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* ArtistAndTheBand: He has played with Music/TheBand (who served as a backing band) on stage in the mid-sixties and seventies. Their first concerts were billed as Bob Dylan & The Band, and the 1975 album ''Music/TheBasementTapes'' was also credited in that manner (with Dylan writing a majority of the songs though you could also call it an album by The Band).
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* {{Jerkass}}: He comes across as a major one in ''Film/DontLookBack'', as Creator/RogerEbert notes in his [[http://www.rogerebert.com/reviews/dont-look-back-1998 review]] of the film's 20th anniversary reissue:

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* {{Jerkass}}: He comes across as a major one in ''Film/DontLookBack'', as Creator/RogerEbert notes in his [[http://www.rogerebert.com/reviews/dont-look-back-1998 review]] of the film's 20th anniversary reissue:reissue (though Ebert made it clear elsewhere that he wasn't much of a fan of Dylan, and the question of whether Dylan took on an exaggerated persona for the cameras has long been a big point of debate regarding the film):
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** A 1965 review of "Like a Rolling Stone" in ''Melody Maker'' by Bob Dawbarn was headlined "Thank Goodness We Won't Get This Six-Minute Bob Dylan Single in Britain." In reporting that CBS Records hadn't announced plans to release the song, Dawbarn was merciless in his criticism of it, bemoaning the "monotonous melody" and "Dylan's expressionless intoning", while also noting that "Music/MickJagger fans will also be distressed to learn that the song title refers to a rolling stone and not a [[Music/TheRollingStones Rolling Stone]]," and ultimately dismissing it as "sub-standard Dylan." Not only was the review quickly discredited, but the song did indeed get released in the UK and hit #4 on the charts.
--->'''Film critic Scott Jordan Harris on Website/{{Twitter}}''': Dawbarn was sad it wasn’t shorter, more upbeat, and about one of the Rolling Stones. So basically he wanted Dylan to release Music/Maroon5’s "Moves Like Jagger".
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Further edits.


Robert Dylan[[note]]three sources on his Wikipedia article state that he has maintained his birth given name as his legal name[[/note]] (born May 24, 1941) was born Robert Allen Zimmerman ([[DoNotCallMePaul no, you can't call him that]]) in Duluth, Minnesota to an electrical-supplies shopkeeper and a homemaker. Growing up in Northern Minnesota's small, tight-knit Jewish community (the Zimmermans moved from Duluth to Hibbing, an hour's drive away, in 1947), young Bobby was a somewhat shy boy who showed interest in literature, art and music. He dropped out of the University of Minnesota at [[UsefulNotes/TwinCities Minneapolis]] after completing his freshman year in spring 1960, and, at the age of 19, moved to UsefulNotes/NewYorkCity the following January with a guitar, some flannel shirts, [[TheDrifter and not much else]]. Adapting his new surname in homage to Creator/DylanThomas, he performed folk songs in bohemian Greenwich Village coffee shops and bars with an affected accent, inspired by Music/WoodyGuthrie, and became a fixture of the local "folk scene"—which doubled as a leftist political circle deeply interested in the UsefulNotes/CivilRightsMovement. Dylan wrote songs specifically for this group, the most famous being "Blowin' In The Wind" and "The Times They Are A-Changin'". Although these two {{protest song}}s are still his biggest claim to fame today—he's the guy who "brought politics" into music, somehow—[[BrieferThanTheyThink this "topical" phase of his career lasted little more than twelve months]].

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Robert Dylan[[note]]three sources on his Wikipedia article state that he has maintained his birth given name as his legal name[[/note]] (born May 24, 1941) was born Robert Allen Zimmerman ([[DoNotCallMePaul no, name; still, [[DoNotCallMePaul you can't call him that]]) "Robert"]][[/note]] (born Robert Allen Zimmerman; May 24, 1941) was born in Duluth, Minnesota to an electrical-supplies shopkeeper and a homemaker. Growing up in Northern Minnesota's small, tight-knit Jewish community (the Zimmermans moved from Duluth to Hibbing, an hour's drive away, in 1947), young Bobby was a somewhat shy boy who showed interest in literature, art art, and music. He dropped out of the University of Minnesota at [[UsefulNotes/TwinCities Minneapolis]] after completing his freshman year in spring 1960, and, at the age of 19, moved to UsefulNotes/NewYorkCity the following January with a guitar, some flannel shirts, [[TheDrifter and not much else]]. Adapting his new surname in homage to Creator/DylanThomas, he performed folk songs in bohemian Greenwich Village coffee shops and bars with an affected accent, inspired by Music/WoodyGuthrie, and became a fixture of the local "folk scene"—which doubled as a leftist political circle deeply interested in the UsefulNotes/CivilRightsMovement. Dylan wrote songs specifically for this group, the most famous being "Blowin' In The Wind" and "The Times They Are A-Changin'". Although these two {{protest song}}s are still his biggest claim to fame today—he's the guy who "brought politics" into music, somehow—[[BrieferThanTheyThink this "topical" phase of his career lasted little more than twelve months]].
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Some edits.


Bob Dylan (born May 24, 1941) was born Robert Allen Zimmerman ([[DoNotCallMePaul no, you can't call him that]]) in Duluth, Minnesota to an electrical-supplies shopkeeper and a homemaker. Growing up in Northern Minnesota's small, tight-knit Jewish community (the Zimmermans moved from Duluth to Hibbing, an hour's drive away, in 1947), young Bobby was a somewhat shy boy who showed interest in literature, art and music. He dropped out of the University of Minnesota at [[UsefulNotes/TwinCities Minneapolis]] after completing his freshman year in spring 1960, and, at the age of 19, moved to UsefulNotes/NewYorkCity the following January with a guitar, some flannel shirts, [[TheDrifter and not much else]]. Adapting his new surname in homage to Creator/DylanThomas, he performed folk songs in bohemian Greenwich Village coffee shops and bars with an affected accent, inspired by Music/WoodyGuthrie, and became a fixture of the local "folk scene"—which doubled as a leftist political circle deeply interested in the UsefulNotes/CivilRightsMovement. Dylan wrote songs specifically for this group, the most famous being "Blowin' In The Wind" and "The Times They Are A-Changin'". Although these two {{protest song}}s are still his biggest claim to fame today—he's the guy who "brought politics" into music, somehow—[[BrieferThanTheyThink this "topical" phase of his career lasted little more than twelve months]].

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Bob Dylan Robert Dylan[[note]]three sources on his Wikipedia article state that he has maintained his birth given name as his legal name[[/note]] (born May 24, 1941) was born Robert Allen Zimmerman ([[DoNotCallMePaul no, you can't call him that]]) in Duluth, Minnesota to an electrical-supplies shopkeeper and a homemaker. Growing up in Northern Minnesota's small, tight-knit Jewish community (the Zimmermans moved from Duluth to Hibbing, an hour's drive away, in 1947), young Bobby was a somewhat shy boy who showed interest in literature, art and music. He dropped out of the University of Minnesota at [[UsefulNotes/TwinCities Minneapolis]] after completing his freshman year in spring 1960, and, at the age of 19, moved to UsefulNotes/NewYorkCity the following January with a guitar, some flannel shirts, [[TheDrifter and not much else]]. Adapting his new surname in homage to Creator/DylanThomas, he performed folk songs in bohemian Greenwich Village coffee shops and bars with an affected accent, inspired by Music/WoodyGuthrie, and became a fixture of the local "folk scene"—which doubled as a leftist political circle deeply interested in the UsefulNotes/CivilRightsMovement. Dylan wrote songs specifically for this group, the most famous being "Blowin' In The Wind" and "The Times They Are A-Changin'". Although these two {{protest song}}s are still his biggest claim to fame today—he's the guy who "brought politics" into music, somehow—[[BrieferThanTheyThink this "topical" phase of his career lasted little more than twelve months]].
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* 2021 - ''The Bootleg Series Vol. 16 - Springtime In New York 1980-1985''



* HeAlsoDid: Dabbled in acting, most notably a supporting part in 1973 film ''Film/PatGarrettAndBillyTheKid'', for which Dylan also composed the soundtrack. (This included BreakawayPopHit "Knockin' on Heaven's Door".)

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* HeAlsoDid: Dabbled in acting, most notably a supporting part in 1973 film ''Film/PatGarrettAndBillyTheKid'', for which Dylan also composed the soundtrack. (This included BreakawayPopHit "Knockin' on Heaven's Door".)) He's also an avid painter with several exhibitions under his belt, though fans' mileage very much varies on whether he's actually any good at it.



* TruckDriversGearChange: The modulation before the last verse of "When I Paint My Masterpiece" on ''Greatest Hits Volume II'' is a rare example in his catalogue.

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* TruckDriversGearChange: The modulation before the last verse of "When I Paint My Masterpiece" on ''Greatest Hits Volume II'' is a rare example in his catalogue. "In Search of Little Sadie" does it a few times ''per verse'' for no clear reason.

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Not a trope


* MurderBallad: "The Lonesome Death Of Hattie Carroll" from ''Music/TheTimesTheyAreAChangin''

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* MurderBallad: MurderBallad:
**
"The Lonesome Death Of Hattie Carroll" from ''Music/TheTimesTheyAreAChangin''



* MusicOfNote: Dylan is one of the most influential musicians of the 20th century, especially to singer-songwriters.
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* NotableMusicVideos: The [[https://www.youtube.com/watch?v=zgC77nc22ec video for "Subterranean Homesick Blues"]] from ''[[Film/DontLookBack Dont Look Back]]'' is often considered to be the UrExample of non-diegetic videos (i.e. music videos that aren't just the [[PerformanceVideo artist playing the song]] or an audience as the artist plays).

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* FaceDeathWithDignity: "Let Me Die in My Footsteps".



* LeFilmArtistique: ''Renaldo And Clara''.
** And ''Masked And Anonymous''.
** ''Eat The Document''.

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* LeFilmArtistique: ''Renaldo And and Clara''.
** And ''Masked And and Anonymous''.
** ''Eat The the Document''.



* FrankensteinsMonster: "My Own Version Of You" uses it as a metaphor for... fittingly, quite a few things.

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* FrankensteinsMonster: "My Own Version Of of You" uses it as a metaphor for... fittingly, quite a few things.



* HaveAGayOldTime: "Standing In The Doorway"--"I'm strumming on my gay guitar." But since it was written and recorded in 1997 it's a case of Dylan purposely using the old meaning to convey anachronism.

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* HaveAGayOldTime: "Standing In The in the Doorway"--"I'm strumming on my gay guitar." But since it was written and recorded in 1997 it's a case of Dylan purposely using the old meaning to convey anachronism.
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Bob Dylan (born May 24, 1941) was born Robert Allen Zimmerman ([[DoNotCallMePaul no, you can't call him that]]) in Duluth, Minnesota to an electrical-supplies shopkeeper and a homemaker. Growing up in Northern Minnesota's small, tight-knit Jewish community (the Zimmermans moved from Duluth to Hibbing, an hour's drive away, in 1947), young Bobby was a somewhat shy boy who showed interest in literature, art and music. He dropped out of the University of Minnesota at [[UsefulNotes/TwinCities Minneapolis]] after completing his freshman year in spring 1960, and, at the age of 19, moved to UsefulNotes/NewYorkCity the following January with a guitar, some flannel shirts, [[TheDrifter and not much else]]. Adapting his new surname in homage to Creator/DylanThomas, he performed folk songs in bohemian Greenwich Village coffee shops and bars with an affected accent, inspired by Music/WoodyGuthrie, and became a fixture of the local "folk scene"—which doubled as a leftist political circle deeply interested in the UsefulNotes/CivilRightsMovement. Dylan wrote songs specifically for this group, the most famous being "Blowin' In The Wind" and "The Times They Are A-Changin'". Although these two {{protest song}}s are still his biggest claim to fame today—he's the guy who "brought politics" into music, somehow—this "topical" phase of his career lasted little more than twelve months.

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Bob Dylan (born May 24, 1941) was born Robert Allen Zimmerman ([[DoNotCallMePaul no, you can't call him that]]) in Duluth, Minnesota to an electrical-supplies shopkeeper and a homemaker. Growing up in Northern Minnesota's small, tight-knit Jewish community (the Zimmermans moved from Duluth to Hibbing, an hour's drive away, in 1947), young Bobby was a somewhat shy boy who showed interest in literature, art and music. He dropped out of the University of Minnesota at [[UsefulNotes/TwinCities Minneapolis]] after completing his freshman year in spring 1960, and, at the age of 19, moved to UsefulNotes/NewYorkCity the following January with a guitar, some flannel shirts, [[TheDrifter and not much else]]. Adapting his new surname in homage to Creator/DylanThomas, he performed folk songs in bohemian Greenwich Village coffee shops and bars with an affected accent, inspired by Music/WoodyGuthrie, and became a fixture of the local "folk scene"—which doubled as a leftist political circle deeply interested in the UsefulNotes/CivilRightsMovement. Dylan wrote songs specifically for this group, the most famous being "Blowin' In The Wind" and "The Times They Are A-Changin'". Although these two {{protest song}}s are still his biggest claim to fame today—he's the guy who "brought politics" into music, somehow—this somehow—[[BrieferThanTheyThink this "topical" phase of his career lasted little more than twelve months.
months]].
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* ''Rolling Thunder Revue: A Bob Dylan Story'' yet another documentary by Martin Scorsese, produced by Creator/{{Netflix}}, to be released in 2019. This one will feature Scorsese himself interviewing Dylan.

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* ''Rolling Thunder Revue: A Bob Dylan Story'' yet another Story'': Another documentary also directed by Martin Scorsese, Creator/MartinScorsese, produced by Creator/{{Netflix}}, to be released in 2019. This one will feature features Scorsese himself interviewing Dylan.
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[[/index]]

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[[/index]]



* 1974 — ''Before The Flood'' [[note]]A collaboration with Music/TheBand[[/note]]

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* 1974 — ''Before [[/index]]''Before The Flood'' [[note]]A Flood''[[note]]A collaboration with Music/TheBand[[/note]]



* 1989 — ''Dylan and the Dead'' [[note]]A collaboration with Music/TheGratefulDead[[/note]]
* 1993 — ''The 30th Anniversary Concert Celebration'' [[note]]A various artists tribute to Bob Dylan, with Dylan himself appearing on it[[/note]]

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* 1989 — ''Dylan and the Dead'' [[note]]A Dead''[[note]]A collaboration with Music/TheGratefulDead[[/note]]
* 1993 — ''The 30th Anniversary Concert Celebration'' [[note]]A Celebration''[[note]]A various artists tribute to Bob Dylan, with Dylan himself appearing on it[[/note]]
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* {{Blackface}}: He never donned it directly, but rather wore ironic white-face make-up during the Rolling Thunder Revue. He has also been open about the influence of minstrelsy on his music, including naming his album ''Love and Theft'' after Eric Lott's academic book ''Love and Theft: Blackface Minstrelsy and the American Working Class.'' A minstrel named Oscar Vogel appears in ''Masked and Anonymous.''

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* {{Blackface}}: He never donned it directly, but rather wore ironic white-face make-up during the Rolling Thunder Revue. He has also been open about the influence of minstrelsy on his music, including naming his album ''Love and Theft'' after Eric Lott's academic book ''Love and Theft: Blackface Minstrelsy and the American Working Class.'' A minstrel named Oscar Vogel appears in ''Masked and Anonymous.''Anonymous'', and he mentions a "blackface singer"in "Murder Most Foul".
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* DoNotCallMePaul: You apparently have to get special permission to mention the name "Zimmerman" in his presence. Some people (including, if ''Magazine/RollingStone'' is to be believed, UsefulNotes/BarackObama) do get permission.

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* DoNotCallMePaul: You apparently have to get special permission to mention the name "Zimmerman" in his presence. [[note]]He did actually legally change his name from Robert Allen Zimmerman to Bob Dylan in August 1962.[[/note]] Some people (including, if ''Magazine/RollingStone'' is to be believed, UsefulNotes/BarackObama) do get permission.
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* 2020 — ''Rough and Rowdy Ways''

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* 2020 — ''Rough and Rowdy Ways''''Music/RoughAndRowdyWays''
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* WhoShotJFK: "Murder Most Foul" is about the JFK assassination and its place in American culture, with a few allusions to the conspiracy theories surrounding it, starting with the title, which is a ShoutOut to ''Murder Most Foul!: The Conspiracy That Murdered President Kennedy'', an obscure 1968 self-published tome by Stanley J. Marks (well, and ''Theatre/{{Hamlet}}'' too).

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* WhoShotJFK: "Murder Most Foul" is about the JFK assassination and its place in American culture, with a few allusions to the conspiracy theories surrounding it, theories, starting with the title, which is a ShoutOut to ''Murder Most Foul!: The Conspiracy That Murdered President Kennedy'', an obscure 1968 1967 self-published tome by Stanley J. Marks (well, and ''Theatre/{{Hamlet}}'' too).
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-->[[UsefulNote/ZapruderFilm Zapruder's film]], I've seen that before\\

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-->[[UsefulNote/ZapruderFilm -->[[UsefulNotes/ZapruderFilm Zapruder's film]], I've seen that before\\

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* SawStarWarsTwentySevenTimes: "Murder Most Foul"
-->[[UsefulNote/ZapruderFilm Zapruder's film]], I've seen that before\\
Seen it thirty-three times, maybe more



* WhoShotJFK: "Murder Most Foul" is all about the JFK assassination, though it only alludes to the conspiracy theories surrounding it.

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* WhoShotJFK: "Murder Most Foul" is all about the JFK assassination, though it only alludes assassination and its place in American culture, with a few allusions to the conspiracy theories surrounding it.it, starting with the title, which is a ShoutOut to ''Murder Most Foul!: The Conspiracy That Murdered President Kennedy'', an obscure 1968 self-published tome by Stanley J. Marks (well, and ''Theatre/{{Hamlet}}'' too).

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* BlaseBoast: PlayedForLaughs ([[ShrugOfGod probably]]) by the concert introduction he used for years, starting in 2002. It's originally from an article about him in a Buffalo, New York newspaper. Dylan apparently either found it flattering or so hilarious he had to turn it into a RunningGag, with his stage manager Al Santos reciting these lines in a flat, rushed manner:
--> ''Ladies and gentlemen, please welcome: the poet laureate of rock 'n' roll. The voice of the promise of TheSixties counterculture. [[GenreTurningPoint The guy who forced]] {{folk|Music}} into bed with {{rock|AndRoll}}. Who [[TheRockstar donned make-up]] in TheSeventies and disappeared into [[WhatDoYouMeanItWasntMadeOnDrugs a haze of substance abuse]]. Who emerged to [[ChristianRock find Jesus]]. Who was written off as [[OldSoldier a has-been]] by the end of TheEighties, and who [[HesBack suddenly shifted gears]] releasing some of the strongest music of his career [[OldMaster beginning in the late]] [[TheNineties Nineties]]. Ladies and gentlemen - Creator/{{Columbia|Records}} [[AllAPartOfTheJob recording artist]] Bob Dylan!''

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* BlaseBoast: PlayedForLaughs ([[ShrugOfGod probably]]) by the concert introduction he used for years, starting in 2002. It's originally It was adapted from a paragraph in an article about him in a Buffalo, New York newspaper. Dylan apparently either found it flattering or so hilarious he had to turn thought it was really corny, and turned it into a RunningGag, with his stage manager Al Santos reciting these lines in a flat, rushed manner:
--> ''Ladies and gentlemen, please welcome: the poet laureate of rock 'n' roll. The voice of the promise of TheSixties counterculture. [[GenreTurningPoint The guy who forced]] {{folk|Music}} into bed with {{rock|AndRoll}}. Who [[TheRockstar donned make-up]] in TheSeventies and disappeared into [[WhatDoYouMeanItWasntMadeOnDrugs [[ArtisticStimulation a haze of substance abuse]]. Who emerged to [[ChristianRock find Jesus]]. Who was written off as [[OldSoldier a has-been]] by the end of TheEighties, and who [[HesBack suddenly shifted gears]] releasing some of the strongest music of his career [[OldMaster beginning in the late]] [[TheNineties Nineties]]. Ladies and gentlemen - Creator/{{Columbia|Records}} [[AllAPartOfTheJob recording artist]] Bob Dylan!''


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* BreakingTheFourthWall: After a [[ListSong whole long list of song titles]] in its lyrics, "Murder Most Foul" ends by referencing itself.
-->Play "The Blood-Stained Banner", play "Murder Most Foul"
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Added sentence about Ray Charles song "Let's Go Get Stoned"


** "Stoned" was originally a slang term for being drunk on alcohol, only later was it reserved for marijuana intoxication.

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** "Stoned" was originally a slang term for being drunk on alcohol, only later was it reserved for marijuana intoxication. Ray Charles had a hit that same year with the song "Let's Go Get Stoned".
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* FrankensteinsMonster: "My Own Version Of You" uses it as a metaphor for... fittingly, quite a few things.


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* LeaningOnTheFourthWall:
** "Hey Music/WoodyGuthrie, I wrote you a song..."
** "Changing Of The Guards", as noted under CallBack above.
** "North Country Blues" has the (female) narrator talk of having to "marry John Thomas, a miner." The song is indeed in A minor.
** The early song "Eternal Circle" is a song about trying to flirt with a girl in the audience while playing a song... which gets so long that by the time he finally stops singing about trying to finish the song so he can talk to her, the girl has left.
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* 1971 — ''Music/AConcertForBangladesh''[[note]]as one of the contributing artists, with his concert set as side five[[/note]]

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* 1971 — ''Music/AConcertForBangladesh''[[note]]as ''Music/TheConcertForBangladesh''[[note]]as one of the contributing artists, with his concert set as side five[[/note]]
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* 1971 — ''Music/AConcertForBangladesh''[[note]]as one of the contributing artists, with his concert set as side five[[/note]]
Tabs MOD

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* WorldOfCardboardSpeech: "Changing Of The Guards", beginning with a CallBack to his debut album 16 years earlier, and ending with
--> ''"Gentlemen!" he said, "I don't need your organization''
--> ''I've shined your shoes, I've moved your mountains and I've marked your cards''
--> ''But Eden is burning! Either get ready for elimination''
--> ''Or else your hearts must have the courage for the changing of the guards"''

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[[index]]




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[[/index]]
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In December 2020, he sold his entire catalog to Creator/UniversalMusicGroup in a deal that’s estimated to be worth about $300 million, likely the biggest of its kind in history.
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* TheVillainSucksSong: "Jokerman" (''Infidels'') and "Handy Dandy" (''Under the Red Sky'') are both rather verbose portrayals of powerful, dishonorable men, but in the end the subjects seem more like a MagnificentBastard than anything else. There's lot of WildMassGuessing on who the subjects of the two songs are. Since "Handy Dandy" has a girlfriend named Nancy, some people think it's about UsefulNotes/RonaldReagan.

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* TheVillainSucksSong: "Jokerman" (''Infidels'') and "Handy Dandy" (''Under the Red Sky'') are both rather verbose portrayals of powerful, dishonorable men, but in the end the subjects seem more like a MagnificentBastard than anything else. There's lot lots of WildMassGuessing on who the subjects of the two songs are. Since "Handy Dandy" has a girlfriend named Nancy, some people think it's about UsefulNotes/RonaldReagan.
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* TheVillainSucksSong: "Jokerman" (''Infidels'') and "Handy Dandy" (''Under the Red Sky'') are both rather verbose portrayals of powerful, dishonorable men, but in the end the subjects seem more like a MagnificentBastard than anything else. There's lot of WildMassGuessing on who the subjects of the two songs are. Since "Handy Dandy" has a girlfriend named Nancy, some people think it's about UsefulNotes/RonaldReagan.
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* TheDarknessBeforeDeath: "Knocking on Heaven's Door" is about a man who knows he is about to die ("I feel I'm knocking on Heaven's door"); he also notes ''"it's getting dark, too dark to see"''. The song was written for the soundtrack of ''Film/PatGarrettAndBillyTheKid'' (1973), where it plays while a lawman who has been mortally wounded in a gunfight is dying.

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After a long world tour, full of combative press conferences and booing crowds, Dylan dropped off the radar in 1966, one year prior to the [[TheSixties ''Summer of Love"]], in part to recover from injuries sustained during a minor motorcycle accident (debate goes on to this day as to whether Dylan faked, or at least greatly exaggerated these injuries, or even conjured the incident out of whole cloth as an excuse to disappear from the limelight for awhile). He did not perform at Woodstock (despite - or perhaps ''because of'' - the fact that it took place basically down the road from his house), and he did not protest the UsefulNotes/VietnamWar. Bob Dylan closed out the Sixties via duet with Music/JohnnyCash. He nonetheless remains synonymous with said decade's "turbulence": Music/JimiHendrix's cover of "All Along the Watchtower" plays over about 70% of all Sixties montages.

Besides "going electric", the other major moment where he rebooted his career was the "born again phase", which began with his conversion from Judaism to (Evangelical Protestant) Christianity[[note]]Specifically the [[https://en.wikipedia.org/wiki/Association_of_Vineyard_Churches Vineyard]] movement[[/note]] in 1979. Attendant to this were [[PanderingToTheBase a few nostalgic, audience-baiting tours]] and some angry, but lyrically intricate, ChristianRock albums. Dylan eventually returned to more secular themes, but has never quite abandoned the doomsaying [[TheEndIsNigh street preacher]] point of view. On the other hand, in his personal life, he's been seen celebrating the [[UsefulNotes/JewishHolidays High Holidays]] at various [[UsefulNotes/{{Judaism}} Chabad Lubavich]] Hasidic congregations; make of that what you will.

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After a long world tour, tour backed by what would eventually become Music/TheBand, full of combative press conferences and booing crowds, Dylan dropped off the radar in 1966, one year prior to the [[TheSixties ''Summer of Love"]], in part to recover from injuries sustained during a minor motorcycle accident (debate goes on to this day as to whether Dylan faked, or at least greatly exaggerated these injuries, or even conjured the incident out of whole cloth as an excuse to disappear from the limelight for awhile). He did not perform at Woodstock (despite - or perhaps ''because of'' - the fact that it took place basically down the road from his house), and he did not protest the UsefulNotes/VietnamWar. Bob Dylan closed out the Sixties via duet with Music/JohnnyCash. He nonetheless remains synonymous with said decade's "turbulence": Music/JimiHendrix's cover of "All Along the Watchtower" plays over about 70% of all Sixties montages.

Besides "going electric", the other major moment where he rebooted his career was the "born again phase", which began with his conversion from Judaism to (Evangelical Protestant) Christianity[[note]]Specifically the [[https://en.wikipedia.org/wiki/Association_of_Vineyard_Churches Vineyard]] movement[[/note]] in 1979. Attendant to this were [[PanderingToTheBase a few nostalgic, audience-baiting tours]] and some angry, but lyrically intricate, ChristianRock albums. Dylan albums, and some audience-baiting tours where he started out only doing his newer material, to reaction that ranged from polite appreciation to outright hostility. He eventually relented and [[PanderingToTheBase started doing a few older songs again]]. After a few years he returned to more secular themes, but has never quite abandoned the doomsaying [[TheEndIsNigh street preacher]] point of view. On the other hand, in his personal life, he's been seen celebrating the [[UsefulNotes/JewishHolidays High Holidays]] at various [[UsefulNotes/{{Judaism}} Chabad Lubavich]] Hasidic congregations; make of that what you will.



* RagtagBunchOfMisfits: His band for the Rolling Thunder Revue in 1975-76 had this flavour. There was Music/DavidBowie's ex-guitarist (Mick Ronson), a guitarist who had previously written a couple songs for Music/TheMonkees (Steve Soles), a tall skinny guy from Texas (T-Bone Burnett), the guy who played bass on Music/DonMcLean's "Music/AmericanPie" (Rob Stoner), a boyish-looking guy who'd previously been in a band called Quacky Duck & His Barnyard Friends (David Mansfield), a Latin violinist who Dylan had hired after he saw her walking down the street (Scarlet Rivera), and Andrew Wyeth's nephew (Howie Wyeth) on drums, among others.

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* RagtagBunchOfMisfits: RagtagBunchOfMisfits:
**
His band for the Rolling Thunder Revue in 1975-76 had this flavour. There was Music/DavidBowie's ex-guitarist (Mick Ronson), a guitarist who had previously written a couple songs for Music/TheMonkees (Steve Soles), a tall skinny guy from Texas (T-Bone Burnett), the guy who played bass on Music/DonMcLean's "Music/AmericanPie" (Rob Stoner), a boyish-looking guy who'd previously been in a band called Quacky Duck & His Barnyard Friends (David Mansfield), a Latin violinist who Dylan had hired after he saw her walking down the street (Scarlet Rivera), and Andrew Wyeth's nephew (Howie Wyeth) on drums, among others.

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