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* MurderSuicide: "Home Sweet Home" sees Josephine jump out the window with Sam in tow, so that Bill can collect the insurance money needed to free himself from debt.
to:
* MurderSuicide: "Home Sweet Home" sees Josephine jump out the window with Sam in tow, so that tow. The only motive she gives is "we've got to get out of here, Bill, I've been saying it all the while," leaving it ambiguous whether she committed murder-suicide due to passing the DespairEventHorizon (being trapped in poverty after being forced into a ShotgunWedding) or if she aimed to let Bill can collect the insurance money needed to from their deaths and free himself from debt.
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* PyrrhicVictory: "Home Sweet Home" revolves around Bill's hopes to settle down and live a good, stable life. He eventually achieves this at the end, but only because Josephine killed herself and their child so he can collect the insurance money from their deaths. Bill himself spends all the money at a casino out of guilt, and even though he wins enough to buy a nice country house, his accomplishment doesn't alter the song's melancholy tone, having lost his family in the process.
to:
* PyrrhicVictory: "Home Sweet Home" revolves around Bill's hopes to settle down and live a good, stable life. He eventually achieves this at the end, but only because Josephine killed herself and their child so he can collect via the insurance money from their deaths. his wife and child's MurderSuicide. Bill himself spends all the money at a casino out of guilt, and even though he wins enough to buy a nice country house, his accomplishment doesn't alter the song's melancholy tone, having lost his family in the process.
Added DiffLines:
* ShotgunWedding: Bill's recollection of his marriage to Josephine in "Home Sweet Home" implies that the two of them got married solely because he impregnated her during what was supposed to be a one-night stand. This ends up having dire consequences for the pair: they're chased out of town and are unable to make a sustainable income when they finally settle down, leading Josephine to kill herself and her child.
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* LimitedLyricsSong: The words to exposure consist primarily of Gabriel uttering the title lyric, plus the brief bridge "space is what I need/It's what I feed on" and the outro line "out in the open."
to:
* LimitedLyricsSong: The words to exposure "Exposure" consist primarily of Gabriel uttering the title lyric, plus the brief bridge "space is what I need/It's what I feed on" and the outro line "out in the open."
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To consolidate this change in approach, the album was produced by prior collaborator and former Music/KingCrimson guitarist Robert Fripp, who envisioned the record as part of a trilogy of albums that {{deconstruct|ion}}ed the idea of pop music. The other two albums, Fripp's solo debut ''Exposure'' and Music/{{Daryl Hall|AndJohnOates}}'s ''Sacred Songs'', were made concurrently but released late. Gabriel and Hall both provide guest vocals on ''Exposure'' (which also features new versions of Gabriel's "Here Comes the Flood" and, appropriately, "Exposure") to return the favor.
to:
To consolidate this change in approach, the album was produced by prior collaborator and former Music/KingCrimson guitarist Robert Fripp, who envisioned the record as part of a trilogy of albums that {{deconstruct|ion}}ed the idea of pop music. The other two albums, Fripp's solo debut ''Exposure'' and Music/{{Daryl Hall|AndJohnOates}}'s ''Sacred Songs'', were made concurrently but released late.one and two years later, respectively. Gabriel and Hall both provide guest vocals on ''Exposure'' (which also features new versions of Gabriel's "Here Comes the Flood" and, appropriately, "Exposure") to return the favor.
Added DiffLines:
* GenreDeconstruction: Producer Robert Fripp envisioned the album as one to the entire concept of pop music itself, together with his solo album ''Exposure'' and Music/{{Daryl Hall|AndJohnOates}}'s ''Sacred Songs''. Fittingly, the songs on the album contrast seemingly accessible concepts with leftfield structures and subversive lyrics in order to challenge common assumptions of what popular music entails.
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* WarIsGlorious: The narrator of "Animal Magic" openly believes so, stating that they want to join the fighting in UsefulNotes/TheTroubles in order to become a man.
to:
* WarIsGlorious: The narrator of "Animal Magic" openly believes so, stating that they want he wants to join the fighting in UsefulNotes/TheTroubles in order to become a man.
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* AntiLoveSong: "Flotsam and Jetsam" describes a dysfunctional relationship through the metaphor of a sinking ship.
* DeathSong: "Indigo" is narrated by an old man just about to pass on, contemplating the end of his life.
* DoubleEntendre: "Animal Magic" uses magician imagery as a metaphor for joining a paramilitary group to fight in UsefulNotes/TheTroubles.
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* FadingIntoTheNextSong: The ending of "On the Air" hard-cuts into the start of "D.I.Y."
to:
* FadingIntoTheNextSong: The ending of "On the Air" hard-cuts into the start of "D.I.Y."", which in turn segues into "Mother of Violence".
* LightIsNotGood: "White Shadow" revolves around a angelic figure that emerges in the middle of the night, glowing in a bright white light. However, rather than being seen as a blessing, her presence is portrayed as immensely foreboding and terrifies everyone around, including the narrator, who points out how "light can be deceptive with her rays."
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* NumberedSequel: The US release retitles the album ''Peter Gabriel II'' to differentiate it from its predecessor.
to:
* NumberedSequel: The initial US release retitles the album ''Peter Gabriel II'' to differentiate it from its predecessor.
Added DiffLines:
* PyrrhicVictory: "Home Sweet Home" revolves around Bill's hopes to settle down and live a good, stable life. He eventually achieves this at the end, but only because Josephine killed herself and their child so he can collect the insurance money from their deaths. Bill himself spends all the money at a casino out of guilt, and even though he wins enough to buy a nice country house, his accomplishment doesn't alter the song's melancholy tone, having lost his family in the process.
* RadioSong: "On the Air" describes Gabriel's character Mozo (previously the lead figure in [[Music/{{Car}} "Down the Dolce Vita" and "Here Comes the Flood"]]) running a pirate radio station in secrecy, traveling through the radio waves themselves in the process.
* RadioSong: "On the Air" describes Gabriel's character Mozo (previously the lead figure in [[Music/{{Car}} "Down the Dolce Vita" and "Here Comes the Flood"]]) running a pirate radio station in secrecy, traveling through the radio waves themselves in the process.
Added DiffLines:
* WarIsGlorious: The narrator of "Animal Magic" openly believes so, stating that they want to join the fighting in UsefulNotes/TheTroubles in order to become a man.
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Added DiffLines:
* FadingIntoTheNextSong: The ending of "On the Air" hard-cuts into the start of "D.I.Y."
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Recorded in Hilvarenbeek, UsefulNotes/TheNetherlands[[note]]incidentally, Music/{{Genesis}} recorded [[Music/WindAndWuthering two]] [[Music/AndThenThereWereThree albums]] in the same studio there[[/note]], the album's sound would be recognized in later years as a formative example of "post-progressive", a new form of ProgressiveRock that explored influences outside the ClassicalMusic and {{jazz}} elements that defined the genre's heyday in the early '70s. Both [[Music/{{Melt}} Gabriel's next self-titled album]] and Fripp's [[Music/{{Discipline}} first album]] with a revived King Crimson would in turn build upon this album's elements to further codify post-progressive's hallmarks.
to:
Recorded in Hilvarenbeek, UsefulNotes/TheNetherlands[[note]]incidentally, Music/{{Genesis}} recorded [[Music/WindAndWuthering two]] [[Music/AndThenThereWereThree albums]] in the same studio there[[/note]], the album's sound would be recognized in later years serves as a an early and formative example of "post-progressive", a new form of ProgressiveRock that explored influences outside the ClassicalMusic and {{jazz}} elements that defined the genre's heyday in the early '70s. Both [[Music/{{Melt}} Gabriel's next self-titled album]] and Fripp's [[Music/{{Discipline}} first album]] with a revived King Crimson would in turn build upon this album's elements to further codify post-progressive's hallmarks.
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* MurderSuicide: "Home Sweet Home" sees Josephine jump out the window with Sam in tow, so that Bill can collect the insurance money needed to free them from debt.
to:
* MurderSuicide: "Home Sweet Home" sees Josephine jump out the window with Sam in tow, so that Bill can collect the insurance money needed to free them himself from debt.
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* DownerEnding: The album closes out with "Home Sweet Home", a song about a marriage that ends in tragedy.
* IronicEpisodeTitle: "Home Sweet Home" places a dark spin on its title at the end, when Bill is able to buy a lovely country home to live in, but only thanks to the insurance money he gained from his wife and child's MurderSuicide.
* LimitedLyricsSong: The words to exposure consist primarily of Gabriel uttering the title lyric, plus the brief bridge "space is what I need/It's what I feed on" and the outro line "out in the open."
* MurderSuicide: "Home Sweet Home" sees Josephine jump out the window with Sam in tow, so that Bill can collect the insurance money needed to free them from debt.
* LimitedLyricsSong: The words to exposure consist primarily of Gabriel uttering the title lyric, plus the brief bridge "space is what I need/It's what I feed on" and the outro line "out in the open."
* MurderSuicide: "Home Sweet Home" sees Josephine jump out the window with Sam in tow, so that Bill can collect the insurance money needed to free them from debt.
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** Robert Fripp and future Music/KingCrimson bandmate Tony Levin again provided musical contributions to the album.
to:
** Robert Fripp and future Music/KingCrimson bandmate Tony Levin again provided musical contributions to the album. Fripp would record his own version of "Exposure" as the TitleTrack to his debut solo album.
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''Peter Gabriel'', also known by its FanNickname ''Scratch'', is the second SelfTitledAlbum of the ProgressiveRock musician [[Music/PeterGabriel of the same name]]. It was released through Creator/CharismaRecords in the United Kingdom, and Creator/AtlanticRecords in the United States, on 2 June 1978.
The album was produced by collaborator [[Music/KingCrimson Robert Fripp]] and recorded in Hilvarenbeek, UsefulNotes/TheNetherlands[[note]]incidentally, Music/{{Genesis}} recorded [[Music/WindAndWuthering two]] [[Music/AndThenThereWereThree albums]] in the same studio there[[/note]]. It was originally intended to be part of a loose trilogy of Fripp-produced albums, which also included albums by Music/{{Daryl Hall|AndJohnOates}} and Fripp himself. Much like [[Music/{{Car}} the self-titled album]] before it, it sold reasonably well, but it was nothing compared to [[Music/{{Melt}} the self-titled album to come]].
Supported by one single: "D.I.Y.".
The album was produced by collaborator [[Music/KingCrimson Robert Fripp]] and recorded in Hilvarenbeek, UsefulNotes/TheNetherlands[[note]]incidentally, Music/{{Genesis}} recorded [[Music/WindAndWuthering two]] [[Music/AndThenThereWereThree albums]] in the same studio there[[/note]]. It was originally intended to be part of a loose trilogy of Fripp-produced albums, which also included albums by Music/{{Daryl Hall|AndJohnOates}} and Fripp himself. Much like [[Music/{{Car}} the self-titled album]] before it, it sold reasonably well, but it was nothing compared to [[Music/{{Melt}} the self-titled album to come]].
Supported by one single: "D.I.Y.".
to:
''Peter Gabriel'', also known by its FanNickname ''Scratch'', is the second SelfTitledAlbum of by the English ProgressiveRock musician [[Music/PeterGabriel of the same name]]. It was released through Creator/CharismaRecords in the United Kingdom, and Creator/AtlanticRecords in the United States, on 2 June 1978.
The Like [[Music/{{Car}} the album before it]], ''Scratch'' primarily continues the style of ProgressiveRock that Gabriel had specialized in with Music/{{Genesis}}. At the same time, however, it starts to lean into more aggressive, experimental territory influenced by the then-new PostPunk and NewWaveMusic movements, effectively picking up where ''Music/TheLambLiesDownOnBroadway'' left off.
To consolidate this change in approach, the album was produced by prior collaborator[[Music/KingCrimson and former Music/KingCrimson guitarist Robert Fripp]] Fripp, who envisioned the record as part of a trilogy of albums that {{deconstruct|ion}}ed the idea of pop music. The other two albums, Fripp's solo debut ''Exposure'' and recorded Music/{{Daryl Hall|AndJohnOates}}'s ''Sacred Songs'', were made concurrently but released late. Gabriel and Hall both provide guest vocals on ''Exposure'' (which also features new versions of Gabriel's "Here Comes the Flood" and, appropriately, "Exposure") to return the favor.
Recorded in Hilvarenbeek, UsefulNotes/TheNetherlands[[note]]incidentally, Music/{{Genesis}} recorded [[Music/WindAndWuthering two]] [[Music/AndThenThereWereThree albums]] in the same studiothere[[/note]]. It was originally intended to there[[/note]], the album's sound would be part recognized in later years as a formative example of "post-progressive", a loose trilogy new form of Fripp-produced albums, which also included albums by Music/{{Daryl Hall|AndJohnOates}} ProgressiveRock that explored influences outside the ClassicalMusic and Fripp himself. Much like [[Music/{{Car}} {{jazz}} elements that defined the genre's heyday in the early '70s. Both [[Music/{{Melt}} Gabriel's next self-titled album]] before it, it sold reasonably well, but it was nothing compared and Fripp's [[Music/{{Discipline}} first album]] with a revived King Crimson would in turn build upon this album's elements to [[Music/{{Melt}} the self-titled further codify post-progressive's hallmarks.
The albumto come]].
Supportedwas supported by one single: "D.I.Y.".
To consolidate this change in approach, the album was produced by prior collaborator
Recorded in Hilvarenbeek, UsefulNotes/TheNetherlands[[note]]incidentally, Music/{{Genesis}} recorded [[Music/WindAndWuthering two]] [[Music/AndThenThereWereThree albums]] in the same studio
The album
Supported
* FaceOnTheCover: As with Gabriel's first album, this one's cover art depicts a manipulated photo of Gabriel (courtesy of Creator/{{Hipgnosis}}) scraping out portions of the image.
* NewSoundAlbum: Gabriel starts leaning into PostPunk and NewWaveMusic for the first time, aided by producer Robert Fripp's fascination with both genres and his copious use of tape effects.
* NumberedSequel: The US release retitles the album ''Peter Gabriel II'' to differentiate it from its predecessor.
* NewSoundAlbum: Gabriel starts leaning into PostPunk and NewWaveMusic for the first time, aided by producer Robert Fripp's fascination with both genres and his copious use of tape effects.
* NumberedSequel: The US release retitles the album ''Peter Gabriel II'' to differentiate it from its predecessor.
* SelfTitledAlbum: The second of four in Gabriel's studio discography.
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to:
* TheXOfY: "Mother of Violence"
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[[caption-width-right:350:''Every night I'm back at the shack, I'm sure no one is there''\\
''I'm putting the aerial up, so I can go out on the air'']]
''I'm putting the aerial up, so I can go out on the air'']]
to:
''I'm putting the aerial up, so I can go out on the
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* EarlyInstallmentWeirdness: Much like ''Music/{{Car}}'' before it, ''Scratch'' is an experimental continuation of Gabriel's work in Music/{{Genesis}}, prior to the world beatsound introduced in ''Music/{{Melt}}''.
to:
* EarlyInstallmentWeirdness: Much like ''Music/{{Car}}'' before it, ''Scratch'' is an experimental continuation of Gabriel's work in Music/{{Genesis}}, prior to the world beatsound worldbeat sound introduced in ''Music/{{Melt}}''.
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Changed line(s) 7,8 (click to see context) from:
The album was produced by collaborator [[Music/KingCrimson Robert Fripp]] and recorded in Hilvarenbeek, UsefulNotes/TheNetherlands[[note]]incidentally, Music/{{Genesis}} recorded [[Music/WindAndWuthering two]] [[Music/AndThenThereWereThree albums]] in the same studio there[[/note]]. It was originally intended to be part of a loose trilogy of Fripp-produced albums, which also included albums by Music/{{Daryl Hall|AndJohnOates}} and Fripp himself. Much like [[Music/{{Car}} the self-titled album]] before it, it sold reasonably well and garnered decent reviews, but it was nothing compared to [[Music/{{Melt}} the self-titled album to come]].
to:
The album was produced by collaborator [[Music/KingCrimson Robert Fripp]] and recorded in Hilvarenbeek, UsefulNotes/TheNetherlands[[note]]incidentally, Music/{{Genesis}} recorded [[Music/WindAndWuthering two]] [[Music/AndThenThereWereThree albums]] in the same studio there[[/note]]. It was originally intended to be part of a loose trilogy of Fripp-produced albums, which also included albums by Music/{{Daryl Hall|AndJohnOates}} and Fripp himself. Much like [[Music/{{Car}} the self-titled album]] before it, it sold reasonably well and garnered decent reviews, well, but it was nothing compared to [[Music/{{Melt}} the self-titled album to come]].
Is there an issue? Send a MessageReason:
None
Changed line(s) 7,8 (click to see context) from:
The album was produced by collaborator [[Music/KingCrimson Robert Fripp]] and recorded in Hilvarenbeek, UsefulNotes/TheNetherlands[[note]]incidentally, Music/{{Genesis}} recorded [[Music/WindAndWuthering two]] [[Music/AndThenThereWereThree albums]] in the same studio there[[/note]]. It was originally intended to be part of a loose trilogy of Fripp-produced albums, which also included albums by Music/{{Daryl Hall|AndJohnOates}} and Fripp himself. Much like [[Music/PeterGabriel1977 the self-titled album]] before it, it sold reasonably well and garnered decent reviews, but it was nothing compared to [[Music/PeterGabriel1980 the self-titled album to come]].
to:
The album was produced by collaborator [[Music/KingCrimson Robert Fripp]] and recorded in Hilvarenbeek, UsefulNotes/TheNetherlands[[note]]incidentally, Music/{{Genesis}} recorded [[Music/WindAndWuthering two]] [[Music/AndThenThereWereThree albums]] in the same studio there[[/note]]. It was originally intended to be part of a loose trilogy of Fripp-produced albums, which also included albums by Music/{{Daryl Hall|AndJohnOates}} and Fripp himself. Much like [[Music/PeterGabriel1977 [[Music/{{Car}} the self-titled album]] before it, it sold reasonably well and garnered decent reviews, but it was nothing compared to [[Music/PeterGabriel1980 [[Music/{{Melt}} the self-titled album to come]].
Changed line(s) 31 (click to see context) from:
* EarlyInstallmentWeirdness: Much like ''[[Music/PeterGabriel1977 Car]]'' before it, ''Scratch'' is an experimental continuation of Gabriel's work in Music/{{Genesis}}, prior to the world beat sound introduced in ''[[Music/PeterGabriel1980 Melt]]''.
to:
* EarlyInstallmentWeirdness: Much like ''[[Music/PeterGabriel1977 Car]]'' ''Music/{{Car}}'' before it, ''Scratch'' is an experimental continuation of Gabriel's work in Music/{{Genesis}}, prior to the world beat sound beatsound introduced in ''[[Music/PeterGabriel1980 Melt]]''.''Music/{{Melt}}''.
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Redirecting per disambiguation thread
.
.Changed line(s) 1 (click to see context) from:
[[redirect:Music/PeterGabriel1978]]
to:
[[caption-width-right:350:''Every night I'm back at the shack, I'm sure no one is there''\\
''I'm putting the aerial up, so I can go out on the air'']]
''Peter Gabriel'', also known by its FanNickname ''Scratch'', is the second SelfTitledAlbum of the ProgressiveRock musician [[Music/PeterGabriel of the same name]]. It was released through Creator/CharismaRecords in the United Kingdom, and Creator/AtlanticRecords in the United States, on 2 June 1978.
The album was produced by collaborator [[Music/KingCrimson Robert Fripp]] and recorded in Hilvarenbeek, UsefulNotes/TheNetherlands[[note]]incidentally, Music/{{Genesis}} recorded [[Music/WindAndWuthering two]] [[Music/AndThenThereWereThree albums]] in the same studio there[[/note]]. It was originally intended to be part of a loose trilogy of Fripp-produced albums, which also included albums by Music/{{Daryl Hall|AndJohnOates}} and Fripp himself. Much like [[Music/PeterGabriel1977 the self-titled album]] before it, it sold reasonably well and garnered decent reviews, but it was nothing compared to [[Music/PeterGabriel1980 the self-titled album to come]].
Supported by one single: "D.I.Y.".
!!Tracklist:
[[AC:Side One]]
# "On the Air" (5:30)
# "D.I.Y." (2:37)
# "Mother of Violence" (3:10)
# "A Wonderful Day in a One-Way World" (3:33)
# "White Shadow" (5:14)
[[AC:Side Two]]
# "Indigo" (3:30)
# "Animal Magic" (3:26)
# "Exposure" (4:12)
# "Flotsam and Jetsam" (2:17)
# "Perspective" (3:23)
# "Home Sweet Home" (4:37)
!!T.I.Y. (Trope it yourself):
* SeventiesHair: Gabriel sports a bowl cut on the Creator/{{Hipgnosis}} cover.
* BizarreInstrument: Robert Fripp was credited in "Exposure" for "Frippertronics", which is a tape-delay system that would go on to be a fixture in his later work.
* DeliberatelyMonochrome: The album artwork is in black and white, a trend that continue through most of Gabriel's career.
* EarlyInstallmentWeirdness: Much like ''[[Music/PeterGabriel1977 Car]]'' before it, ''Scratch'' is an experimental continuation of Gabriel's work in Music/{{Genesis}}, prior to the world beat sound introduced in ''[[Music/PeterGabriel1980 Melt]]''.
* OneWordTitle: "Indigo", "Exposure" and "Perspective".
* SpecialGuest:
** Robert Fripp and future Music/KingCrimson bandmate Tony Levin again provided musical contributions to the album.
** Roy Bittan of the [[Music/BruceSpringsteen E Street Band]] provided the keyboards in six of the tracks.
* TitleOnlyChorus: "On the Air", "D.I.Y", "Exposure".
----
Is there an issue? Send a MessageReason:
consistency with Music.Peter Gabriel 1982, which had to switch from being a redirect to Music.Security because of a custom title conflict
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/scratch_1.jpg]]
[[caption-width-right:350:''Every night I'm back at the shack, I'm sure no one is there''\\
''I'm putting the aerial up, so I can go out on the air'']]
''Peter Gabriel'', better known by its FanNickname ''Scratch'', is the second SelfTitledAlbum of the ProgressiveRock musician [[Music/PeterGabriel of the same name]]. It was released through Creator/CharismaRecords in the United Kingdom, and Creator/AtlanticRecords in the United States, on 2 June 1978.
The album was produced by collaborator [[Music/KingCrimson Robert Fripp]] and recorded in Hilvarenbeek, Netherlands[[note]]incidentally, Music/{{Genesis}} recorded [[Music/WindAndWuthering two]] [[Music/AndThenThereWereThree albums]] in the same studio there[[/note]]. It was originally intended to be part of a loose trilogy of Fripp-produced albums, which also included albums by Music/{{Daryl Hall|AndJohnOates}} and Fripp himself. Much like [[Music/{{Car}} the self-titled album]] before it, it sold reasonably well and garnered decent reviews, but it was nothing compared to [[Music/{{Melt}} the self-titled album to come]].
Supported by one single: "D.I.Y.".
!!Tracklist:
[[AC:Side One]]
# "On the Air" (5:30)
# "D.I.Y." (2:37)
# "Mother of Violence" (3:10)
# "A Wonderful Day in a One-Way World" (3:33)
# "White Shadow" (5:14)
[[AC:Side Two]]
# "Indigo" (3:30)
# "Animal Magic" (3:26)
# "Exposure" (4:12)
# "Flotsam and Jetsam" (2:17)
# "Perspective" (3:23)
# "Home Sweet Home" (4:37)
!!T.I.Y. (Trope it yourself):
* SeventiesHair: Gabriel sports a bowl cut on the cover.
* BizarreInstrument: Robert Fripp was credited in "Exposure" for "Frippertronics", which is a tape-delay system that would go on to be a fixture in his later work.
* DeliberatelyMonochrome: The album artwork is in black and white, a trend that continue through most of Gabriel's career.
* EarlyInstallmentWeirdness: Much like ''Music/{{Car}}'' before it, ''Scratch'' is an experimental continuation of Gabriel's work in Music/{{Genesis}}, prior to the world beat sound introduced in ''Music/{{Melt}}''.
* SpecialGuest:
** Robert Fripp and future Music/KingCrimson bandmate Tony Levin again provided musical contributions to the album.
** Roy Bittan of the [[Music/BruceSpringsteen E Street Band]] provided the keyboards in six of the tracks.
* TitleOnlyChorus: "On the Air", "D.I.Y", "Exposure".
----
[[caption-width-right:350:''Every night I'm back at the shack, I'm sure no one is there''\\
''I'm putting the aerial up, so I can go out on the air'']]
''Peter Gabriel'', better known by its FanNickname ''Scratch'', is the second SelfTitledAlbum of the ProgressiveRock musician [[Music/PeterGabriel of the same name]]. It was released through Creator/CharismaRecords in the United Kingdom, and Creator/AtlanticRecords in the United States, on 2 June 1978.
The album was produced by collaborator [[Music/KingCrimson Robert Fripp]] and recorded in Hilvarenbeek, Netherlands[[note]]incidentally, Music/{{Genesis}} recorded [[Music/WindAndWuthering two]] [[Music/AndThenThereWereThree albums]] in the same studio there[[/note]]. It was originally intended to be part of a loose trilogy of Fripp-produced albums, which also included albums by Music/{{Daryl Hall|AndJohnOates}} and Fripp himself. Much like [[Music/{{Car}} the self-titled album]] before it, it sold reasonably well and garnered decent reviews, but it was nothing compared to [[Music/{{Melt}} the self-titled album to come]].
Supported by one single: "D.I.Y.".
!!Tracklist:
[[AC:Side One]]
# "On the Air" (5:30)
# "D.I.Y." (2:37)
# "Mother of Violence" (3:10)
# "A Wonderful Day in a One-Way World" (3:33)
# "White Shadow" (5:14)
[[AC:Side Two]]
# "Indigo" (3:30)
# "Animal Magic" (3:26)
# "Exposure" (4:12)
# "Flotsam and Jetsam" (2:17)
# "Perspective" (3:23)
# "Home Sweet Home" (4:37)
!!T.I.Y. (Trope it yourself):
* SeventiesHair: Gabriel sports a bowl cut on the cover.
* BizarreInstrument: Robert Fripp was credited in "Exposure" for "Frippertronics", which is a tape-delay system that would go on to be a fixture in his later work.
* DeliberatelyMonochrome: The album artwork is in black and white, a trend that continue through most of Gabriel's career.
* EarlyInstallmentWeirdness: Much like ''Music/{{Car}}'' before it, ''Scratch'' is an experimental continuation of Gabriel's work in Music/{{Genesis}}, prior to the world beat sound introduced in ''Music/{{Melt}}''.
* SpecialGuest:
** Robert Fripp and future Music/KingCrimson bandmate Tony Levin again provided musical contributions to the album.
** Roy Bittan of the [[Music/BruceSpringsteen E Street Band]] provided the keyboards in six of the tracks.
* TitleOnlyChorus: "On the Air", "D.I.Y", "Exposure".
----
to:
[[caption-width-right:350:''Every night I'm back at the shack, I'm sure no one is there''\\
''I'm putting the aerial up, so I can go out on the air'']]
''Peter Gabriel'', better known by its FanNickname ''Scratch'', is the second SelfTitledAlbum of the ProgressiveRock musician [[Music/PeterGabriel of the same name]]. It was released through Creator/CharismaRecords in the United Kingdom, and Creator/AtlanticRecords in the United States, on 2 June 1978.
The album was produced by collaborator [[Music/KingCrimson Robert Fripp]] and recorded in Hilvarenbeek, Netherlands[[note]]incidentally, Music/{{Genesis}} recorded [[Music/WindAndWuthering two]] [[Music/AndThenThereWereThree albums]] in the same studio there[[/note]]. It was originally intended to be part of a loose trilogy of Fripp-produced albums, which also included albums by Music/{{Daryl Hall|AndJohnOates}} and Fripp himself. Much like [[Music/{{Car}} the self-titled album]] before it, it sold reasonably well and garnered decent reviews, but it was nothing compared to [[Music/{{Melt}} the self-titled album to come]].
Supported by one single: "D.I.Y.".
!!Tracklist:
[[AC:Side One]]
# "On the Air" (5:30)
# "D.I.Y." (2:37)
# "Mother of Violence" (3:10)
# "A Wonderful Day in a One-Way World" (3:33)
# "White Shadow" (5:14)
[[AC:Side Two]]
# "Indigo" (3:30)
# "Animal Magic" (3:26)
# "Exposure" (4:12)
# "Flotsam and Jetsam" (2:17)
# "Perspective" (3:23)
# "Home Sweet Home" (4:37)
!!T.I.Y. (Trope it yourself):
* SeventiesHair: Gabriel sports a bowl cut on the cover.
* BizarreInstrument: Robert Fripp was credited in "Exposure" for "Frippertronics", which is a tape-delay system that would go on to be a fixture in his later work.
* DeliberatelyMonochrome: The album artwork is in black and white, a trend that continue through most of Gabriel's career.
* EarlyInstallmentWeirdness: Much like ''Music/{{Car}}'' before it, ''Scratch'' is an experimental continuation of Gabriel's work in Music/{{Genesis}}, prior to the world beat sound introduced in ''Music/{{Melt}}''.
* SpecialGuest:
** Robert Fripp and future Music/KingCrimson bandmate Tony Levin again provided musical contributions to the album.
** Roy Bittan of the [[Music/BruceSpringsteen E Street Band]] provided the keyboards in six of the tracks.
* TitleOnlyChorus: "On the Air", "D.I.Y", "Exposure".
----
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[[caption-width-right:350:''"I'm putting the aerial up, so I can go out on the air!"'']]
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''I'm putting the aerial up, so I can go out on the
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[[caption-width-right:350:''"Exposure!"'']]
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!!Called it trope sweet trope, trope sweet trope:
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The album was produced by collaborator [[Music/KingCrimson Robert Fripp]] and recorded in Hilvarenbeek, Netherlands[[note]]incidentally, Music/{{Genesis}} recorded [[Music/WindAndWuthering two]] [[Music/AndThenThereWereThree albums]] in the same studio there[[/note]]. It was originally intended to be part of a loose trilogy of Fripp-produced albums, which also included albums by Daryll Hall and Fripp himself. Much like [[Music/{{Car}} the self-titled album]] before it, it sold reasonably well and garnered decent reviews, but it was nothing compared to [[Music/{{Melt}} the self-titled album to come]].
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The album was produced by collaborator [[Music/KingCrimson Robert Fripp]] and recorded in Hilvarenbeek, Netherlands[[note]]incidentally, Music/{{Genesis}} recorded [[Music/WindAndWuthering two]] [[Music/AndThenThereWereThree albums]] in the same studio there[[/note]]. It was originally intended to be part of a loose trilogy of Fripp-produced albums, which also included albums by Daryll Hall Music/{{Daryl Hall|AndJohnOates}} and Fripp himself. Much like [[Music/{{Car}} the self-titled album]] before it, it sold reasonably well and garnered decent reviews, but it was nothing compared to [[Music/{{Melt}} the self-titled album to come]].
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'''''Peter Gabriel''''', better known by its FanNickname '''''Scratch''''', is the second SelfTitledAlbum of the ProgressiveRock musician [[Music/PeterGabriel of the same name]]. It was released through Charisma Records in the United Kingdom, and Creator/AtlanticRecords in the United States, on 2 June 1978.
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'''''Peter Gabriel''''', better known by its FanNickname '''''Scratch''''', is the second SelfTitledAlbum recorded by the ProgressiveRock musician [[Music/PeterGabriel of the same name]]. It was released through Charisma Records in the United Kingdom, and Creator/AtlanticRecords in the United States, on 2 June 1978.
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'''''Peter Gabriel''''', better known by its FanNickname '''''Scratch''''', is the second SelfTitledAlbum recorded by of the ProgressiveRock musician [[Music/PeterGabriel of the same name]]. It was released through Charisma Records in the United Kingdom, and Creator/AtlanticRecords in the United States, on 2 June 1978.
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'''''Peter Gabriel''''', better known by its FanNickname '''''Scratch''''', is the second album of the ProgressiveRock musician [[Music/PeterGabriel of the same name]], released on 2 June 1978 under the Charisma Records label in the UK and Creator/AtlanticRecords in the United States. The album was produced by collaborator [[Music/KingCrimson Robert Fripp]] and recorded in Hilvarenbeek, Netherlands[[note]]incidentally, Music/{{Genesis}} recorded [[Music/WindAndWuthering two]] [[Music/AndThenThereWereThree albums]] in the same studio there[[/note]]. It was originally intended to be part of a loose trilogy of Fripp-produced albums, which also included albums by Daryll Hall and Fripp himself. Much like [[Music/{{Car}} the self-titled album]] before it, it sold reasonably well and garnered decent reviews, but it was nothing compared to [[Music/{{Melt}} the self-titled album to come]].
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'''''Peter Gabriel''''', better known by its FanNickname '''''Scratch''''', is the second album of SelfTitledAlbum recorded by the ProgressiveRock musician [[Music/PeterGabriel of the same name]], name]]. It was released on 2 June 1978 under the through Charisma Records label in the UK United Kingdom, and Creator/AtlanticRecords in the United States. States, on 2 June 1978.
The album was produced by collaborator [[Music/KingCrimson Robert Fripp]] and recorded in Hilvarenbeek, Netherlands[[note]]incidentally, Music/{{Genesis}} recorded [[Music/WindAndWuthering two]] [[Music/AndThenThereWereThree albums]] in the same studio there[[/note]]. It was originally intended to be part of a loose trilogy of Fripp-produced albums, which also included albums by Daryll Hall and Fripp himself. Much like [[Music/{{Car}} the self-titled album]] before it, it sold reasonably well and garnered decent reviews, but it was nothing compared to [[Music/{{Melt}} the self-titled album to come]].
The album was produced by collaborator [[Music/KingCrimson Robert Fripp]] and recorded in Hilvarenbeek, Netherlands[[note]]incidentally, Music/{{Genesis}} recorded [[Music/WindAndWuthering two]] [[Music/AndThenThereWereThree albums]] in the same studio there[[/note]]. It was originally intended to be part of a loose trilogy of Fripp-produced albums, which also included albums by Daryll Hall and Fripp himself. Much like [[Music/{{Car}} the self-titled album]] before it, it sold reasonably well and garnered decent reviews, but it was nothing compared to [[Music/{{Melt}} the self-titled album to come]].
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* SeventiesHair: Gabriel sports a bowl cut on the cover.
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* DeliberatelyMonochrome: The album artwork is in black and white, a trend that continue through most of Gabriel's career.
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copypaste fail
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'''''Peter Gabriel''''', better known by its FanNickname '''''Scratch''''', is the debut album of the ProgressiveRock musician [[Music/PeterGabriel of the same name]], released on 2 June 1978 under the Charisma Records label in the UK and Creator/AtlanticRecords in the United States. The album was produced by collaborator [[Music/KingCrimson Robert Fripp]] and recorded in Hilvarenbeek, Netherlands[[note]]incidentally, Music/{{Genesis}} recorded [[Music/WindAndWuthering two]] [[Music/AndThenThereWereThree albums]] in the same studio there[[/note]]. It was originally intended to be part of a loose trilogy of Fripp-produced albums, which also included albums by Daryll Hall and Fripp himself. Much like [[Music/{{Car}} the self-titled album]] before it, it sold reasonably well and garnered decent reviews, but it was nothing compared to [[Music/{{Melt}} the self-titled album to come]].
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'''''Peter Gabriel''''', better known by its FanNickname '''''Scratch''''', is the debut second album of the ProgressiveRock musician [[Music/PeterGabriel of the same name]], released on 2 June 1978 under the Charisma Records label in the UK and Creator/AtlanticRecords in the United States. The album was produced by collaborator [[Music/KingCrimson Robert Fripp]] and recorded in Hilvarenbeek, Netherlands[[note]]incidentally, Music/{{Genesis}} recorded [[Music/WindAndWuthering two]] [[Music/AndThenThereWereThree albums]] in the same studio there[[/note]]. It was originally intended to be part of a loose trilogy of Fripp-produced albums, which also included albums by Daryll Hall and Fripp himself. Much like [[Music/{{Car}} the self-titled album]] before it, it sold reasonably well and garnered decent reviews, but it was nothing compared to [[Music/{{Melt}} the self-titled album to come]].
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[[caption-width-right:350:Exposure!]]
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Supported by one single: "D.I.Y."
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Supported by one single: "D.I.Y."
".
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* TitleOnlyChorus: "On the Air", "D.I.Y", "Exposure"
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* TitleOnlyChorus: "On the Air", "D.I.Y", "Exposure"
"Exposure".
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* BizarreInstrument: Roebrt Fripp was credited in "Exposure" for "Frippertronics", which is a tape-delay system that would go on to be a fixture in his later work.
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* BizarreInstrument: Roebrt Robert Fripp was credited in "Exposure" for "Frippertronics", which is a tape-delay system that would go on to be a fixture in his later work.
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* Roy Bittan of the [[Music/BruceSpringsteen E Street Band]] provided the keyboards in six of the tracks.
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And that's Peter Gabriel's output outside of live performances and soundtrack music.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/scratch_1.jpg]]
[[caption-width-right:350:Exposure!]]
'''''Peter Gabriel''''', better known by its FanNickname '''''Scratch''''', is the debut album of the ProgressiveRock musician [[Music/PeterGabriel of the same name]], released on 2 June 1978 under the Charisma Records label in the UK and Creator/AtlanticRecords in the United States. The album was produced by collaborator [[Music/KingCrimson Robert Fripp]] and recorded in Hilvarenbeek, Netherlands[[note]]incidentally, Music/{{Genesis}} recorded [[Music/WindAndWuthering two]] [[Music/AndThenThereWereThree albums]] in the same studio there[[/note]]. It was originally intended to be part of a loose trilogy of Fripp-produced albums, which also included albums by Daryll Hall and Fripp himself. Much like [[Music/{{Car}} the self-titled album]] before it, it sold reasonably well and garnered decent reviews, but it was nothing compared to [[Music/{{Melt}} the self-titled album to come]].
Supported by one single: "D.I.Y."
!!Tracklist:
[[AC:Side One]]
# "On the Air" (5:30)
# "D.I.Y." (2:37)
# "Mother of Violence" (3:10)
# "A Wonderful Day in a One-Way World" (3:33)
# "White Shadow" (5:14)
[[AC:Side Two]]
# "Indigo" (3:30)
# "Animal Magic" (3:26)
# "Exposure" (4:12)
# "Flotsam and Jetsam" (2:17)
# "Perspective" (3:23)
# "Home Sweet Home" (4:37)
!!Called it trope sweet trope, trope sweet trope:
* BizarreInstrument: Roebrt Fripp was credited in "Exposure" for "Frippertronics", which is a tape-delay system that would go on to be a fixture in his later work.
* EarlyInstallmentWeirdness: Much like ''Music/{{Car}}'' before it, ''Scratch'' is an experimental continuation of Gabriel's work in Music/{{Genesis}}, prior to the world beat sound introduced in ''Music/{{Melt}}''.
* SpecialGuest:
** Robert Fripp and future Music/KingCrimson bandmate Tony Levin again provided musical contributions to the album.
* Roy Bittan of the [[Music/BruceSpringsteen E Street Band]] provided the keyboards in six of the tracks.
* TitleOnlyChorus: "On the Air", "D.I.Y", "Exposure"
----
[[caption-width-right:350:Exposure!]]
'''''Peter Gabriel''''', better known by its FanNickname '''''Scratch''''', is the debut album of the ProgressiveRock musician [[Music/PeterGabriel of the same name]], released on 2 June 1978 under the Charisma Records label in the UK and Creator/AtlanticRecords in the United States. The album was produced by collaborator [[Music/KingCrimson Robert Fripp]] and recorded in Hilvarenbeek, Netherlands[[note]]incidentally, Music/{{Genesis}} recorded [[Music/WindAndWuthering two]] [[Music/AndThenThereWereThree albums]] in the same studio there[[/note]]. It was originally intended to be part of a loose trilogy of Fripp-produced albums, which also included albums by Daryll Hall and Fripp himself. Much like [[Music/{{Car}} the self-titled album]] before it, it sold reasonably well and garnered decent reviews, but it was nothing compared to [[Music/{{Melt}} the self-titled album to come]].
Supported by one single: "D.I.Y."
!!Tracklist:
[[AC:Side One]]
# "On the Air" (5:30)
# "D.I.Y." (2:37)
# "Mother of Violence" (3:10)
# "A Wonderful Day in a One-Way World" (3:33)
# "White Shadow" (5:14)
[[AC:Side Two]]
# "Indigo" (3:30)
# "Animal Magic" (3:26)
# "Exposure" (4:12)
# "Flotsam and Jetsam" (2:17)
# "Perspective" (3:23)
# "Home Sweet Home" (4:37)
!!Called it trope sweet trope, trope sweet trope:
* BizarreInstrument: Roebrt Fripp was credited in "Exposure" for "Frippertronics", which is a tape-delay system that would go on to be a fixture in his later work.
* EarlyInstallmentWeirdness: Much like ''Music/{{Car}}'' before it, ''Scratch'' is an experimental continuation of Gabriel's work in Music/{{Genesis}}, prior to the world beat sound introduced in ''Music/{{Melt}}''.
* SpecialGuest:
** Robert Fripp and future Music/KingCrimson bandmate Tony Levin again provided musical contributions to the album.
* Roy Bittan of the [[Music/BruceSpringsteen E Street Band]] provided the keyboards in six of the tracks.
* TitleOnlyChorus: "On the Air", "D.I.Y", "Exposure"
----
