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[[AC: ComicBooks]]
* A great many superheroes of TheGoldenAgeOfComicBooks tended towards this trope, especially the B-list characters who often had little in the way of supporting characters or recurring villains. An {{Aquaman}} or GreenArrow story of the early 40s might be almost identical to one published nearly two decades later.
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* ''Series/CriminalMinds'' falls here. Although story arcs are present from time to time and it has seen main characters get replaced, any differences between the episodes tend to be mostly cosmetic- the vast majority of episodes are simply the CaseOfTheWeek where the storyline is introduced and wrapped up in the same episode, with arcs operating mostly in the background.
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** ''Series/BreakingBad'': Or, Two Years In The Life of Walter White. And boy, is it an eventful one.

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** ''Series/BreakingBad'': Or, Two Years In The Life of Walter White. And boy, is it an are they eventful one.ones.
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* Most [[KidCom KidComs]], in general, are at this level. While they might occasionally have a brief story arc (and by "brief" I mean "the occasional two-parter"), they usually depict the exact same characters in the exact same situations from season to season. [=TGIF=] sitcoms may veer a little more into Level 3, though, since they at least chronicle their main characters growing up and make any necessary adjustments to the status quo to reflect this.

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* Most [[KidCom KidComs]], in general, are at this level. While they might occasionally have a brief story arc (and by "brief" I mean "the occasional two-parter"), they usually depict the exact same characters in the exact same situations from season to season. [=TGIF=] sitcoms may veer a little more into Level 3, though, are at the high end of this level, since they at least chronicle their main characters growing up and make any necessary whatever adjustments are necessary to the status quo to reflect this.
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* Most KidComs, in general, are at this level. While they might occasionally have a brief story arc (and by "brief" I mean "the occasional two-parter"), they usually depict the exact same characters in the exact same situations from season to season. [=TGIF=] sitcoms may veer a little more into Level 3, though, since they at least chronicle their main characters growing up and make any necessary adjustments to the status quo to reflect this.

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* Most KidComs, [[KidCom KidComs]], in general, are at this level. While they might occasionally have a brief story arc (and by "brief" I mean "the occasional two-parter"), they usually depict the exact same characters in the exact same situations from season to season. [=TGIF=] sitcoms may veer a little more into Level 3, though, since they at least chronicle their main characters growing up and make any necessary adjustments to the status quo to reflect this.
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* Most KidComs, in general, are at this level. While they might occasionally have a brief story arc (and by "brief" I mean "the occasional two-parter"), they usually depict the exact same characters in the exact same situations from season to season. [=TGIF=] sitcoms may veer a little more into Level 3, though, since they at least chronicle their main characters growing up and make any necessary adjustments to the status quo to reflect this.
* ''Series/{{Seinfeld}}'' is a good example of a grown-up sitcom that's at this level.
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As of the finale, it\'s exactly two years.


** ''Series/BreakingBad'': Or, One Year In The Life of Walter White. And boy, is it an eventful one.

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** ''Series/BreakingBad'': Or, One Year Two Years In The Life of Walter White. And boy, is it an eventful one.
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* ''Series/TheWestWing'' has two or three major arcs per season, but segments of the arc are usually wrapped up within episodes with some exceptions. Being as it's a show about politics, things from the past often affect the present. Each episode starts with a PreviouslyOn.

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A few of these examples have no examples to prove how they fit into each category. They\'re just \"X is Type Y. Take Our Word For It\".



[[AC: {{Anime}} & {{Manga}}]]
* ''Franchise/GhostInTheShell'' is split up into multiple [[AlternateUniverse alternate]] and equally separate continuities. The original manga, by which all the animated versions are based around; the Creator/MamoruOshii movies, which are [[AdaptationDistillation condensed retellings]] of the manga with a bit of artistic license thrown in; ''Anime/GhostInTheShellStandAloneComplex'', the TV series that only loosely recreates and references scenes from the manga while telling a story all it's own; and finally ''Anime/GhostInTheShellArise'', which serves as a prequel of sorts to the whole franchise- even to the original manga- but still remains as a completely disconnected continuity in itself. Each version all contain the same characters and their own interpretations of them there-in.



* ''WesternAnimation/DextersLaboratory'' often ends episodes with the destruction of the laboratory and the like. All you need to know for each episode is that he's [[ExactlyWhatItSaysOnTheTin Dexter and has a laboratory]].
* ''WesternAnimation/FlipTheFrog'' belongs to level 1.

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* ''WesternAnimation/DextersLaboratory'' often ends episodes with the destruction of the laboratory and the like. All you need to know for each episode is that he's [[ExactlyWhatItSaysOnTheTin Dexter and has a laboratory]]. \n* ''WesternAnimation/FlipTheFrog'' belongs to level 1.



* Many {{Sitcom}}s.



* ''Series/StarTrekTheOriginalSeries'' adhered to this level of continuity well enough that with a scant few exceptions you can watch the series in any order and it generally makes perfect sense.
* Most {{Kid Com}}s (''Series/ICarly'', ''Series/HannahMontana'', etc.) are level two.

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* ''Series/StarTrekTheOriginalSeries'' adhered to this level of continuity well enough that with a scant few exceptions you can watch the series in any order and it generally makes perfect sense. \n* Most {{Kid Com}}s (''Series/ICarly'', ''Series/HannahMontana'', etc.) are level two. \n



[[AC: {{Anime}} & {{Manga}}]]
* The second season of ''Anime/GhostInTheShellStandAloneComplex'' diverges from the Type 4 setting that the first season fell into. Episodes are split up into "Individual", "Dividual", and "Dual" episodes. While the first two may seem like completely stand-alone episodes that have nothing to do with anything in particular, each episode focuses on at least some minor detail that will build up to a more important role later on as the story unfolds. Individual episodes focus on the rising tensions with the Asian refugees in Japan practically being treated as 2nd class citizens. Dual episodes focus on the Government's involvement with the refugee situation (and the BigBad's manipulation of everything behind the scenes), and Dividual episodes focus on the members of Section 9 and how they get involved in all of it.



* ''Series/StarTrekTheNextGeneration'' generally operated at this level.

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* ''Series/StarTrekTheNextGeneration'' generally operated at this level. \n Most episodes focused on the Enterprise and it's crew discovering new planets and alien species, and solving the problem presented in each episode. However, a few of the episodes build up ForeShadowing elements that culminate in a bigger story arc later on.



* ''VideoGame/Left4Dead'' is level 0 without DLC, but jumps to level 3 with it. ''VideoGame/Left4Dead2'' is pretty firmly level 3.

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* ''VideoGame/Left4Dead'' is level 0 without DLC. Each level is completely stand alone as far as the game leads you to believe. With the release of the DLC, but it jumps to level 3 with it. as we find out that the survivors ended up transitioning from one area to the next. ''VideoGame/Left4Dead2'' is pretty firmly level 3. 3, with the start of the next area being a direct result of what happened at the end of the last. For example: fueling up a race car to escape from a zombie infested mall only results in them abandoning the car when they reach blocked traffic, thus having to travel through a dilapidated carnival on foot.



* ''Series/{{Fringe}}''.



* ''Series/{{Glee}}'' is level four.



* ''Series/BattlestarGalacticaReimagined''



** ''Series/TheWalkingDead''



[[AC:Webcomic]]
* ''Webcomic/{{Homestuck}}''.

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[[AC:Webcomic]]
* ''Webcomic/{{Homestuck}}''.
[[AC:Webcomic]]
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* The seasons of ''Series/{{Blackadder}}'' in relation to each other are this, the only similarities being the basic premise of "Blackadder surrounded by idiots" (and not even that considering the first season). However, the episodes within a season can be from Levels 1-2.

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* The seasons of ''Series/{{Blackadder}}'' in relation to each other are this, the only similarities being the basic premise of "Blackadder surrounded by idiots" (and not even that considering the first season). However, the episodes within a season can be from Levels levels 1-2.



* The [[DisneyDucksComicUniverse Disney Duck comics]] by CarlBarks and many other writers. DonRosa's stories, however, are Level 2.

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* The [[DisneyDucksComicUniverse Disney Duck comics]] by CarlBarks and many other writers. DonRosa's stories, however, are Level level 2.



* The SherlockHolmes stories can be read in any order (with a very few notable exceptions like ''The Final Problem'' and ''The Empty House''). And after the first few stories, they aren't all set in the order they were written in, anyway. Conan Doyle deliberately wrote them like this so that readers would not quit following the series just because they had missed a story or two.

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* The SherlockHolmes Literature/SherlockHolmes stories can be read in any order (with a very few notable exceptions like ''The Final Problem'' and ''The Empty House''). And after the first few stories, they aren't all set in the order they were written in, anyway. Conan Doyle deliberately wrote them like this so that readers would not quit following the series just because they had missed a story or two.



* ''WesternAnimation/TheSimpsons'': they're always the same family with kids of the same ages that have the same neighbors, etc. Lisa ''did'' permanently become a vegetarian, though, and some such minor happenings.

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* ''WesternAnimation/TheSimpsons'': they're They're always the same family with kids of the same ages that have the same neighbors, etc. Lisa ''did'' permanently become a vegetarian, though, and some such minor happenings.



* The first three ''Franchise/HarryPotter'' books' storylines don't directly depend on the stories of the previous books; they each explain basic premises like the wizarding world, Voldemort, Harry's backstory, etc., Harry continues to live at the Dursleys', go to Hogwarts every year, have friends named Ron and Hermione, etc., and the actual events of the first two books don't matter by the third. The rest of the series, [[ContinuityCreep well...]]
* ''Literature/ASeriesOfUnfortunateEvents'' is much the same as Harry Potter, with the first four books or so being mostly independent, starting off with the Baudelaires being adopted by a new guardian and carefully explaining who the characters are to potential new readers, but later on the continuity [[ContinuityCreep creeps]] and the reader starts to need to have read the previous books to make sense of all this stuff about VFD and Beatrice and so on.
* ''Series/StarTrekTheNextGeneration'' generally operated at this level.

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* The first three ''Franchise/HarryPotter'' ''Literature/HarryPotter'' books' storylines don't directly depend on the stories of the previous books; they each explain basic premises like the wizarding world, Voldemort, Harry's backstory, etc., Harry continues to live at the Dursleys', go to Hogwarts every year, have friends named Ron and Hermione, etc., and the actual events of the first two books don't matter by the third. The rest of the series, [[ContinuityCreep well...]]
* ''Literature/ASeriesOfUnfortunateEvents'' is much the same as Harry Potter, with the first four books or so being mostly independent, starting off with the Baudelaires being adopted by a new guardian and carefully explaining who the characters are to potential new readers, but later on the continuity [[ContinuityCreep creeps]] and the reader starts to need to have read the previous books to make sense of all this stuff about VFD and Beatrice and so on.
* ''Series/StarTrekTheNextGeneration'' generally operated at this level.
on.




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* ''Series/StarTrekTheNextGeneration'' generally operated at this level.



* ''WesternAnimation/SouthPark'' is normally Level 3 but occasionally goes into Level 4, especially when a major event happens or characters go through major CharacterDevelopment.

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* ''WesternAnimation/SouthPark'' is normally Level level 3 but occasionally goes into Level level 4, especially when a major event happens or characters go through major CharacterDevelopment.



* Most of the ''Literature/{{Discworld}}'' books are Level 4.

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* Most of the ''Literature/{{Discworld}}'' books are Level level 4.



* ''Series/DoctorWho'' post-2005. Pre-2005 ''DW'' is more a hybrid of Level 4 and Level 3, with 4-6 episode story arcs that have a strict continuity in themselves but overall have virtually no connection to each other. The only difference a casual viewer would notice between a season 10 story and a season 20 story is the [[TheNthDoctor new lead actor.]]

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* ''Series/DoctorWho'' post-2005. Pre-2005 ''DW'' is more a hybrid of Level level 4 and Level level 3, with 4-6 episode story arcs that have a strict continuity in themselves but overall have virtually no connection to each other. The only difference a casual viewer would notice between a season 10 story and a season 20 story is the [[TheNthDoctor new lead actor.]]



* ''Series/RaumschiffGamestar'': The series swung between Level 5 (Full Lockout) in seasons 1, 2, and 4 and Level 4 (Arc-based Episodic) in seasons 3 and 5, occasionally tapping into Level 3 (Subtle Continuity) at some points in the third and fourth seasons.

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* ''Series/RaumschiffGamestar'': The series swung between Level level 5 (Full Lockout) in seasons 1, 2, and 4 and Level level 4 (Arc-based Episodic) in seasons 3 and 5, occasionally tapping into Level level 3 (Subtle Continuity) at some points in the third and fourth seasons.
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* "Series/{{Supernatural}}" tends to do this in later seasons, as compared to the level 3 of the earlier ones. As it recaps all plot points relevant to the episode right before the episode, it's in no real danger of becoming level 5.

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* "Series/{{Supernatural}}" ''Series/{{Supernatural}}'' tends to do this in later seasons, as compared to the level 3 of the earlier ones. As it recaps all plot points relevant to the episode right before the episode, it's in no real danger of becoming level 5.
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* "Series/{{Supernatural}}" tends to do this in later seasons, as compared to the level 3 of the earlier ones. As it recaps all plot points relevant to the episode right before the episode, it's in no real danger of becoming level 5.
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!The Sliding Scale of Continuity is as follows:

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!The !!The Sliding Scale of Continuity is as follows:



* The ''Franchise/FinalFantasy'' series. A couple of games had sequels or spin-offs; the others are each their own reality with their own characters, their own plot, their own setting... However, they share various nods to one another such as similar monsters, summons, chocobos, and characters named Cid.
* ''VideoGame/{{Neptunia}}'': The [[Videogame/HyperdimensionNeptuniaMk2 second game]] Takes place in an AlternateUniverse from [[Videogame/HyperdimensionNeptunia the first]] and [[Videogame/HyperdimensionNeptuniaVictory Victory]] involves the protagonist and her sister from the second game {{Trapped In Another|World}} AlternateUniverse. Despite having the same characters, the games taking place in AU versions of the same world and with AU versions of the cast make this a level 0.

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* The ''Franchise/FinalFantasy'' series. A couple of games had sequels or spin-offs; the others are each their own reality with their own characters, their own plot, their own setting... However, they share various nods to one another such as similar monsters, summons, chocobos, and characters named Cid.
Cid.
* ''VideoGame/{{Neptunia}}'': The [[Videogame/HyperdimensionNeptuniaMk2 second game]] Takes takes place in an AlternateUniverse from [[Videogame/HyperdimensionNeptunia the first]] and [[Videogame/HyperdimensionNeptuniaVictory Victory]] involves the protagonist and her sister from the second game {{Trapped In Another|World}} AlternateUniverse. Despite having the same characters, the games taking place in AU versions of the same world and with AU versions of the cast make this a level 0.




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* ''Series/RaumschiffGamestar'': The series swung between Level 5 (Full Lockout) in seasons 1, 2, and 4 and Level 4 (Arc-based Episodic) in seasons 3 and 5, occasionally tapping into Level 3 (Subtle Continuity) at some points in the third and fourth seasons.
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* ''SluggyFreelance'' creator Pete Abrams recently acknowledged the phenomenon at this stage of the comic's lifespan and narrative density. He still tries to link back to details in previous strips, but now that it's become necessary even in filler arcs, it's extremely daunting to new readers.
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* ''Series/AlloAllo'' is a rare sitcom to reach this level; each episode began with the lead character summarising the ongoing events of the miniarc so far and the background arc of the painting(s) and British airmen ran through the whole series.
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From the production side of things, works closer to the episodic end of the scale are also much easier to coordinate between writers, and handle [[UnCancelled a change]] [[ScrewedByTheNetwork in episode count or order]] better. In television, their appeal to networks is that can attract casual viewership, and easily increase viewership at any point along the series' run. On the other hand, works leaning towards continuity may find it easier to maintain a more devoted viewership once they catch on.

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From the production side of things, works closer to the episodic end of the scale are also much easier to coordinate between writers, and handle [[UnCancelled a change]] [[ScrewedByTheNetwork in episode count count]] [[OutOfOrder or order]] better. In television, their appeal to networks is that can attract casual viewership, and easily increase viewership at any point along the series' run. On the other hand, works leaning towards continuity may find it easier to maintain a more devoted viewership once they catch on.

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adding common advantages and disadvantages of the scales\' sides to the main text.


{{Continuity}} is handled very differently between different works. Some writers [[ContinuityPorn take it very seriously]], others [[NegativeContinuity really, really don't]]; some works [[ContinuityLockout need you to have been watching from the beginning]] while others just let you [[MonsterOfTheWeek hop in and enjoy an individual story at any point in the series]]. Realizing where a work falls on the Sliding Scale of Continuity is often essential to being able to enjoy a series for what it is.

What this scale measures is: ''if you knew nothing of the series but the very basic premise and then happened to catch some random episodes in arbitrary order, how difficult is it going to be to understand and follow what's going on, compared to if you watched it in order from the beginning?''

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{{Continuity}} is handled very differently between different works. Some writers works: some of them [[ContinuityPorn take it very seriously]], others [[NegativeContinuity really, really don't]]; some works [[ContinuityLockout need you to have been watching from the beginning]] while others just let you [[MonsterOfTheWeek [[IndexOfTheWeek hop in and enjoy enjoy]] an individual story at any point in the series]]. Realizing where series, that will usually be contained within [[OncePerEpisode a work falls on the Sliding Scale of Continuity is often essential to being able to enjoy a series for what it is.single installment]].

Realizing where a work falls on the Sliding Scale of Continuity is often essential to being able to enjoy a series for what it is. In many cases, series on the lower side of the continuity scale often rely on a [[StrictlyFormula recurring structure]] or at least a consistent tone and mood - when deciding whether or not to watch an episode, a viewer will have some idea of what to expect beforehand. High-continuity series are usually expected to offer the viewer a sense of change or progress between installments, in terms of both [[CharacterDevelopment characters]] and [[StoryArc plot]]. This allows for more complex and detailed storytelling, spanning multiple chapters, at the cost of requiring more involved viewing. A lot of popular works attempt to combine the best of both worlds: offering self-contained episodes with [[FandomNod something extra]] for those who take the time to [[ContinuityNod watch all of it]], or offering "progress" between seasons.

From the production side of things, works closer to the episodic end of the scale are also much easier to coordinate between writers, and handle [[UnCancelled a change]] [[ScrewedByTheNetwork in episode count or order]] better. In television, their appeal to networks is that can attract casual viewership, and easily increase viewership at any point along the series' run. On the other hand, works leaning towards continuity may find it easier to maintain a more devoted viewership once they catch on.

What this scale measures is: ''if you knew nothing of the series but the very basic premise and then happened to catch some random episodes in arbitrary order, how difficult is it going to be to understand and follow what's going on, and how much will you miss, compared to if you watched it in order from the beginning?''



The different installments of the series are only nominally the same work; every new installment concerns different characters, or possibly the 'same' characters but in an AlternateUniverse, such that the stories are explicitly disconnected and obviously not meant to be part of a continuity of any sort. Within any given installment, it can be assumed that every other installment either never happened or is at least completely irrelevant to the current one. What they share to make them a series is usually thematic, world or (for video games) gameplay elements, with possible minor recurring creatures, objects, etc. NonLinearSequel is the specific trope for this. If done to an entire series you've got a ThematicSeries.

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The different installments of the series are only nominally the same work; every new installment concerns different characters, or possibly the 'same' characters but in an AlternateUniverse, such that the stories are explicitly disconnected and obviously not meant to be part of a continuity of any sort. Within any given installment, it can be assumed that every other installment either never happened or is at least completely irrelevant to the current one. What they share to make them a series is usually thematic, world or (for video games) gameplay elements, with possible minor recurring creatures, objects, etc. NonLinearSequel is the specific trope for this. If done to an entire series you've got a ThematicSeries.
ThematicSeries. In some cases, the rights-holders use the already-popular name that they own for [[CashCowFranchise marketing reasons,]] regardless of whether or not an installment fits in with previous ones in the series.
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too good to last cleanup


* ''Series/{{Firefly}}'''s episodes can pretty much stand on their own in a mostly arbitrary order, though this may largely be because it [[TooGoodToLast never got the chance to go anywhere with]] the hinted MythArc.

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* ''Series/{{Firefly}}'''s episodes can pretty much stand on their own in a mostly arbitrary order, though this may largely be because it [[TooGoodToLast [[ScrewedByTheNetwork never got the chance to go anywhere with]] the hinted MythArc.
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** ''Series/BreakingBad'': Or, One Year In The Life of Walter White.

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** ''Series/BreakingBad'': Or, One Year In The Life of Walter White. And boy, is it an eventful one.

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* Most of the various {{AMC}} dramas:
** ''Series/MadMen'': The ongoing story of Don Draper and the firm of Sterling Cooper.
** ''Series/BreakingBad'': Or, One Year In The Life of Walter White.
** ''Series/TheWalkingDead''
* {{HBO}} does this too.
** ''Series/GameOfThrones'': What do you expect from an adaptation of ''Literature/ASongOfIceAndFire''?
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** ''Series/BurnNotice'': But it gets much more arc-heavy starting in Season 5.
** ''Series/RoyalPains''
** ''Series/{{Suits}}''

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** ''Series/BurnNotice'': But it With the arc being the titular burn notice and Michel Westen's attempts to get back into proper intelligence work. It gets much more arc-heavy starting in Season 5.
** ''Series/RoyalPains''
''Series/RoyalPains'': With the arc being Hank working out his family issues and growing his business.
** ''Series/{{Suits}}''
''Series/{{Suits}}'': With the arcs being Mike Ross' dubious past in the legal profession coming back to bite him, and the constant intrigue among partners ([[MyFriendsAndZoidberg and Louis Litt]]) at Pearson Hardman.

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* USANetwork's summer series are noted for this:
** ''Series/BurnNotice'': But it gets much more arc-heavy starting in Season 5.
** ''Series/RoyalPains''
** ''Series/{{Suits}}''
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[[AC: ComicBooks]]
* The [[DisneyDucksComicUniverse Disney Duck comics]] by CarlBarks and many other writers. DonRosa's stories, however, are Level 2.


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[[AC: {{Literature}}]]
* The SherlockHolmes stories can be read in any order (with a very few notable exceptions like ''The Final Problem'' and ''The Empty House''). And after the first few stories, they aren't all set in the order they were written in, anyway. Conan Doyle deliberately wrote them like this so that readers would not quit following the series just because they had missed a story or two.

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[[AC:VideoGames]]
* The ''Franchise/DragonAge'' series is notably more lax about its continuity than its sister series ''Mass Effect'': while there are definitely several enduring {{Myth Arc}}s, each installment so far (including supplemental novels and comic mini-series) is a largely self-contained story that happens to push one or more overarching plots along. This is helped by the fact that individual installments usually focus on different (albeit often [[CharacterOverlap overlapping]]) main characters and are set in different parts of the world at different times; also, an occasional {{retcon}} by the writers prevents the established canon from being too reliable.




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* The original ''Franchise/MassEffect'' trilogy is probably the most continuity-restrictive series Creator/BioWare has ever produced. Thanks to the ability to [[OldSaveBonus carry over the main character (and thus most of the plot) across all three installments]], ''VideoGame/MassEffect2'' and particularly ''VideoGame/MassEffect3'' depend on the previous installments to such degree that it is literally impossible to get some of the best outcomes in the third game (such as [[spoiler:[[ReconcileTheBitterFoes the peace between quarians and the geth]]]]) without having completed the previous ones.
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* The ''Literature/CiaphasCain'' novels are a fusion of this and AnachronicOrder, numbered thematically rather than chronologically. The first trilogy tells the story of how Cain became attached to the Valhallan 597th Regiment and their early campaigns. The second covers much more ground time-wise but is tangentially related to the ''shadowlight'', a mysterious pre-humanity artifact discovered on Perlia. "Echoes of the Tomb" and ''The Emperor's Finest'' shed light on a NoodleIncident repeatedly alluded to in previous books and [[WhyDidItHaveToBeSnakes why Cain is so terrified of necrons]].

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* The ''Literature/CiaphasCain'' novels are a fusion of this and AnachronicOrder, numbered thematically rather than chronologically. The first trilogy tells the story of how Cain became attached to the Valhallan 597th Regiment and their early campaigns. The second covers much more ground time-wise but is tangentially related to the ''shadowlight'', a mysterious pre-humanity artifact discovered on Perlia. "Echoes of the Tomb" and ''The Emperor's Finest'' cover his time as Imperial Guard liaison to the Reclaimers chapter of the Adeptus Astartes, and shed light on a NoodleIncident repeatedly alluded to in previous books and [[WhyDidItHaveToBeSnakes why Cain is so terrified of necrons]].

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cleanup


{{Continuity}} is handled very differently between different works. Some writers [[ContinuityPorn take it very seriously]], others [[NegativeContinuity really, really don't]]; some works [[ContinuityLockout need you to have been watching from the beginning]] while others just let you [[MonsterOfTheWeek hop in and enjoy an individual story at any point in the series]]. Realizing where a work falls on the SlidingScaleOfContinuity is often essential to being able to enjoy a series for what it is.

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{{Continuity}} is handled very differently between different works. Some writers [[ContinuityPorn take it very seriously]], others [[NegativeContinuity really, really don't]]; some works [[ContinuityLockout need you to have been watching from the beginning]] while others just let you [[MonsterOfTheWeek hop in and enjoy an individual story at any point in the series]]. Realizing where a work falls on the SlidingScaleOfContinuity Sliding Scale of Continuity is often essential to being able to enjoy a series for what it is.




!Level 0: [[NonLinearSequel Non-Linear Installments]]
The different installments of the series are only nominally the same work; every new installment concerns different characters, or possibly the 'same' characters but in an AlternateUniverse, such that the stories are explicitly disconnected and obviously not meant to be part of a continuity of any sort. Within any given installment, it can be assumed that every other installment either never happened or is at least completely irrelevant to the current one. What they share to make them a series is usually thematic, world or (for video games) gameplay elements, with possible minor recurring creatures, objects, etc.

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\n!Level ----
!The Sliding Scale of Continuity is as follows:

[[foldercontrol]]

[[folder:Level
0: [[NonLinearSequel Non-Linear Installments]]
Installments]]
The different installments of the series are only nominally the same work; every new installment concerns different characters, or possibly the 'same' characters but in an AlternateUniverse, such that the stories are explicitly disconnected and obviously not meant to be part of a continuity of any sort. Within any given installment, it can be assumed that every other installment either never happened or is at least completely irrelevant to the current one. What they share to make them a series is usually thematic, world or (for video games) gameplay elements, with possible minor recurring creatures, objects, etc. \n NonLinearSequel is the specific trope for this. If done to an entire series you've got a ThematicSeries.



* The ''FinalFantasy'' series. A couple of games had sequels or spin-offs; the others are each their own reality with their own characters, their own plot, their own setting... However, they share various nods to one another such as similar monsters, summons, chocobos, and characters named Cid.

to:

[[AC: LiveActionTV]]
* The ''FinalFantasy'' series. A couple seasons of games had sequels or spin-offs; the others are ''Series/{{Blackadder}}'' in relation to each their own reality with their own characters, their own plot, their own setting... other are this, the only similarities being the basic premise of "Blackadder surrounded by idiots" (and not even that considering the first season). However, they share various nods to one another such as similar monsters, summons, chocobos, and characters named Cid.the episodes within a season can be from Levels 1-2.



** ''TheTwilightZone''
** ''TheOuterLimits''
* The seasons of ''{{Blackadder}}'' in relation to each other are this, the only similarities being the basic premise of "Blackadder surrounded by idiots" (and not even that considering the first season). However, the episodes within a season can be from Levels 1-2.

to:

** ''TheTwilightZone''
''Series/TheTwilightZone''
** ''TheOuterLimits''
''Series/TheOuterLimits''

[[AC: VideoGames]]
* The seasons ''Franchise/FinalFantasy'' series. A couple of ''{{Blackadder}}'' in relation to games had sequels or spin-offs; the others are each other are this, the only similarities being the basic premise of "Blackadder surrounded by idiots" (and not even that considering the first season). their own reality with their own characters, their own plot, their own setting... However, the episodes within a season can be from Levels 1-2.they share various nods to one another such as similar monsters, summons, chocobos, and characters named Cid.




!Level 1: NegativeContinuity

to:

\n!Level [[/folder]]

----
[[folder:Level
1: NegativeContinuity Negative Continuity]]



Sure, the episodes are clearly related, sharing characters and a basic setup... but ultimately, watching it out of order makes ''more'' sense than in order if anything. The show may cheerfully contradict itself and if something seems to have changed by the end of the episode, you can bet [[SnapBack the next one pretended it never happened anyway]], so it's hardly a loss if that's not the next one you watch. Usually done in [[RuleOfFunny comedy]]. When there actually ''is'' continuity of some sort, that very fact is probably a [[BrickJoke gag in itself]].

to:

Sure, the episodes are clearly related, sharing characters and a basic setup... but ultimately, watching it out of order makes ''more'' sense than in order if anything. The show may cheerfully contradict itself and if something seems to have changed by the end of the episode, you can bet [[SnapBack the next one pretended it never happened anyway]], so it's hardly a loss if that's not the next one you watch. Usually done in [[RuleOfFunny comedy]]. When there actually ''is'' continuity of some sort, that very fact is probably a [[BrickJoke gag in itself]].
itself]]. See the NegativeContinuity page.



* ''DrawnTogether'', as exemplified by the fact it is the subject of the page quote for NegativeContinuity.
* ''FlightOfTheConchords''' second season had several episodes end with the guys having, say, lost all their furniture, or fallen below zero on Murray's friendship graph, with the next merrily restoring the status quo without so much as a mention. The first season, however, is level 2-3, making it an example of [[InvertedTrope inverted]] ContinuityCreep.
* ''DextersLaboratory'' often ends episodes with the destruction of the laboratory and the like. All you need to know for each episode is that he's [[ExactlyWhatItSaysOnTheTin Dexter and has a laboratory]].
* ''SaturdayNightLive'' alternates between level 0 and level 1, with some recurring sketches and characters.
* ''FlipTheFrog'' belongs to level 1.

!Level 2: Status Quo

to:


[[AC: LiveActionTV]]
* ''DrawnTogether'', as exemplified by the fact it is the subject of the page quote for NegativeContinuity.
* ''FlightOfTheConchords'''
''Music/FlightOfTheConchords[='=]'' second season had several episodes end with the guys having, say, lost all their furniture, or fallen below zero on Murray's friendship graph, with the next merrily restoring the status quo without so much as a mention. The first season, however, is level 2-3, making it an example of [[InvertedTrope inverted]] ContinuityCreep.
* ''DextersLaboratory'' ''Series/SaturdayNightLive'' alternates between level 0 and level 1, with some recurring sketches and characters.

[[AC: WesternAnimation]]
* ''WesternAnimation/DrawnTogether'', as exemplified by the fact it is the subject of the page quote for NegativeContinuity.
* ''WesternAnimation/DextersLaboratory''
often ends episodes with the destruction of the laboratory and the like. All you need to know for each episode is that he's [[ExactlyWhatItSaysOnTheTin Dexter and has a laboratory]].
* ''SaturdayNightLive'' alternates between ''WesternAnimation/FlipTheFrog'' belongs to level 0 and level 1, with some recurring sketches and characters.1.
* ''FlipTheFrog'' belongs to level 1.

!Level
[[/folder]]

----
[[folder:Level
2: Status Quo Quo]]



* The main series ''{{Pokemon}}'' games mix this with level 0. There is continuity in the world, with references to events from previous games and some recurring characters, but every new game starts with you being a new rookie trainer in a new region fighting a new evil team, and knowing where the recurring characters came from is more a bonus than anything else.
* Many {{Sitcom}}s:
** ''TheSimpsons'': they're always the same family with kids of the same ages that have the same neighbors, etc. Lisa ''did'' permanently become a vegetarian, though, and some such minor happenings.
** As it says on that page, ''SavedByTheBell'' was the king of the StatusQuoIsGod trope.
* ''StarTrekTheOriginalSeries'' adhered to this level of continuity well enough that with a scant few exceptions you can watch the series in any order and it generally makes perfect sense.
* Most {{Kid Com}}s (''{{iCarly}}'', ''HannahMontana'', etc.) are level two.

!Level 3: Subtle Continuity

to:


[[AC: LiveActionTV]]
* The main series ''{{Pokemon}}'' games mix this with level 0. There is continuity in Many {{Sitcom}}s.
* As it says on that page, ''Series/SavedByTheBell'' was
the world, with references to events from previous games and some recurring characters, but every new game starts with you being a new rookie trainer in a new region fighting a new evil team, and knowing where king of the recurring characters came from is more a bonus than anything else.StatusQuoIsGod trope.
* Many {{Sitcom}}s:
** ''TheSimpsons'': they're always the same family
''Series/StarTrekTheOriginalSeries'' adhered to this level of continuity well enough that with kids of a scant few exceptions you can watch the same ages that have the same neighbors, etc. Lisa ''did'' permanently become a vegetarian, though, series in any order and some such minor happenings.it generally makes perfect sense.
** As it says on that page, ''SavedByTheBell'' was the king of the StatusQuoIsGod trope.
* ''StarTrekTheOriginalSeries'' adhered to this level of continuity well enough that with a scant few exceptions you can watch the series in any order and it generally makes perfect sense.
* Most {{Kid Com}}s (''{{iCarly}}'', ''HannahMontana'', (''Series/ICarly'', ''Series/HannahMontana'', etc.) are level two.

!Level [[AC: VideoGames]]
* The main series ''Franchise/{{Pokemon}}'' games mix this with level 0. There is continuity in the world, with references to events from previous games and some recurring characters, but every new game starts with you being a new rookie trainer in a new region fighting a new evil team, and knowing where the recurring characters came from is more a bonus than anything else.

[[AC:WesternAnimation]]
* ''WesternAnimation/TheSimpsons'': they're always the same family with kids of the same ages that have the same neighbors, etc. Lisa ''did'' permanently become a vegetarian, though, and some such minor happenings.
[[/folder]]

----
[[folder:Level
3: Subtle Continuity Continuity]]



!!Examples:
* Sitcoms that aren't level 2 tend to be this, e.g. ''HowIMetYourMother'' and ''{{Friends}}''.
* {{Forensic Drama}}s, MonsterOfTheWeek shows and other basically episodic, plot-based genres with no {{Myth Arc}}s also usually fall here.
* The first three ''HarryPotter'' books' storylines don't directly depend on the stories of the previous books; they each explain basic premises like the wizarding world, Voldemort, Harry's backstory, etc., Harry continues to live at the Dursleys', go to Hogwarts every year, have friends named Ron and Hermione, etc., and the actual events of the first two books don't matter by the third. The rest of the series, [[ContinuityCreep well...]]
* ''ASeriesOfUnfortunateEvents'' is much the same as Harry Potter, with the first four books or so being mostly independent, starting off with the Baudelaires being adopted by a new guardian and carefully explaining who the characters are to potential new readers, but later on the continuity [[ContinuityCreep creeps]] and the reader starts to need to have read the previous books to make sense of all this stuff about VFD and Beatrice and so on.
* The ''AceAttorney'' games have a stronger (level 4) continuity between cases within each game, but are this with respect to one another, featuring the same characters (bar ''Apollo Justice'') and explaining things like spirit mediums at the beginning of each game but otherwise having independent stories and not depending on the player knowing the previous games.
* ''{{Firefly}}'''s episodes can pretty much stand on their own in a mostly arbitrary order, though this may largely be because it [[TooGoodToLast never got the chance to go anywhere with]] the hinted MythArc.
* ''StarTrekTheNextGeneration'' generally operated at this level.
* ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' is a level 3, there are {{Continuity Nod}}s and {{Call Back}}s to previous episodes but with the exception of [[Recap/MyLittlePonyFriendshipIsMagicS1E1MareInTheMoon cer]][[Recap/MyLittlePonyFriendshipIsMagicS1E2ElementsOfHarmony tain]] [[Recap/MyLittlePonyFriendshipIsMagicS2E1TheReturnOfHarmonyPart1 two]]-[[Recap/MyLittleponyFriendshipIsMagicS2E2TheReturnOfHarmonyPart2 part]] [[Recap/MyLittlePonyFriendshipIsMagicS2E25ACanterlotWeddingPart1 ep]][[Recap/MyLittlePonyFriendshipIsMagicS2E26ACanterlotWeddingPart2 is]][[Recap/MyLittlePonyFriendshipIsMagicS3E1TheCrystalEmpirePart1 od]][[Recap/MyLittlePonyFriendshipIsMagicS3E2TheCrystalEmpirePart2 es]] All the episodes are stand-alone.

to:

!!Examples:
!!Examples:

[[AC: ComicBooks]]
* Sitcoms that aren't level 2 tend to be this, e.g. ''HowIMetYourMother'' ''Franchise/{{Superman}}'' is a Level 3 in at least TheSilverAgeOfComicBooks -- while Mort Weisinger was the editor, his supporting cast, RoguesGallery, and ''{{Friends}}''.
* {{Forensic Drama}}s, MonsterOfTheWeek shows and other basically episodic, plot-based genres with no {{Myth Arc}}s also usually fall here.
mythology were slowly built upon, without readers requiring to have read any previous stories most of the time.

[[AC: {{Literature}}]]
* The first three ''HarryPotter'' ''Franchise/HarryPotter'' books' storylines don't directly depend on the stories of the previous books; they each explain basic premises like the wizarding world, Voldemort, Harry's backstory, etc., Harry continues to live at the Dursleys', go to Hogwarts every year, have friends named Ron and Hermione, etc., and the actual events of the first two books don't matter by the third. The rest of the series, [[ContinuityCreep well...]]
]]
* ''ASeriesOfUnfortunateEvents'' ''Literature/ASeriesOfUnfortunateEvents'' is much the same as Harry Potter, with the first four books or so being mostly independent, starting off with the Baudelaires being adopted by a new guardian and carefully explaining who the characters are to potential new readers, but later on the continuity [[ContinuityCreep creeps]] and the reader starts to need to have read the previous books to make sense of all this stuff about VFD and Beatrice and so on.
* The ''AceAttorney'' games have a stronger (level 4) continuity between cases within each game, but are ''Series/StarTrekTheNextGeneration'' generally operated at this with respect level.

[[AC: LiveActionTV]]
* Sitcoms that aren't level 2 tend
to one another, featuring the same characters (bar ''Apollo Justice'') be this, e.g. ''Series/HowIMetYourMother'' and explaining things like spirit mediums at the beginning of each game but otherwise having independent stories and not depending on the player knowing the previous games.''{{Friends}}''.
* ''{{Firefly}}'''s {{Forensic Drama}}s, MonsterOfTheWeek shows and other basically episodic, plot-based genres with no {{Myth Arc}}s also usually fall here.
* ''Series/{{Firefly}}'''s
episodes can pretty much stand on their own in a mostly arbitrary order, though this may largely be because it [[TooGoodToLast never got the chance to go anywhere with]] the hinted MythArc.
MythArc.

[[AC: VideoGames]]
* ''StarTrekTheNextGeneration'' generally operated at The ''VisualNovel/AceAttorney'' games have a stronger (level 4) continuity between cases within each game, but are this level.
* ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' is a level 3, there are {{Continuity Nod}}s
with respect to one another, featuring the same characters (bar ''Apollo Justice'') and {{Call Back}}s to explaining things like spirit mediums at the beginning of each game but otherwise having independent stories and not depending on the player knowing the previous episodes but with the exception of [[Recap/MyLittlePonyFriendshipIsMagicS1E1MareInTheMoon cer]][[Recap/MyLittlePonyFriendshipIsMagicS1E2ElementsOfHarmony tain]] [[Recap/MyLittlePonyFriendshipIsMagicS2E1TheReturnOfHarmonyPart1 two]]-[[Recap/MyLittleponyFriendshipIsMagicS2E2TheReturnOfHarmonyPart2 part]] [[Recap/MyLittlePonyFriendshipIsMagicS2E25ACanterlotWeddingPart1 ep]][[Recap/MyLittlePonyFriendshipIsMagicS2E26ACanterlotWeddingPart2 is]][[Recap/MyLittlePonyFriendshipIsMagicS3E1TheCrystalEmpirePart1 od]][[Recap/MyLittlePonyFriendshipIsMagicS3E2TheCrystalEmpirePart2 es]] All the episodes are stand-alone.games.



* ''Comicbook/{{Superman}}'' is a Level 3 in at least TheSilverAgeOfComicBooks -- while Mort Weisinger was the editor, his supporting cast, RoguesGallery, and mythology were slowly built upon, without readers requiring to have read any previous stories most of the time.

to:

* ''Comicbook/{{Superman}}'' ''Franchise/TheLegendOfZelda''. The games tend to be standalone but there are three timelines that diverge at ''[[VideoGame/TheLegendOfZeldaOcarinaOfTime Ocarina of Time]]''. Yet the games only get a ContinuityNod or MythologyGag at best and can be played with any knowledge of the other games.

[[AC: WesternAnimation]]
* ''WesternAnimation/MyLittlePonyFriendshipIsMagic''
is a Level 3 in at least TheSilverAgeOfComicBooks -- while Mort Weisinger was the editor, his supporting cast, RoguesGallery, level 3, there are {{Continuity Nod}}s and mythology were slowly built upon, without readers requiring {{Call Back}}s to have read any previous stories most of episodes but with the time.exception of [[Recap/MyLittlePonyFriendshipIsMagicS1E1MareInTheMoon cer]][[Recap/MyLittlePonyFriendshipIsMagicS1E2ElementsOfHarmony tain]] [[Recap/MyLittlePonyFriendshipIsMagicS2E1TheReturnOfHarmonyPart1 two]]-[[Recap/MyLittleponyFriendshipIsMagicS2E2TheReturnOfHarmonyPart2 part]] [[Recap/MyLittlePonyFriendshipIsMagicS2E25ACanterlotWeddingPart1 ep]][[Recap/MyLittlePonyFriendshipIsMagicS2E26ACanterlotWeddingPart2 is]][[Recap/MyLittlePonyFriendshipIsMagicS3E1TheCrystalEmpirePart1 od]][[Recap/MyLittlePonyFriendshipIsMagicS3E2TheCrystalEmpirePart2 es]] All the episodes are stand-alone.



* ''Franchise/TheLegendOfZelda''. The games tend to be stand alone but there are three timelines that diverge at ''[[VideoGame/TheLegendOfZelaOcarinaOfTime Ocarina of Time]]. Yet the games only get a ContinuityNod or MythologyGag at best and can be played with any knowledge of the other games.

!Level 4: [[StoryArc Arc-Based]] Episodic
These works do divide into episodes or installments with each (usually) introducing and resolving its own mini-plot, but there is a continuous ongoing storyline going on in the background. While most episodes may be enjoyed individually, any watching out of order will probably leave you wondering where characters who [[AnyoneCanDie died three seasons ago]] are, or why they're suddenly having dinner with [[HeelFaceTurn the guy they had sworn to defeat in the last episode you watched]], or who the hell this new villain they're talking about is, even if you can follow the actual plot of the episode. Shows often try to combat the resulting ContinuityLockout - with varying degrees of success - with PreviouslyOn recap openings.

!!Examples:
* Most of ''BuffyTheVampireSlayer'', though it started to [[ContinuityCreep edge towards level 5]] as the series went on.
* ''TheDresdenFiles'' slides quickly from level 3 to here as the books become less 'investigating a case' and more 'investigating something deeply connected to just about everything else while dozens of old characters reappear and stuff that happened five books ago suddenly turns out to be vitally important', though there is still a plot with its own resolution in each book.
* ''AvatarTheLastAirbender'' is mostly like this - while the [[FanNickname Gaang]] is always traveling the world to find bending masters to teach Aang and there are plenty of {{Filler}}s that belong on level 3, there are pretty steady continuous developments on the villainous side that would be very jarring to anyone who just watched individual episodes here and there.
* ''{{Fringe}}''.
* ''DoctorWho''.
** Pre-2005 Doctor Who is more a hybrid of Level 4 and Level 3, with 4-6 episode story arcs that have a strict continuity in themselves but overall have virtually no connection to each other. The only difference a casual viewer would notice between a season 10 story and a season 20 story is the [[TheNthDoctor new lead actor.]]
* ''StarTrekDeepSpaceNine'' and the series that followed it, ''[[StarTrekVoyager Voyager]]'' and ''[[StarTrekEnterprise Enterprise,]]'' wavered between this and level 3, but their use of longer-running arcs (compared to previous series) bumps them up the scale.
* ''{{Glee}}'' is level four.
* One interesting example is ''StandAloneComplex'', which explicitly identifies each episode as either "Stand Alone" (episodic) or "Complex" (part of the series arc). The episodic ones rarely contain any reference to other episodes.

to:

* ''Franchise/TheLegendOfZelda''. The games tend to be stand alone but there are three timelines that diverge at ''[[VideoGame/TheLegendOfZelaOcarinaOfTime Ocarina of Time]]. Yet the games only get a ContinuityNod or MythologyGag at best and can be played with any knowledge of the other games.

!Level
[[/folder]]

----
[[folder:Level
4: [[StoryArc Arc-Based]] Episodic
Arc-Based Episodic]]
These works do divide into episodes or installments with each (usually) introducing and resolving its own mini-plot, but there is a [[MythArc continuous ongoing storyline storyline]] going on in the background. While most episodes may be enjoyed individually, any watching out of order will probably leave you wondering where characters who [[AnyoneCanDie died three seasons ago]] are, or why they're suddenly having dinner with [[HeelFaceTurn the guy they had sworn to defeat in the last episode you watched]], or who the hell this new villain they're talking about is, even if you can follow the actual plot of the episode. Shows often try to combat the resulting ContinuityLockout - -- with varying degrees of success - -- with PreviouslyOn recap openings.openings. See also StoryArc.

!!Examples:

[[AC:AnimeAndManga]]
* One interesting example is ''Anime/GhostInTheShellStandAloneComplex'', which explicitly identifies each episode as either "Stand Alone" (episodic) or "Complex" (part of the series arc). The episodic ones rarely contain any reference to other episodes.


!!Examples:
[[AC:{{Literature}}]]
* Most ''Literature/TheDresdenFiles'' slides quickly from level 3 to here as the books become less "investigating a case" and more "investigating something deeply connected to just about everything else while dozens of ''BuffyTheVampireSlayer'', old characters reappear and [[ChekhovsGun stuff that happened five books ago suddenly turns out to be vitally important]]," though it started to [[ContinuityCreep edge towards level 5]] as the series went on.there is still a plot with its own resolution in each book.
* ''TheDresdenFiles'' slides quickly from level 3 to here as Most of the ''Literature/{{Discworld}}'' books become less 'investigating a case' and more 'investigating something deeply connected to just about everything else while dozens of old characters reappear and stuff that happened five books ago suddenly turns out to be vitally important', though there is still a plot with its own resolution in each book.are Level 4.
* ''AvatarTheLastAirbender'' is mostly like The ''Literature/CiaphasCain'' novels are a fusion of this - while and AnachronicOrder, numbered thematically rather than chronologically. The first trilogy tells the [[FanNickname Gaang]] is always traveling story of how Cain became attached to the world to find bending masters to teach Aang Valhallan 597th Regiment and there are plenty their early campaigns. The second covers much more ground time-wise but is tangentially related to the ''shadowlight'', a mysterious pre-humanity artifact discovered on Perlia. "Echoes of {{Filler}}s that belong the Tomb" and ''The Emperor's Finest'' shed light on a NoodleIncident repeatedly alluded to in previous books and [[WhyDidItHaveToBeSnakes why Cain is so terrified of necrons]].

[[AC:LiveActionTV]]
* Most of ''Series/BuffyTheVampireSlayer'', though it started to [[ContinuityCreep edge towards
level 3, there are pretty steady continuous developments on 5]] as the villainous side that would be very jarring to anyone who just watched individual episodes here and there.series went on.
* ''Series/{{Fringe}}''.

* ''{{Fringe}}''.
* ''DoctorWho''.
**
''Series/DoctorWho'' post-2005. Pre-2005 Doctor Who ''DW'' is more a hybrid of Level 4 and Level 3, with 4-6 episode story arcs that have a strict continuity in themselves but overall have virtually no connection to each other. The only difference a casual viewer would notice between a season 10 story and a season 20 story is the [[TheNthDoctor new lead actor.]]
* ''StarTrekDeepSpaceNine'' ''Series/StarTrekDeepSpaceNine'' and the series that followed it, ''[[StarTrekVoyager ''[[Series/StarTrekVoyager Voyager]]'' and ''[[StarTrekEnterprise Enterprise,]]'' ''[[Series/StarTrekEnterprise Enterprise]],'' wavered between this and level 3, but their use of longer-running arcs (compared to previous series) bumps them up the scale.
* ''{{Glee}}'' ''Series/{{Glee}}'' is level four.
* One interesting example is ''StandAloneComplex'', which explicitly identifies each episode as either "Stand Alone" (episodic) or "Complex" (part of the series arc). The episodic ones rarely contain any reference to other episodes.
four.



* Most of the ''{{Discworld}}'' books are Level 4.

!Level 5: [[ContinuityLockout Full Lockout]]
If you haven't seen the whole series so far, or at least the entirety of the current season, you're screwed. Each installment expects you to have seen every previous installment; though it may [[PreviouslyOn make some effort to try to clue you in if you haven't]], you will probably be thoroughly confused, and there is no guarantee there will be any sort of resolution to anything by the episode's end - in fact, it's quite likely to end with a {{Cliffhanger}}. Often BetterOnDVD.

!!Examples:
* ''ReGenesis'', through all its interwoven multiple-episode story and character arcs, is probably impossible to understand episodically despite the lengthy PreviouslyOn recaps.
* Each season of ''[[TwentyFour 24]]'' is a continuous real-time story arc.
* A lot of {{Anime}}, e.g. ''TengenToppaGurrenLagann'', especially as it goes on (though the Parallel Works are level 0).
* ''{{Lost}}'' is a frequently cited example of ContinuityLockout because of this.
* ''{{Homestuck}}''.
* ''BabylonFive''.
* ''{{The King of Fighters}}'' currently has four {{arc}}s: The [[SNKBoss Rugal]] Saga (the first title, ''[='94=]''), The {{Orochi}} Saga (''[='95=]''-''[='98=]''), The [[NebulousEvilOrganisation NESTS]] Chronicles (''[='99=]''-''2002''), and The Tales of [[TricksterArchetype Ash]] (the present-day saga, having started in ''2003''). While it's not too bad with The NESTS Chronicles (as the protagonist of those titles, K', distances himself from previous hero Kyo despite being genetically-engineered with his DNA), The Tales of Ash almost ''requires'' that you played the first four games. This is made worse if you look past the main plot and focus on the supporting cast, as you then have to deal with allusions and plot points carried over from ''FatalFury'', ''{{Art of Fighting}}'', ''IkariWarriors'', ''Athena''/''PsychoSoldier'', ''[[LastBlade The Last Blade]]'', ''[[FuunSeries Savage Reign/Kizuna Encounter]]'', ''Buriki One'', etc. While it's ContinuityPorn and {{Fanservice}} for those who have followed {{SNK}} Playmore since its heyday, it's borderline-ContinuityLockout for anyone else. Remember that this series [[ContinuityCreep originally]] existed as [[MascotFighter a storyless gathering of fighters]].
* The re-imagined ''BattlestarGalactica''
* ''Franchise/KingdomHearts''. From the second game onward the games head straight into KudzuPlot with any detail potentially {{Foreshadowing}} future games (Xigbar's cryptic lines in II being an example). Dream Drop Distance has "memoirs" thought that record the plots of the preceeding games and unlocks them when a ContinuityNod[=/=]CallBack to the respective game first occurs. Making the games a Level 4 at least. (though without that game it still remains at 5)
* Both ''VisualNovel/{{Higurashi|WhenTheyCry}}'' and ''VisualNovel/UminekoWhenTheyCry'' count. Ye gads, get out of order or miss a segment or two in either, and you can end up so lost. And, this is the same, whichever medium you're playing/ watching/ reading them in.
* Series/{{Damages}} is level 5, due to the AnachronicOrder and following the case instead of a MonsterOfTheWeek format.
* ''Series/StargateUniverse'' was heavily arc-based, which had the misfortune to occur at the same time Syfy changed its scheduling strategy to where it would air part of a season, then replace it with another show, then bring the first show back, and so on. The ''SGU'' showrunners partly blame the series' cancellation on the resulting confusion driving away viewers.

to:


[[AC:WesternAnimation]]
* Most of ''WesternAnimation/AvatarTheLastAirbender'' is mostly like this - while the ''{{Discworld}}'' books [[FanNickname Gaang]] is always traveling the world to find bending masters to teach Aang and there are Level 4.

!Level
plenty of {{Filler}}s that belong on level 3, there are pretty steady continuous developments on the villainous side that would be very jarring to anyone who just watched individual episodes here and there.
[[/folder]]

----
[[folder:Level
5: [[ContinuityLockout Full Lockout]]
Lockout]]
If you haven't seen the whole series so far, or at least the entirety of the current season, you're screwed. Each installment expects you to have seen every previous installment; though it may [[PreviouslyOn make some effort to try to clue you in if you haven't]], you will probably be thoroughly confused, and there is no guarantee there will be any sort of resolution to anything by the episode's end - end; in fact, it's quite likely to end with a {{Cliffhanger}}. Often BetterOnDVD. \n\n!!Examples: \n The specific trope here is ContinuityLockout.

!!Examples:

[[AC:AnimeAndManga]]
* ''ReGenesis'', Extremely common in this medium, e.g. ''Anime/TengenToppaGurrenLagann'', especially as it goes on (though the Parallel Works are level 0).

[[AC:LiveActionTV]]
* ''Series/ReGenesis'',
through all its interwoven multiple-episode story and character arcs, is probably impossible to understand episodically despite the lengthy PreviouslyOn recaps.recaps.
* Each season of ''Series/TwentyFour'' is a continuous real-time story arc.

* Each season of ''[[TwentyFour 24]]'' ''Series/{{Lost}}'' is a continuous real-time story arc.frequently cited example of ContinuityLockout because of this.
* A lot of {{Anime}}, e.g. ''TengenToppaGurrenLagann'', especially as it goes on (though ''Series/BabylonFive'' later on, though the Parallel Works are first season or so was more level 0).4.
* ''Series/BattlestarGalacticaReimagined''
* ''Series/{{Damages}}'' is level 5, due to the AnachronicOrder and following the case instead of a MonsterOfTheWeek format.

* ''{{Lost}}'' is a frequently cited example ''Series/StargateUniverse'' was heavily arc-based, which had the misfortune to occur at the same time Syfy changed its scheduling strategy to where it would air part of ContinuityLockout because of this.
a season, then replace it with another show, then bring the first show back, and so on. The ''SGU'' showrunners partly blame the series' cancellation on the resulting confusion driving away viewers.

[[AC:VideoGames]]
* ''{{Homestuck}}''.
* ''BabylonFive''.
* ''{{The King of Fighters}}''
''VideoGame/TheKingOfFighters'' currently has four {{arc}}s: The [[SNKBoss Rugal]] Saga (the first title, ''[='94=]''), The {{Orochi}} Saga (''[='95=]''-''[='98=]''), The [[NebulousEvilOrganisation NESTS]] Chronicles (''[='99=]''-''2002''), and The Tales of [[TricksterArchetype Ash]] (the present-day saga, having started in ''2003''). While it's not too bad with The NESTS Chronicles (as the protagonist of those titles, K', distances himself from previous hero Kyo despite being genetically-engineered with his DNA), The Tales of Ash almost ''requires'' that you played the first four games. This is made worse if you look past the main plot and focus on the supporting cast, as you then have to deal with allusions and plot points carried over from ''FatalFury'', ''{{Art of Fighting}}'', ''IkariWarriors'', ''Athena''/''PsychoSoldier'', ''[[LastBlade The Last Blade]]'', ''[[FuunSeries ''VideoGame/FatalFury'', ''VideoGame/ArtOfFighting'', ''VideoGame/IkariWarriors'', ''Athena''/''VideoGame/PsychoSoldier'', ''VideoGame/TheLastBlade'', ''[[VideoGame/FuunSeries Savage Reign/Kizuna Encounter]]'', ''Buriki One'', etc. While it's ContinuityPorn and {{Fanservice}} for those who have followed {{SNK}} Playmore since its heyday, it's borderline-ContinuityLockout for anyone else. Remember that this series [[ContinuityCreep originally]] existed as [[MascotFighter a storyless gathering of fighters]].
* The re-imagined ''BattlestarGalactica''
* ''Franchise/KingdomHearts''. From the second game onward the games head straight into KudzuPlot with any detail potentially {{Foreshadowing}} future games (Xigbar's cryptic lines in II ''II'' being an example). Dream ''Dream Drop Distance Distance'' has "memoirs" thought that record the plots of the preceeding games and unlocks them when a ContinuityNod[=/=]CallBack to the respective game first occurs. Making the games a Level 4 at least. (though without that game it still remains at 5)
* Both ''VisualNovel/{{Higurashi|WhenTheyCry}}'' and ''VisualNovel/UminekoWhenTheyCry'' count. Ye gads, get out of order or miss a segment or two in either, and you can end up so lost. And, this is the same, whichever medium you're playing/ watching/ reading them in.in.

[[AC:Webcomic]]
* ''Webcomic/{{Homestuck}}''.

* Series/{{Damages}} is level 5, due to the AnachronicOrder and following the case instead of a MonsterOfTheWeek format.
* ''Series/StargateUniverse'' was heavily arc-based, which had the misfortune to occur at the same time Syfy changed its scheduling strategy to where it would air part of a season, then replace it with another show, then bring the first show back, and so on. The ''SGU'' showrunners partly blame the series' cancellation on the resulting confusion driving away viewers.
[[/folder]]
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** Pre-2005 Doctor Who is more a hybrid of Level 4 and Level 3, with 4-6 episode story arcs that have a strict continuity in themselves but overall have virtually no connection to each other. The only difference a casual viewer would notice between a season 10 story and a season 20 story is the [[TheNthDoctor new lead actor.]]
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* ''SouthPark'' is normally Level 3 but occasionally goes into Level 4, especially when a major event happens or characters go through major CharacterDevelopment.

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* ''SouthPark'' ''WesternAnimation/SouthPark'' is normally Level 3 but occasionally goes into Level 4, especially when a major event happens or characters go through major CharacterDevelopment.
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Fixing umineko example


* Both ''VisualNovel/{{Higurashi|WhenTheyCry}}'' and ''VisualNovel/UninekoWhenTheyCry'' count. Ye gads, get out of order or miss a segment or two in either, and you can end up so lost. And, this is the same, whichever medium you're playing/ watching/ reading them in.

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* Both ''VisualNovel/{{Higurashi|WhenTheyCry}}'' and ''VisualNovel/UninekoWhenTheyCry'' ''VisualNovel/UminekoWhenTheyCry'' count. Ye gads, get out of order or miss a segment or two in either, and you can end up so lost. And, this is the same, whichever medium you're playing/ watching/ reading them in.
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5, 4, 3, 2, 1, liftoff.

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{{Continuity}} is handled very differently between different works. Some writers [[ContinuityPorn take it very seriously]], others [[NegativeContinuity really, really don't]]; some works [[ContinuityLockout need you to have been watching from the beginning]] while others just let you [[MonsterOfTheWeek hop in and enjoy an individual story at any point in the series]]. Realizing where a work falls on the SlidingScaleOfContinuity is often essential to being able to enjoy a series for what it is.

What this scale measures is: ''if you knew nothing of the series but the very basic premise and then happened to catch some random episodes in arbitrary order, how difficult is it going to be to understand and follow what's going on, compared to if you watched it in order from the beginning?''

The answer doesn't have to be static within a series. When a work starts low on the scale and progresses upwards over time, that's ContinuityCreep. Then, in many shows, especially those with a HalfArcSeason, the answer is different depending on which episode you're watching. If the shift is very pronounced, you can list it under both levels; otherwise, just put it where most episodes go and note the variance.

See also SeasonFluidity.

!Level 0: [[NonLinearSequel Non-Linear Installments]]
The different installments of the series are only nominally the same work; every new installment concerns different characters, or possibly the 'same' characters but in an AlternateUniverse, such that the stories are explicitly disconnected and obviously not meant to be part of a continuity of any sort. Within any given installment, it can be assumed that every other installment either never happened or is at least completely irrelevant to the current one. What they share to make them a series is usually thematic, world or (for video games) gameplay elements, with possible minor recurring creatures, objects, etc.

!!Examples:
* The ''FinalFantasy'' series. A couple of games had sequels or spin-offs; the others are each their own reality with their own characters, their own plot, their own setting... However, they share various nods to one another such as similar monsters, summons, chocobos, and characters named Cid.
* GenreAnthology shows:
** ''TheTwilightZone''
** ''TheOuterLimits''
* The seasons of ''{{Blackadder}}'' in relation to each other are this, the only similarities being the basic premise of "Blackadder surrounded by idiots" (and not even that considering the first season). However, the episodes within a season can be from Levels 1-2.
* ''VideoGame/{{Neptunia}}'': The [[Videogame/HyperdimensionNeptuniaMk2 second game]] Takes place in an AlternateUniverse from [[Videogame/HyperdimensionNeptunia the first]] and [[Videogame/HyperdimensionNeptuniaVictory Victory]] involves the protagonist and her sister from the second game {{Trapped In Another|World}} AlternateUniverse. Despite having the same characters, the games taking place in AU versions of the same world and with AU versions of the cast make this a level 0.
* Each entry in the ''VideoGame/EscapeVelocity'' series takes place in a completely different continuity from the others. ''EV Classic'' and ''EV Nova'' are tangentially connected because a NegativeSpaceWedgie kicked two Atinoda Kestrels from the ''Classic'' universe into ''Nova'', but it's more of an EasterEgg than anything else and doesn't affect the plot.

!Level 1: NegativeContinuity
Continuity? What's that?

Sure, the episodes are clearly related, sharing characters and a basic setup... but ultimately, watching it out of order makes ''more'' sense than in order if anything. The show may cheerfully contradict itself and if something seems to have changed by the end of the episode, you can bet [[SnapBack the next one pretended it never happened anyway]], so it's hardly a loss if that's not the next one you watch. Usually done in [[RuleOfFunny comedy]]. When there actually ''is'' continuity of some sort, that very fact is probably a [[BrickJoke gag in itself]].

!!Examples:
* ''DrawnTogether'', as exemplified by the fact it is the subject of the page quote for NegativeContinuity.
* ''FlightOfTheConchords''' second season had several episodes end with the guys having, say, lost all their furniture, or fallen below zero on Murray's friendship graph, with the next merrily restoring the status quo without so much as a mention. The first season, however, is level 2-3, making it an example of [[InvertedTrope inverted]] ContinuityCreep.
* ''DextersLaboratory'' often ends episodes with the destruction of the laboratory and the like. All you need to know for each episode is that he's [[ExactlyWhatItSaysOnTheTin Dexter and has a laboratory]].
* ''SaturdayNightLive'' alternates between level 0 and level 1, with some recurring sketches and characters.
* ''FlipTheFrog'' belongs to level 1.

!Level 2: Status Quo
Here StatusQuoIsGod. While there is an established canon and different episodes or installments will usually try not to contradict one another, there will be no, or next to no, changes in the setting that aren't [[ResetButton reset before the end of the episode]]. There may be {{Continuity Nod}}s, but if you haven't seen what is being referenced, they might as well just be {{Noodle Incident}}s. The basic situation at the beginning of an episode in season seven will probably be exactly (or almost exactly) the same as the situation at the beginning of an episode in season two, so that it makes little difference in what order you watch them.

!!Examples:
* The main series ''{{Pokemon}}'' games mix this with level 0. There is continuity in the world, with references to events from previous games and some recurring characters, but every new game starts with you being a new rookie trainer in a new region fighting a new evil team, and knowing where the recurring characters came from is more a bonus than anything else.
* Many {{Sitcom}}s:
** ''TheSimpsons'': they're always the same family with kids of the same ages that have the same neighbors, etc. Lisa ''did'' permanently become a vegetarian, though, and some such minor happenings.
** As it says on that page, ''SavedByTheBell'' was the king of the StatusQuoIsGod trope.
* ''StarTrekTheOriginalSeries'' adhered to this level of continuity well enough that with a scant few exceptions you can watch the series in any order and it generally makes perfect sense.
* Most {{Kid Com}}s (''{{iCarly}}'', ''HannahMontana'', etc.) are level two.

!Level 3: Subtle Continuity
There may be developing minor subplots or {{Character Arc}}s, the status quo may gradually change over time, and prior events may be casually referenced, but major changes generally don't happen. If you watch a season two episode and then a season five one, you may think, "Wait, when did they [[TheyDo get together]]?" or "Whoa, AliceAndBob moved?", but chances are if you then watch a later season five episode you'd never know you skipped seven episodes in between, and the plots of the individual episodes you watch will always be resolved by the end.

!!Examples:
* Sitcoms that aren't level 2 tend to be this, e.g. ''HowIMetYourMother'' and ''{{Friends}}''.
* {{Forensic Drama}}s, MonsterOfTheWeek shows and other basically episodic, plot-based genres with no {{Myth Arc}}s also usually fall here.
* The first three ''HarryPotter'' books' storylines don't directly depend on the stories of the previous books; they each explain basic premises like the wizarding world, Voldemort, Harry's backstory, etc., Harry continues to live at the Dursleys', go to Hogwarts every year, have friends named Ron and Hermione, etc., and the actual events of the first two books don't matter by the third. The rest of the series, [[ContinuityCreep well...]]
* ''ASeriesOfUnfortunateEvents'' is much the same as Harry Potter, with the first four books or so being mostly independent, starting off with the Baudelaires being adopted by a new guardian and carefully explaining who the characters are to potential new readers, but later on the continuity [[ContinuityCreep creeps]] and the reader starts to need to have read the previous books to make sense of all this stuff about VFD and Beatrice and so on.
* The ''AceAttorney'' games have a stronger (level 4) continuity between cases within each game, but are this with respect to one another, featuring the same characters (bar ''Apollo Justice'') and explaining things like spirit mediums at the beginning of each game but otherwise having independent stories and not depending on the player knowing the previous games.
* ''{{Firefly}}'''s episodes can pretty much stand on their own in a mostly arbitrary order, though this may largely be because it [[TooGoodToLast never got the chance to go anywhere with]] the hinted MythArc.
* ''StarTrekTheNextGeneration'' generally operated at this level.
* ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' is a level 3, there are {{Continuity Nod}}s and {{Call Back}}s to previous episodes but with the exception of [[Recap/MyLittlePonyFriendshipIsMagicS1E1MareInTheMoon cer]][[Recap/MyLittlePonyFriendshipIsMagicS1E2ElementsOfHarmony tain]] [[Recap/MyLittlePonyFriendshipIsMagicS2E1TheReturnOfHarmonyPart1 two]]-[[Recap/MyLittleponyFriendshipIsMagicS2E2TheReturnOfHarmonyPart2 part]] [[Recap/MyLittlePonyFriendshipIsMagicS2E25ACanterlotWeddingPart1 ep]][[Recap/MyLittlePonyFriendshipIsMagicS2E26ACanterlotWeddingPart2 is]][[Recap/MyLittlePonyFriendshipIsMagicS3E1TheCrystalEmpirePart1 od]][[Recap/MyLittlePonyFriendshipIsMagicS3E2TheCrystalEmpirePart2 es]] All the episodes are stand-alone.
* ''VideoGame/Left4Dead'' is level 0 without DLC, but jumps to level 3 with it. ''VideoGame/Left4Dead2'' is pretty firmly level 3.
* ''Comicbook/{{Superman}}'' is a Level 3 in at least TheSilverAgeOfComicBooks -- while Mort Weisinger was the editor, his supporting cast, RoguesGallery, and mythology were slowly built upon, without readers requiring to have read any previous stories most of the time.
* ''SouthPark'' is normally Level 3 but occasionally goes into Level 4, especially when a major event happens or characters go through major CharacterDevelopment.
* ''Franchise/TheLegendOfZelda''. The games tend to be stand alone but there are three timelines that diverge at ''[[VideoGame/TheLegendOfZelaOcarinaOfTime Ocarina of Time]]. Yet the games only get a ContinuityNod or MythologyGag at best and can be played with any knowledge of the other games.

!Level 4: [[StoryArc Arc-Based]] Episodic
These works do divide into episodes or installments with each (usually) introducing and resolving its own mini-plot, but there is a continuous ongoing storyline going on in the background. While most episodes may be enjoyed individually, any watching out of order will probably leave you wondering where characters who [[AnyoneCanDie died three seasons ago]] are, or why they're suddenly having dinner with [[HeelFaceTurn the guy they had sworn to defeat in the last episode you watched]], or who the hell this new villain they're talking about is, even if you can follow the actual plot of the episode. Shows often try to combat the resulting ContinuityLockout - with varying degrees of success - with PreviouslyOn recap openings.

!!Examples:
* Most of ''BuffyTheVampireSlayer'', though it started to [[ContinuityCreep edge towards level 5]] as the series went on.
* ''TheDresdenFiles'' slides quickly from level 3 to here as the books become less 'investigating a case' and more 'investigating something deeply connected to just about everything else while dozens of old characters reappear and stuff that happened five books ago suddenly turns out to be vitally important', though there is still a plot with its own resolution in each book.
* ''AvatarTheLastAirbender'' is mostly like this - while the [[FanNickname Gaang]] is always traveling the world to find bending masters to teach Aang and there are plenty of {{Filler}}s that belong on level 3, there are pretty steady continuous developments on the villainous side that would be very jarring to anyone who just watched individual episodes here and there.
* ''{{Fringe}}''.
* ''DoctorWho''.
* ''StarTrekDeepSpaceNine'' and the series that followed it, ''[[StarTrekVoyager Voyager]]'' and ''[[StarTrekEnterprise Enterprise,]]'' wavered between this and level 3, but their use of longer-running arcs (compared to previous series) bumps them up the scale.
* ''{{Glee}}'' is level four.
* One interesting example is ''StandAloneComplex'', which explicitly identifies each episode as either "Stand Alone" (episodic) or "Complex" (part of the series arc). The episodic ones rarely contain any reference to other episodes.
* ''Series/StargateSG1'' and ''Series/StargateAtlantis'' follow this model. Each show has multi-season {{Myth Arc}}s but the individual episodes are pretty self-contained, and they usually have a PreviouslyOn segment in the continuity-heavy episodes.
* Most of the ''{{Discworld}}'' books are Level 4.

!Level 5: [[ContinuityLockout Full Lockout]]
If you haven't seen the whole series so far, or at least the entirety of the current season, you're screwed. Each installment expects you to have seen every previous installment; though it may [[PreviouslyOn make some effort to try to clue you in if you haven't]], you will probably be thoroughly confused, and there is no guarantee there will be any sort of resolution to anything by the episode's end - in fact, it's quite likely to end with a {{Cliffhanger}}. Often BetterOnDVD.

!!Examples:
* ''ReGenesis'', through all its interwoven multiple-episode story and character arcs, is probably impossible to understand episodically despite the lengthy PreviouslyOn recaps.
* Each season of ''[[TwentyFour 24]]'' is a continuous real-time story arc.
* A lot of {{Anime}}, e.g. ''TengenToppaGurrenLagann'', especially as it goes on (though the Parallel Works are level 0).
* ''{{Lost}}'' is a frequently cited example of ContinuityLockout because of this.
* ''{{Homestuck}}''.
* ''BabylonFive''.
* ''{{The King of Fighters}}'' currently has four {{arc}}s: The [[SNKBoss Rugal]] Saga (the first title, ''[='94=]''), The {{Orochi}} Saga (''[='95=]''-''[='98=]''), The [[NebulousEvilOrganisation NESTS]] Chronicles (''[='99=]''-''2002''), and The Tales of [[TricksterArchetype Ash]] (the present-day saga, having started in ''2003''). While it's not too bad with The NESTS Chronicles (as the protagonist of those titles, K', distances himself from previous hero Kyo despite being genetically-engineered with his DNA), The Tales of Ash almost ''requires'' that you played the first four games. This is made worse if you look past the main plot and focus on the supporting cast, as you then have to deal with allusions and plot points carried over from ''FatalFury'', ''{{Art of Fighting}}'', ''IkariWarriors'', ''Athena''/''PsychoSoldier'', ''[[LastBlade The Last Blade]]'', ''[[FuunSeries Savage Reign/Kizuna Encounter]]'', ''Buriki One'', etc. While it's ContinuityPorn and {{Fanservice}} for those who have followed {{SNK}} Playmore since its heyday, it's borderline-ContinuityLockout for anyone else. Remember that this series [[ContinuityCreep originally]] existed as [[MascotFighter a storyless gathering of fighters]].
* The re-imagined ''BattlestarGalactica''
* ''Franchise/KingdomHearts''. From the second game onward the games head straight into KudzuPlot with any detail potentially {{Foreshadowing}} future games (Xigbar's cryptic lines in II being an example). Dream Drop Distance has "memoirs" thought that record the plots of the preceeding games and unlocks them when a ContinuityNod[=/=]CallBack to the respective game first occurs. Making the games a Level 4 at least. (though without that game it still remains at 5)
* Both ''VisualNovel/{{Higurashi|WhenTheyCry}}'' and ''VisualNovel/UninekoWhenTheyCry'' count. Ye gads, get out of order or miss a segment or two in either, and you can end up so lost. And, this is the same, whichever medium you're playing/ watching/ reading them in.
* Series/{{Damages}} is level 5, due to the AnachronicOrder and following the case instead of a MonsterOfTheWeek format.
* ''Series/StargateUniverse'' was heavily arc-based, which had the misfortune to occur at the same time Syfy changed its scheduling strategy to where it would air part of a season, then replace it with another show, then bring the first show back, and so on. The ''SGU'' showrunners partly blame the series' cancellation on the resulting confusion driving away viewers.

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