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Two years after the announcement, a 10th-anniversary edition of ''Random Access Memories'' was announced, containing an extra disc of 35 minutes of bonus content including unreleased demos and outtakes. One of the demos, "Infinity Repeating (2013 Demo)", was made with Casablancas and his band The Voidz; it was released as a single and officially described by the duo as their "last song ever" in a press release. In September 2023, ''Random Access Memories (Drumless Edition)'' was announced for release on November 17; it includes the 13 original tracks of the album without drums or percussive elements.

to:

Two years to the day after the announcement, a 10th-anniversary edition of ''Random Access Memories'' was announced, announced for release on May 12, 2023, containing an extra disc of 35 minutes of bonus content including unreleased demos and outtakes. One of the demos, "Infinity Repeating (2013 Demo)", was made with Casablancas and his band The Voidz; it was released as a single and officially described by the duo as their "last song ever" in a press release. In September 2023, ''Random Access Memories (Drumless Edition)'' was announced for release on November 17; it includes the 13 original tracks of the album without drums or percussive elements.
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''Random Access Memories'' is the fourth and final studio album recorded by electronic music duo Music/DaftPunk. It was released through Creator/ColumbiaRecords on 17 May 2013, eight years after their previous album ''Music/HumanAfterAll''.

The album's sound, rather than continuing the {{house music}} style of the duo's previous albums, is a GenreThrowback to the [[TheSeventies '70s]] and [[TheEighties '80s]] {{disco}} and {{funk}} that they grew up on. In many ways, it is the true SpiritualSuccessor to their 2001 album ''[[Music/DiscoveryDaftPunkAlbum Discovery]]'', which first introduced the genres' aesthetic to their sound through {{sampling}} songs made in that era.

This vision included collaborations with many artists from the era that were longtime heroes of the duo, including disco pioneer Giorgio Moroder, singer-songwriter Paul Williams, Chic guitarist/songwriter Nile Rodgers, and several internationally renowned musicians and session players, like Nathan East and John "J.R." Robinson. A slew of guest vocalists, including Music/PharrellWilliams, [[Music/TheStrokes Julian Casablancas]], and Music/PandaBear, were also featured.

to:

''Random Access Memories'' is the fourth and final studio album recorded by electronic music duo Music/DaftPunk. It was released through Creator/ColumbiaRecords on 17 May 2013, eight years after their previous album ''Music/HumanAfterAll''.

The album's sound, rather Rather than continuing the {{house music}} style of the duo's previous albums, this album's sound is a GenreThrowback to the [[TheSeventies '70s]] and [[TheEighties '80s]] {{disco}} and {{funk}} that they the duo grew up on. In many ways, it is the true SpiritualSuccessor to their 2001 album ''[[Music/DiscoveryDaftPunkAlbum Discovery]]'', which first introduced the genres' aesthetic to their sound through {{sampling}} songs made in that era.

This vision included collaborations with many artists from the era that were longtime heroes of the duo, including disco pioneer Giorgio Moroder, singer-songwriter Paul Williams, Chic Music/{{Chic}} guitarist/songwriter Nile Rodgers, and several internationally renowned musicians and session players, like Nathan East and John "J.R." Robinson. A slew of guest vocalists, including Music/PharrellWilliams, [[Music/TheStrokes Julian Casablancas]], and Music/PandaBear, were also featured.
Is there an issue? Send a MessageReason:
None


''Random Access Memories'' is the fourth and final studio album recorded by electronic music duo Music/DaftPunk. It was released through Creator/ColumbiaRecords on 17 May 2013, eight years after their previous album ''Human After All''.

The album's sound, rather than continuing the {{house music}} style of the duo's previous albums, is a GenreThrowback to [[TheSeventies '70s]] and [[TheEighties '80s]] {{disco}} and {{funk}}, and is in many ways the true SpiritualSuccessor to their 2001 album ''[[Music/DiscoveryDaftPunkAlbum Discovery]]'', which first introduced the genres' aesthetic to their sound through {{sampling}} songs made in that era.

to:

''Random Access Memories'' is the fourth and final studio album recorded by electronic music duo Music/DaftPunk. It was released through Creator/ColumbiaRecords on 17 May 2013, eight years after their previous album ''Human After All''.

''Music/HumanAfterAll''.

The album's sound, rather than continuing the {{house music}} style of the duo's previous albums, is a GenreThrowback to the [[TheSeventies '70s]] and [[TheEighties '80s]] {{disco}} and {{funk}}, and is in {{funk}} that they grew up on. In many ways ways, it is the true SpiritualSuccessor to their 2001 album ''[[Music/DiscoveryDaftPunkAlbum Discovery]]'', which first introduced the genres' aesthetic to their sound through {{sampling}} songs made in that era.



''Random Access Memories'' was supported by five singles: "Get Lucky," "Lose Yourself to Dance," "Doin' It Right" (featuring Panda Bear), "Instant Crush" (featuring Casablancas) and "Give Live Back to Music". It ended up being the duo's final album before the announcement of their split eight years later in February 2021.

Two years after the announcement, a 10th-anniversary edition of ''Random Access Memories'' was announced, containing an extra disc of 35 minutes of bonus content such as unreleased demos and outtakes. One of the demos, "Infinity Repeating (2013 Demo)", was made with Casablancas and his band The Voidz; it was released as a single and was officially described by the duo as their "last song ever" in a press release. In September 2023, ''Random Access Memories (Drumless Edition)'' was announced for release on November 17; it includes the 13 original tracks of the album without drums or percussive elements.

to:

''Random Access Memories'' was supported by five singles: "Get Lucky," "Lose Yourself to Dance," Dance" (featuring Williams), "Doin' It Right" (featuring Panda Bear), "Instant Crush" (featuring Casablancas) and "Give Live Back to Music". It ended up being the duo's final last album released by the duo before the announcement of their split eight years later in February 2021.

Two years after the announcement, a 10th-anniversary edition of ''Random Access Memories'' was announced, containing an extra disc of 35 minutes of bonus content such as including unreleased demos and outtakes. One of the demos, "Infinity Repeating (2013 Demo)", was made with Casablancas and his band The Voidz; it was released as a single and was officially described by the duo as their "last song ever" in a press release. In September 2023, ''Random Access Memories (Drumless Edition)'' was announced for release on November 17; it includes the 13 original tracks of the album without drums or percussive elements.
Is there an issue? Send a MessageReason:
None


Two years after the announcement, a 10th-anniversary edition of ''Random Access Memories'' was announced, containing an extra disc of 35 minutes of bonus content such as unreleased demos and outtakes. One of the demos, "Infinity Repeating (2013 Demo)", was made with Casablancas and his band The Voidz; it was released as a single and was officially described by the duo as their "last song ever" in a press release. In September 2023, ''Random Access Memories (Drumless Edition)'' was announced for release on November 17; it includes the 13 original tracks of the album without drums.

to:

Two years after the announcement, a 10th-anniversary edition of ''Random Access Memories'' was announced, containing an extra disc of 35 minutes of bonus content such as unreleased demos and outtakes. One of the demos, "Infinity Repeating (2013 Demo)", was made with Casablancas and his band The Voidz; it was released as a single and was officially described by the duo as their "last song ever" in a press release. In September 2023, ''Random Access Memories (Drumless Edition)'' was announced for release on November 17; it includes the 13 original tracks of the album without drums.drums or percussive elements.
Is there an issue? Send a MessageReason:
None


The production of the album involved a scaling-back of electronic components; emphasis was put on live instrumentation and vintage synths, leaving only drum machines and vocoders as the main electronic sounds of the album (and even then, live drumming was used on several songs anyway). This was reportedly a result of the duo deciding to work extensively with live musicians out of growing dissatisfied with their trademark sampling and looping; according to Thomas Bangalter, one half of the duo, "We wanted to do what we used to do with machines and samplers, but with people."

to:

The production of the album involved a scaling-back of electronic components; an emphasis was put on live instrumentation and vintage synths, leaving only drum machines machines, a custom-built modular synthesizer, and vintage vocoders as the main electronic sounds of the album (and even then, live drumming was used on several songs anyway). This was reportedly a result of the duo deciding to work extensively with live musicians out of growing dissatisfied with their trademark sampling and looping; according to Thomas Bangalter, one half of the duo, "We wanted to do what we used to do with machines and samplers, but with people."
" As such, the only song on the album that makes prominent use of samples is the closing track "Contact".
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The album's lead single "Get Lucky" (featuring Rodgers and Music/PharrellWilliams) topped the charts in several countries, including the duo's native France, and finally gave the band a legitimate American hit. It also [[FollowTheLeader paved the way for a series of further disco/funk influenced Top 40 hits from other artists]], like Music/RobinThicke's "Blurred Lines" (which unfortunately blocked "Get Lucky" from the top of the charts in America), Music/BrunoMars' "Treasure," and Mark Ronson and Mars' "Uptown Funk," among others.

to:

The album's lead single "Get Lucky" (featuring Rodgers and Music/PharrellWilliams) topped the charts in several countries, including the duo's native France, and finally gave the band a legitimate American hit. It also [[FollowTheLeader paved the way for a series of further disco/funk influenced disco/funk-influenced Top 40 hits from other artists]], like Music/RobinThicke's "Blurred Lines" (which unfortunately blocked "Get Lucky" from the top of the charts in America), Music/BrunoMars' "Treasure," and Mark Ronson and Mars' "Uptown Funk," among others.
Is there an issue? Send a MessageReason:
None


''Random Access Memories'' was supported by five singles: "Get Lucky," "Lose Yourself to Dance," "Doin' It Right" (featuring Panda Bear), "Instant Crush" (featuring Casablancas) and "Give Live Back to Music".

It ended up being their final album before the announcement of their split eight years later in February 2021. On

to:

''Random Access Memories'' was supported by five singles: "Get Lucky," "Lose Yourself to Dance," "Doin' It Right" (featuring Panda Bear), "Instant Crush" (featuring Casablancas) and "Give Live Back to Music".

Music". It ended up being their the duo's final album before the announcement of their split eight years later in February 2021. On2021.

Two years after the announcement, a 10th-anniversary edition of ''Random Access Memories'' was announced, containing an extra disc of 35 minutes of bonus content such as unreleased demos and outtakes. One of the demos, "Infinity Repeating (2013 Demo)", was made with Casablancas and his band The Voidz; it was released as a single and was officially described by the duo as their "last song ever" in a press release. In September 2023, ''Random Access Memories (Drumless Edition)'' was announced for release on November 17; it includes the 13 original tracks of the album without drums.

Added: 321

Changed: 3149

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-->'''"Get Lucky"'''

''Random Access Memories'' is the fourth and final studio album recorded by electronic music duo Music/DaftPunk. It was released through Creator/ColumbiaRecords on 17 May 2013.

The album came eight years following their previous album ''Human After All''. Its sound, rather than continuing the house music of the band's previous albums, is a GenreThrowback to [[TheSeventies '70s]] and [[TheEighties '80s]] disco and funk, and is in many ways the true SpiritualSuccessor to ''[[Music/DiscoveryDaftPunkAlbum Discovery]]''. Production of the album involved a slew of guest vocalists and reduced electronic components; emphasis was on live instrumentation and vintage synths, leaving only drum machines and vocoders as the main electronic sounds of the album (and even then, live drumming was used on several songs anyway).

Its number-one hit, "Get Lucky," finally gave the band a legitimate American hit and [[FollowTheLeader paved the way for a series of further disco/funk influenced Top 40 hits from other artists]], like Music/RobinThicke's "Blurred Lines" (which unfortunately blocked "Get Lucky" from the top of the charts in America), Music/BrunoMars' "Treasure," Mark Ronson and Mars' "Uptown Funk," among others.

The album also gave Daft Punk five Grammy Awards, including the prestigious Album of the Year award. The album was also a major commercial success, topping the weekly charts in 24 different countries as well as the Billboard Dance/Electronic weekly charts. The double-LP release of the album was particularly popular, aided in part by the heavy focus given to it in promotional material, becoming the top-selling vinyl release of 2013.

''Random Access Memories'' was supported by five singles: "Get Lucky," "Lose Yourself to Dance," "Doin' It Right," "Instant Crush" and "Give Live Back to Music."

It ended up being their final album before the announcement of their split eight years later in 2021.

to:

-->'''"Get -->-- '''"Get Lucky"'''

''Random Access Memories'' is the fourth and final studio album recorded by electronic music duo Music/DaftPunk. It was released through Creator/ColumbiaRecords on 17 May 2013.

The album came
2013, eight years following after their previous album ''Human After All''. Its All''.

The album's
sound, rather than continuing the house music {{house music}} style of the band's duo's previous albums, is a GenreThrowback to [[TheSeventies '70s]] and [[TheEighties '80s]] disco {{disco}} and funk, {{funk}}, and is in many ways the true SpiritualSuccessor to their 2001 album ''[[Music/DiscoveryDaftPunkAlbum Discovery]]''. Production Discovery]]'', which first introduced the genres' aesthetic to their sound through {{sampling}} songs made in that era.

This vision included collaborations with many artists from the era that were longtime heroes of the duo, including disco pioneer Giorgio Moroder, singer-songwriter Paul Williams, Chic guitarist/songwriter Nile Rodgers, and several internationally renowned musicians and session players, like Nathan East and John "J.R." Robinson. A slew of guest vocalists, including Music/PharrellWilliams, [[Music/TheStrokes Julian Casablancas]], and Music/PandaBear, were also featured.

The production
of the album involved a slew scaling-back of guest vocalists and reduced electronic components; emphasis was put on live instrumentation and vintage synths, leaving only drum machines and vocoders as the main electronic sounds of the album (and even then, live drumming was used on several songs anyway).

Its number-one hit, "Get Lucky," finally gave the band
anyway). This was reportedly a legitimate American hit and [[FollowTheLeader paved the way for a series of further disco/funk influenced Top 40 hits from other artists]], like Music/RobinThicke's "Blurred Lines" (which unfortunately blocked "Get Lucky" from the top result of the charts in America), Music/BrunoMars' "Treasure," Mark Ronson duo deciding to work extensively with live musicians out of growing dissatisfied with their trademark sampling and Mars' "Uptown Funk," among others.

The album also gave Daft Punk five Grammy Awards, including the prestigious Album
looping; according to Thomas Bangalter, one half of the Year award. The album was also a major commercial success, topping the weekly charts in 24 different countries as well as the Billboard Dance/Electronic weekly charts. The double-LP release of the album was particularly popular, aided in part by the heavy focus given duo, "We wanted to it in promotional material, becoming the top-selling vinyl release of 2013.

''Random Access Memories'' was supported by five singles: "Get Lucky," "Lose Yourself
do what we used to Dance," "Doin' It Right," "Instant Crush" do with machines and "Give Live Back to Music.samplers, but with people."

The album's lead single "Get Lucky" (featuring Rodgers and Music/PharrellWilliams) topped the charts in several countries, including the duo's native France, and finally gave the band a legitimate American hit. It also [[FollowTheLeader paved the way for a series of further disco/funk influenced Top 40 hits from other artists]], like Music/RobinThicke's "Blurred Lines" (which unfortunately blocked "Get Lucky" from the top of the charts in America), Music/BrunoMars' "Treasure," and Mark Ronson and Mars' "Uptown Funk," among others.

The album itself was a major commercial success, debuting atop the US ''Billboard'' 200 (becoming Daft Punk's first and only number one album on the chart) and topping the charts in 20 other countries. The double-LP release of the album was particularly popular, aided in part by the heavy focus given to it in promotional material, and it became the top-selling vinyl release of 2013. It also won five UsefulNotes/{{Grammy Award}}s: Record of the Year and Best Pop Duo/Group Performance for "Get Lucky" in addition to Best Dance/Electronica Album, Best Engineered Album, Non-Classical and the prestigious Album of the Year.

''Random Access Memories'' was supported by five singles: "Get Lucky," "Lose Yourself to Dance," "Doin' It Right" (featuring Panda Bear), "Instant Crush" (featuring Casablancas) and "Give Live Back to Music".

It ended up being their final album before the announcement of their split eight years later in 2021.February 2021. On
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Added DiffLines:

* InTheStyleOf: According to Pharrel Williams, "Lose Yourself to Dance" was based on 1980s post-disco rather than 1970s disco, with him singling out Music/DavidBowie's ''Music/LetsDance'' as an inspiration; the producer of that album, Music/{{Chic}}'s Nile Rodgers, also plays guitar on the Daft Punk song.
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Give life back to music.'']]

to:

Give life back to music.'']]''\\
[[labelnote:Click here to see the 10th anniversary edition cover]]https://static.tvtropes.org/pmwiki/pub/images/random_access_memories_10th_anniversary.jpg[[/labelnote]]]]
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* DreamTeam: By far the most star-studded album Daft Punk have ever released, with some of the collaborators being the best at what they do. A few examples include:
** Daft Punk and Music/GiorgioMoroder on ''Giorgio by Moroder''
** Daft Punk and Chilly Gonzales on ''Within''.
** Daft Punk and [[Music/TheStrokes Julian Casablancas]] on ''Instant Crush''.
** Daft Punk, Music/PharrellWilliams and [[{{Music/Chic}} Nile Rodgers]] on ''Lose Yourself to Dance'' and ''Get Lucky''.
** Daft Punk and Music/ToddEdwards on ''Fragments of Time''
** Daft Punk and [[Music/AnimalCollective Panda Bear]] on ''Doin' It Right''.
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The album came eight years following their previous album ''Human After All''. Its sound, rather than continuing the house music of the band's previous albums, is a GenreThrowback to [[TheSeventies '70s]] and [[TheEighties '80s]] disco and funk, and is in many ways the true SpiritualSuccessor to ''Music/DiscoveryDaftPunkAlbum''. Production of the album involved a slew of guest vocalists and reduced electronic components; emphasis was on live instrumentation and vintage synths, leaving only drum machines and vocoders as the main electronic sounds of the album (and even then, live drumming was used on several songs anyway).

to:

The album came eight years following their previous album ''Human After All''. Its sound, rather than continuing the house music of the band's previous albums, is a GenreThrowback to [[TheSeventies '70s]] and [[TheEighties '80s]] disco and funk, and is in many ways the true SpiritualSuccessor to ''Music/DiscoveryDaftPunkAlbum''.''[[Music/DiscoveryDaftPunkAlbum Discovery]]''. Production of the album involved a slew of guest vocalists and reduced electronic components; emphasis was on live instrumentation and vintage synths, leaving only drum machines and vocoders as the main electronic sounds of the album (and even then, live drumming was used on several songs anyway).
Is there an issue? Send a MessageReason:
None


The album came eight years following their previous album ''Human After All''. Its sound, rather than continuing the house music of the band's previous albums, is a GenreThrowback to [[TheSeventies '70s]] and [[TheEighties '80s]] disco and funk, and is in many ways the true SpiritualSuccessor to ''Music/{{Discovery}}''. Production of the album involved a slew of guest vocalists and reduced electronic components; emphasis was on live instrumentation and vintage synths, leaving only drum machines and vocoders as the main electronic sounds of the album (and even then, live drumming was used on several songs anyway).

to:

The album came eight years following their previous album ''Human After All''. Its sound, rather than continuing the house music of the band's previous albums, is a GenreThrowback to [[TheSeventies '70s]] and [[TheEighties '80s]] disco and funk, and is in many ways the true SpiritualSuccessor to ''Music/{{Discovery}}''.''Music/DiscoveryDaftPunkAlbum''. Production of the album involved a slew of guest vocalists and reduced electronic components; emphasis was on live instrumentation and vintage synths, leaving only drum machines and vocoders as the main electronic sounds of the album (and even then, live drumming was used on several songs anyway).
Is there an issue? Send a MessageReason:
None


The album came eight years following their previous album ''Human After All''. Its sound, rather than continuing the house music of the band's previous albums, is a GenreThrowback to [[TheSeventies '70s]] and [[TheEighties '80s]] disco and funk. Production of the album involved a slew of guest vocalists and reduced electronic components; emphasis was on live instrumentation and vintage synths, leaving only drum machines and vocoders as the main electronic sounds of the album (and even then, live drumming was used on several songs anyway).

to:

The album came eight years following their previous album ''Human After All''. Its sound, rather than continuing the house music of the band's previous albums, is a GenreThrowback to [[TheSeventies '70s]] and [[TheEighties '80s]] disco and funk.funk, and is in many ways the true SpiritualSuccessor to ''Music/{{Discovery}}''. Production of the album involved a slew of guest vocalists and reduced electronic components; emphasis was on live instrumentation and vintage synths, leaving only drum machines and vocoders as the main electronic sounds of the album (and even then, live drumming was used on several songs anyway).
Is there an issue? Send a MessageReason:
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''Random Access Memories'' is the fourth and final studio album recorded by electronic music duo Music/DaftPunk. It was released through Creator/Columbia Records on 17 May 2013.

to:

''Random Access Memories'' is the fourth and final studio album recorded by electronic music duo Music/DaftPunk. It was released through Creator/Columbia Records Creator/ColumbiaRecords on 17 May 2013.
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* TheLastOfTheseIsNotLikeTheOthers: The front cover is the duo's only cover to their studio albums to not feature the band's [[IconicLogo wordmark]] and the only one to show both their helmets and the album title. Since the duo has now broken up with this being their last studio album, it's likely going to stay that way.

to:

* TheLastOfTheseIsNotLikeTheOthers: The front cover is the duo's only cover to their studio albums to not feature the band's [[IconicLogo wordmark]] wordmark and the only one to show both their helmets and the album title. Since the duo has now broken up with this being their last studio album, it's likely going to stay that way.
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* RegionalBonus: "Horizon," only included in the Japanese release of the CD.
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''Random Access Memories'' is the fourth studio album recorded by electronic music duo Music/DaftPunk. It was released through Creator/Columbia Records on 17 May 2013.

to:

''Random Access Memories'' is the fourth and final studio album recorded by electronic music duo Music/DaftPunk. It was released through Creator/Columbia Records on 17 May 2013.
Is there an issue? Send a MessageReason:
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* OneWordTitle: "Touch," "Contact" and "Horizon."

to:

* OneWordTitle: "Within," "Touch," "Beyond," "Contact" and "Horizon."

Added: 470

Changed: 1214

Removed: 392

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Not sure where to put Horizon, but that music video isn't an official one.


Its number-one hit, "Get Lucky", finally gave the band a legitimate American hit and [[FollowTheLeader paved the way for a series of further disco/funk influenced Top 40 hits from other artists]], like Music/RobinThicke's "Blurred Lines" (which unfortunately blocked "Get Lucky" from the top of the charts in America), Music/BrunoMars' "Treasure", Mark Ronson and Mars' "Uptown Funk", among others.

to:

Its number-one hit, "Get Lucky", Lucky," finally gave the band a legitimate American hit and [[FollowTheLeader paved the way for a series of further disco/funk influenced Top 40 hits from other artists]], like Music/RobinThicke's "Blurred Lines" (which unfortunately blocked "Get Lucky" from the top of the charts in America), Music/BrunoMars' "Treasure", "Treasure," Mark Ronson and Mars' "Uptown Funk", Funk," among others.



''Random Access Memories'' was supported by five singles: "Get Lucky", "Lose Yourself to Dance", "Doin' It Right", "Instant Crush", and "Give Live Back to Music".

to:

''Random Access Memories'' was supported by five singles: "Get Lucky", Lucky," "Lose Yourself to Dance", Dance," "Doin' It Right", Right," "Instant Crush", Crush" and "Give Live Back to Music".
Music."



# "Horizon"[[note]]Japanese edition CD bonus track[[/note]] (4:22)



* AlbumTitleDrop: [[SubvertedTrope Almost.]] "Fragments of Time" mentions "random memories".
* AscendedMeme: "Get Lucky" originally did not have a video of its own, only a few video clips attached to an ad for the album that used the song as BGM. Fans mixed the clips together to make a bootlegged music video. [[https://www.youtube.com/watch?v=SAB23dlLGwQ Daft Punk finally released their own version in 2021]] that added some more clips so the base video loops weren't as repetitive.

to:

* AlbumTitleDrop: [[SubvertedTrope Almost.]] "Fragments of Time" mentions "random memories".
* AscendedMeme: "Get Lucky" originally did not have a video of its own, only a few video clips attached to an ad for the album that used the song as BGM. Fans mixed the clips together to make a bootlegged music video. [[https://www.youtube.com/watch?v=SAB23dlLGwQ Daft Punk finally released their own version in 2021]] that added some more clips so the base video loops weren't as repetitive.
memories."



* EpicRocking: "Giorgio by Moroder" and "Touch" from ''Random Access Memories'' are over 8 minutes long and go through several musical styles. "Get Lucky" and "Contact", which are both over 6 minutes long, also qualify.
* GenreRoulette: ''Random Access Memories'', while listed as "Pop" on iTunes, toys around with many different genres and genre influences between songs. "Give Life Back to Music", "Lose Yourself to Dance" and "Get Lucky" are disco, while other songs like "Giorgio by Moroder" and "Contact" are more influenced by electronica, though with some live instrumentation. "Doin' it Right", and "Fragments of Time" fall squarely into soft rock, while "Instant Crush" is a more electronic take on the alternative rock music of singer Julian Casablacas in Music/TheStrokes. Their collaboration with Music/PaulWilliams, "Touch," is a roulette game by itself, mixing disco, pop, roadhouse piano, a children's choir, and sci-fi psychedelia.

to:

* EpicRocking: "Giorgio by Moroder" and "Touch" from ''Random Access Memories'' are over 8 minutes long and go through several musical styles. "Get Lucky" and "Contact", "Contact," which are both over 6 minutes long, also qualify.
* GenreRoulette: ''Random Access Memories'', while listed as "Pop" on iTunes, toys around with many different genres and genre influences between songs. "Give Life Back to Music", Music," "Lose Yourself to Dance" and "Get Lucky" are disco, while other songs like "Giorgio by Moroder" and "Contact" are more influenced by electronica, though with some live instrumentation. "Doin' it Right", Right" and "Fragments of Time" fall squarely into soft rock, while "Instant Crush" is a more electronic take on the alternative rock music of singer Julian Casablacas in Music/TheStrokes. Their collaboration with Music/PaulWilliams, "Touch," is a roulette game by itself, mixing disco, pop, roadhouse piano, a children's choir, and sci-fi psychedelia.



* {{Retraux}}: Aiding the GenreThrowback nature of the album, the packaging on both the CD and LP releases are evocative of CD and vinyl releases from the 80's, and in the latter format's case the 70's as well. The CD jewel case spines mimic the style of those that were standard for many record labels' CD releases in the 1980's, and the CD and LP labels replicate the yellow-on-red LP labels that Creator/ColumbiaRecords introduced in 1970.
* {{Sampling}}: Notably, the album in its entirety contains only ''one'' prominent sample during "Contact".[[note]]"Fragments of Time", co-produced by Music/ToddEdwards, features his distinct microsampling style in the chorus, but it's in the background and rather faint.[[/note]]
* SpokenWordInMusic: The autobiographical song "Giorgio by Moroder", in which Moroder himself speaks about his music career.

to:

* OneWordTitle: "Touch," "Contact" and "Horizon."
* RegionalBonus: "Horizon," only included in the Japanese release of the CD.
* {{Retraux}}: Aiding the GenreThrowback nature of the album, the packaging on both the CD and LP releases are evocative of CD and vinyl releases from the 80's, 80s, and in the latter format's case the 70's 70s as well. The CD jewel case spines mimic the style of those that were standard for many record labels' CD releases in the 1980's, 1980s, and the CD and LP labels replicate the yellow-on-red LP labels that Creator/ColumbiaRecords introduced in 1970.
* {{Sampling}}: Notably, the album in its entirety contains only ''one'' prominent sample during "Contact".[[note]]"Fragments of Time", Time," co-produced by Music/ToddEdwards, features his distinct microsampling style in the chorus, but it's in the background and rather faint.[[/note]]
* SpokenWordInMusic: The autobiographical song "Giorgio by Moroder", Moroder," in which Moroder himself speaks about his music career.

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''Random Access Memories'' is the fourth studio album by the veteran electronic music duo Music/DaftPunk. It was released in 2013, eight years following their previous album ''Human After All'', and ended up being their final album before the announcement of their split eight years later in 2021.

The album's sound, rather than continuing the house music of the band's previous albums, is a GenreThrowback to [[TheSeventies '70s]] and [[TheEighties '80s]] disco and funk. Production of the album involved a slew of guest vocalists and reduced electronic components; emphasis was on live instrumentation and vintage synths, leaving only drum machines and vocoders as the main electronic sounds of the album (and even then, live drumming was used on several songs anyway).

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\n->''Like the legend of the Phoenix\\
All ends with beginnings\\
What keeps the planets spinning (uh)\\
The force from the beginning\\
Look...\\
\\
We've come too far to give up who we are\\
So let's raise the bar and our cups to the stars''
-->'''"Get Lucky"'''

''Random Access Memories'' is the fourth studio album recorded by the veteran electronic music duo Music/DaftPunk. It was released in 2013, through Creator/Columbia Records on 17 May 2013.

The album came
eight years following their previous album ''Human After All'', and ended up being their final album before the announcement of their split eight years later in 2021.

The album's
All''. Its sound, rather than continuing the house music of the band's previous albums, is a GenreThrowback to [[TheSeventies '70s]] and [[TheEighties '80s]] disco and funk. Production of the album involved a slew of guest vocalists and reduced electronic components; emphasis was on live instrumentation and vintage synths, leaving only drum machines and vocoders as the main electronic sounds of the album (and even then, live drumming was used on several songs anyway).


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It ended up being their final album before the announcement of their split eight years later in 2021.
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* AscendedMeme: "Get Lucky" originally did not have a video of its own, only a few video clips attached to an ad for the album that used the song as BGM. Fans mixed the clips together to make a bootlegged music video. [[https://www.youtube.com/watch?v=SAB23dlLGwQ Daft Punk finally released their own version in 2021]] that added some more video so the base loops weren't as repetitive.

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* AscendedMeme: "Get Lucky" originally did not have a video of its own, only a few video clips attached to an ad for the album that used the song as BGM. Fans mixed the clips together to make a bootlegged music video. [[https://www.youtube.com/watch?v=SAB23dlLGwQ Daft Punk finally released their own version in 2021]] that added some more video clips so the base video loops weren't as repetitive.
Is there an issue? Send a MessageReason:
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* AscendedMeme: "Get Lucky" originally did not have a video of its own, only a few video clips attached to an Apple ad that used the song as BGM. Fans mixed the clips together to make a bootlegged music video. [[https://www.youtube.com/watch?v=SAB23dlLGwQ Daft Punk finally released their own version in 2021]] that added some more video so the base loops weren't as repetitive.

to:

* AscendedMeme: "Get Lucky" originally did not have a video of its own, only a few video clips attached to an Apple ad for the album that used the song as BGM. Fans mixed the clips together to make a bootlegged music video. [[https://www.youtube.com/watch?v=SAB23dlLGwQ Daft Punk finally released their own version in 2021]] that added some more video so the base loops weren't as repetitive.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* AscendedMeme: "Get Lucky" originally did not have a video of its own, only a few video clips attached to an Apple ad that used the song as BGM. Fans mixed the clips together to make a bootlegged music video. [[https://www.youtube.com/watch?v=SAB23dlLGwQ Daft Punk finally released their own version in 2021]] that added some more video so the base loops weren't as repetitive.
Is there an issue? Send a MessageReason:
None


The album's sound, rather than continuing the house music of the duo's previous albums, is a GenreThrowback to [[TheSeventies '70s]] and [[TheEighties '80s]] disco and funk. Production of the album involved a slew of guest vocalists and reduced electronic components; emphasis was on live instrumentation and vintage synths, leaving only drum machines and vocoders as the main electronic sounds of the album (and even then, live drumming was used on several songs anyway).

Its number-one hit, "Get Lucky", finally gave the band a legitimate American hit and paved the way for a series of further disco/funk influenced Top 40 hits from other artists, like Music/RobinThicke's "Blurred Lines" (which unfortunately blocked "Get Lucky" from the top of the charts in America), Music/BrunoMars' "Treasure", Mark Ronson and Mars' "Uptown Funk", among others.

to:

The album's sound, rather than continuing the house music of the duo's band's previous albums, is a GenreThrowback to [[TheSeventies '70s]] and [[TheEighties '80s]] disco and funk. Production of the album involved a slew of guest vocalists and reduced electronic components; emphasis was on live instrumentation and vintage synths, leaving only drum machines and vocoders as the main electronic sounds of the album (and even then, live drumming was used on several songs anyway).

Its number-one hit, "Get Lucky", finally gave the band a legitimate American hit and [[FollowTheLeader paved the way for a series of further disco/funk influenced Top 40 hits from other artists, artists]], like Music/RobinThicke's "Blurred Lines" (which unfortunately blocked "Get Lucky" from the top of the charts in America), Music/BrunoMars' "Treasure", Mark Ronson and Mars' "Uptown Funk", among others.
Is there an issue? Send a MessageReason:
None


The album, rather than the French house of ''Music/{{Homework}}'' and ''Music/{{Discovery}}'', is a GenreThrowback to [[TheSeventies '70s]] and [[TheEighties '80s]] disco and funk. Production of the album involved a slew of guest vocalists and reduced electronic components; emphasis was on live instrumentation and vintage synths, leaving only drum machines and vocoders as the main electronic sounds of the album (and even then, live drumming was used on several songs anyway).

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The album, album's sound, rather than continuing the French house music of ''Music/{{Homework}}'' and ''Music/{{Discovery}}'', the duo's previous albums, is a GenreThrowback to [[TheSeventies '70s]] and [[TheEighties '80s]] disco and funk. Production of the album involved a slew of guest vocalists and reduced electronic components; emphasis was on live instrumentation and vintage synths, leaving only drum machines and vocoders as the main electronic sounds of the album (and even then, live drumming was used on several songs anyway).
Is there an issue? Send a MessageReason:
None


''Random Access Memories'' is the fourth studio album by the veteran electronic music duo Music/DaftPunk. It was released in 2013 after a lengthy hiatus from their third studio album ''Human After All'', and ended up being their final album before the announcement of their split in 2021.

to:

''Random Access Memories'' is the fourth studio album by the veteran electronic music duo Music/DaftPunk. It was released in 2013 after a lengthy hiatus from 2013, eight years following their third studio previous album ''Human After All'', and ended up being their final album before the announcement of their split eight years later in 2021.
Is there an issue? Send a MessageReason:
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''Random Access Memories'' is the fourth and final studio album by the veteran electronic music duo Music/DaftPunk, released in 2013 after a lengthy hiatus from their third studio album ''Human After All''.

to:

''Random Access Memories'' is the fourth and final studio album by the veteran electronic music duo Music/DaftPunk, Music/DaftPunk. It was released in 2013 after a lengthy hiatus from their third studio album ''Human After All''.
All'', and ended up being their final album before the announcement of their split in 2021.

Added: 1292

Changed: 1790

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[[caption-width-right:329:''Let the music of your life, Give life back to music'']]
''Random Access Memories'' is the fourth and final studio album by the veteran electronic music duo Music/DaftPunk, released in 2013 after a lengthy hiatus from their third studio album ''Human After All''. The album, rather than the French house of ''Homework'' and ''Discovery'', is a GenreThrowback to 70s and 80s disco and funk. Production of the album involved a slew of guest vocalists and reduced electronic components; emphasis was on live instrumentation and vintage synths, leaving only drum machines and vocoders as the main electronic sounds of the album (and even then, live drumming was used on several songs anyway).

Its number one hit, "Get Lucky", finally gave the band a legitimate American hit and paved the way for a series of further disco/funk influenced Top 40 hits from other artists, like Music/RobinThicke's "Blurred Lines" (which unfortunately blocked "Get Lucky" from the top of the charts in America), Music/BrunoMars' "Treasure", Mark Ronson and Mars' "Uptown Funk", among others. It also gave Daft Punk five Grammy Awards, including the prestigious Album of the Year award. The album was also a major commercial success, topping the weekly charts in 24 different countries (among them being the US, the UK, and a huge chunk of continental Europe, including Daft Punk's native France) and the Billboard Dance/Electronic weekly charts, topping the year-end album charts in the US and Australia, and ultimately becoming the 99th best-selling album of TheNewTens in the United States. The double-LP release of the album was particularly popular, aided in part by the heavy focus given to it in promotional material, selling 49,000 copies in the United States alone and becoming the top-selling vinyl release of 2013.

to:

[[caption-width-right:329:''Let the music of your life, life\\
Give life back to music'']]
music.'']]

''Random Access Memories'' is the fourth and final studio album by the veteran electronic music duo Music/DaftPunk, released in 2013 after a lengthy hiatus from their third studio album ''Human After All''. All''.

The album, rather than the French house of ''Homework'' ''Music/{{Homework}}'' and ''Discovery'', ''Music/{{Discovery}}'', is a GenreThrowback to 70s [[TheSeventies '70s]] and 80s [[TheEighties '80s]] disco and funk. Production of the album involved a slew of guest vocalists and reduced electronic components; emphasis was on live instrumentation and vintage synths, leaving only drum machines and vocoders as the main electronic sounds of the album (and even then, live drumming was used on several songs anyway).

anyway).

Its number one number-one hit, "Get Lucky", finally gave the band a legitimate American hit and paved the way for a series of further disco/funk influenced Top 40 hits from other artists, like Music/RobinThicke's "Blurred Lines" (which unfortunately blocked "Get Lucky" from the top of the charts in America), Music/BrunoMars' "Treasure", Mark Ronson and Mars' "Uptown Funk", among others. It others.

The album
also gave Daft Punk five Grammy Awards, including the prestigious Album of the Year award. The album was also a major commercial success, topping the weekly charts in 24 different countries (among them being the US, the UK, and a huge chunk of continental Europe, including Daft Punk's native France) and as well as the Billboard Dance/Electronic weekly charts, topping the year-end album charts in the US and Australia, and ultimately becoming the 99th best-selling album of TheNewTens in the United States. charts. The double-LP release of the album was particularly popular, aided in part by the heavy focus given to it in promotional material, selling 49,000 copies in the United States alone and becoming the top-selling vinyl release of 2013.



!!''I listened to your tropes, Now listen to mine'':

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!!''I listened to your tropes, Now now listen to mine'':

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