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* BitingTheHandHumor: "Mainstream" from ''Drastic Measures''.
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** UnusuallyUninterestingSight: the rest of the band's complete non-reaction to this and Walsh's other antics suggests that this was common behavior for this time period, the Whisky performance just happens to be the only one caught on film
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* FunnyBackgroundEvent: A coked off his gourd Steve Walsh repeatedly does handstands ''on top of his keyboard'' during ''Live at the Whisky''.
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Is now YMMV, so moving to that page.


* RefrainFromAssuming: Its "Carry On Wayward Son", not "Carry On ''My'' Wayward Son".
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* NotChristianRock: Some of Kerry Livgren's work before his spiritual rebirth follow this, most notably "Incomudro--Hymn to the Atman" from ''Song for America''.
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* TransTribulations: "Andi" from ''Drastic Measures'' is about a transgender girl who has problems coming out to her community, but is given motivation to be proud of her identity by the end of the song. Considering it was written in 1983 during the peak of the band's born-again Christian period, the song was well ahead of its time in terms of gender and sexuality positivity.
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Up To Eleven is a defunct trope


* OrchestralBombing: Present in every song on the symphonic rock albums ''Works in Progress'' and ''Always Never the Same''. Very prevalent in "The Wall" on the former and "Miracles out of Nowhere" on the latter (not counting the non-rock sections, such as the preamble to "Song for America" or the orchestral, instrumental medley of Kansas songs), with both originally violin-heavy songs having [[UpToEleven even more violin usage]] plus other classical instruments.

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* OrchestralBombing: Present in every song on the symphonic rock albums ''Works in Progress'' and ''Always Never the Same''. Very prevalent in "The Wall" on the former and "Miracles out of Nowhere" on the latter (not counting the non-rock sections, such as the preamble to "Song for America" or the orchestral, instrumental medley of Kansas songs), with both originally violin-heavy songs having [[UpToEleven even more violin usage]] usage plus other classical instruments.
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TRS cleanup


* SomethingCompletelyDifferent: "Works in Progress" and "Always Never the Same" are much, much more symphonic than most of their work. (Normally, their style limits it to a few instruments not associated with non-progressive rock such as a violin, saxophone, or flute.)
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No longer a trope


* MohsScaleOfRockAndMetalHardness: Ranges from 1 ("Dust in the Wind") to 5 ("Carry On Wayward Son", "Portrait (He Knew)") with even a few 6's ("Lightning's Hand" comes to mind). "Icarus II" gets up to 7, with two heavy metal sections, as do many songs from the ''Freaks of Nature'' album.
** The opening jam the band played live before 'Child of Innocence' (a level 6 song) creeps up into level 7 territory as well, with it's proto-NWOBHM galloping rhythm and feel.
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* ProgressiveRock: Perhaps most famous example to come from the United States.

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* ProgressiveRock: Perhaps the most famous example to come from the United States.
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* StepUpToTheMicrophone: Billy Greer on "Look at the Time" on ''Somewhere to Elsewhere'' and "Summer" on ''The Prelude Implicit'', his only lead vocals in studio [[note]]Unless you count a single line on "Cheyenne Anthem" from ''Always Never The Same''[[/note]] (see Vocal Tag Team). Robby Steinhardt has stepped away from the band on a full time basis, but does show up to sing and play violin on a couple of shows per tour.

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* StepUpToTheMicrophone: Billy Greer on "Look at the Time" on ''Somewhere to Elsewhere'' and "Summer" on ''The Prelude Implicit'', his only lead vocals in studio [[note]]Unless you count a single line on "Cheyenne Anthem" from ''Always Never The Same''[[/note]] (see Vocal Tag Team). Robby Steinhardt has stepped away from the band on a full time basis, but does show up to sing and play violin on a couple of shows per tour. More recently, keyboardist Tom Brislin sang vocals on "The Song the River Sang".
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* {{Instrumentals}}: "The Spider" from ''Point of Know Return'', "Musicatto" from ''Power'', "T.O. Witcher" from ''In The Spirit Of Things'', "Section 60" from ''The Prelude Implicit''

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* {{Instrumentals}}: "The Spider" from ''Point of Know Return'', "Musicatto" from ''Power'', "T.O. Witcher" from ''In The Spirit Of Things'', "Section 60" from ''The Prelude Implicit''Implicit'', "Propulsion 1" from ''The Absence of Presence''.
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* HomesicknessHymn: "People of the South Wind", while crouched in some fantastic imagery, is another song about the emptiness of traveling the world without a place to call home, and wishing it were possible to return to one's youthful home.
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* EyepatchOfPower: Rich Williams wears one. [[http://images.fineartamerica.com/images-medium-large-5/rich-williams-kansas-don-olea.jpg Behold.]]

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* EyepatchOfPower: Rich Williams Williams, who lost his right eye in a childhood fireworks accident, used to have a glass eye, but now wears one.an eyepatch. [[http://images.fineartamerica.com/images-medium-large-5/rich-williams-kansas-don-olea.jpg Behold.]]
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* FadingIntoTheNextSong: "Aperçu" segues into the "Death of Mother Nature Suite" on ''Kansas''.
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*** The video made an already mediocre live album worse. As part of the means of cutting costs, the band used video to record as opposed to film, leading to poor quality visuals. In addition, the band had to use heavy amounts of lighting for the cameras to visually record the show which had the nasty side effect of making the band sweaty. While the majority of the band is pretty much playing rigidly and professionally, Steve Walsh got a little ''too'' enthusiastic with his stage movements and gyrations, not only appearing to be on some kind of "upper", but clashed strongly with the rest of the more subdued band.
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** The opening jam the band played before 'Child of Innocence' (a level 6 song) creeps up into level 7 territory as well, with a proto-NWOBHM galloping rhythm.

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** The opening jam the band played live before 'Child of Innocence' (a level 6 song) creeps up into level 7 territory as well, with a it's proto-NWOBHM galloping rhythm.rhythm and feel.
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None

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**The opening jam the band played before 'Child of Innocence' (a level 6 song) creeps up into level 7 territory as well, with a proto-NWOBHM galloping rhythm.

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* DownerEnding: "Point of Know Return" ends with the singer finding a letter from a friend on a sailing expedition. The friend "cried with fear" upon seeing the titular point of no return, and presumably disappeared into it.



* DownerEnding: "Point of Know Return" ends with the singer finding a letter from a friend from his sailing expedition. The friend "cried with fear" upon seeing the titular point of no return, and presumably disappeared into it.
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* LyricsDissonance: "Point of Know Return" is a lively, up-tempo song about a sailor learning that the archaic belief that one can sail off the ends of the Earth [[AllMythsAreTrue is fact]] and evidently an extremely horrific thing to witness.

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* LyricsDissonance: LyricalDissonance: "Point of Know Return" is a lively, up-tempo song about a sailor learning that the archaic belief that one can sail off the ends of the Earth [[AllMythsAreTrue is fact]] and evidently an extremely horrific thing to witness.
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* DownerEnding: "Point of Know Return" ends with the singer finding a letter from a friend from his sailing expedition. The friend "cried with fear" upon seeing the titular point of no return, and presumably disappeared into it.


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* LyricsDissonance: "Point of Know Return" is a lively, up-tempo song about a sailor learning that the archaic belief that one can sail off the ends of the Earth [[AllMythsAreTrue is fact]] and evidently an extremely horrific thing to witness.
-->"They say the point demons guard is an ocean grave for all the brave."
Tabs MOD

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Kansas is an American ProgressiveRock band [[CaptainObvious from Topeka, Kansas.]] The band formed in 1973 and still tours in North America and Europe, though the lineup has changed over the years. They debuted with a SelfTitledAlbum in 1974 and have since become quite popular, becoming a staple on classic rock radio and having their songs played in movies and TV shows.

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Kansas is an American ProgressiveRock band [[CaptainObvious from Topeka, Kansas.]] Kansas. The band formed in 1973 and still tours in North America and Europe, though the lineup has changed over the years. They debuted with a SelfTitledAlbum in 1974 and have since become quite popular, becoming a staple on classic rock radio and having their songs played in movies and TV shows.
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* MohsScaleOfRockAndMetalHardness: Ranges from 1 ("Dust in the Wind") to 5 ("Carry On Wayward Son", "Portrait (He Knew)") with even a few 6's ("Lightning's Hand" comes to mind). "Icarus II" gets up to 7, with two heavy metal sections.

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* MohsScaleOfRockAndMetalHardness: Ranges from 1 ("Dust in the Wind") to 5 ("Carry On Wayward Son", "Portrait (He Knew)") with even a few 6's ("Lightning's Hand" comes to mind). "Icarus II" gets up to 7, with two heavy metal sections.sections, as do many songs from the ''Freaks of Nature'' album.
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I feel it's necessary to highlight, because so many people get it wrong only by a two-letter word.


* RefrainFromAssuming: Its "Carry On Wayward Son", not "Carry On My Wayward Son".

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* RefrainFromAssuming: Its "Carry On Wayward Son", not "Carry On My ''My'' Wayward Son".
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* CoverVersion: "Bringing It Back"[[note]]By J.J. Cale[[/note]] on ''Kansas'', "[[Music/TheBeatles Eleanor Rigby]]"[[note]]By The Beatles[[/note]] on ''Always Never The Same''. "Belexes" is an odd example. It was a song originally by Kerry Livgren's first band (also named Kansas, but the name was changed to Proto-Kaw when it was revived in the mid-naughties) and was featured on Kansas's first album. Both Kansas and Proto-Kaw play the song regularly nowadays, though the Proto-Kaw version has slightly different lyrics, and the Kansas version usually includes parts of "Lightning's Hand" when played live.

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* CoverVersion: "Bringing It Back"[[note]]By J.J. Cale[[/note]] on ''Kansas'', "[[Music/TheBeatles Eleanor Rigby]]"[[note]]By The Beatles[[/note]] Rigby]]" on ''Always Never The Same''. "Belexes" is an odd example. It was a song originally by Kerry Livgren's first band (also named Kansas, but the name was changed to Proto-Kaw when it was revived in the mid-naughties) and was featured on Kansas's first album. Both Kansas and Proto-Kaw play the song regularly nowadays, though the Proto-Kaw version has slightly different lyrics, and the Kansas version usually includes parts of "Lightning's Hand" when played live.
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[[caption-width-right:247:The band's classic lineup. Top row (l-r): Phil Ehart, Steve Walsh. Middle row (l-r): Kerry Livgren, Dave Hope, Rich Williams. Bottom row: Robby Steinhardt.]]
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* StepUpToTheMicrophone: Billy Greer on "Look at the Time" on ''Somewhere to Elsewhere'' and "Summer" on ''The Prelude Implicit'', his only lead vocals in studio (see Vocal Tag Team). Robby Steinhardt has stepped away from the band on a full time basis, but does show up to sing and play violin on a couple of shows per tour.

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* StepUpToTheMicrophone: Billy Greer on "Look at the Time" on ''Somewhere to Elsewhere'' and "Summer" on ''The Prelude Implicit'', his only lead vocals in studio [[note]]Unless you count a single line on "Cheyenne Anthem" from ''Always Never The Same''[[/note]] (see Vocal Tag Team). Robby Steinhardt has stepped away from the band on a full time basis, but does show up to sing and play violin on a couple of shows per tour.
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* CanonDiscontinuity
** Very few "Best Of" compilations acknowledge anything past ''Drastic Measures''. Some don't acknowledge the Elefante era either. This is also reflected in their live shows. Aside from "Icarus II" and songs from the recent ''The Prelude Implicit'', you'd be hard pressed to hear them play any song later than "Fight Fire With Fire". They do make exceptions, however. ''Device Voice Drum'' featured "The Preacher" from ''In the Spirit of Things'' with a choir accompanying the chorus, and ''There's Know Place Like Home'' featured a guest appearance by Steve Morse and had some songs from albums he played in.

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* CanonDiscontinuity
CanonDiscontinuity:
** Very few "Best Of" compilations acknowledge anything past ''Drastic Measures''. Some don't acknowledge the Elefante era either. This is also reflected in their live shows. Aside from "Icarus II" and songs from the recent ''The Prelude Implicit'', you'd be hard pressed to hear them play any song later than "Fight Fire With with Fire". They do make exceptions, however. ''Device Voice Drum'' featured "The Preacher" from ''In the Spirit of Things'' with a choir accompanying the chorus, and ''There's Know Place Like Home'' featured a guest appearance by Steve Morse and had some songs from albums he played in.

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