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PracticalEffects are those which are done using props or special gear to produce an effect for the camera to film. Wind- and rain-machines, squibs, radio controlled vehicles, and pyrotechnics are all practical effects. So are breakaway furniture, walls or windows, and tilting or shaking platforms under the set.
to:
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Rightly or wrongly, though, PracticalEffects are seen by many as being in some way superior to ComputerGeneratedImages or CGI. Certainly early CGI was much more prone to SpecialEffectsFailure, the lower resolution, texturing and lighting flaws would push the images into the UncannyValley while even a bad practical effect could be seen to be physically real. The more modern [[ConspicuousCG CGI can be very conspicuous]] compared to well integrated practical effects.
A number of those who are DoingItForTheArt will therefore stick to PracticalEffects and the audience will often thank them for it. They will make proud announcements during promotions that everything in their movies is real and will take extra costs and risks to ensure their "realism".
A number of those who are DoingItForTheArt will therefore stick to PracticalEffects and the audience will often thank them for it. They will make proud announcements during promotions that everything in their movies is real and will take extra costs and risks to ensure their "realism".
to:
Rightly or wrongly, though, PracticalEffects practical effects are seen by many as being in some way superior to ComputerGeneratedImages or CGI. Certainly early CGI was much more prone to SpecialEffectsFailure, the lower resolution, texturing and lighting flaws would push the images into the UncannyValley while even a bad practical effect could be seen to be physically real. The more modern [[ConspicuousCG CGI can be very conspicuous]] compared to well integrated practical effects.
A number of those who are DoingItForTheArt will therefore stick toPracticalEffects practical effects and the audience will often thank them for it. They will make proud announcements during promotions that everything in their movies is real and will take extra costs and risks to ensure their "realism".
A number of those who are DoingItForTheArt will therefore stick to
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* ''{{Zathura}}''. All the explosions and destruction felt very solid because they actually built the house interior on top of a tilt-able platform, filmed anything that required it to be intact, then proceeded to demolish the set as they filmed. Good luck doing a retake!
to:
* ''{{Zathura}}''.''Film/{{Zathura}}''. All the explosions and destruction felt very solid because they actually built the house interior on top of a tilt-able platform, filmed anything that required it to be intact, then proceeded to demolish the set as they filmed. Good luck doing a retake!
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* ''{{Titanic}}'' actually had a stunt sequence involving over 100 stuntmen to roll down the set as the ship started sinking. And entire portions of the set had to be built to flood with water during those key moments.
** ''{{Titanic}}'' might have used some C.G.I but most of its effects were still models, miniatures, and sets. It was mentioned on the "making of" that 90% of the effects were practical. The combination of computer graphics and practical effects might be why its [[VisualEffectsOfAwesome visuals are awesome.]]
* ''Film/BatmanBegins'' and ''Film/TheDarkKnight'' were very conservative on the post production special effects. Only the most extravagant or dangerous stunts were performed in post production. But certain scenes like Bruce saving Ducard from sliding off the edge of a cliff was done on location, with the actual actors wearing the necessary safety lines. ''The Dark Knight'' managed to film the wire-assisted flipping of an 18-wheeler by....actually flipping an 18-wheeler on the streets of Chicago. They got it in one try.
** ''{{Titanic}}'' might have used some C.G.I but most of its effects were still models, miniatures, and sets. It was mentioned on the "making of" that 90% of the effects were practical. The combination of computer graphics and practical effects might be why its [[VisualEffectsOfAwesome visuals are awesome.]]
* ''Film/BatmanBegins'' and ''Film/TheDarkKnight'' were very conservative on the post production special effects. Only the most extravagant or dangerous stunts were performed in post production. But certain scenes like Bruce saving Ducard from sliding off the edge of a cliff was done on location, with the actual actors wearing the necessary safety lines. ''The Dark Knight'' managed to film the wire-assisted flipping of an 18-wheeler by....actually flipping an 18-wheeler on the streets of Chicago. They got it in one try.
to:
* ''{{Titanic}}'' ''Film/{{Titanic}}'' actually had a stunt sequence involving over 100 stuntmen to roll down the set as the ship started sinking. And entire portions of the set had to be built to flood with water during those key moments.
**''{{Titanic}}'' ''Film/{{Titanic}}'' might have used some C.G.I CGI but most of its effects were still models, miniatures, and sets. It was mentioned on the "making of" that 90% of the effects were practical. The combination of computer graphics and practical effects might be why its [[VisualEffectsOfAwesome visuals are awesome.]]
awesome]].
* ''Film/BatmanBegins'' and ''Film/TheDarkKnight'' were very conservative on the post production special effects. Only the most extravagant or dangerous stunts were performed in post production. But certain scenes like Bruce saving Ducard from sliding off the edge of a cliff was done on location, with the actual actors wearing the necessary safety lines. ''The Dark Knight'' managed to film the wire-assisted flipping of an 18-wheelerby....by... actually flipping an 18-wheeler on the streets of Chicago. They got it in one try.try.
* The practical effects in ''Film/{{Inception}}'' border on the ridiculous. Most notably, the famous spinning/zero G fight scene was filmed using a full rotating set rather than any CGI or camera trickery.
**
* ''Film/BatmanBegins'' and ''Film/TheDarkKnight'' were very conservative on the post production special effects. Only the most extravagant or dangerous stunts were performed in post production. But certain scenes like Bruce saving Ducard from sliding off the edge of a cliff was done on location, with the actual actors wearing the necessary safety lines. ''The Dark Knight'' managed to film the wire-assisted flipping of an 18-wheeler
* The practical effects in ''Film/{{Inception}}'' border on the ridiculous. Most notably, the famous spinning/zero G fight scene was filmed using a full rotating set rather than any CGI or camera trickery.
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** The earlier ''Film/HarryPotter'' films also mixed animatronics and CGI. Fawkes, generally speaking, is an animatronic when he's perched and CGI when he's flying. The animatronic Fawkes could even cry "real" tears for the scene when he heals Harry's arm. Supposedly, it was so convincing that Richard Harris thought it was a real bird, commenting "they sure do train those things well." In the spider grove scene from the second film, Aragog is animatronic and his children are CGI. ([[SpecialEffectsEvolution CGI took over more as the series went along.]])
to:
** The earlier ''Film/HarryPotter'' films also mixed animatronics and CGI. Fawkes, generally speaking, is an animatronic when he's perched and CGI when he's flying. The animatronic Fawkes could even cry "real" tears for the scene when he heals Harry's arm. Supposedly, it was so convincing that Richard Harris thought it was a real bird, commenting "they sure do train those things well." In the spider grove scene from the second film, Aragog is animatronic and his children are CGI. CGI ([[SpecialEffectsEvolution CGI took over more as the series went along.]])along]]).
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* The practical effects in ''Film/{{Inception}}'' border on the ridiculous. Most notably, the famous spinning/ zero G fight scene was filmed using a full rotating set rather than any CGI or camera trickery.
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* The effects in ''Film/{{Prometheus}}'' were a mixture of practical and C.G.I. Most of the landscapes are sets or were shot on location, for instance in Iceland. The creatures such as the Hammerpede were either puppets or animatronics with some C.G.I used on them.
to:
* The effects in ''Film/{{Prometheus}}'' were a mixture of practical and C.G.I. CGI Most of the landscapes are sets or were shot on location, for instance in Iceland. The creatures such as the Hammerpede were either puppets or animatronics with some C.G.I CGI used on them.
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* The effects in {{Prometheus}} were a mixture of practical and C.G.I. Most of the landscapes are sets or were shot on location, for instance in Iceland. The creatures such as the Hammerpede were either puppets or animatronics with some C.G.I used on them.
to:
* The effects in {{Prometheus}} ''Film/{{Prometheus}}'' were a mixture of practical and C.G.I. Most of the landscapes are sets or were shot on location, for instance in Iceland. The creatures such as the Hammerpede were either puppets or animatronics with some C.G.I used on them.
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Changed line(s) 22 (click to see context) from:
* ''BatmanBegins'' and ''TheDarkKnight'' were very conservative on the post production special effects. Only the most extravagant or dangerous stunts were performed in post production. But certain scenes like Bruce saving Ducard from sliding off the edge of a cliff was done on location, with the actual actors wearing the necessary safety lines. ''The Dark Knight'' managed to film the wire-assisted flipping of an 18-wheeler by....actually flipping an 18-wheeler on the streets of Chicago. They got it in one try.
to:
* ''BatmanBegins'' ''Film/BatmanBegins'' and ''TheDarkKnight'' ''Film/TheDarkKnight'' were very conservative on the post production special effects. Only the most extravagant or dangerous stunts were performed in post production. But certain scenes like Bruce saving Ducard from sliding off the edge of a cliff was done on location, with the actual actors wearing the necessary safety lines. ''The Dark Knight'' managed to film the wire-assisted flipping of an 18-wheeler by....actually flipping an 18-wheeler on the streets of Chicago. They got it in one try.
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Fix the namespace thing, yeah!
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PracticalEffects are those which are done using props or special gear to produce an effect for the camera to film. Wind- and rain-machines, squibs, radio controlled vehicles, and pyrotechnics are all practical effects. So are breakaway furniture, walls or windows, and tilting or shaking platforms under the set.
to:
PracticalEffects are those which are done using props or special gear to produce an effect for the camera to film. Wind- and rain-machines, squibs, radio controlled vehicles, and pyrotechnics are all practical effects. So are breakaway furniture, walls or windows, and tilting or shaking platforms under the set.
set.
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[[AC:Film]]
* ''{{Zathura}}''. All the explosions and destruction felt very solid because they actually built the house interior on top of a tilt-able platform, filmed anything that required it to be intact, then proceeded to demolish the set as they filmed. Good luck doing a retake!
* ''{{Zathura}}''. All the explosions and destruction felt very solid because they actually built the house interior on top of a tilt-able platform, filmed anything that required it to be intact, then proceeded to demolish the set as they filmed. Good luck doing a retake!
to:
* ''{{Zathura}}''. All the explosions and destruction felt very solid because they actually built the house interior on top of a tilt-able platform, filmed anything that required it to be intact, then proceeded to demolish the set as they filmed. Good luck doing a
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** A habit probably taking its lead from ''Film/JurassicPark'' which did the same to great effect. While the effects, both practical and computer generated, have aged very well (the CGI probably even has better musculature), scenes like the kitchen chase with the ''Velociraptor''s would have been much less taut without the ability for close ups of the 'raptors' faces or having pots and pans being knocked and clashed and jangled by the dinosaurs.
to:
** A habit probably taking its lead from ''Film/JurassicPark'' ''Franchise/JurassicPark'' which did the same to great effect. While the effects, both practical and computer generated, have aged very well (the CGI probably even has better musculature), scenes like the kitchen chase with the ''Velociraptor''s would have been much less taut without the ability for close ups of the 'raptors' faces or having pots and pans being knocked and clashed and jangled by the dinosaurs.
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* In ''{{Ghostbusters}}'' many of the Library Ghost effects were practicals: books on wires, library cards being blown through copper pipes, etc. Also, when Stay-Puft kicks over a fire hydrant, the miniature actually sprays blue sand rather than have a gusher added in post-production.
to:
* In ''{{Ghostbusters}}'' ''Film/{{Ghostbusters}}'' many of the Library Ghost effects were practicals: books on wires, library cards being blown through copper pipes, etc. Also, when Stay-Puft kicks over a fire hydrant, the miniature actually sprays blue sand rather than have a gusher added in post-production.
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----
to:
----
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* The effects in {{Prometheus}} were a mixture of practical and C.G.I. Most of the landscapes are sets or were shot on location, for instance in Iceland. The creatures such as the Hammerpede were either puppets or animatronics with some C.G.I used on them.
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Changed line(s) 25,26 (click to see context) from:
** A habit probably taking its lead from ''JurassicPark'' which did the same to great effect. While the effects, both practical and computer generated, have aged very well (the CGI probably even has better musculature), scenes like the kitchen chase with the ''Velociraptor''s would have been much less taut without the ability for close ups of the 'raptors' faces or having pots and pans being knocked and clashed and jangled by the dinosaurs.
** Similarly with ''DeepBlueSea'' they mixed in puppet and CGI sharks and in this case the puppets certainly moved and felt more realistic.
** Similarly with ''DeepBlueSea'' they mixed in puppet and CGI sharks and in this case the puppets certainly moved and felt more realistic.
to:
** A habit probably taking its lead from ''JurassicPark'' ''Film/JurassicPark'' which did the same to great effect. While the effects, both practical and computer generated, have aged very well (the CGI probably even has better musculature), scenes like the kitchen chase with the ''Velociraptor''s would have been much less taut without the ability for close ups of the 'raptors' faces or having pots and pans being knocked and clashed and jangled by the dinosaurs.
** Similarly with''DeepBlueSea'' ''Film/DeepBlueSea'' they mixed in puppet and CGI sharks and in this case the puppets certainly moved and felt more realistic.
** Similarly with
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* The practical effects in ''{{Inception}}'' border on the ridiculous. Most notably, the famous spinning/ zero G fight scene was filmed using a full rotating set rather than any CGI or camera trickery.
to:
* The practical effects in ''{{Inception}}'' ''Film/{{Inception}}'' border on the ridiculous. Most notably, the famous spinning/ zero G fight scene was filmed using a full rotating set rather than any CGI or camera trickery.
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namespace
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* In the first ''{{Hellboy}}'' film, the writhing hair of the Sammael monsters was a practical effect -- the hair was motorized! (Reportedly, when the producer saw the dailies, he was startled that they'd had time to put in CGI hair, when it wasn't CGI at all.)
to:
* In the first ''{{Hellboy}}'' ''Film/{{Hellboy}}'' film, the writhing hair of the Sammael monsters was a practical effect -- the hair was motorized! (Reportedly, when the producer saw the dailies, he was startled that they'd had time to put in CGI hair, when it wasn't CGI at all.)
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namespace fixing.+
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** Remember the "Star Trek Shake", with actors leaning to the left and the right while the camera shook? Well, in ''GalaxyQuest'', the whole ''set'' did the shaking.
to:
** Remember the "Star Trek Shake", with actors leaning to the left and the right while the camera shook? Well, in ''GalaxyQuest'', ''Film/GalaxyQuest'', the whole ''set'' did the shaking.
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<<|SpecialEffects|>>
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* A similar trick was also used in the second pilot of ''StarTrekTheOriginalSeries''. When Kirk, Spock, and Gary Mitchell ride the turbolift, a corridor wall is visible outside the doors when they close and the bridge is revealed when the doors open. They simply placed a wall outside the turbolift on the bridge set and wheeled it away while the doors were closed. The same trick was later done on the big screen in ''StarTrekIITheWrathOfKhan''. When Kirk and Saavik ride the turbolift, you'll notice that when it stops, a wall has been moved in to make it look like a different floor.
to:
* A similar trick was also used in the second pilot of ''StarTrekTheOriginalSeries''.''Series/StarTrekTheOriginalSeries''. When Kirk, Spock, and Gary Mitchell ride the turbolift, a corridor wall is visible outside the doors when they close and the bridge is revealed when the doors open. They simply placed a wall outside the turbolift on the bridge set and wheeled it away while the doors were closed. The same trick was later done on the big screen in ''StarTrekIITheWrathOfKhan''.''Film/StarTrekIITheWrathOfKhan''. When Kirk and Saavik ride the turbolift, you'll notice that when it stops, a wall has been moved in to make it look like a different floor.
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None
Changed line(s) 22 (click to see context) from:
* ''BatmanBegins'' and ''TheDarkKnight'' were very conservative on the post production special effects. Only the most extravagant or dangerous stunts were performed in post production. But certain scenes like Bruce saving Ducard from sliding off the edge of a cliff was done on location, with the actual actors wearing the necessary safety lines.
to:
* ''BatmanBegins'' and ''TheDarkKnight'' were very conservative on the post production special effects. Only the most extravagant or dangerous stunts were performed in post production. But certain scenes like Bruce saving Ducard from sliding off the edge of a cliff was done on location, with the actual actors wearing the necessary safety lines. ''The Dark Knight'' managed to film the wire-assisted flipping of an 18-wheeler by....actually flipping an 18-wheeler on the streets of Chicago. They got it in one try.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** Remember the "Star Trek Shake", with actors leaning to the left and the right while the camera shook? Well, in ''GalaxyQuest'', the whole ''set'' did the shaking.
Added DiffLines:
* In ''{{Ghostbusters}}'' many of the Library Ghost effects were practicals: books on wires, library cards being blown through copper pipes, etc. Also, when Stay-Puft kicks over a fire hydrant, the miniature actually sprays blue sand rather than have a gusher added in post-production.
Is there an issue? Send a MessageReason:
None
Changed line(s) 26 (click to see context) from:
** The earlier ''Film/HarryPotter'' films also mixed animatronics and CGI. Fawkes, generally speaking, is an animatronic when he's perched and CGI when he's flying. The animatronic Fawkes could even cry "real" tears for the scene when he heals Harry's arm. In the spider grove scene from the second film, Aragog is animatronic and his children are CGI. ([[SpecialEffectsEvolution CGI took over more as the series went along.]])
to:
** The earlier ''Film/HarryPotter'' films also mixed animatronics and CGI. Fawkes, generally speaking, is an animatronic when he's perched and CGI when he's flying. The animatronic Fawkes could even cry "real" tears for the scene when he heals Harry's arm. Supposedly, it was so convincing that Richard Harris thought it was a real bird, commenting "they sure do train those things well." In the spider grove scene from the second film, Aragog is animatronic and his children are CGI. ([[SpecialEffectsEvolution CGI took over more as the series went along.]])
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None
Deleted line(s) 17 (click to see context) :
** A similar trick was used in the second pilot of ''StarTrekTheOriginalSeries''. When Kirk, Spock, and Gary Mitchell ride the turbolift, a corridor wall is visible outside the doors when they close and the bridge is revealed when the doors open. They simply placed a wall outside the turbolift on the bridge set and wheeled it away while the doors were closed. The same trick was later done on the big screen in ''StarTrekIITheWrathOfKhan''. When Kirk and Saavik ride the turbolift, you'll notice that when it stops, a wall has been moved in to make it look like a different floor.
Added DiffLines:
* A similar trick was also used in the second pilot of ''StarTrekTheOriginalSeries''. When Kirk, Spock, and Gary Mitchell ride the turbolift, a corridor wall is visible outside the doors when they close and the bridge is revealed when the doors open. They simply placed a wall outside the turbolift on the bridge set and wheeled it away while the doors were closed. The same trick was later done on the big screen in ''StarTrekIITheWrathOfKhan''. When Kirk and Saavik ride the turbolift, you'll notice that when it stops, a wall has been moved in to make it look like a different floor.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** A similar trick was used in the second pilot of ''StarTrekTheOriginalSeries''. When Kirk, Spock, and Gary Mitchell ride the turbolift, a corridor wall is visible outside the doors when they close and the bridge is revealed when the doors open. They simply placed a wall outside the turbolift on the bridge set and wheeled it away while the doors were closed. The same trick was later done on the big screen in ''StarTrekIITheWrathOfKhan''. When Kirk and Saavik ride the turbolift, you'll notice that when it stops, a wall has been moved in to make it look like a different floor.
Is there an issue? Send a MessageReason:
None
** The earlier ''Film/HarryPotter'' films also mixed animatronics and CGI. Fawkes, generally speaking, is an animatronic when he's perched and CGI when he's flying. The animatronic Fawkes could even cry "real" tears for the scene when he heals Harry's arm. In the spider grove scene from the second film, Aragog is animatronic and his children are CGI. ([[SpecialEffectsEvolution CGI took over more as the series went along.]])
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* In the 2001 version of ''Planet of the Apes'' only the space scenes and some backgrounds were done with CGI (as well as some harness wires removed in post), but otherwise it was all practical effects (including, among other things, the apes outrunning galloping horses).
to:
* In the 2001 version of ''Planet of the Apes'' ''PlanetOfTheApes'' only the space scenes and some backgrounds were done with CGI (as well as some harness wires removed in post), but otherwise it was all practical effects (including, among other things, the apes outrunning galloping horses).
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Removed spam/troll
Changed line(s) 1 (click to see context) from:
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to:
They are probably the most common type of effect and often seen as giving the most realism. The truth of the matter is that they give rise to a lot of HollywoodScience but we are so used to seeing them that TheCoconutEffect plays across nearly everything we see and we get used to them. Really all those [[EveryCarIsAPinto car explosions]], [[HighPressureBlood spurting veins]] and [[BangBangBANG gun shots]] would behave very differently in reality, it's a shame [[RealityIsUnrealistic reality is so unrealistic]].
Rightly or wrongly, though, PracticalEffects are seen by many as being in some way superior to ComputerGeneratedImages or CGI. Certainly early CGI was much more prone to SpecialEffectsFailure, the lower resolution, texturing and lighting flaws would push the images into the UncannyValley while even a bad practical effect could be seen to be physically real. The more modern [[ConspicuousCG CGI can be very conspicuous]] compared to well integrated practical effects.
A number of those who are DoingItForTheArt will therefore stick to PracticalEffects and the audience will often thank them for it. They will make proud announcements during promotions that everything in their movies is real and will take extra costs and risks to ensure their "realism".
Compare/Contrast OffTheShelfFX.
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!!Examples:
* ''{{Zathura}}''. All the explosions and destruction felt very solid because they actually built the house interior on top of a tilt-able platform, filmed anything that required it to be intact, then proceeded to demolish the set as they filmed. Good luck doing a retake!
* Many scenes that would normally be done with special effects in the movie ''Film/{{Crank}}'' are in-camera, including the dramatic finale where [[spoiler:Chev Chelios and Verona are falling thousands of feet out of a helicopter]].
* ''GoodNightAndGoodLuck'', which was about the days of live TV, uses one effect for an elevator arriving at different floors. In most films this might be achieved by putting a BlueScreen behind the doors and overlaying a different background scene each time the doors open on a 'different floor'. In ''Good Night and Good Luck'' they used the old live TV trick of rotating the entire elevator set (with the camera fixed to the rotating floor) while the actors performed their scene in it, so that each time the doors opened you
* A similar trick to ''Good Night and Good Luck'' was applied in John Woo's ''HardBoiled''. During the final act hospital shoot out, a long take is made of Tequila and Alan shooting their way through that lasts for 2 minutes and 43 seconds and doesn't break when they get into an elevator.
* ''{{Titanic}}'' actually had a stunt sequence involving over 100 stuntmen to roll down the set as the ship started sinking. And entire portions of the set had to be built to flood with water during those key moments.
** ''{{Titanic}}'' might have used some C.G.I but most of its effects were still models, miniatures, and sets. It was mentioned on the "making of" that 90% of the effects were practical. The combination of computer graphics and practical effects might be why its [[VisualEffectsOfAwesome visuals are awesome.]]
* ''BatmanBegins'' and ''TheDarkKnight'' were very conservative on the post production special effects. Only the most extravagant or dangerous stunts were performed in post production. But certain scenes like Bruce saving Ducard from sliding off the edge of a cliff was done on location, with the actual actors wearing the necessary safety lines.
* The 2007 Film/{{Transformers}} film only had a handful of actors in front of green screens. While the robots were CGI of course, most of the stunts were entirely real, involving the actual actors [[EnforcedMethodActing shitting bricks while running from timed explosions]]. And even still there were a handful of images of the robots that were actually puppets: Frenzy in a few shots, Megatron's legs and even Bumblebee when strapped to a flat bed trailer.
* While ''WalkingWithDinosaurs'' (as well as its sequels, ''WalkingWithBeasts'' and ''WalkingWithMonsters'') use a lot of CG, they almost always use mechanical puppets for close ups.
** A habit probably taking its lead from ''JurassicPark'' which did the same to great effect. While the effects, both practical and computer generated, have aged very well (the CGI probably even has better musculature), scenes like the kitchen chase with the ''Velociraptor''s would have been much less taut without the ability for close ups of the 'raptors' faces or having pots and pans being knocked and clashed and jangled by the dinosaurs.
** Similarly with ''DeepBlueSea'' they mixed in puppet and CGI sharks and in this case the puppets certainly moved and felt more realistic.
* RepoMan has an example that quite encapsulates the "practical effects are better" mentality. The otherworldy glow on the car at the end is glow-in-the-dark paint (bordering on SpecialEffectsFailure if you
* In the first ''{{Hellboy}}'' film, the writhing hair of the Sammael monsters was a practical effect -- the hair was motorized! (Reportedly, when the producer saw the dailies, he was startled that they'd had time to put in CGI hair, when it wasn't CGI at all.)
* The practical effects in ''{{Inception}}'' border on the ridiculous. Most notably, the famous spinning/ zero G fight scene was filmed using a full rotating set rather than any CGI or camera trickery.
* In the 2001 version of ''Planet of the Apes'' only the space scenes and some backgrounds were done with CGI (as well as some harness wires removed in post), but otherwise it was all practical effects (including, among other things, the apes outrunning galloping horses).
----
<<|SpecialEffects|>>
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PracticalEffects are those which are done using props or special gear to produce an effect for the camera to film. Wind- and rain-machines, squibs, radio controlled vehicles, and pyrotechnics are all practical effects. So are breakaway furniture, walls or windows, and tilting or shaking platforms under the set.
They are probably the most common type of effect and often seen as giving the most realism. The truth of the matter is that they give rise to a lot of HollywoodScience but we are so used to seeing them that TheCoconutEffect plays across nearly everything we see and we get used to them. Really all those [[EveryCarIsAPinto car explosions]], [[HighPressureBlood spurting veins]] and [[BangBangBANG gun shots]] would behave very differently in reality, it's a shame [[RealityIsUnrealistic reality is so unrealistic]].
Rightly or wrongly, though, PracticalEffects are seen by many as being in some way superior to ComputerGeneratedImages or CGI. Certainly early CGI was much more prone to SpecialEffectsFailure, the lower resolution, texturing and lighting flaws would push the images into the UncannyValley while even a bad practical effect could be seen to be physically real. The more modern [[ConspicuousCG CGI can be very conspicuous]] compared to well integrated practical effects.
A number of those who are DoingItForTheArt will therefore stick to PracticalEffects and the audience will often thank them for it. They will make proud announcements during promotions that everything in their movies is real and will take extra costs and risks to ensure their "realism".
Compare/Contrast OffTheShelfFX.
-----
!!Examples:
* ''{{Zathura}}''. All the explosions and destruction felt very solid because they actually built the house interior on top of a tilt-able platform, filmed anything that required it to be intact, then proceeded to demolish the set as they filmed. Good luck doing a retake!
* Many scenes that would normally be done with special effects in the movie ''Film/{{Crank}}'' are in-camera, including the dramatic finale where [[spoiler:Chev Chelios and Verona are falling thousands of feet out of a helicopter]].
* ''GoodNightAndGoodLuck'', which was about the days of live TV, uses one effect for an elevator arriving at different floors. In most films this might be achieved by putting a BlueScreen behind the doors and overlaying a different background scene each time the doors open on a 'different floor'. In ''Good Night and Good Luck'' they used the old live TV trick of rotating the entire elevator set (with the camera fixed to the rotating floor) while the actors performed their scene in it, so that each time the doors opened you were looking at a different part of the exterior set.
* A similar trick to ''Good Night and Good Luck'' was applied in John Woo's ''HardBoiled''. During the final act hospital shoot out, a long take is made of Tequila and Alan shooting their way through that lasts for 2 minutes and 43 seconds and doesn't break when they get into an elevator.
* ''{{Titanic}}'' actually had a stunt sequence involving over 100 stuntmen to roll down the set as the ship started sinking. And entire portions of the set had to be built to flood with water during those key moments.
** ''{{Titanic}}'' might have used some C.G.I but most of its effects were still models, miniatures, and sets. It was mentioned on the "making of" that 90% of the effects were practical. The combination of computer graphics and practical effects might be why its [[VisualEffectsOfAwesome visuals are awesome.]]
* ''BatmanBegins'' and ''TheDarkKnight'' were very conservative on the post production special effects. Only the most extravagant or dangerous stunts were performed in post production. But certain scenes like Bruce saving Ducard from sliding off the edge of a cliff was done on location, with the actual actors wearing the necessary safety lines.
* The 2007 Film/{{Transformers}} film only had a handful of actors in front of green screens. While the robots were CGI of course, most of the stunts were entirely real, involving the actual actors [[EnforcedMethodActing shitting bricks while running from timed explosions]]. And even still there were a handful of images of the robots that were actually puppets: Frenzy in a few shots, Megatron's legs and even Bumblebee when strapped to a flat bed trailer.
* While ''WalkingWithDinosaurs'' (as well as its sequels, ''WalkingWithBeasts'' and ''WalkingWithMonsters'') use a lot of CG, they almost always use mechanical puppets for close ups.
** A habit probably taking its lead from ''JurassicPark'' which did the same to great effect. While the effects, both practical and computer generated, have aged very well (the CGI probably even has better musculature), scenes like the kitchen chase with the ''Velociraptor''s would have been much less taut without the ability for close ups of the 'raptors' faces or having pots and pans being knocked and clashed and jangled by the dinosaurs.
** Similarly with ''DeepBlueSea'' they mixed in puppet and CGI sharks and in this case the puppets certainly moved and felt more realistic.
* RepoMan has an example that quite encapsulates the "practical effects are better" mentality. The otherworldy glow on the car at the end is glow-in-the-dark paint (bordering on SpecialEffectsFailure if you let it), originally used because they didn't have the funds for CGI. Fast-forward to the present, however, and this ends up being far more convincing than the computer effects from the time it was made.
* In the first ''{{Hellboy}}'' film, the writhing hair of the Sammael monsters was a practical effect -- the hair was motorized! (Reportedly, when the producer saw the dailies, he was startled that they'd had time to put in CGI hair, when it wasn't CGI at all.)
* The practical effects in ''{{Inception}}'' border on the ridiculous. Most notably, the famous spinning/ zero G fight scene was filmed using a full rotating set rather than any CGI or camera trickery.
* In the 2001 version of ''Planet of the Apes'' only the space scenes and some backgrounds were done with CGI (as well as some harness wires removed in post), but otherwise it was all practical effects (including, among other things, the apes outrunning galloping horses).
----
<<|SpecialEffects|>>
They are probably the most common type of effect and often seen as giving the most realism. The truth of the matter is that they give rise to a lot of HollywoodScience but we are so used to seeing them that TheCoconutEffect plays across nearly everything we see and we get used to them. Really all those [[EveryCarIsAPinto car explosions]], [[HighPressureBlood spurting veins]] and [[BangBangBANG gun shots]] would behave very differently in reality, it's a shame [[RealityIsUnrealistic reality is so unrealistic]].
Rightly or wrongly, though, PracticalEffects are seen by many as being in some way superior to ComputerGeneratedImages or CGI. Certainly early CGI was much more prone to SpecialEffectsFailure, the lower resolution, texturing and lighting flaws would push the images into the UncannyValley while even a bad practical effect could be seen to be physically real. The more modern [[ConspicuousCG CGI can be very conspicuous]] compared to well integrated practical effects.
A number of those who are DoingItForTheArt will therefore stick to PracticalEffects and the audience will often thank them for it. They will make proud announcements during promotions that everything in their movies is real and will take extra costs and risks to ensure their "realism".
Compare/Contrast OffTheShelfFX.
-----
!!Examples:
* ''{{Zathura}}''. All the explosions and destruction felt very solid because they actually built the house interior on top of a tilt-able platform, filmed anything that required it to be intact, then proceeded to demolish the set as they filmed. Good luck doing a retake!
* Many scenes that would normally be done with special effects in the movie ''Film/{{Crank}}'' are in-camera, including the dramatic finale where [[spoiler:Chev Chelios and Verona are falling thousands of feet out of a helicopter]].
* ''GoodNightAndGoodLuck'', which was about the days of live TV, uses one effect for an elevator arriving at different floors. In most films this might be achieved by putting a BlueScreen behind the doors and overlaying a different background scene each time the doors open on a 'different floor'. In ''Good Night and Good Luck'' they used the old live TV trick of rotating the entire elevator set (with the camera fixed to the rotating floor) while the actors performed their scene in it, so that each time the doors opened you were looking at a different part of the exterior set.
* A similar trick to ''Good Night and Good Luck'' was applied in John Woo's ''HardBoiled''. During the final act hospital shoot out, a long take is made of Tequila and Alan shooting their way through that lasts for 2 minutes and 43 seconds and doesn't break when they get into an elevator.
* ''{{Titanic}}'' actually had a stunt sequence involving over 100 stuntmen to roll down the set as the ship started sinking. And entire portions of the set had to be built to flood with water during those key moments.
** ''{{Titanic}}'' might have used some C.G.I but most of its effects were still models, miniatures, and sets. It was mentioned on the "making of" that 90% of the effects were practical. The combination of computer graphics and practical effects might be why its [[VisualEffectsOfAwesome visuals are awesome.]]
* ''BatmanBegins'' and ''TheDarkKnight'' were very conservative on the post production special effects. Only the most extravagant or dangerous stunts were performed in post production. But certain scenes like Bruce saving Ducard from sliding off the edge of a cliff was done on location, with the actual actors wearing the necessary safety lines.
* The 2007 Film/{{Transformers}} film only had a handful of actors in front of green screens. While the robots were CGI of course, most of the stunts were entirely real, involving the actual actors [[EnforcedMethodActing shitting bricks while running from timed explosions]]. And even still there were a handful of images of the robots that were actually puppets: Frenzy in a few shots, Megatron's legs and even Bumblebee when strapped to a flat bed trailer.
* While ''WalkingWithDinosaurs'' (as well as its sequels, ''WalkingWithBeasts'' and ''WalkingWithMonsters'') use a lot of CG, they almost always use mechanical puppets for close ups.
** A habit probably taking its lead from ''JurassicPark'' which did the same to great effect. While the effects, both practical and computer generated, have aged very well (the CGI probably even has better musculature), scenes like the kitchen chase with the ''Velociraptor''s would have been much less taut without the ability for close ups of the 'raptors' faces or having pots and pans being knocked and clashed and jangled by the dinosaurs.
** Similarly with ''DeepBlueSea'' they mixed in puppet and CGI sharks and in this case the puppets certainly moved and felt more realistic.
* RepoMan has an example that quite encapsulates the "practical effects are better" mentality. The otherworldy glow on the car at the end is glow-in-the-dark paint (bordering on SpecialEffectsFailure if you let it), originally used because they didn't have the funds for CGI. Fast-forward to the present, however, and this ends up being far more convincing than the computer effects from the time it was made.
* In the first ''{{Hellboy}}'' film, the writhing hair of the Sammael monsters was a practical effect -- the hair was motorized! (Reportedly, when the producer saw the dailies, he was startled that they'd had time to put in CGI hair, when it wasn't CGI at all.)
* The practical effects in ''{{Inception}}'' border on the ridiculous. Most notably, the famous spinning/ zero G fight scene was filmed using a full rotating set rather than any CGI or camera trickery.
* In the 2001 version of ''Planet of the Apes'' only the space scenes and some backgrounds were done with CGI (as well as some harness wires removed in post), but otherwise it was all practical effects (including, among other things, the apes outrunning galloping horses).
----
<<|SpecialEffects|>>
to:
They are probably the most common type of effect and often seen as giving the most realism. The truth of the matter is that they give rise to a lot of HollywoodScience but we are so used to seeing them that TheCoconutEffect plays across nearly everything we see and we get used to them. Really all those [[EveryCarIsAPinto car explosions]], [[HighPressureBlood spurting veins]] and [[BangBangBANG gun shots]] would behave very differently in reality, it's a shame [[RealityIsUnrealistic reality is so unrealistic]].
Rightly or wrongly, though, PracticalEffects are seen by many as being in some way superior to ComputerGeneratedImages or CGI. Certainly early CGI was much more prone to SpecialEffectsFailure, the lower resolution, texturing and lighting flaws would push the images into the UncannyValley while even a bad practical effect could be seen to be physically real. The more modern [[ConspicuousCG CGI can be very conspicuous]] compared to well integrated practical effects.
A number of those who are DoingItForTheArt will therefore stick to PracticalEffects and the audience will often thank them for it. They will make proud announcements during promotions that everything in their movies is real and will take extra costs and risks to ensure their "realism".
Compare/Contrast OffTheShelfFX.
-----
!!Examples:
* ''{{Zathura}}''. All the explosions and destruction felt very solid because they actually built the house interior on top of a tilt-able platform, filmed anything that required it to be intact, then proceeded to demolish the set as they filmed. Good luck doing a retake!
* Many scenes that would normally be done with special effects in the movie ''Film/{{Crank}}'' are in-camera, including the dramatic finale where [[spoiler:Chev Chelios and Verona are falling thousands of feet out of a helicopter]].
* ''GoodNightAndGoodLuck'', which was about the days of live TV, uses one effect for an elevator arriving at different floors. In most films this might be achieved by putting a BlueScreen behind the doors and overlaying a different background scene each time the doors open on a 'different floor'. In ''Good Night and Good Luck'' they used the old live TV trick of rotating the entire elevator set (with the camera fixed to the rotating floor) while the actors performed their scene in it, so that each time the doors opened
* A similar trick to ''Good Night and Good Luck'' was applied in John Woo's ''HardBoiled''. During the final act hospital shoot out, a long take is made of Tequila and Alan shooting their way through that lasts for 2 minutes and 43 seconds and doesn't break when they get into an elevator.
* ''{{Titanic}}'' actually had a stunt sequence involving over 100 stuntmen to roll down the set as the ship started sinking. And entire portions of the set had to be built to flood with water during those key moments.
** ''{{Titanic}}'' might have used some C.G.I but most of its effects were still models, miniatures, and sets. It was mentioned on the "making of" that 90% of the effects were practical. The combination of computer graphics and practical effects might be why its [[VisualEffectsOfAwesome visuals are awesome.]]
* ''BatmanBegins'' and ''TheDarkKnight'' were very conservative on the post production special effects. Only the most extravagant or dangerous stunts were performed in post production. But certain scenes like Bruce saving Ducard from sliding off the edge of a cliff was done on location, with the actual actors wearing the necessary safety lines.
* The 2007 Film/{{Transformers}} film only had a handful of actors in front of green screens. While the robots were CGI of course, most of the stunts were entirely real, involving the actual actors [[EnforcedMethodActing shitting bricks while running from timed explosions]]. And even still there were a handful of images of the robots that were actually puppets: Frenzy in a few shots, Megatron's legs and even Bumblebee when strapped to a flat bed trailer.
* While ''WalkingWithDinosaurs'' (as well as its sequels, ''WalkingWithBeasts'' and ''WalkingWithMonsters'') use a lot of CG, they almost always use mechanical puppets for close ups.
** A habit probably taking its lead from ''JurassicPark'' which did the same to great effect. While the effects, both practical and computer generated, have aged very well (the CGI probably even has better musculature), scenes like the kitchen chase with the ''Velociraptor''s would have been much less taut without the ability for close ups of the 'raptors' faces or having pots and pans being knocked and clashed and jangled by the dinosaurs.
** Similarly with ''DeepBlueSea'' they mixed in puppet and CGI sharks and in this case the puppets certainly moved and felt more realistic.
* RepoMan has an example that quite encapsulates the "practical effects are better" mentality. The otherworldy glow on the car at the end is glow-in-the-dark paint (bordering on SpecialEffectsFailure if
* In the first ''{{Hellboy}}'' film, the writhing hair of the Sammael monsters was a practical effect -- the hair was motorized! (Reportedly, when the producer saw the dailies, he was startled that they'd had time to put in CGI hair, when it wasn't CGI at all.)
* The practical effects in ''{{Inception}}'' border on the ridiculous. Most notably, the famous spinning/ zero G fight scene was filmed using a full rotating set rather than any CGI or camera trickery.
* In the 2001 version of ''Planet of the Apes'' only the space scenes and some backgrounds were done with CGI (as well as some harness wires removed in post), but otherwise it was all practical effects (including, among other things, the apes outrunning galloping horses).
----
<<|SpecialEffects|>>
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Changed line(s) 21,22 (click to see context) from:
* While WalkingWithDinosaurs (as well as its sequels, WalkingWithPrehistoricBeasts and BeforeTheDinosaurs) use a lot of CG, they almost always use mechanical puppets for close ups.
** A habit probably taking its lead from ''JurassicPark'' which did the same to great effect. While the effects, both practical and computer generated, have aged very well (the cgi probably even has better musculature), scenes like the kitchen chase with the velociraptors would have been much less taut without the ability for close ups of the 'raptors' faces or having pots and pans being knocked and clashed and jangled by the dinosaurs.
** A habit probably taking its lead from ''JurassicPark'' which did the same to great effect. While the effects, both practical and computer generated, have aged very well (the cgi probably even has better musculature), scenes like the kitchen chase with the velociraptors would have been much less taut without the ability for close ups of the 'raptors' faces or having pots and pans being knocked and clashed and jangled by the dinosaurs.
to:
* While WalkingWithDinosaurs ''WalkingWithDinosaurs'' (as well as its sequels, WalkingWithPrehistoricBeasts ''WalkingWithBeasts'' and BeforeTheDinosaurs) ''WalkingWithMonsters'') use a lot of CG, they almost always use mechanical puppets for close ups.
** A habit probably taking its lead from ''JurassicPark'' which did the same to great effect. While the effects, both practical and computer generated, have aged very well (thecgi CGI probably even has better musculature), scenes like the kitchen chase with the velociraptors ''Velociraptor''s would have been much less taut without the ability for close ups of the 'raptors' faces or having pots and pans being knocked and clashed and jangled by the dinosaurs.
** A habit probably taking its lead from ''JurassicPark'' which did the same to great effect. While the effects, both practical and computer generated, have aged very well (the
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spelling
Changed line(s) 3,4 (click to see context) from:
They are probably the most common type of effect and often seen as giving the most realism. The truth of the matter is that they give rise to a lot of HollywoodScience but we are so used to seeing them that TheCoconutEffect plays across nearly everything we see and we get use to them. Really all those [[EveryCarIsAPinto car explosions]], [[HighPressureBlood spurting veins]] and [[BangBangBANG gun shots]] would behave very differently in reality, it's a shame [[RealityIsUnrealistic reality is so unrealistic]].
to:
They are probably the most common type of effect and often seen as giving the most realism. The truth of the matter is that they give rise to a lot of HollywoodScience but we are so used to seeing them that TheCoconutEffect plays across nearly everything we see and we get use used to them. Really all those [[EveryCarIsAPinto car explosions]], [[HighPressureBlood spurting veins]] and [[BangBangBANG gun shots]] would behave very differently in reality, it's a shame [[RealityIsUnrealistic reality is so unrealistic]].
Changed line(s) 18 (click to see context) from:
** ''{{Titanic}}'' might have used some C.G.I but most of its effects were still models, minitures, and sets. It was mentioned on the "making of" that 90% of the effects were practical. The combination of computer graphics and practical effects might be why its [[VisualEffectsOfAwesome visuals are awesome.]]
to:
** ''{{Titanic}}'' might have used some C.G.I but most of its effects were still models, minitures, miniatures, and sets. It was mentioned on the "making of" that 90% of the effects were practical. The combination of computer graphics and practical effects might be why its [[VisualEffectsOfAwesome visuals are awesome.]]
Is there an issue? Send a MessageReason:
None
Changed line(s) 14 (click to see context) from:
* Many scenes that would normally be done with special effects in the movie ''{{Crank}}'' are in-camera, including the dramatic finale where [[spoiler:Chev Chelios and Verona are falling thousands of feet out of a helicopter]].
to:
* Many scenes that would normally be done with special effects in the movie ''{{Crank}}'' ''Film/{{Crank}}'' are in-camera, including the dramatic finale where [[spoiler:Chev Chelios and Verona are falling thousands of feet out of a helicopter]].
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* In the 2001 version of ''Planet of the Apes'' only the space scenes and some backgrounds were done with CGI (as well as some harness wires removed in post), but otherwise it was all practical effects (including, among other things, the apes outrunning galloping horses).
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* The practical effects in ''{{Inception}}'' border on the ridiculous. Most notably, the famous spinning/ zero G fight scene was filmed using a full rotating set rather than any CGI or camera trickery.
Is there an issue? Send a MessageReason:
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Changed line(s) 25 (click to see context) from:
* In DuckAmuck, when Daffy asks for sound, we hear the sound of a needle on a record.
to:
* In DuckAmuck, the first ''{{Hellboy}}'' film, the writhing hair of the Sammael monsters was a practical effect -- the hair was motorized! (Reportedly, when Daffy asks for sound, we hear the sound of a needle on a record.producer saw the dailies, he was startled that they'd had time to put in CGI hair, when it wasn't CGI at all.)
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Added DiffLines:
* In DuckAmuck, when Daffy asks for sound, we hear the sound of a needle on a record.
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Changed line(s) 18 (click to see context) from:
** ''{{Titanic}}'' might have used some C.G.I but most of its effects were still models, minitures, and sets. The combination of computer graphics and practical effects might be why its [[VisualEffectsOfAwesome visuals are awesome.]]
to:
** ''{{Titanic}}'' might have used some C.G.I but most of its effects were still models, minitures, and sets. It was mentioned on the "making of" that 90% of the effects were practical. The combination of computer graphics and practical effects might be why its [[VisualEffectsOfAwesome visuals are awesome.]]
Is there an issue? Send a MessageReason:
None
** ''{{Titanic}}'' might have used some C.G.I but most of its effects were still models, minitures, and sets. The combination of computer graphics and practical effects might be why its [[VisualEffectsOfAwesome visuals are awesome.]]
Deleted line(s) 24 (click to see context) :
* {{Titanic}} might have used some C.G.I but most of its effects were still models, minitures, and sets. The combination of computor graphics and practical effects might be why its [[VisualEffectsOfAwesome visuals are awesome.]]
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* {{Titanic}} might have used some C.G.I but most of its effects were still models, minitures, and sets. The combination of computor graphics and practical effects might be why its [[VisualEffectsOfAwesome visuals are awesome.]]
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Changed line(s) 19 (click to see context) from:
* The 2007 Film/{{Transformers}} film only had a handful of actors in front of green screens. While the robots were CGI of course, most of the stunts were entirely real, involving the actual actors [[EnforcedMethodActing shitting bricks while running from time eplosions]]. And even still there were a handful of images of the robots that were actually puppets: Frenzy in a few shots, Megatron's legs and even Bumblebee when strapped to a flat bed trailer.
to:
* The 2007 Film/{{Transformers}} film only had a handful of actors in front of green screens. While the robots were CGI of course, most of the stunts were entirely real, involving the actual actors [[EnforcedMethodActing shitting bricks while running from time eplosions]].timed explosions]]. And even still there were a handful of images of the robots that were actually puppets: Frenzy in a few shots, Megatron's legs and even Bumblebee when strapped to a flat bed trailer.
Added DiffLines:
* RepoMan has an example that quite encapsulates the "practical effects are better" mentality. The otherworldy glow on the car at the end is glow-in-the-dark paint (bordering on SpecialEffectsFailure if you let it), originally used because they didn't have the funds for CGI. Fast-forward to the present, however, and this ends up being far more convincing than the computer effects from the time it was made.
