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* CreepyChildrenSinging: In "Augen Auf", a child gives the Hide and Seek countdown in the chorus, with a very raspy voice.
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* IntercourseWithYou: "Sex" from ''Sperm''.
--> ''GIB MIR SEX!''
--> ''GIB MIR SEX!''
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* IntercourseWithYou: "Sex" from ''Sperm''.
--> ''GIB MIR SEX!''
--> ''GIB MIR SEX!''
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* LastNoteNightmare: "Mein Herz". Not that it is a pleasant song to begin with, but it closes with a heartbeat, foosteps, and a woman yelling. Then it fades.
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* NonAppearingTitle: The TitleTrack from ''Ego''. The word is never pronounced during the song.
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* ExcitedShowTitle:
** The name of the band itself. '''OOMPH!'''
** "Achtung! Achtung!", "Wach auf!"/"Wake up!" and "Augen Auf!".
** The name of the band itself. '''OOMPH!'''
** "Achtung! Achtung!", "Wach auf!"/"Wake up!" and "Augen Auf!".
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* BookEnds:
** ''Plastik'' ends with "Das weiße Licht (Refraction)", a reprise of the chorus from the first track "Das weiße Licht".
** ''Ego'' ends with a reprise of the chorus from the seventh track "Atem" ("Breath"), called "Traum weiter" ("Keep dreeming").
** ''Plastik'' ends with "Das weiße Licht (Refraction)", a reprise of the chorus from the first track "Das weiße Licht".
** ''Ego'' ends with a reprise of the chorus from the seventh track "Atem" ("Breath"), called "Traum weiter" ("Keep dreeming").
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* AlbumIntroTrack: "Mutters Schoß" ("Mother's womb") for ''Unrein'', so far the only example in the band's discography.
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* HumansAreFlawed: "Mutters Schoß" ("Mother's womb") from ''Unrein'':
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* HumansAreFlawed: "Mutters Schoß" ("Mother's womb") from ''Unrein'':
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* HumansAreFlawed: "Mutters Schoß" ("Mother's womb") from ''Unrein'':
--> ''Wir werden unrein geboren[[note]]We're born impure[[/note]]\\
Und vom ersten Augenblick an[[note]]And from the first moment[[/note]]\\
Klebt an uns die Schuld[[note]]Guilt is clinging to us[[/note]]\\
Wie das Blut aus Mutters Schoß[[note]]Like the blood from mother's womb[[/note]]''
--> ''Wir werden unrein geboren[[note]]We're born impure[[/note]]\\
Und vom ersten Augenblick an[[note]]And from the first moment[[/note]]\\
Klebt an uns die Schuld[[note]]Guilt is clinging to us[[/note]]\\
Wie das Blut aus Mutters Schoß[[note]]Like the blood from mother's womb[[/note]]''
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* GratuitousLatin: From "Unsere Rettung" ("Our salvation"):
-->''Ave Satani et stupor et Christi![[note]]Hail to Satan, stupidity and Christ![[/note]]''
-->''Ave Satani et stupor et Christi![[note]]Hail to Satan, stupidity and Christ![[/note]]''
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* GratuitousGreek: The old version of "Gekreuzigt" had Dero Goi invoking "Kyrie eleison" ("Lord, have mercy") during the chorus. This was removed in "Gekreuzigt 2006".
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* ColdBloodedTorture: In the music video of "Auf Kurs", each band member is tortured in turn by the other two: Dero is forced to TheLudovicoTechnique; Flux has a sort of NeuralImplanting drilled in his neck; Crap has his [[{{Fingore}} fingernails removed]] and suffers ElectricTorture.
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* TheLudovicoTechnique: Happens to Dero in the "Auf Kurs" music video.
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* TitleTrack: ''Defekt'', ''Wunschkind'', ''Unrein'', ''Ego'' and ''Truth or Dare'' include one, but otherwise the trope is mostly averted.
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Removing commented out ZCE I forgot there
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%% * GoIntoTheLight: "Das weiße Licht"
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* CrapsaccharineWorld: The village in the music video for "Das weiße Licht" ("The white light"), which is revealed to be inhabited by [[RoboticReveal humanoid robots]].
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* CrapsaccharineWorld: The village CheshireCatGrin: Dero pulls this ''very'' often in the music video for "Das weiße Licht" ("The white light"), which is revealed to be inhabited by [[RoboticReveal humanoid robots]].videos, in official art, or in concert.
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* CrapsaccharineWorld: The village in the music video for "Das weiße Licht" ("The white light"), which is revealed to be inhabited by [[RoboticReveal humanoid robots]].
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* EvilLaugh: Heard during the interlude in "Willst du Hoffnung?", while a plead to God his recited repeatedly.
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* {{March}}: "Gleichschritt" ("Lockstep") is a weird military marchlike song, both in lyrics and melody.
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* {{March}}: "Gleichschritt" ("Lockstep") is a weird electronic military marchlike song, both in lyrics and melody.
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* March: "Gleichschritt" ("Lockstep") is a weird military marchlike song, both in lyrics and melody.
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* March: {{March}}: "Gleichschritt" ("Lockstep") is a weird military marchlike song, both in lyrics and melody.
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* KillItWithFire: "Das letzte Streichholz" ("The final match") tells of a girl on her way to burn down her house, to take revenge on her abusive family, and likely with the intention of killing them as well. The music video downplays it, as the girl only burns a big pile of family portraits and possessions, under the hysterical reaction of her abusive mother and siblings.
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* KillItWithFire: "Das letzte Streichholz" ("The final match") tells of a girl on her way to burn down her house, to take revenge on her abusive family, and AbusiveParents, likely with the intention of killing them as well. The music video downplays it, as the girl only burns a big pile of family portraits and possessions, under the hysterical reaction of her abusive mother and siblings.
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* March: "Gleichschritt" ("Lockstep") is a weird military marchlike song, both in lyrics and melody.
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* TitleDrop: "Zwei Schritte vor" ("Two steps forward") music video has a big "OOMPH!" dropped on screen at the end of the video.
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* TheTopicOfCancer: "Hello my name is Cancer" is from the first person of the Cancer itself, as it presents itself to its victim, mockingly asking them to surrender to their fate.
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Added "Alles aus Liebe"
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* RomanticizedAbuse: "Come and kick me" is sung from the perspective of someone who enjoy the abuses and the beatings they receive, begging for more.
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* RomanticizedAbuse: RomanticizedAbuse:
** "Come and kick me" is sung from the perspective of someone who enjoy the abuses and the beatings they receive, begging formore.more.
** "Alles aus Liebe" ("Everything out of love") tells of a man who's prepared to suffer any physical violence, any pain, any torment "out of love for her".
--->''Ich will mich verletzen, will alles wagen[[note]]I want to injure myself, want to dare everything[[/note]]\\
Grausame Schmerzen werd' ich ertragen[[note]] I will bear horrible pain[[/note]]\\
All das nur aus Liebe zu ihr[[note]] All that only out of love for her[[/note]]''
** "Come and kick me" is sung from the perspective of someone who enjoy the abuses and the beatings they receive, begging for
** "Alles aus Liebe" ("Everything out of love") tells of a man who's prepared to suffer any physical violence, any pain, any torment "out of love for her".
--->''Ich will mich verletzen, will alles wagen[[note]]I want to injure myself, want to dare everything[[/note]]\\
Grausame Schmerzen werd' ich ertragen[[note]] I will bear horrible pain[[/note]]\\
All das nur aus Liebe zu ihr[[note]] All that only out of love for her[[/note]]''
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* GoIntoTheLight: "Das weiße Licht"
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%% * GoIntoTheLight: "Das weiße Licht"
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!! Live Members:
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* CrapsaccharineWorld: The village in the music video for "Das weisse Licht".
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* CrapsaccharineWorld: The village in the music video for "Das weisse Licht".weiße Licht" ("The white light"), which is revealed to be inhabited by [[RoboticReveal humanoid robots]].
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* GoIntoTheLight: "Das weiße Licht"
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* PrayerOfMalice: The second verse of "Gott ist ein Popstar" is a corruption of ''Lord's Prayer'', in which Dero Goi prays to God to have mankind's whims realised, but to have them granted his grace nevertheless.
* RagsToRiches: "Jesus" in "Gott ist ein Popstar" music video starts as a hobo sleeping in the trash; he's taken by Oomph! members, cleaned up, shaved, and made a supermodel.
* RagsToRiches: "Jesus" in "Gott ist ein Popstar" music video starts as a hobo sleeping in the trash; he's taken by Oomph! members, cleaned up, shaved, and made a supermodel.
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Added Lyric Video
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* LyricVideo: For "[[https://www.youtube.com/watch?v=GMYbXN5DHsA Kein Liebeslied]]", their first and only one so far.
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Added Anti Love Song
* AntiLoveSong: "Kein Liebeslied" ("Not a love song") unsurprisingly: is a song praising hate, wrath, vengeance, deception; any negative and destructive feeling.
-->''Dies ist kein Liebeslied[[note]]This is not a love song[[/note]]\\
es ist kein schönes Lied[[note]]it's not a nice song[[/note]]\\
dies ist kein Liebeslied[[note]]this is not a love song[[/note]]\\
und trotzdem werdet ihr es lieben![[note]]And yet you will love it![[/note]]''
-->''Dies ist kein Liebeslied[[note]]This is not a love song[[/note]]\\
es ist kein schönes Lied[[note]]it's not a nice song[[/note]]\\
dies ist kein Liebeslied[[note]]this is not a love song[[/note]]\\
und trotzdem werdet ihr es lieben![[note]]And yet you will love it![[/note]]''
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* HiddenTrack: In ''Wahrheit oder Pflicht'', the final track "Im Licht" (In light) is over 11 minutes long, but the actual song ends at around 4:10 minutes; a bonus track, "I’m going down", begins at around 6:40. However, later releases of the album had the tracks separated altogether.
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* HiddenTrack: In ''Wahrheit oder Pflicht'', the final track "Im Licht" (In light) ("In light") is over 11 minutes long, but the actual song ends at around 4:10 minutes; a bonus track, "I’m going down", begins at around 6:40. However, later releases of the album had the tracks separated altogether.
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* SelfDemonstratingSong: The song "Defekt" (meaning "defective" or "faulty") ends with a loop which sounds like a phonograph glitch.
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* SelfDemonstratingSong: The song "Defekt" (meaning "defective" or "faulty") ("Defective"/"Faulty") ends with a loop which sounds like a phonograph glitch.
** "Der neue Gott" ("The new God") from ''Oomph!'' is sung in German but has a short interlude in English. Later releases of the album included a "bonus version" completely in German, with the interlude translated almost precisely.
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** "Der neue Gott" ("The new God") from ''Oomph!'' is sung in German but has a short interlude in English. Later releases of the album included a "bonus version" completely in German, with the interlude translated almost precisely.
* WeAllDieSomeday: "Geborn zu sterben" (Born to Die) is about life's fleetingness.
* WeAllDieSomeday: "Geborn zu sterben" (Born to Die) is about life's fleetingness.
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* BasedOnATrueStory: "Mary Bell" refers to the case of [[https://en.wikipedia.org/wiki/Mary_Bell a British woman]], with a ''seriously'' messed up childhood, who killed two little kids when she was barely ''eleven''.
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Added Nested Story Reveal
* AlbumTitleDrop: "Augen auf!" ("Eyes Open"[[note]]the German name for Hide and Seek[[/note]]) has at one point Dero Goi mentioning the game of Truth or Dare, "Wahrheit oder Pflicht" in German, the album's name. This applies also to the translated English version "Ready or Not (I'm coming)".
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** "Brennende Liebe" crosses over Oomph! with the Austrian duo ''L'Âme Immortelle''.
** From ''[=GlaubeLiebeTod=]'': the single version of "Die Schlinge" crosses over Oomph! with ''Music/{{Apocalyptica}}'', while the single version of "Träumst du?" becomes a duet of Dero Goi and Czech singer Marta Jandová.
** "Land ahead", the English version of "Land im Sicht", includes of Sharon den Adel from ''Music/WithinTemptation'' as backing vocalist.
** From ''[=GlaubeLiebeTod=]'': the single version of "Die Schlinge" crosses over Oomph! with ''Music/{{Apocalyptica}}'', while the single version of "Träumst du?" becomes a duet of Dero Goi and Czech singer Marta Jandová.
** "Land ahead", the English version of "Land im Sicht", includes of Sharon den Adel from ''Music/WithinTemptation'' as backing vocalist.
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** "Brennende Liebe" crosses over Oomph! with the Austrian duo ''L'Âme Immortelle''.
L'Âme Immortelle.
** From ''[=GlaubeLiebeTod=]'': the single version of "Die Schlinge" crosses over Oomph! with''Music/{{Apocalyptica}}'', Music/{{Apocalyptica}}, while the single version of "Träumst du?" becomes a duet of Dero Goi and Czech singer Marta Jandová.
** "Land ahead", the English version of "Land im Sicht", includes of Sharon den Adel from''Music/WithinTemptation'' Music/WithinTemptation as backing vocalist.
** From ''[=GlaubeLiebeTod=]'': the single version of "Die Schlinge" crosses over Oomph! with
** "Land ahead", the English version of "Land im Sicht", includes of Sharon den Adel from
* EarlyInstallmentWeirdness: Oomph! reached mainstream popularity with their eighth album, ''Wahrheit oder Pflicht'', when the band settled with a softened NDH sound. The numerous newcomers may find very puzzling their album from the 90s, with their harder sound, grittier vocals and overall more violent imagery. But their very first album ''Oomph!'', an EBM album with barely electric guitars, takes the cake.
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* {{Guyliner}}: Dero's customary makeup since the release of ''Augen Auf''.
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* {{Guyliner}}: Dero's customary makeup since the release of ''Augen Auf''.''Wahrheit oder Pflicht''.
* NestedStoryReveal: The girl in the music video of "Labyrinth", attempting to escape from, well, the labyrinth? It turns out to be all an imagination of a mentally ill Dero Goi, stuck on a wheelchair and playing with a wooden labyrinth, accompanied by Flux and Crap as his nurses.
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* RomanticizedAbuse: "Come and kick me" is told in first person from the perspective of someone who enjoy the abuses and the beatings they receive, begging for more.
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* RomanticizedAbuse: "Come and kick me" is told in first person sung from the perspective of someone who enjoy the abuses and the beatings they receive, begging for more.
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** "Kleinstadtboy" takes up the title and, partially, the melody and the text of "Smalltown Boy" by ''Music/BronskiBeat''.
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** "Kleinstadtboy" takes up the title and, partially, the melody and the text of "Smalltown Boy" by ''Music/BronskiBeat''.Music/BronskiBeat.
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* ''3 + 1'' (1994) - An EP containing 3 remixes from ''Sperm'' and the bonus track "Fleisch".
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* ''Delikatessen'' (2006) - Includes some of the band's favourite tracks, b-sides, remixes and never-heard before bonus tracks.
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* ''Delikatessen'' (2006) - Includes A double record containing some of the band's favourite tracks, b-sides, remixes and never-heard before bonus tracks.
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Added Dont You Dare Pity Me
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* DontYouDarePityMe: The protagonist "Ice-Coffin" insists that he deserves no love nor pity, as he already hurted enough whosoever is trying to save him, and begs to be left alone in his "[[TitleDrop ice coffin]]".
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!''Ready or not, I'm troping'':
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* HiddenTrack: In ''Wahrheit oder Pflicht'', the final track "Im Licht" (In light) is over 11 minutes long, but the actual song ends at around 4:10 minutes; a bonus track, "I’m going down", begins at around 6:40. However, later releases of the album had the tracks separated altogether.
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* {{Instrumentals}}: It was commmon for older albums, up until ''Ego'', to have a couple of instrumental tracks: ''Sperm'' had "Kismet"; ''Defekt'' had "Zeitweilig Incontinent" and "Decubitus Vulgaris"; ''Wunschkind'' had "Wälsungenblut" and "Filthy Playground"; ''Unrein'' had "Zero endorphine"; ''Ego'' had "Serotonin" and "Dopamin".
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''Oomph!'' (sometimes rendered [[CapsLock OOMPH!]]) is an IndustrialMetal band (even though their first album, ''[[SelfTitledAlbum Oomph!]]'', was an [[EarlyInstallmentWeirdness EBM album]]) founded in 1989 in Wolfsburg, UsefulNotes/{{Germany}}, consisting of Dero Goi, Andreas Crap and Robert Flux. Their second album, ''[[NewSoundAlbum Sperm]]'', released in 1994, is widely considered the UrExample of Neue Deutsche Härte (or [=NDH=], "New German Hardness"), a German subgenre of IndustrialMetal with influences from EBM, featuring such bands as ''Unheilig'', ''Eisbrecher'', ''Megaherz'', ''Music/{{ASP}}'' and a certain little band that you may have heard of going by the name of ''Music/{{Rammstein}}''.
Even though they were very influential, they didn't make their big mainstream breakthrough in Germany until 2004, when "Augen auf!", the first single from their album ''Wahrheit oder Pflicht'', was #1 on the German singles chart for 8 consecutive weeks. Nonetheless, the success of ''Music/{{Rammstein}}'', whom they have themselves inspired, contributed to popularise [=NDH=] even outside the German-speaking public, and was indeed of help for ''Oomph!'' as well.
Even though they were very influential, they didn't make their big mainstream breakthrough in Germany until 2004, when "Augen auf!", the first single from their album ''Wahrheit oder Pflicht'', was #1 on the German singles chart for 8 consecutive weeks. Nonetheless, the success of ''Music/{{Rammstein}}'', whom they have themselves inspired, contributed to popularise [=NDH=] even outside the German-speaking public, and was indeed of help for ''Oomph!'' as well.
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Even though they were very influential, they didn't make their big mainstream breakthrough in Germany until 2004, when "Augen auf!", the first single from their album ''Wahrheit oder Pflicht'', was #1 on the German singles chart for 8 consecutive weeks.
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** "Brennende Liebe" crosses over ''Oomph!'' with the Austrian duo ''L'Âme Immortelle''.
** From ''[=GlaubeLiebeTod=]'': the single version of "Die Schlinge" crosses over ''Oomph!'' with ''Music/{{Apocalyptica}}'', while the single version of "Träumst du?" becomes a duet of Dero Goi and Czech singer Marta Jandová.
** From ''[=GlaubeLiebeTod=]'': the single version of "Die Schlinge" crosses over ''Oomph!'' with ''Music/{{Apocalyptica}}'', while the single version of "Träumst du?" becomes a duet of Dero Goi and Czech singer Marta Jandová.
to:
** "Brennende Liebe" crosses over ''Oomph!'' Oomph! with the Austrian duo ''L'Âme Immortelle''.
** From ''[=GlaubeLiebeTod=]'': the single version of "Die Schlinge" crosses over''Oomph!'' Oomph! with ''Music/{{Apocalyptica}}'', while the single version of "Träumst du?" becomes a duet of Dero Goi and Czech singer Marta Jandová.
** From ''[=GlaubeLiebeTod=]'': the single version of "Die Schlinge" crosses over
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* GenreShift: ''Oomph!'' are the living embodiment of this trope, thanks to the numerous experimentations during the course of their career. Their first EBM album ''Oomph!'' was immediately followed by the more IndustrialMetal ''Sperm'', which is considered by many the enstablishing album for the NDH genre. ''Plastik'' represented a turning point by noticeably softening the band's sound, and ''Wahrheit oder Pflich'' introduced GothicMetal elements which have been kept so far, although at a varying level.
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* GenreShift: ''Oomph!'' Oomph! are the living embodiment of this trope, thanks to the numerous experimentations during the course of their career. Their first EBM album ''Oomph!'' was immediately followed by the more IndustrialMetal ''Sperm'', which is considered by many the enstablishing album for the NDH genre. ''Plastik'' represented a turning point by noticeably softening the band's sound, and ''Wahrheit oder Pflich'' introduced GothicMetal elements which have been kept so far, although at a varying level.
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* KillItWithFire: "Das letzte Streichholz" is about a girl on her way to burn down her house, to take revenge on her abusive family, and likely with the intention of killing them as well. The music video downplays it, as the girl only burns a big pile of family portraits and possessions, under the hysterical reaction of her abusive mother and siblings.
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* KillItWithFire: "Das letzte Streichholz" is about ("The final match") tells of a girl on her way to burn down her house, to take revenge on her abusive family, and likely with the intention of killing them as well. The music video downplays it, as the girl only burns a big pile of family portraits and possessions, under the hysterical reaction of her abusive mother and siblings.
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* RockTrio: An unusual one, since each member plays a wide variety of instruments in studio (as indicated above); it's no surpise that they employ many other stage musicians in concert.
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Added Kill It With Fire
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* KillItWithFire: "Das letzte Streichholz" is about a girl on her way to burn down her house, to take revenge on her abusive family, and likely with the intention of killing them as well. The music video downplays it, as the girl only burns a big pile of family portraits and possessions, under the hysterical reaction of her abusive mother and siblings.
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** "I.N.R.I. vs JAHWE" ("Jesus vs God"), a type 1, tells in first person of someone calling out God for never rewarding the sacrifices they endured nor the crimes they commited in his name.