrontierDoctor: "Frontier Psychiatrist"
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* FrontierDoctor: "Frontier Psychiatrist"Psychiatrist".
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* LastNoteNightmare: "Two Hearts In 3/4 Time", a [[SweetDreamsFuel lovely, calming, bubbly song,]] ends with discordant blip sounds and chaotic drumming drowning out the rest of the song before segueing into "Avalanche Rock"
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* LastNoteNightmare: "Two Hearts In 3/4 Time", a [[SweetDreamsFuel lovely, calming, bubbly song,]] ends with discordant blip sounds and chaotic drumming drowning out the rest of the song before segueing into "Avalanche Rock"Rock".
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* {{Sampling}}: [[UpToEleven Over 3,500 of them]]
* SiameseTwinSongs: "Since I Left You"/"Stay Another Season", "Flight Tonight"/"Close To You"/"Diners Only", and "Etoh"/"Summer Crane"
* StopAndGo: Done twice in "Close To You"
* SiameseTwinSongs: "Since I Left You"/"Stay Another Season", "Flight Tonight"/"Close To You"/"Diners Only", and "Etoh"/"Summer Crane"
* StopAndGo: Done twice in "Close To You"
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* {{Sampling}}: [[UpToEleven Over 3,500 of them]]
them]].
* SiameseTwinSongs: "Since I Left You"/"Stay Another Season", "Flight Tonight"/"Close To You"/"Diners Only", and "Etoh"/"SummerCrane"
Crane".
* StopAndGo: Done twice in "Close ToYou"You".
* SiameseTwinSongs: "Since I Left You"/"Stay Another Season", "Flight Tonight"/"Close To You"/"Diners Only", and "Etoh"/"Summer
* StopAndGo: Done twice in "Close To
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* WordSaladLyrics: "Frontier Psychiatrist", fitting when you consider the song's theme
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* WordSaladLyrics: "Frontier Psychiatrist", fitting when you consider the song's themetheme.
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The vocalist in \"Extra Kings\" is male
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* BookEnds: "Extra Kings", both instrumental and lyric-wise, acts as a counterpart to "Since I Left You"; the woodwinds for the instrumental aspect, and the lyricism aspect both feature a female vocalist singing about the effects of leaving someone. While "Since I Left You" portrays this as a breath of fresh air ("Since I left you, I've found the world so new"), "Extra Kings" has a female vocalist sing "I've tried, but I just can't get you/Ever since the day I left you" as the song and by extension the album fades out.
to:
* BookEnds: "Extra Kings", both instrumental and lyric-wise, acts as a counterpart to "Since I Left You"; the woodwinds for the instrumental aspect, and the lyricism aspect both feature a female vocalist singing about the effects of leaving someone. While "Since I Left You" portrays this as a breath of fresh air ("Since I left you, I've found the world so new"), "Extra Kings" has a female vocalist sing "I've tried, but I just can't get you/Ever since the day I left you" as the song and by extension the album fades out.
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!!Principal members
* Bobby Dazzler (Robbie Chater and Darren Seltmann) - Choir, chorus, guitar
* Robbie Chater - Samplers
* James De La Cruz - Turntables
* Antoinette Halloran - Vocals
* Gordon [=McQuilten=] - Pianos, percussion
* Sally Russell - Vocals
* Darren Seltmann - Brass band, vocals, samplers
----
* Bobby Dazzler (Robbie Chater and Darren Seltmann) - Choir, chorus, guitar
* Robbie Chater - Samplers
* James De La Cruz - Turntables
* Antoinette Halloran - Vocals
* Gordon [=McQuilten=] - Pianos, percussion
* Sally Russell - Vocals
* Darren Seltmann - Brass band, vocals, samplers
----
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''Since I Left You'' is the debut album by Australian plunderphonics group Music/TheAvalanches released on 27 November 2000, and currently their only one [[DevelopmentHell officially released]]. Produced by members Robbie Chater and Darren Seltmann, ''Since I Left You'' continued a change in sound for The Avalanches; while their previously released [=EPs=] ''did'' have elements of their later work, they were technically rap works. This album instead fully embraced plunderphonics, being made with over 3,500 [[{{Sampling}} samples]] of Chater and Seltmann's favourite vinyl records. Figuring that [[ItWillNeverCatchOn nobody would bother listening to it]], they had no plans for an international release, and thus were very lax in regards to copyright (the Australian version and the other international versions released the next year have some notable difference in certain samples; most apparent in "Frontier Psychiatrist" and "Extra Kings").
to:
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* MindScrew: The music video for "Frontier Psychiatrist". "Since I Left You", as well.
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/since_i_left_you.jpg]]
[[caption-width-right:350:"Oh, can't you hear it?"]]
->'''Mr. Kirk''': ''"Is Dexter ill-ill-Is Dexter ill-ill-Is Dexter ill-ill-ill-[[Film/{{Polyester}} Is Dexter ill today?]]"''\\
'''Mrs. Fishpaw''': "''Why, Mr. Kirk, Dexter's in school!''"\\
'''Mr. Kirk''': "''I'm afraid he's not, Mrs. Fishpaw. Dexter's truancy problem is way out of hand! The Baltimore County School Board have decided to expel Dexter from the entire public school system.''"\\
'''Mrs. Fishpaw''': "''Mr. Kirk, I'm as upset as you to learn of Dexter's truancy, but surely expulsion is not the answer?''"\\
'''Mr. Kirk''': "''I'm afraid expulsion is the only answer. It is the opinion of the entire staff that Dexter is criminally insane-sane-sane-sane-sane-sane...''"
-->-'''The opening to "Frontier Psychiatrist"'''
''Since I Left You'' is the debut album by Australian plunderphonics group Music/TheAvalanches released on 27 November 2000, and currently their only one [[DevelopmentHell officially released]]. Produced by members Robbie Chater and Darren Seltmann, ''Since I Left You'' continued a change in sound for The Avalanches; while their previously released [=EPs=] ''did'' have elements of their later work, they were technically rap works. This album instead fully embraced plunderphonics, being made with over 3,500 [[{{Sampling}} samples]] of Chater and Seltmann's favourite vinyl records. Figuring that [[ItWillNeverCatchOn nobody would bother listening to it]], they had no plans for an international release, and thus were very lax in regards to copyright (the Australian version and the other international versions released the next year have some notable difference in certain samples; most apparent in "Frontier Psychiatrist" and "Extra Kings").
Despite Chater and Seltmann's doubts on the album, ''Since I Left You'' received critical acclaim, resulting in an international re-release once the samples were given clearance - it's since gone on to sell over a million copies. The album's considered one of the greatest achievements of Australian music as well as in plunderphonics. It's often compared with ''Music/{{Endtroducing}}'', but while ''Endtroducing.....'' could be seen as a collection of songs, ''Since I Left You'''s tracklist is so interconnected that, despite lacking any original vocals, feels like nothing short of a musical journey.
----
!!Tracklist
# "[[TitleTrack Since I Left You]]" (4:21)
# "Stay Another Season" (2:19)
# "Radio" (4:23)
# "Two Hearts In 3/4 Time" (3:22)
# "Avalanche Rock" (0:23)
# "Flight Tonight" (3:51)
# "Close To You" (3:55)
# "Diners Only" (3:56)
# "A Different Feeling" (4:23)
# "Electricity" (3:29)
# "Tonight" (2:20)
# "Pablo's Cruise" (0:54)
# "Frontier Psychiatrist" (4:48)
# "Etoh" (5:03)
# "Summer Crane" (4:39)
# "Little Journey" (1:36)
# "Live At Dominoes" (5:39)
# "Extra Kings" (3:45)
----
!!These tropes need therapy
* AWildRapperAppears: "Flight Tonight", with an appearance from the Saian Supa Crew.
* AllPsychologyIsFreudian: "Frontier Psychiatrist" has WordSaladLyrics that parody this trope (like referencing the FreudianCouch).
* BookEnds: "Extra Kings", both instrumental and lyric-wise, acts as a counterpart to "Since I Left You"; the woodwinds for the instrumental aspect, and the lyricism aspect both feature a female vocalist singing about the effects of leaving someone. While "Since I Left You" portrays this as a breath of fresh air ("Since I left you, I've found the world so new"), "Extra Kings" has a female vocalist sing "I've tried, but I just can't get you/Ever since the day I left you" as the song and by extension the album fades out.
* CallBack[=/=]CallForward: Some samples that are prominent in earlier songs make cameos in later ones, while samples that are relatively minor in an earlier track become more utilised later on in the album.
* CutSong: "With My Baby", which was supposed to be placed between "Stay Another Season" and "Radio". It ended up as a B-Side on "Frontier Psychiatrist" instead
* FadingIntoTheNextSong
* FrontierDoctor: "Frontier Psychiatrist"
* GenreRoulette: It's hard to exactly pin down a genre for each individual track. The only exceptions are "Live At Dominoes" (House), Etoh (Trip-Hop) and ''maybe'' "Frontier Psychiatrist" (Trip-Hop with a bit of funk, classical and turntablism).
* ItWillNeverCatchOn: A rarer example of the group itself thinking this about their work.
* LastNoteNightmare: "Two Hearts In 3/4 Time", a [[SweetDreamsFuel lovely, calming, bubbly song,]] ends with discordant blip sounds and chaotic drumming drowning out the rest of the song before segueing into "Avalanche Rock"
* LoopedLyrics
* MinisculeRocking: "Avalanche Rock" at 23 seconds and "Pablo's Cruise" at 54 seconds.
* {{Mondegreen}}: "Since I Left You" [[InvokedTrope invokes]] this; the original lyric was, "since I ''met'' you". It just ended up sounding like "left" when it was sampled.
* NeoClassicalPunkZydecoRockabilly: See GenreRoulette above.
* OneWomanWail: PlayedWith in "Electricity"; it's actually multiple wails by the same woman layered over each other.
* RecurringRiff: The sample heard in "Summer Crane" is reprised at the end of "Extra Kings".
* RegionalBonus: {{Inverted}}. Some samples had to be taken out of international releases due to licensing issues, most notably the flute sample in "Summer Crane".
* {{Sampling}}: [[UpToEleven Over 3,500 of them]]
* SiameseTwinSongs: "Since I Left You"/"Stay Another Season", "Flight Tonight"/"Close To You"/"Diners Only", and "Etoh"/"Summer Crane"
* StopAndGo: Done twice in "Close To You"
* StupidStatementDanceMix: The main chorus of "Frontier Psychiatrist" samples different parts of an old Wayne and Shuster skit in this manner. The "verses", so to speak, also sample various spoken word records.
* WordSaladLyrics: "Frontier Psychiatrist", fitting when you consider the song's theme
[[caption-width-right:350:"Oh, can't you hear it?"]]
->'''Mr. Kirk''': ''"Is Dexter ill-ill-Is Dexter ill-ill-Is Dexter ill-ill-ill-[[Film/{{Polyester}} Is Dexter ill today?]]"''\\
'''Mrs. Fishpaw''': "''Why, Mr. Kirk, Dexter's in school!''"\\
'''Mr. Kirk''': "''I'm afraid he's not, Mrs. Fishpaw. Dexter's truancy problem is way out of hand! The Baltimore County School Board have decided to expel Dexter from the entire public school system.''"\\
'''Mrs. Fishpaw''': "''Mr. Kirk, I'm as upset as you to learn of Dexter's truancy, but surely expulsion is not the answer?''"\\
'''Mr. Kirk''': "''I'm afraid expulsion is the only answer. It is the opinion of the entire staff that Dexter is criminally insane-sane-sane-sane-sane-sane...''"
-->-'''The opening to "Frontier Psychiatrist"'''
''Since I Left You'' is the debut album by Australian plunderphonics group Music/TheAvalanches released on 27 November 2000, and currently their only one [[DevelopmentHell officially released]]. Produced by members Robbie Chater and Darren Seltmann, ''Since I Left You'' continued a change in sound for The Avalanches; while their previously released [=EPs=] ''did'' have elements of their later work, they were technically rap works. This album instead fully embraced plunderphonics, being made with over 3,500 [[{{Sampling}} samples]] of Chater and Seltmann's favourite vinyl records. Figuring that [[ItWillNeverCatchOn nobody would bother listening to it]], they had no plans for an international release, and thus were very lax in regards to copyright (the Australian version and the other international versions released the next year have some notable difference in certain samples; most apparent in "Frontier Psychiatrist" and "Extra Kings").
Despite Chater and Seltmann's doubts on the album, ''Since I Left You'' received critical acclaim, resulting in an international re-release once the samples were given clearance - it's since gone on to sell over a million copies. The album's considered one of the greatest achievements of Australian music as well as in plunderphonics. It's often compared with ''Music/{{Endtroducing}}'', but while ''Endtroducing.....'' could be seen as a collection of songs, ''Since I Left You'''s tracklist is so interconnected that, despite lacking any original vocals, feels like nothing short of a musical journey.
----
!!Tracklist
# "[[TitleTrack Since I Left You]]" (4:21)
# "Stay Another Season" (2:19)
# "Radio" (4:23)
# "Two Hearts In 3/4 Time" (3:22)
# "Avalanche Rock" (0:23)
# "Flight Tonight" (3:51)
# "Close To You" (3:55)
# "Diners Only" (3:56)
# "A Different Feeling" (4:23)
# "Electricity" (3:29)
# "Tonight" (2:20)
# "Pablo's Cruise" (0:54)
# "Frontier Psychiatrist" (4:48)
# "Etoh" (5:03)
# "Summer Crane" (4:39)
# "Little Journey" (1:36)
# "Live At Dominoes" (5:39)
# "Extra Kings" (3:45)
----
!!These tropes need therapy
* AWildRapperAppears: "Flight Tonight", with an appearance from the Saian Supa Crew.
* AllPsychologyIsFreudian: "Frontier Psychiatrist" has WordSaladLyrics that parody this trope (like referencing the FreudianCouch).
* BookEnds: "Extra Kings", both instrumental and lyric-wise, acts as a counterpart to "Since I Left You"; the woodwinds for the instrumental aspect, and the lyricism aspect both feature a female vocalist singing about the effects of leaving someone. While "Since I Left You" portrays this as a breath of fresh air ("Since I left you, I've found the world so new"), "Extra Kings" has a female vocalist sing "I've tried, but I just can't get you/Ever since the day I left you" as the song and by extension the album fades out.
* CallBack[=/=]CallForward: Some samples that are prominent in earlier songs make cameos in later ones, while samples that are relatively minor in an earlier track become more utilised later on in the album.
* CutSong: "With My Baby", which was supposed to be placed between "Stay Another Season" and "Radio". It ended up as a B-Side on "Frontier Psychiatrist" instead
* FadingIntoTheNextSong
* FrontierDoctor: "Frontier Psychiatrist"
* GenreRoulette: It's hard to exactly pin down a genre for each individual track. The only exceptions are "Live At Dominoes" (House), Etoh (Trip-Hop) and ''maybe'' "Frontier Psychiatrist" (Trip-Hop with a bit of funk, classical and turntablism).
* ItWillNeverCatchOn: A rarer example of the group itself thinking this about their work.
* LastNoteNightmare: "Two Hearts In 3/4 Time", a [[SweetDreamsFuel lovely, calming, bubbly song,]] ends with discordant blip sounds and chaotic drumming drowning out the rest of the song before segueing into "Avalanche Rock"
* LoopedLyrics
* MinisculeRocking: "Avalanche Rock" at 23 seconds and "Pablo's Cruise" at 54 seconds.
* {{Mondegreen}}: "Since I Left You" [[InvokedTrope invokes]] this; the original lyric was, "since I ''met'' you". It just ended up sounding like "left" when it was sampled.
* NeoClassicalPunkZydecoRockabilly: See GenreRoulette above.
* OneWomanWail: PlayedWith in "Electricity"; it's actually multiple wails by the same woman layered over each other.
* RecurringRiff: The sample heard in "Summer Crane" is reprised at the end of "Extra Kings".
* RegionalBonus: {{Inverted}}. Some samples had to be taken out of international releases due to licensing issues, most notably the flute sample in "Summer Crane".
* {{Sampling}}: [[UpToEleven Over 3,500 of them]]
* SiameseTwinSongs: "Since I Left You"/"Stay Another Season", "Flight Tonight"/"Close To You"/"Diners Only", and "Etoh"/"Summer Crane"
* StopAndGo: Done twice in "Close To You"
* StupidStatementDanceMix: The main chorus of "Frontier Psychiatrist" samples different parts of an old Wayne and Shuster skit in this manner. The "verses", so to speak, also sample various spoken word records.
* WordSaladLyrics: "Frontier Psychiatrist", fitting when you consider the song's theme
