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* TheNotRemix: The album was remixed in 1978 after the original master tapes deteriorated. This version remained standard until 2017, when the 1967 mix finally saw a re-release for the album's 40th anniversary (with the double-CD+DVD release including it alongside the remix).

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* TheNotRemix: The album was remixed in 1978 after the original master tapes deteriorated. This version remained standard until 2017, when the 1967 mix finally saw a re-release for the album's 40th 50th anniversary (with the double-CD+DVD release including it alongside the remix).
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* SpokenWordInMusic: Starts it off, acts as TheStinger to the final song, and sprinkled throughout.

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The album sold steadily, no doubt helped with "Nights in White Satin" receiving regular radio play, which led to the single peaking at #3 on the Billboard Hot 100 in 1972. It is regarded as one of the early examples of ProgressiveRock, especially with the incorporation of symphonic music.

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The album sold steadily, no doubt helped with "Nights in White Satin" receiving regular radio play, which led to the single peaking at #3 on the Billboard Hot 100 in 1972. It is regarded as one of the early earliest identifiable examples of ProgressiveRock, especially with the incorporation of symphonic music.



* DesignStudentsOrgasm: The album cover features an elaborate psychedelic painting that ties in with its ProgressiveRock sound and its concept about the course of a single day.



* GeorgeLucasAlteredVersion: An example where a remix had to be made because the master tapes deteriorated not even a decade later. Eventually the original mix was recovered just in time for release of the 2017 remaster.

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* GeorgeLucasAlteredVersion: An example where a remix had to be made because the master tapes deteriorated not even a decade later. Eventually Eventually, tape restoration technology reached the point where the masters could be feasibly repaired, and the original mix was recovered just in time for release of the 2017 remaster.



* NewSoundAlbum: Starting off as yet another rhythm 'n blues band in the British Invasion, this album shaped The Moody Blues' identity as a symphonic progressive rock band.
* TheNotRemix: The album was remixed in 1978 after the original master tapes deteriorated.

to:

* NewSoundAlbum: Starting off as yet another rhythm 'n blues band in the British Invasion, this album shaped The Moody Blues' identity as a symphonic progressive rock ProgressiveRock band.
* TheNotRemix: The album was remixed in 1978 after the original master tapes deteriorated. This version remained standard until 2017, when the 1967 mix finally saw a re-release for the album's 40th anniversary (with the double-CD+DVD release including it alongside the remix).

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# "The Night” (7:24)

to:

# "The Night” Night" (7:24)






* BookEnds: Began and ended in a similar poetic verse as recited by Mike Pinder.

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* BookEnds: Began BookEnds:
** The very first sound we hear is a gong being struck, played in reverse so that it gets steadily louder from near silence. The very last sound we hear is the same sound of a gong, this time played forwards.
** The first words on the album, as written by Graeme Edge
and ended in a similar poetic verse as recited by Mike Pinder.Pinder, are "Cold-hearted orb that rules the night / Removes the colours from our sight / Red is grey, and yellow, white / But we decide which is right / And which is an illusion." The same five lines re-appear as the last words on the album at the end of "Late Lament".



* TheNotRemix: The album had been remixed in 1978 after the original master tapes deteriorated.

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* TheNotRemix: The album had been was remixed in 1978 after the original master tapes deteriorated.
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''Days of Future Passed'' is the second studio album recorded by British rock band Music/TheMoodyBlues. It was released through Creator/DeramRecords in the United Kingdom on November 10, 1967, and the next day in the United States.

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''Days of Future Passed'' is the second studio album recorded by British rock band Music/TheMoodyBlues. It was released through Creator/DeramRecords in the United Kingdom on November 10, 1967, in the United Kingdom, and the next day in the United States.

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[[caption-width-right:350:''"Nights in white satin, never reaching the end/Letters I've written never meaning to send."'']]

to:

[[caption-width-right:350:''"Nights [[caption-width-right:350:''Nights in white satin, never reaching the end/Letters end\\
Letters
I've written never meaning to send."'']]
send'']]



''Days of Future Passed'' is the second studio album by Music/TheMoodyBlues, and was released on November 1967. It was also the first album to feature Justin Hayward and John Lodge after the departure of Denny Laine and Clint Warwick. Leading up to the album's release, The Moody Blues had faced financial difficulties after the debut album ''The Magnificent Moodies'' did not achieve commercial success, and Creator/DeccaRecords offered for the band to record an LP for their new sublabel [[Creator/DeramRecords Deram]] that intersperses their music with orchestral backing. The band went to work on a concept album involving a day in the life of an everyday man, with them and the London Festival Orchestra playing at separate times except in "Nights in White Satin".

The album sold steadily, no doubt helped with "Nights in White Satin" receiving regular radio play, which led to the single peaking at #3 in the US Billboard in 1972. It is regarded as one of the early examples of ProgressiveRock, especially with the incorporation of symphonic music.

to:

''Days of Future Passed'' is the second studio album recorded by Music/TheMoodyBlues, and British rock band Music/TheMoodyBlues. It was released through Creator/DeramRecords in the United Kingdom on November 1967. 10, 1967, and the next day in the United States.

It was also the first album to feature Justin Hayward and John Lodge after the departure of Denny Laine and Clint Warwick. Leading up to the album's release, The Moody Blues had faced financial difficulties after the debut album ''The Magnificent Moodies'' did not achieve commercial success, and Creator/DeccaRecords offered for the band to record an LP for their new sublabel [[Creator/DeramRecords Deram]] Deram that intersperses their music with orchestral backing. The band went to work on a concept album ConceptAlbum involving a day in the life of an everyday man, with them and the London Festival Orchestra playing at separate times except in "Nights in White Satin".

The album sold steadily, no doubt helped with "Nights in White Satin" receiving regular radio play, which led to the single peaking at #3 in on the US Billboard Hot 100 in 1972. It is regarded as one of the early examples of ProgressiveRock, especially with the incorporation of symphonic music.






->''"Cold-hearted orb that rules the night\\

to:

->''"Cold-hearted ->''Cold-hearted orb that rules the night\\



And which is an illusion."''
-->--'''"[[BookEnds The Night -- Late Lament]]"'''
----

to:

And which is an illusion."''
-->--'''"[[BookEnds The Night -- Late Lament]]"'''
----
''
Is there an issue? Send a MessageReason:
None


''Days of Future Passed'' is the second studio album by Music/TheMoodyBlues, and was released on November 1967. It was also the first album to feature Justin Hayward and John Lodge after the departure of Denny Laine and Clint Warwick. Leading up to the album's release, The Moody Blues had faced financial difficulties after the debut album ''The Magnificent Moodies'' did not achieve commercial success, and Decca Records offered for the band to record an LP that intersperses their music with orchestral backing. The band went to work on a concept album involving a day in the life of an everyday man, with them and the London Festival Orchestra playing at separate times except in "Nights in White Satin".

to:

''Days of Future Passed'' is the second studio album by Music/TheMoodyBlues, and was released on November 1967. It was also the first album to feature Justin Hayward and John Lodge after the departure of Denny Laine and Clint Warwick. Leading up to the album's release, The Moody Blues had faced financial difficulties after the debut album ''The Magnificent Moodies'' did not achieve commercial success, and Decca Records Creator/DeccaRecords offered for the band to record an LP for their new sublabel [[Creator/DeramRecords Deram]] that intersperses their music with orchestral backing. The band went to work on a concept album involving a day in the life of an everyday man, with them and the London Festival Orchestra playing at separate times except in "Nights in White Satin".
Is there an issue? Send a MessageReason:
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* SiameseTwinSongs: "The Afternoon" transitions to "Evening", given that the last song in the former suite is "Evening) Time to Get Away".

to:

* SiameseTwinSongs: "The Afternoon" transitions to "Evening", given that the last song in the former suite is "Evening) "(Evening) Time to Get Away".
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* SiameseTwinSongs: "The Afternoon" transitions to "Evening", given that the last song in the former suite is "(Evening) Time to Get Away".

to:

* SiameseTwinSongs: "The Afternoon" transitions to "Evening", given that the last song in the former suite is "(Evening) "Evening) Time to Get Away".
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----

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->Cold-hearted orb that rules the night\\

to:

->Cold-hearted ->''"Cold-hearted orb that rules the night\\



And which is an illusion.
-->--"The Day Begins -- Morning Glory"

to:

And which is an illusion.
-->--"The
illusion."''
-->--'''"The
Day Begins -- Morning Glory"
Glory"'''



----
->Cold-hearted orb that rules the night\\

to:

----
->Cold-hearted
->''"Cold-hearted orb that rules the night\\



And which is an illusion.
-->--"[[BookEnds The Night -- Late Lament]]"

to:

And which is an illusion.
-->--"[[BookEnds
illusion."''
-->--'''"[[BookEnds
The Night -- Late Lament]]"Lament]]"'''

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[[caption-width-right:350:Nights in white satin, never reaching the end, letters I've written never meaning to send.]]

to:

[[caption-width-right:350:Nights [[caption-width-right:350:''"Nights in white satin, never reaching the end, letters end/Letters I've written never meaning to send.]]
"'']]



-->--"[[BookEnds The Night -- Late Lament]]"

to:

-->--"[[BookEnds The Night -- Late Lament]]"Lament]]"
----

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Changed: 139

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* CueTheSun: The end of "Morning Glory" invokes this as the day begins:
-->Brave Helios, wake up your steeds.\\
Bring the warmth the countryside needs.
* EchoingAcoustics: The vocals gather an echo effect in the "Evening" suite, particularly just before "Twilight Time".



* GeorgeLucasAlteredVersion: An example where a remix had to be made because the master tapes deteriorated not even a decade later. Eventually the original mix was recovered just in time for release of the 2017 remaster.
* MelancholyMoon: As portrayed in the BookEnds, the moon was described in such a manner, where color gives way to gray and white.




to:

* SiameseTwinSongs: "The Afternoon" transitions to "Evening", given that the last song in the former suite is "(Evening) Time to Get Away".
Is there an issue? Send a MessageReason:
None


Cold-hearted orb that rules the night\\

to:

Cold-hearted ->Cold-hearted orb that rules the night\\

Changed: 15

Removed: 607

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And which is an illusion.\\
Pinprick holes in a colourless sky\\
Let insipid figures of light pass by.\\
The mighty light of ten-thousand suns\\
Challenges infinity and is soon gone.\\
Night time, to some a brief interlude,\\
To others the fear of solitude.\\
Brave Helios, wake up your steeds!\\
Bring the warmth the countryside needs!

to:

And which is an illusion.\\
Pinprick holes in a colourless sky\\
Let insipid figures of light pass by.\\
The mighty light of ten-thousand suns\\
Challenges infinity and is soon gone.\\
Night time, to some a brief interlude,\\
To others the fear of solitude.\\
Brave Helios, wake up your steeds!\\
Bring the warmth the countryside needs!



->Breathe deep the gathering gloom,\\
Watch lights fade from every room.\\
Bedsitter people look back and lament\\
Another day's useless energy spent.\\
Impassioned lovers wrestle as one\\
Lonely man cries for love and has none.\\
New mother picks up and suckles her son.\\
Senior citizens wish they were young.\\



-->--"The Night -- Late Lament"

to:

-->--"The -->--"[[BookEnds The Night -- Late Lament"Lament]]"
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''Days of Future Passed'' is the second studio album by Music/TheMoodyBlues, and was released on November 1967. It was also the first album to feature Justin Hayward and John Lodge after the departure of Denny Daine and Clint Warwick. Leading up to the album's release, The Moody Blues had faced financial difficulties after the debut album ''The Magnificent Moodies'' did not achieve commercial success, and Decca Records offered for the band to record an LP that intersperses their music with orchestral backing. The band went to work on a concept album involving a day in the life of an everyday man, with them and the London Festival Orchestra playing at separate times except in "Nights in White Satin".

to:

''Days of Future Passed'' is the second studio album by Music/TheMoodyBlues, and was released on November 1967. It was also the first album to feature Justin Hayward and John Lodge after the departure of Denny Daine Laine and Clint Warwick. Leading up to the album's release, The Moody Blues had faced financial difficulties after the debut album ''The Magnificent Moodies'' did not achieve commercial success, and Decca Records offered for the band to record an LP that intersperses their music with orchestral backing. The band went to work on a concept album involving a day in the life of an everyday man, with them and the London Festival Orchestra playing at separate times except in "Nights in White Satin".
Is there an issue? Send a MessageReason:
None

Added DiffLines:

[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/futurepassed.jpg]]
[[caption-width-right:350:Nights in white satin, never reaching the end, letters I've written never meaning to send.]]

->Cold-hearted orb that rules the night\\
Removes the colours from our sight.\\
Red is grey and yellow white\\
But we decide which is right\\
And which is an illusion.\\
Pinprick holes in a colourless sky\\
Let insipid figures of light pass by.\\
The mighty light of ten-thousand suns\\
Challenges infinity and is soon gone.\\
Night time, to some a brief interlude,\\
To others the fear of solitude.\\
Brave Helios, wake up your steeds!\\
Bring the warmth the countryside needs!
-->--"The Day Begins -- Morning Glory"

''Days of Future Passed'' is the second studio album by Music/TheMoodyBlues, and was released on November 1967. It was also the first album to feature Justin Hayward and John Lodge after the departure of Denny Daine and Clint Warwick. Leading up to the album's release, The Moody Blues had faced financial difficulties after the debut album ''The Magnificent Moodies'' did not achieve commercial success, and Decca Records offered for the band to record an LP that intersperses their music with orchestral backing. The band went to work on a concept album involving a day in the life of an everyday man, with them and the London Festival Orchestra playing at separate times except in "Nights in White Satin".

The album sold steadily, no doubt helped with "Nights in White Satin" receiving regular radio play, which led to the single peaking at #3 in the US Billboard in 1972. It is regarded as one of the early examples of ProgressiveRock, especially with the incorporation of symphonic music.

!! Tracklist:

[[AC:Side One]]
# "The Day Begins" (5:50)
## "The Day Begins" - 4:08
## "Morning Glory"[[note]]unlisted[[/note]] - 1:42
# "Dawn: Dawn is a Feeling" (3:48)
# "The Morning: Another Morning" (3:55)
# "Lunch Break: Peak Hour" (5:33)

[[AC:Side Two]]
# "The Afternoon" (8:23)
## "Tuesday Afternoon"[[note]]originally "Forever Afternoon (Tuesday?)"[[/note]] - 5:06
## "(Evening) Time to Get Away"[[note]]originally unlisted, listed in subsequent reissues[[/note]] - 3:17
# "Evening” (6:40)
## "The Sunset" - 3:17
## "Twilight Time" - 3:23
# "The Night” (7:24)
## "Nights in White Satin" - 5:38
## "Late Lament/Resolvement"[[note]]unlisted[[/note]] - 1:46

----

!! Principal Members:

* Graeme Edge - drums, percussion, vocals
* Justin Hayward - guitars, piano, sitar, vocals
* John Lodge - bass, vocals
* Mike Pinder - keyboards, tamboura, gong, vocals
* Ray Thomas - flutes, percussion, piano, vocals

----

!!Tropes in white satin:
* AlbumClosure: ''Days of Future Passed'' charts a day from dawn to nightfall. The last track on the album[[note]]After the sublime orchestra-enhanced "Nights In White Satin"[[/note]] is a spoken-word piece on the aimless futility of life and the inevitable demise of any sort of optimism, called "Late Lament."
* BookEnds: Began and ended in a similar poetic verse as recited by Mike Pinder.
* ConceptAlbum: The tracks in the song all involve the time of day, beginning at dawn and ending at night.
* GainaxEnding: The gong at the end of "The Night", after two orchestral flourishes that make much more musical sense.
* NewSoundAlbum: Starting off as yet another rhythm 'n blues band in the British Invasion, this album shaped The Moody Blues' identity as a symphonic progressive rock band.
* TheNotRemix: The album had been remixed in 1978 after the original master tapes deteriorated.
* ScareChord: "The Night" does this with a gong at the end.

----
->Breathe deep the gathering gloom,\\
Watch lights fade from every room.\\
Bedsitter people look back and lament\\
Another day's useless energy spent.\\
Impassioned lovers wrestle as one\\
Lonely man cries for love and has none.\\
New mother picks up and suckles her son.\\
Senior citizens wish they were young.\\
Cold-hearted orb that rules the night\\
Removes the colours from our sight.\\
Red is grey and yellow white\\
But we decide which is right\\
And which is an illusion.
-->--"The Night -- Late Lament"

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