Follow TV Tropes

Following

History Music / PaulSimon

Go To

OR

Is there an issue? Send a MessageReason:
None

Added DiffLines:

** "Music/YouCanCallMeAl"
Is there an issue? Send a MessageReason:
None

Added DiffLines:

** "You Can Call Me Al", despite its upbeat melody is about a middle-aged man having a mid-life crisis, questioning why he's "soft in the middle", his short attention span and losing respect in an idol who "ducked back down the alley with some roly-poly little bat-faced girl", although in the third verse it's implied he gets over said crisis and finds a resolve in South Africa.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* ''Seven Psalms'' (2023)
Is there an issue? Send a MessageReason:
off to YMMV


* SpiritualSuccessor: "Graceland" is similar to "Hearts and Bones" musically and lyrically, since they're both about actual road trips Simon took and both were inspired by the collapse of his marriage with Creator/CarrieFisher. And they were both the title songs of their respective albums.
** Albumwise there's ''Rhythm of the Saints'' which is in itself a sort of successor to ''Graceland''; while ''Graceland'' was heavily influenced by South African music and recruited African musicians to help formulate the sound, ''Rhythm'' did something similar but turned to South American genres and musicians.
Is there an issue? Send a MessageReason:


* NotChristianRock:
** 2011's ''So Beautiful Or So What'' contains many references to God and angels. Paul says he didn't notice.
** There's been plenty of speculation over the meaning of the line "The cross is in the ballpark" in "The Obvious Child".

Added: 246

Changed: 2

Is there an issue? Send a MessageReason:
None


--> Clifton Chenier, the King of the Bayou
--> Standing in the shadow of Clifton Chenier

to:

--> ---> Clifton Chenier, the King of the Bayou
--> ---> Standing in the shadow of Clifton Chenier


Added DiffLines:

** "Mother and Child Reunion", besides homaging {{Reggae}} (the music of Jimmy Cliff in particular), has these lines.
--->Oh, little darling of mine\\
I can't for the life of me\\
Remember a sadder day\\
I know they say [[Music/LetItBe "let it be."]]
Is there an issue? Send a MessageReason:


* MohsScaleOfRockAndMetalHardness: Averaging 2-3 before the world music started. After, we probably need a different scale.
Is there an issue? Send a MessageReason:
None


Simon first got together with Art {{Garfunkel}} in 1957 under the name "Tom and Jerry", but the partnership only became permanent with the success of their 1964 SignatureSong "The Sounds of Silence". The duo released a string of critically acclaimed albums and became famous for their close harmonies and Simon's alternately surreal, poetic and humorous lyrics, before calling it a day in 1970.

to:

Raised in [[UsefulNotes/NewYorkCity Queens, New York]], Simon first got together began performing with his school chum Art {{Garfunkel}} in 1957 under the name "Tom Tom and Jerry", Jerry (even having a minor chart hit that year with their single "Hey Schoolgirl"), but the partnership only became permanent with following the success of their 1964 1965 chart-topper and SignatureSong "The Sounds of Silence". The duo released a string of critically acclaimed albums and became famous for their close harmonies and Simon's alternately surreal, poetic and humorous lyrics, before calling it a day in 1970.
Is there an issue? Send a MessageReason:
None


Paul Frederic Simon (born October 13, 1941) is an American folk and rock musician known both for his initial career in the folk-rock duo Music/SimonAndGarfunkel and his eclectic solo career, which has ranged from straightforward pop, rock and folk to world music explorations.

to:

Paul Frederic Simon (born October 13, 1941) is an American folk and rock musician known both for his initial career in the folk-rock FolkRock duo Music/SimonAndGarfunkel and his eclectic solo career, which has ranged from straightforward pop, rock and folk to world music explorations.



* TropeCodifier: He was the first to succeed at bringing world music to mainstream America's attention. That is, if you don't count Music/TheBeatles experimenting with Indian music on ''Music/RubberSoul'' and ''Music/{{Revolver}}''.

to:

* TropeCodifier: He was one of the first to succeed at bringing world music to mainstream America's attention. That is, if you don't count attention, preceded by Music/TheBeatles experimenting with Indian music on ''Music/RubberSoul'' and ''Music/{{Revolver}}''.''Music/{{Revolver|Beatles Album}}''.
Is there an issue? Send a MessageReason:
None


** Then there's "Rhythm of the Saints" which is in itself a sort of successor to "Graceland"; while "Graceland" was heavily influenced by South African music and recruited African musicians to help formulate the sound, "Rhythm" did something similar but turned to South American genres and musicians.

to:

** Then Albumwise there's "Rhythm ''Rhythm of the Saints" Saints'' which is in itself a sort of successor to "Graceland"; ''Graceland''; while "Graceland" ''Graceland'' was heavily influenced by South African music and recruited African musicians to help formulate the sound, "Rhythm" ''Rhythm'' did something similar but turned to South American genres and musicians.
Is there an issue? Send a MessageReason:
Misuse


However, Simon rebounded with ''Music/{{Graceland}}'' (1986). Recorded in UsefulNotes/SouthAfrica with a cast of talented African musicians and containing a fusion of Western pop-rock and folk music with African genres such as isicathamiya and mbaqanga, the album was released in 1986 to a wildly positive response despite considerable controversy surrounding Simon's decision to record in South Africa [[CompletelyMissingThePoint at the height of both Apartheid and a United Nations-led cultural boycott against South Africa meant to protest Apartheid]]. The album re-established Simon as a successful artist and became an enduring benchmark by which "world music" experiments by other pop artists are measured, though the ''Graceland'' controversy still chases him around here and there even today.

to:

However, Simon rebounded with ''Music/{{Graceland}}'' (1986). Recorded in UsefulNotes/SouthAfrica with a cast of talented African musicians and containing a fusion of Western pop-rock and folk music with African genres such as isicathamiya and mbaqanga, the album was released in 1986 to a wildly positive response despite considerable controversy surrounding Simon's decision to record in South Africa [[CompletelyMissingThePoint at the height of both Apartheid and a United Nations-led cultural boycott against South Africa meant to protest Apartheid]].Apartheid. The album re-established Simon as a successful artist and became an enduring benchmark by which "world music" experiments by other pop artists are measured, though the ''Graceland'' controversy still chases him around here and there even today.
Is there an issue? Send a MessageReason:
None


** "Rene and Georgette Magritte with Their Dog after the War" shouts out the [[Creator/ReneMagritte famed surrealist painter]] as well as the popular doo-wop groups of TheSixties: The Penguins, The Moonglows, The Oreos and the Five Satins.

to:

** "Rene and Georgette Magritte with Their Dog after the War" shouts out the [[Creator/ReneMagritte famed surrealist painter]] as well as the popular doo-wop groups of TheSixties: TheFifties: The Penguins, The Moonglows, The Oreos Orioles and the Five Satins.
Is there an issue? Send a MessageReason:
None


* NonActorVehicle: 1980's ''One Trick Pony'', which he wrote as well as starred in and composed the music for. Interesting since his character is explicitly not an AuthorAvatar; he's a one-hit wonder struggling to make a comeback. It famously has a character (played by Creator/RipTorn) who's a blatant TakeThat to Creator/ColumbiaRecords president Walter Yetnikoff (whose feuding with Simon led to him switch labels), among other [[InJoke In-Jokes]] about the music industry. The movie completely bombed, but it generated a hit song with "Late in the Evening".

to:

* NonActorVehicle: 1980's ''One Trick Pony'', which he wrote as well as starred in and composed the music for. Interesting since his character is explicitly not an AuthorAvatar; he's a one-hit wonder OneHitWonder from TheSixties struggling to make a comeback. It famously has a character (played by Creator/RipTorn) who's a blatant TakeThat to Creator/ColumbiaRecords president Walter Yetnikoff (whose feuding with Simon led to him switch labels), among other [[InJoke In-Jokes]] about the music industry. The movie completely bombed, but it generated a hit song with "Late in the Evening".
Is there an issue? Send a MessageReason:
None


* NonActorVehicle: 1980's ''One Trick Pony'', which he wrote as well as starred in and composed the music for. Interesting since his character is explicitly not an AuthorAvatar; he's a one-hit wonder struggling to make a comeback. It famously has a character (played by Rip Torn) who's a blatant TakeThat to Creator/ColumbiaRecords president Walter Yetnikoff, among other [[InJoke In-Jokes]] about the music industry. The movie completely bombed, but it generated a hit song with "Late in the Evening".

to:

* NonActorVehicle: 1980's ''One Trick Pony'', which he wrote as well as starred in and composed the music for. Interesting since his character is explicitly not an AuthorAvatar; he's a one-hit wonder struggling to make a comeback. It famously has a character (played by Rip Torn) Creator/RipTorn) who's a blatant TakeThat to Creator/ColumbiaRecords president Walter Yetnikoff, Yetnikoff (whose feuding with Simon led to him switch labels), among other [[InJoke In-Jokes]] about the music industry. The movie completely bombed, but it generated a hit song with "Late in the Evening".
Is there an issue? Send a MessageReason:
None


* NonActorVehicle: 1980's ''One Trick Pony'', which he wrote as well as starred in and composed the music for. Interesting since his character is explicitly not an AuthorAvatar; he's a one-hit wonder struggling to make a comeback. It famously has a character (played by Rip Torn) who's a blatant TakeThat to Creator/ColumbiaRecords president Walter Yetnikoff, among other [[InJoke In-Jokes]] about the music industry. A BoxOfficeBomb, but it generated a BreakawayPopHit with "Late in the Evening".

to:

* NonActorVehicle: 1980's ''One Trick Pony'', which he wrote as well as starred in and composed the music for. Interesting since his character is explicitly not an AuthorAvatar; he's a one-hit wonder struggling to make a comeback. It famously has a character (played by Rip Torn) who's a blatant TakeThat to Creator/ColumbiaRecords president Walter Yetnikoff, among other [[InJoke In-Jokes]] about the music industry. A BoxOfficeBomb, The movie completely bombed, but it generated a BreakawayPopHit hit song with "Late in the Evening".

Added: 344

Changed: 140

Is there an issue? Send a MessageReason:
None


!!Paul Simon albums with their own article on TV Tropes:

to:

!!Paul !!Studio Discography:
* ''The Paul
Simon albums with their own article on TV Tropes:
Songbook'' (1965)
* ''Paul Simon'' (1972)
* ''There Goes Rhymin' Simon'' (1973)
* ''Still Crazy After All These Years'' (1975)
* ''One-Trick Pony'' (1980)
* ''Hearts and Bones'' (1983)




to:

* ''The Rhythm of the Saints'' (1990)
* ''Songs from the Capeman'' (1997)
* ''You're the One'' (2000)
* ''Surprise'' (2006)
* ''So Beautiful or So What'' (2011)
* ''Stranger to Stranger'' (2016)
* ''In the Blue Light'' (2018)
Is there an issue? Send a MessageReason:
None


* NoodleIncident: [[ShrugOfGod Not even Simon knows]] what Mama saw in "Me And Julio Down By The Schoolyard".
* NonActorVehicle: 1980's ''One Trick Pony'', which he wrote as well as starred in and composed the music for. Interesting since his character is explicitly not an AuthorAvatar; he's a OneHitWonder struggling to make a comeback. It famously has a character (played by Rip Torn) who's a blatant TakeThat to Creator/ColumbiaRecords president Walter Yetnikoff, among other [[InJoke In-Jokes]] about the music industry. A BoxOfficeBomb, but it generated a BreakawayPopHit with "Late in the Evening".

to:

* NoodleIncident: [[ShrugOfGod Not even Simon knows]] knows what Mama saw in "Me And Julio Down By The Schoolyard".
* NonActorVehicle: 1980's ''One Trick Pony'', which he wrote as well as starred in and composed the music for. Interesting since his character is explicitly not an AuthorAvatar; he's a OneHitWonder one-hit wonder struggling to make a comeback. It famously has a character (played by Rip Torn) who's a blatant TakeThat to Creator/ColumbiaRecords president Walter Yetnikoff, among other [[InJoke In-Jokes]] about the music industry. A BoxOfficeBomb, but it generated a BreakawayPopHit with "Late in the Evening".



** "The Late Great Johnny Ace", from ''Hearts and Bones'', is at once a Shout Out to Johnny Ace, UsefulNotes/JohnFKennedy and InMemoriam to Music/JohnLennon -- three Johns who were killed by a firearm.

to:

** "The Late Great Johnny Ace", from ''Hearts and Bones'', is at once a Shout Out to Johnny Ace, UsefulNotes/JohnFKennedy and InMemoriam in memorial to Music/JohnLennon -- three Johns who were killed by a firearm.
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* FathersQuest: Simon recorded "Slip Slidin' Away" in 1977. The third stanza describes a father who's been absent from his son's life, and decides to make amends.
-->''And I know a father who had a son\\
He longed to tell him all the reasons for the things he'd done\\
He came a long way just to explain\\
Kissed his boy as he lay sleeping, then turned around and headed home again.''
Is there an issue? Send a MessageReason:
None

Added DiffLines:

** "Rene and Georgette Magritte with Their Dog after the War" shouts out the [[Creator/ReneMagritte famed surrealist painter]] as well as the popular doo-wop groups of TheSixties: The Penguins, The Moonglows, The Oreos and the Five Satins.
Is there an issue? Send a MessageReason:
None

Top