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* LongTitle: Several, with the longest being ''From Filthy Tongue of Gods and Griots'', "Ruin It, Ruin Them, Ruin Yourself, Then Ruin Me", "Blessed Are They Who Bash Your Children's Heads Against a Rock", "A Collection of Miserable Thoughts Laced with Wit", "But That Does Not Mean We Are Too", "The Apparatus Is Behind a Symphony of Shadows", and "When at Last We Draw That Final Breath".
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Per TRS.
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* BadassBaritone: Will Brooks has a very deep voice.
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** Mostly averted on the ''Meditations'' records - ''Vol. 3'' is an astonishing [=DR11=], for example.
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** Mostly averted Averted on many of the ''Meditations'' records - ''Vol. ''No. 1'' is [=DR12=], ''No. 3'' is an astonishing [=DR11=], for example.and ''No. 4'', ''No. 5'', ''No. 6'', and ''No. 7'' are all [=DR9=], although a few tracks play the trope straight ("But That Does Not Mean We Are Too" is [=DR4=] and "A Solemn March" is [=DR5=]).
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* LongTitle: Several, with the longest being ''From Filthy Tongue of Gods and Griots'', "Ruin It, Ruin Them, Ruin Yourself, Then Ruin Me", "Blessed Are They Who Bash Your Children's Heads Against a Rock", and "A Collection of Miserable Thoughts Laced with Wit".
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* LongTitle: Several, with the longest being ''From Filthy Tongue of Gods and Griots'', "Ruin It, Ruin Them, Ruin Yourself, Then Ruin Me", "Blessed Are They Who Bash Your Children's Heads Against a Rock", and "A Collection of Miserable Thoughts Laced with Wit".Wit", "But That Does Not Mean We Are Too", "The Apparatus Is Behind a Symphony of Shadows", and "When at Last We Draw That Final Breath".
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** Mostly averted on the ''Meditations'' records - ''Vol. 3'' is an astonishing [=DR11=], for example.
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* ''Respect to the Authors'' (2019, EP)
* ''Live from Deadverse Studios in Exile: Meditations No. 1'' (2020)
* ''Meditations No. 2'' (2020)
* ''Meditations No. 3'' (2020)
* ''Meditations No. 4: Knowledge Over Nonsense'' (2020)
* ''Meditations No. 5'' (2020)
* ''Meditations No. 6'' (2020)
* ''Meditations No. 7'' (2020)
* ''Precipice'' (2022)
* ''Live from Deadverse Studios in Exile: Meditations No. 1'' (2020)
* ''Meditations No. 2'' (2020)
* ''Meditations No. 3'' (2020)
* ''Meditations No. 4: Knowledge Over Nonsense'' (2020)
* ''Meditations No. 5'' (2020)
* ''Meditations No. 6'' (2020)
* ''Meditations No. 7'' (2020)
* ''Precipice'' (2022)
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** ''Endangered Philosophies'': "A Collective Cancelled Thought" (7:07)
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** ''Endangered Philosophies'': "A Collective Cancelled Thought" (7:07)(7:07)|
** ''Meditations No. 1'': "Meditation Part 1" (14:31), "Meditation Part 2" (9:18), "We Will Always Hold Here" (10:04), "Deft" (9:37)
** ''Meditations No. 3'': "Elekt" (7:13), "Almost Time" (7:43)
** ''Meditations No. 5'': "But That Does Not Mean We Are Too" (14:31), "This Is Where It's At" (9:50)
** ''Meditations No. 6'': "When at Last We Draw That Final Breath" (12:36)
** ''Meditations No. 7'': "Dreamless Sleep" (9:00), "Moments Lost" (7:00), "Withdrawn" (13:44)
** ''Meditations No. 1'': "Meditation Part 1" (14:31), "Meditation Part 2" (9:18), "We Will Always Hold Here" (10:04), "Deft" (9:37)
** ''Meditations No. 3'': "Elekt" (7:13), "Almost Time" (7:43)
** ''Meditations No. 5'': "But That Does Not Mean We Are Too" (14:31), "This Is Where It's At" (9:50)
** ''Meditations No. 6'': "When at Last We Draw That Final Breath" (12:36)
** ''Meditations No. 7'': "Dreamless Sleep" (9:00), "Moments Lost" (7:00), "Withdrawn" (13:44)
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* MohsScaleOfRockAndMetalHardness: Usually at around an 8 or 9, sometimes shooting up to a 10 or even 11. Note that, due to the band's wide use of dynamics, many passages are lower, but overall the intense claustrophobia of the band's heaviest passages means most songs can't be classified below an 8 or so. A few songs drop substantially lower, though.
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* LyricalColdOpen: "Distorted Prose" has about a minute of Brooks rapping ACappella before the beat comes in.
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* LyricalColdOpen: "Distorted Prose" has about half a minute of Brooks rapping ACappella before the beat comes in.
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* [[{{Industrial}} Industrial Hip-Hop]]: Along with Music/KanyeWest circa ''Music/{{Yeezus}}'', Music/DeathGrips, Music/{{Clipping}}, and JPEGMAFIA, they are among the most famous proponents of the style. They are, however, apathetic at best to the label and vehemently resistant at worst, refusing to be referred to as anything other than hip-hop and citing hip-hop's original emphasis on being creative and finding a way to do whatever you wanted to do as their main ethos.
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Dälek (pronounced "die-a-leck") are an experimental hip hop band from Newark, New Jersey. They are well known for helping to pioneer the genre of industrial hip hop in the late 90's and early 2000's. They have an extremely heavy, aggressive, and experimental sound, incorporating elements of industrial music, noise, shoegaze, ambient, and extreme metal, paired with angry, socially conscious lyrics which rail against government and religion. The band is currently composed of MC Dälek, Mike Manteca, and DJ Rek.
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[[caption-width-right:350:From Left-to-Right: DJ rEK, MC Dälek, Mike Manteca]]Dälek (pronounced "die-a-leck") are an experimental hip hop band from Newark, New Jersey. They are well known for helping to pioneer the genre of industrial hip hop in the late 90's and early 2000's. They have an extremely heavy, aggressive, and experimental sound, incorporating elements of industrial music, noise, shoegaze, ambient, and extreme metal, paired with angry, socially conscious lyrics which rail against government and religion. The band is currently composed of MC Dälek, Mike Manteca, and DJ Rek.
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* ConsciousHipHop: A very dark take on the genre.
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* ConsciousHipHop: A very dark dark, confrontational, and pessemistic take on the genre.
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[[IThoughtItMeant Not to be confused with]] the popular OmnicidalManiac [[Characters/DoctorWhoDalek alien race]] from ''Series/DoctorWho'', whose name lacks an umlaut and is pronounced roughly as it looks.
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* DroneOfDread: Frequently incorporated into their beats - in fact, it's rarely ''not'' a component of them. In particular, "Black Smoke Rises" is almost nothing but this, and almost every song on ''Abandoned Language'' and ''Gutter Tactics'' has this as a major component as well. "3:46" also stands out as a particularly extreme example even by Dälek's standards.
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* DroneOfDread: Frequently incorporated into their beats - in fact, it's rarely ''not'' a component of them. In particular, "Black Smoke Rises" is almost nothing but this, and almost every song on ''Abandoned Language'' and ''Gutter Tactics'' has this as a major component as well. "3:46" also stands out as a particularly extreme example even by Dälek's standards.standards; it practically qualifies as HarshNoise.
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* DroneOfDread: Frequently incorporated into their beats - in fact, it's rarely ''not'' a component of them. In particular, "Black Smoke Rises" is almost nothing but this, and almost every song on ''Abandoned Language'' and ''Gutter Tactics'' has this as a major component as well.
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* DroneOfDread: Frequently incorporated into their beats - in fact, it's rarely ''not'' a component of them. In particular, "Black Smoke Rises" is almost nothing but this, and almost every song on ''Abandoned Language'' and ''Gutter Tactics'' has this as a major component as well. "3:46" also stands out as a particularly extreme example even by Dälek's standards.
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* SurprisinglyGentleSong: "Forever Close My Eyes" is the most obvious example. "Music for ASM" probably qualifies too.
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* SurprisinglyGentleSong: "Forever Close My Eyes" is the most obvious example. "Music for ASM" and "It Just Is" probably qualifies qualify too.
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* SingerNameDrop: When they bring up their band name, it's usually a stealth version of this trope, fairly unusually for hip-hop; they often use the word "dialect", which is pronounced like the band name with an added trailing "t", instead of their actual name. Brooks mentions his actual name a few times as well.
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If there is a difference, it's that the palette of sounds we work with is more varied than what has been called hip-hop in the last 10 years. Somehow, as hip-hop grew, it's been put into this box. I think it's funny when people are like, 'That's not hip-hop. It's this and this and this.' You can try to rationalize it as whatever you want to rationalize it as.
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If there is a difference, it's that the palette of sounds we work with is more varied than what has been called hip-hop in the last 10 years. Somehow, as hip-hop grew, it's been put into this box. I think it's funny when people are like, 'That's "That's not hip-hop. It's this and this and this.' " You can try to rationalize it as whatever you want to rationalize it as.
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* GenreBusting: [[HarshNoise Noise]], {{ambient}}, {{industrial}}, modern classical, TripHop, {{shoegaze}}, ProgressiveRock, PsychedelicRock, {{Krautrock}}, PostRock, Indian music, and even extreme metal are all influences on their music. They're almost more of a metal band than a rap band, as they've released an album on Profound Lore Records, which is a metal label, and have opened for metal bands like Music/{{Isis}}, Music/{{Godflesh}}, Music/{{Jesu}}, Music/{{Tool}}, Music/{{Mastodon}}, Music/TheDillingerEscapePlan, Earth, and Music/{{Melvins}} in the past, along with frequently having their albums reviewed by metal sites. Oktopus and MC dälek also collaborated with seminal {{metalcore}} band Starkweather on their album ''This Sheltering Night''.
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* GenreBusting: [[HarshNoise Noise]], {{ambient}}, {{industrial}}, modern classical, TripHop, {{shoegaze}}, ProgressiveRock, PsychedelicRock, {{Krautrock}}, PostRock, Indian music, and even extreme metal are all influences on their music. They're almost more of a metal band than a rap band, as they've released an album on Profound Lore Records, which is a metal label, and have opened for metal bands like Music/{{Isis}}, Music/{{Godflesh}}, Music/{{Jesu}}, Music/{{Tool}}, Music/{{Mastodon}}, Music/TheDillingerEscapePlan, Earth, and Music/{{Melvins}} in the past, along with frequently having their albums reviewed by metal sites. Oktopus and MC dälek also collaborated with seminal {{metalcore}} band Starkweather on their album ''This Sheltering Night''. Despite all this, they're ambivalent about having their music categorised as anything but hip-hop, noting that early in the genre's history, it was commonplace for [=DJs=] to sample all sorts of sounds (perhaps due to UnbuiltTrope and EarlyInstallmentWeirdness), but the genre got boxed into more of a defined sound as time went on. MC dälek explained:
-->It's purely hip-hop, in the purest sense. If you listen to what hip-hop has historically been, it was all about digging in different crates and finding different sounds, and finding different influences to create. If Afrika Bambaataa wasn't influenced by Music/{{Kraftwerk}}, we wouldn't have "Planet Rock." So, in that sense, what we do is strictly hip-hop.\\
\\
If there is a difference, it's that the palette of sounds we work with is more varied than what has been called hip-hop in the last 10 years. Somehow, as hip-hop grew, it's been put into this box. I think it's funny when people are like, 'That's not hip-hop. It's this and this and this.' You can try to rationalize it as whatever you want to rationalize it as.
-->It's purely hip-hop, in the purest sense. If you listen to what hip-hop has historically been, it was all about digging in different crates and finding different sounds, and finding different influences to create. If Afrika Bambaataa wasn't influenced by Music/{{Kraftwerk}}, we wouldn't have "Planet Rock." So, in that sense, what we do is strictly hip-hop.\\
\\
If there is a difference, it's that the palette of sounds we work with is more varied than what has been called hip-hop in the last 10 years. Somehow, as hip-hop grew, it's been put into this box. I think it's funny when people are like, 'That's not hip-hop. It's this and this and this.' You can try to rationalize it as whatever you want to rationalize it as.
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** "Control" samples Noam Chomsky discussing his book ''Manufacturing Consent''[[note]]co-written with Edward S. Herman[[/note]], which is about mass media's manipulation of public opinion, the topic of the song. It also refers to Black Lives Matter.
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* NewSoundAlbum: While their overall style remains mostly intact from album to album, each album nonetheless maintains some fairly unique characteristics within the context of their discography, such as the droning, dreamlike atmosphere of ''Abandoned Language'' or the unusually intense cacophony of ''Absence''.
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* ProtestSong: Quite a few of them.
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* ProtestSong: Quite a few of them.them - arguably most of their discography, in fact.
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* LighterAndSofter: ''Abandoned Language'' is mildly less cacophonous and distorted than the band's preceding two albums, though it is by no means light fare compared to most other hip-hop. ''Untitled'' and ''Asphalt for Eden'' are also mild cases in the context of the band's discography.
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* FadingIntoTheNextSong: An awful lot of their songs; in particular, ''Absence'' is pretty much entirely gapless.
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* FadingIntoTheNextSong: An awful lot of their songs; in particular, ''Absence'' is pretty much entirely gapless. Due to their unconventional song structures, it is sometimes difficult to determine where one song ends and another begins without actually looking at the track display.
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* DarkerAndEdgier: Musically, they're probably one of the biggest examples in hip hop. Back in the early 2000's, ''nothing'' in the genre was this heavy.
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* DarkerAndEdgier: Musically, they're probably one of the biggest examples in hip hop. Back in the early 2000's, ''nothing'' in the genre was this heavy. Within their discography, ''From Filthy Tongue of Gods and Griots'' and ''especially'' ''Absence'' qualify.
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* DroneOfDread: Frequently incorporated into their beats. "Black Smoke Rises" is almost nothing but this.
* EpicRocking: They've got some pretty long cuts by hip hop standards, with song lengths averaging at about six minutes. The longest is ''Untitled'', which is a single song clocking in at ''44'' minutes, which is pretty much unheard of in hip hop. Other tracks above the seven-minute mark:
* EpicRocking: They've got some pretty long cuts by hip hop standards, with song lengths averaging at about six minutes. The longest is ''Untitled'', which is a single song clocking in at ''44'' minutes, which is pretty much unheard of in hip hop. Other tracks above the seven-minute mark:
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* DroneOfDread: Frequently incorporated into their beats. beats - in fact, it's rarely ''not'' a component of them. In particular, "Black Smoke Rises" is almost nothing but this.
this, and almost every song on ''Abandoned Language'' and ''Gutter Tactics'' has this as a major component as well.
* EpicRocking: They've got some pretty long cuts by hip hop standards, with song lengths averaging at about six minutes. The longest is ''Untitled'', which is a single song clocking in at ''44'' minutes, which is pretty much unheard of inhip hop.hip-hop. Other tracks above the seven-minute mark:
* EpicRocking: They've got some pretty long cuts by hip hop standards, with song lengths averaging at about six minutes. The longest is ''Untitled'', which is a single song clocking in at ''44'' minutes, which is pretty much unheard of in
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* GenreBusting: [[HarshNoise Noise]], {{ambient}}, {{industrial}}, modern classical, TripHop, {{shoegaze}}, ProgressiveRock, PsychedelicRock, {{Krautrock}}, PostRock, Indian music, and even extreme metal are all influences on their music. They're almost more of a metal band than a rap band, as they've released an album on Profound Lore Records, which is a metal label, and have opened for metal bands like Music/{{Isis}}, Music/{{Godflesh}}, Music/{{Tool}}, Music/{{Mastodon}}, Music/TheDillingerEscapePlan, and Music/{{Melvins}} in the past, along with frequently having their albums reviewed by metal sites. Oktopus and MC dälek also collaborated with seminal {{metalcore}} band Starkweather on their album ''This Sheltering Night''.
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* GenreBusting: [[HarshNoise Noise]], {{ambient}}, {{industrial}}, modern classical, TripHop, {{shoegaze}}, ProgressiveRock, PsychedelicRock, {{Krautrock}}, PostRock, Indian music, and even extreme metal are all influences on their music. They're almost more of a metal band than a rap band, as they've released an album on Profound Lore Records, which is a metal label, and have opened for metal bands like Music/{{Isis}}, Music/{{Godflesh}}, Music/{{Jesu}}, Music/{{Tool}}, Music/{{Mastodon}}, Music/TheDillingerEscapePlan, Earth, and Music/{{Melvins}} in the past, along with frequently having their albums reviewed by metal sites. Oktopus and MC dälek also collaborated with seminal {{metalcore}} band Starkweather on their album ''This Sheltering Night''.
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* IndecipherableLyrics: A few vocal passages on ''Abandoned Language'' are heavily processed, with the treble turned way down. This has the effect of making it sound like you're hearing MC dälek from underwater or through a wall, and makes it very difficult to understand what he's saying.
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* BoleroEffect: "Abandoned Language" uses this so much it's practically a PostRock song with rapping over it. Other songs use this fairly extensively too.
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* BoleroEffect: "Abandoned Language" uses this so much it's practically a PostRock song with rapping over it. Other songs use this fairly extensively too.too, particularly on ''Abandoned Language''.
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* MindScrew: A lot of their trippy instrumental passages have this effect.
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* MindScrew: A lot of their trippy instrumental passages have this effect. For that matter, so do many of their vocal passages, particularly when the beats and instrumentation are taken into account. Really, just their work as a whole.
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* BoleroEffect: "Abandoned Language" uses this so much it's practically a PostRock song with rapping over it. Other songs use this somewhat too.
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* BoleroEffect: "Abandoned Language" uses this so much it's practically a PostRock song with rapping over it. Other songs use this somewhat fairly extensively too.
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* MohsScaleOfRockAndMetalHardness: Usually at around an 8 or 9, sometimes shooting up to a 10 or even 11. Note that, due to the band's wide use of dynamic range, many passages are lower, but overall the intense claustrophobia of the band's heaviest passages means most songs can't be classified below an 8 or so. A few songs drop substantially lower, though.
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* MohsScaleOfRockAndMetalHardness: Usually at around an 8 or 9, sometimes shooting up to a 10 or even 11. Note that, due to the band's wide use of dynamic range, dynamics, many passages are lower, but overall the intense claustrophobia of the band's heaviest passages means most songs can't be classified below an 8 or so. A few songs drop substantially lower, though.
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* SurprisinglyGentleSong: "Forever Close My Eyes" is the most obvious example.
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* SurprisinglyGentleSong: "Forever Close My Eyes" is the most obvious example. "Music for ASM" probably qualifies too.
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* GenreBusting: [[HarshNoise Noise]], {{ambient}}, {{industrial}}, modern classical, TripHop, {{shoegaze}}, ProgressiveRock, PsychedelicRock, {{Krautrock}}, PostRock, Indian music, and even extreme metal are all influences on their music. They're almost more of a metal band than a rap band, as they've released an album on Profound Lore Records, which is a metal label, and have opened for metal bands like Music/{{Isis}}, Music/{{Godflesh}}, Music/{{Tool}}, Music/{{Mastodon}}, Music/TheDillingerEscapePlan, and Music/{{Melvins}} in the past, along with frequently having their albums reviewed by metal sites. Oktopus and MC dälek also collaborated with Starkweather on their album ''This Sheltering Night''.
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* GenreBusting: [[HarshNoise Noise]], {{ambient}}, {{industrial}}, modern classical, TripHop, {{shoegaze}}, ProgressiveRock, PsychedelicRock, {{Krautrock}}, PostRock, Indian music, and even extreme metal are all influences on their music. They're almost more of a metal band than a rap band, as they've released an album on Profound Lore Records, which is a metal label, and have opened for metal bands like Music/{{Isis}}, Music/{{Godflesh}}, Music/{{Tool}}, Music/{{Mastodon}}, Music/TheDillingerEscapePlan, and Music/{{Melvins}} in the past, along with frequently having their albums reviewed by metal sites. Oktopus and MC dälek also collaborated with seminal {{metalcore}} band Starkweather on their album ''This Sheltering Night''.
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* BoleroEffect: "Abandoned Language" uses this so much it's practically a PostRock song with rapping over it. Other use this somewhat too.
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* BoleroEffect: "Abandoned Language" uses this so much it's practically a PostRock song with rapping over it. Other songs use this somewhat too.
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* LoudnessWar: Likely used deliberately as a form of SensoryAbuse, though they're far from the most extreme example out there.
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* LoudnessWar: Likely used deliberately as a form of SensoryAbuse, though they're far from the most extreme example out there. Many of the quiet passages still have dynamic range, but when they get loud, ''boy'' do they get loud.
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* MohsScaleOfRockAndMetalHardness: Usually at around a 9, sometimes shooting up to a 10 or even 11. A few songs drop lower.
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* MohsScaleOfRockAndMetalHardness: Usually at around a an 8 or 9, sometimes shooting up to a 10 or even 11. Note that, due to the band's wide use of dynamic range, many passages are lower, but overall the intense claustrophobia of the band's heaviest passages means most songs can't be classified below an 8 or so. A few songs drop lower.substantially lower, though.
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* BoleroEffect: "Abandoned Language" uses this so much it's practically a PostRock song with rapping over it. Other use this somewhat too.
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* GenreBusting: [[HarshNoise Noise]], {{ambient}}, {{industrial}}, modern classical, TripHop, {{shoegaze}}, ProgressiveRock, PsychedelicRock, {{Krautrock}}, Indian music, and even extreme metal are all influences on their music. They're almost more of a metal band than a rap band, as they've released an album on Profound Lore Records, which is a metal label, and have opened for metal bands like Music/{{Isis}}, Music/{{Godflesh}}, Music/{{Tool}}, Music/{{Mastodon}}, Music/TheDillingerEscapePlan, and Music/{{Melvins}} in the past, along with frequently having their albums reviewed by metal sites. Oktopus and MC dälek also collaborated with Starkweather on their album ''This Sheltering Night''.
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* GenreBusting: [[HarshNoise Noise]], {{ambient}}, {{industrial}}, modern classical, TripHop, {{shoegaze}}, ProgressiveRock, PsychedelicRock, {{Krautrock}}, PostRock, Indian music, and even extreme metal are all influences on their music. They're almost more of a metal band than a rap band, as they've released an album on Profound Lore Records, which is a metal label, and have opened for metal bands like Music/{{Isis}}, Music/{{Godflesh}}, Music/{{Tool}}, Music/{{Mastodon}}, Music/TheDillingerEscapePlan, and Music/{{Melvins}} in the past, along with frequently having their albums reviewed by metal sites. Oktopus and MC dälek also collaborated with Starkweather on their album ''This Sheltering Night''.
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* {{Instrumental}}: They have a few; "Music for ASM" and "Imagine What We Started" are probably the longest.
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* {{Instrumental}}: They have a few; "Music for ASM" ASM", "Back to Burn", and "Imagine What We Started" are probably the longest.