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* ''Webcomic/DMOfTheRings'' deconstructs TabletopGames, especially of the fantasy variety. TheLordOfTheRings was basically the TropeCodifier for FantasyLiterature, with an epic plot and massive, meticulously crafted backstory. For decades now {{Roleplaying Game}}s have often been based on fantasy stories and set in fantasy worlds... but you know, the actual progression of a roleplaying game doesn't look a thing like a fantasy novel, certainly not a ''good'' one. ''Webcomic/DMOfTheRings'' takes several familiar player archetypes and transplants them into LOTR, and it's a disaster. The GM needs to use {{Railroading}} on the players every step of the way. Left to their own devices, they would have killed the elves of Lorien for the loot. They also complain endlessly about the boredom of the story (there's nothing to fight but orcs over and over again and {{Eldritch Abomination}}s like the balrog, which their characters don't have the slightest chance against) and the way all the battles and side missions are entirely irrelevant to the main plot.

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* ''Webcomic/DMOfTheRings'' deconstructs TabletopGames, especially of the fantasy variety. TheLordOfTheRings ''Literature/TheLordOfTheRings'' was basically the TropeCodifier for FantasyLiterature, with an epic plot and massive, meticulously crafted backstory. For decades now {{Roleplaying Game}}s have often been based on fantasy stories and set in fantasy worlds... but you know, the actual progression of a roleplaying game doesn't look a thing like a fantasy novel, certainly not a ''good'' one. ''Webcomic/DMOfTheRings'' takes several familiar player archetypes and transplants them into LOTR, and it's a disaster. The GM needs to use {{Railroading}} on the players every step of the way. Left to their own devices, they would have killed the elves of Lorien for the loot. They also complain endlessly about the boredom of the story (there's nothing to fight but orcs over and over again and {{Eldritch Abomination}}s like the balrog, which their characters don't have the slightest chance against) and the way all the battles and side missions are entirely irrelevant to the main plot.


* ''Webcomic/{{Misfile}}'' can be considered a broad deconstruction of the GenderBender TransformationComic, showing how much it would actually suck if you were transformed into the opposite gender and didn't have those kinds of tendencies to start with (the part frequently ignored by [[Irony TG comic fans who wish something like that could happen to them]]). Ash is depicted like a real transgender teen would be (literally a boy trapped in a girl's body), with a realistic level of distress to not only the biological and social changes, but to also having the entire foundation of your world and personal identity ripped out from underneath you.

to:

* ''Webcomic/{{Misfile}}'' can be considered a broad deconstruction of the GenderBender TransformationComic, showing how much it would actually suck if you were transformed into the opposite gender and didn't have those kinds of tendencies to start with (the part frequently ignored by [[Irony [[{{Irony}} TG comic fans who wish something like that could happen to them]]). Ash is depicted like a real transgender teen would be (literally a boy trapped in a girl's body), with a realistic level of distress to not only the biological and social changes, but to also having the entire foundation of your world and personal identity ripped out from underneath you.


* ''Webcomic/{{Misfile}}'' can be considered a broad deconstruction of the GenderBender TransformationComic, showing how much it would actually suck if you were transformed into the opposite gender and didn't have those kinds of tendencies to start with (the part frequently ignored by [[IronY TG comic fans who wish something like that could happen to them]]). Ash is depicted like a real transgender teen would be (literally a boy trapped in a girl's body), with a realistic level of distress to not only the biological and social changes, but to also having the entire foundation of your world and personal identity ripped out from underneath you.

to:

* ''Webcomic/{{Misfile}}'' can be considered a broad deconstruction of the GenderBender TransformationComic, showing how much it would actually suck if you were transformed into the opposite gender and didn't have those kinds of tendencies to start with (the part frequently ignored by [[IronY [[Irony TG comic fans who wish something like that could happen to them]]). Ash is depicted like a real transgender teen would be (literally a boy trapped in a girl's body), with a realistic level of distress to not only the biological and social changes, but to also having the entire foundation of your world and personal identity ripped out from underneath you.


* Pretty much anything ever written by Creator/AndrewHussie, but ''Webcomic/ProblemSleuth'' and especially ''Webcomic/{{Homestuck}}'' stand out in particular in this respect.


* ''Webcomic/StrongFemaleProtagonist'': The superheroes start out as kids and teenagers who are exposed to some unexplained environmental phenomenon that gives them powers, and most of them start out with the best of intentions and a genuine, idealistic desire to make the world a better place. A few years later, they're all young adults and they realize that they haven't really made that much of a difference, and their powers can't really help them solve the world's problems. The main character is a FlyingBrick who's coming to terms with the fact that being able to lift a car over her head doesn't equate to being able to actually fix anything. Her arch-nemesis, a classic EvilGenius supervillain, retires from the Bad Guy game when he finds it intellectually unfulfilling and, frankly, childish. A girl with a mutant HealingFactor decides that the only real way she can make a difference in the world is [[spoiler:to become a living organ farm for the rest of her life]]. And nearly all of them are deeply traumatized from spending their formative years fighting crime and the forces of evil (one minor character points out that they were basically child soldiers).

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* ''Webcomic/StrongFemaleProtagonist'': Is a deconstruction of the moral implications of superheroes. The superheroes super-powered characters start out as kids and teenagers who are exposed to some unexplained environmental phenomenon that gives them powers, and most of them start out with the best of intentions and a genuine, idealistic desire to make the world a better place. A few years later, they're all young adults and they realize that they haven't really made that much of a difference, and their powers can't really help them solve the world's problems. The main character is a FlyingBrick who's coming to terms with the fact that being able to lift a car over her head doesn't equate to being able to actually fix anything. Her arch-nemesis, a classic EvilGenius supervillain, retires from the Bad Guy game when he finds it intellectually unfulfilling and, frankly, childish. A girl with a mutant HealingFactor decides that the only real way she can make a difference in the world is [[spoiler:to become a living organ farm for the rest of her life]]. And nearly all of them are deeply traumatized from spending their formative years fighting crime and the forces of evil (one minor character points out that they were basically child soldiers).


* A more blatant deconstruction of the DatingSim genre is ''[[http://www.tsunamichannel.com/archive.php Experimental Comic Kotone]]'' from ''TsunamiChannel'', to the point that the main character is intentionally left anonymous, and the universe ''just won't let'' '''''anyone''''' to know his real identity.

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* A more blatant deconstruction of the DatingSim genre is ''[[http://www.tsunamichannel.com/archive.php Experimental Comic Kotone]]'' from ''TsunamiChannel'', ''Webcomic/TsunamiChannel'', to the point that the main character is intentionally left anonymous, and the universe ''just won't let'' '''''anyone''''' to know his real identity.

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* ''Webcomic/ShatteredStarlight'' has started to show some of the realistic results of a MagicalGirl lifestyle, especially after growing up, with Farrah showing some signs of PTSD and having trouble keeping a regular job, the team apparently having broken apart after some event hinted to have ended with a member dying, and the former team mentor is now near-constantly drunk.


* ''Webcomic/{{Misfile}}'' can be considered a broad deconstruction of the GenderBender TransformationComic, showing how much it would actually suck if you were transformed into the opposite gender and didn't have those kinds of tendencies to start with (the part frequently ignored by TG comic fans who wish something like that could happen to them). Ash is depicted like a real transgender teen would be (literally a boy trapped in a girl's body), with a realistic level of distress to not only the biological and social changes, but to also having the entire foundation of your world and personal identity ripped out from underneath you.

to:

* ''Webcomic/{{Misfile}}'' can be considered a broad deconstruction of the GenderBender TransformationComic, showing how much it would actually suck if you were transformed into the opposite gender and didn't have those kinds of tendencies to start with (the part frequently ignored by [[IronY TG comic fans who wish something like that could happen to them).them]]). Ash is depicted like a real transgender teen would be (literally a boy trapped in a girl's body), with a realistic level of distress to not only the biological and social changes, but to also having the entire foundation of your world and personal identity ripped out from underneath you.

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** Alternately, it's pardoying Ren and Stimpy's Adult Party Cartoon, which took place at about the same time. (And was a MUCH DarkerAndEdgier Ren and Stimpy)

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* ''Webcomic/{{Kubera}}'' is largely a deconstruction of {{shounen}} action comics, and TheHerosJourney-type fantasy in general. The heroine is an IdiotHero because she wasn't allowed to go to school, and her DoomedHometown was only destroyed because the [[OurDemonsAreDifferent sura]] didn't think it was worth the trouble to find the one person they wanted to kill and just obliterated the whole place. Her gruff mentor figure is actually rather abusive and completely ruins her sense of self-worth. The protagonist is thrust into the role of the hero but doesn't get any of the rewards, respect, or companionship that comes with it because most of the people around her are simply manipulating her for their own ends.

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* ''{{Webcomic/Canis}}'' deconstructs wolf comic tropes.


* ''Webcomic/DMOfTheRings'' deconstructs TabletopGames, especially of the fantasy variety. TheLordOfTheRings was basically the TropeCodifier for FantasyLiterature, with an epic plot and massive, meticulously crafted backstory. For decades now {{Roleplaying Game}}s have often been based on fantasy stories and set in fantasy worlds... but you know, the actual progression of a roleplaying game doesn't look a thing like a fantasy novel, certainly not a ''good'' one. DMOfTheRings takes several familiar player archetypes and transplants them into LOTR, and it's a disaster. The GM needs to use {{Railroading}} on the players every step of the way. Left to their own devices, they would have killed the elves of Lorien for the loot. They also complain endlessly about the boredom of the story (there's nothing to fight but orcs over and over again and {{Eldritch Abomination}}s like the balrog, which their characters don't have the slightest chance against) and the way all the battles and side missions are entirely irrelevant to the main plot.

to:

* ''Webcomic/DMOfTheRings'' deconstructs TabletopGames, especially of the fantasy variety. TheLordOfTheRings was basically the TropeCodifier for FantasyLiterature, with an epic plot and massive, meticulously crafted backstory. For decades now {{Roleplaying Game}}s have often been based on fantasy stories and set in fantasy worlds... but you know, the actual progression of a roleplaying game doesn't look a thing like a fantasy novel, certainly not a ''good'' one. DMOfTheRings ''Webcomic/DMOfTheRings'' takes several familiar player archetypes and transplants them into LOTR, and it's a disaster. The GM needs to use {{Railroading}} on the players every step of the way. Left to their own devices, they would have killed the elves of Lorien for the loot. They also complain endlessly about the boredom of the story (there's nothing to fight but orcs over and over again and {{Eldritch Abomination}}s like the balrog, which their characters don't have the slightest chance against) and the way all the battles and side missions are entirely irrelevant to the main plot.


* ''ItsWalky'' could arguably be seen as a deconstruction of the goofy 1980s cartoons creator David Willis is a fan of (mostly ''GIJoe'' and ''{{Transformers}}''). Sure it features a unique special forces group, SEMME (who were initially based on GI Joe) with an eccentric line up of operatives, who routinely foil the insane schemes of a HarmlessVillain, but the eccentric operatives are soon revealed to be a bunch of dysfunctional screw-ups, and the Villain is in fact a NotSoHarmlessVillain.
* ''[[http://www.mighthavebeen.net/ My Name Is Might Have Been]]'' deconstructs ''RockBand''. Yeah, the video game.

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* ''ItsWalky'' ''Webcomic/ItsWalky'' could arguably be seen as a deconstruction of the goofy 1980s cartoons creator David Willis is a fan of (mostly ''GIJoe'' ''Franchise/GIJoe'' and ''{{Transformers}}''). Sure ''Franchise/{{Transformers}}''). Sure, it features a unique special forces group, SEMME (who were initially based on GI Joe) with an eccentric line up of operatives, who routinely foil the insane schemes of a HarmlessVillain, but the eccentric operatives are soon revealed to be a bunch of dysfunctional screw-ups, and the Villain is in fact a NotSoHarmlessVillain.
* ''[[http://www.mighthavebeen.net/ My Name Is Might Have Been]]'' deconstructs ''RockBand''.''VideoGame/RockBand''. Yeah, the video game.



* ''[[Webcomic/TalesOfTheQuestor Quentin Quinn Space Ranger]]'', an offshoot of ''TalesOfTheQuestor'', is Deconstructing ''Franchise/StarTrek'' right now. So far the design of the starship Enterprise, the habit of using forcefield airlocks without wearing space suits and the ProudWarriorRaceGuy have already been hit. Hard. Up next is engineering.
** With engineering, it was criticized how dangerous it was to rely on unstable power supplies (In this case, Anti-Matter) to make your ship's hypberdrive run, how senseless and dangerous it is to have everything being run by one massive computer system instead of having different units assigned to different areas of the ship independently and how this can cause a security danger, and how having only voice recognition as a security measure for doors can be bypassed and exploited by having voice changing abilities (which the android in the crew possesses) and simply recording someone else's voice.

to:

* ''[[Webcomic/TalesOfTheQuestor Quentin Quinn Space Ranger]]'', an offshoot of ''TalesOfTheQuestor'', ''Webcomic/TalesOfTheQuestor'', is Deconstructing deconstructing ''Franchise/StarTrek'' right now. So far the design of the starship Enterprise, ''Enterprise'', the habit of using forcefield airlocks without wearing space suits and the ProudWarriorRaceGuy have already been hit. Hard. Up next is engineering.
** With engineering, it was criticized how dangerous it was to rely on unstable power supplies (In (in this case, Anti-Matter) anti-matter) to make your ship's hypberdrive hyperdrive run, how senseless and dangerous it is to have everything being run by one massive computer system instead of having different units assigned to different areas of the ship independently and how this can cause a security danger, and how having only voice recognition as a security measure for doors can be bypassed and exploited by having voice changing abilities (which the android in the crew possesses) and simply recording someone else's voice.



* In the Chapter 26 of the Spanish webcomic ''[[http://jesulink.com/ 5 Elementos]]'', the author show the effects of a civil war in a world inhabited by lots and lots of people with superpowers.
* Pretty much anything ever written by AndrewHussie, but ''Webcomic/ProblemSleuth'' and especially ''Webcomic/{{Homestuck}}'' stand out in particular in this respect.
* ''Webcomic/{{Misfile}}'' can be considered a broad deconstruction of the GenderBender TransformationComic, showing how much it would actually suck if you were transformed into the opposite gender and didn't have those kind of tendencies to start with (the part frequently ignored by TG comic fans who wish something like that could happen to them). Ash is depicted like a real transgender teen would be (literally a boy trapped in a girl's body), with a realistic level of distress to not only the biological and social changes, but to also having the entire foundation of your world and personal identity ripped out from underneath you.
* One could say ''Webcomic/SluggyFreelance'' is something of a deconstruction of what it's like to live in a FantasyKitchenSink. Eventually, the amount of supernatural villains you piss off (and the infamy among the inhabitants of said FantasyKitchenSink that you gain through your deeds) will reach such a critical mass that your entire life will be swallowed up in a never-ending, breakneck onslaught of attacks and reactions to your attempts to defend yourself from said attacks from grudge-holding demons, psychopaths, monsters, conspiracies, {{Eldritch Abomination}}s, [[ArtifactOfDoom Artifacts of Doom]], evil {{Mega Corp}}s, etc, etc. Being a fairly early webcomic, this has been subjected to a measure of SeinfeldIsUnfunny.
* ''Webcomic/TheLastDaysOfFOXHOUND'' - deconstructs the backstory of VideoGame/MetalGearSolid enemies, revealing first and foremost that it was never about Solid Snake. It was all Liquid.
* ''Webcomic/CuantaVida'': Deconstruction of VideoGame/TeamFortress2 par none. [[SarcasmMode Because what's funnier]] [[AnyoneCanDie than lovable characters who can die at any time]], [[{{Gorn}} of horrible injuries no less,]] [[ClosedCircle in battlefields miles from their homes]]? As with ''Webcomic/TheLastDaysOfFOXHOUND'', the game becomes MUCH less funny afterwards.
* ''Webcomic/StrongFemaleProtagonist'': The superheroes start out as kids and teenagers who are exposed to some unexplained environmental phenomenon that gives them powers, and most of them start out with the best of intentions and a genuine, idealistic desire to make the world a better place. A few years later, they're all young adults and they realize that they haven't really made that much of a difference, and their powers can't really help them solve the world's problems. The main character is a FlyingBrick who's coming to terms with the fact that being able to lift a car over her head doesn't equate to being able to actually fix anything. Her arch-nemesis, a classic EvilGenius Supervillain, retires from the Bad Guy game when he finds it intellectually unfulfilling and, frankly, childish. A girl with a mutant HealingFactor decides that the only real way she can make a difference in the world is [[spoiler: to become a living organ farm for the rest of her life.]] And nearly all of them are deeply traumatized from spending their formative years fighting crime and the forces of evil (one minor character points out that they were basically child soldiers).

to:

* In the Chapter 26 of the Spanish webcomic ''[[http://jesulink.com/ 5 Elementos]]'', the author show shows the effects of a civil war in a world inhabited by lots and lots of people with superpowers.
* Pretty much anything ever written by AndrewHussie, Creator/AndrewHussie, but ''Webcomic/ProblemSleuth'' and especially ''Webcomic/{{Homestuck}}'' stand out in particular in this respect.
* ''Webcomic/{{Misfile}}'' can be considered a broad deconstruction of the GenderBender TransformationComic, showing how much it would actually suck if you were transformed into the opposite gender and didn't have those kind kinds of tendencies to start with (the part frequently ignored by TG comic fans who wish something like that could happen to them). Ash is depicted like a real transgender teen would be (literally a boy trapped in a girl's body), with a realistic level of distress to not only the biological and social changes, but to also having the entire foundation of your world and personal identity ripped out from underneath you.
* One could say that ''Webcomic/SluggyFreelance'' is something of a deconstruction of what it's like to live in a FantasyKitchenSink. Eventually, the amount of supernatural villains you piss off (and the infamy among the inhabitants of said FantasyKitchenSink that you gain through your deeds) will reach such a critical mass that your entire life will be swallowed up in a never-ending, breakneck onslaught of attacks and reactions to your attempts to defend yourself from said attacks from grudge-holding demons, psychopaths, monsters, conspiracies, {{Eldritch Abomination}}s, [[ArtifactOfDoom Artifacts of Doom]], evil {{Mega Corp}}s, etc, etc., etc. Being a fairly early webcomic, this has been subjected to a measure of SeinfeldIsUnfunny.
* ''Webcomic/TheLastDaysOfFOXHOUND'' - deconstructs the backstory of VideoGame/MetalGearSolid ''VideoGame/MetalGearSolid'' enemies, revealing first and foremost that it was never about Solid Snake. It was all Liquid.
* ''Webcomic/CuantaVida'': Deconstruction of VideoGame/TeamFortress2 par ''VideoGame/TeamFortress2'' bar none. [[SarcasmMode Because what's funnier]] [[AnyoneCanDie than lovable characters who can die at any time]], [[{{Gorn}} of horrible injuries no less,]] [[ClosedCircle in battlefields miles from their homes]]? As with ''Webcomic/TheLastDaysOfFOXHOUND'', ''The Last Days of FOXHOUND'', the game becomes MUCH '''much''' less funny afterwards.
afterward.
* ''Webcomic/StrongFemaleProtagonist'': The superheroes start out as kids and teenagers who are exposed to some unexplained environmental phenomenon that gives them powers, and most of them start out with the best of intentions and a genuine, idealistic desire to make the world a better place. A few years later, they're all young adults and they realize that they haven't really made that much of a difference, and their powers can't really help them solve the world's problems. The main character is a FlyingBrick who's coming to terms with the fact that being able to lift a car over her head doesn't equate to being able to actually fix anything. Her arch-nemesis, a classic EvilGenius Supervillain, supervillain, retires from the Bad Guy game when he finds it intellectually unfulfilling and, frankly, childish. A girl with a mutant HealingFactor decides that the only real way she can make a difference in the world is [[spoiler: to [[spoiler:to become a living organ farm for the rest of her life.]] life]]. And nearly all of them are deeply traumatized from spending their formative years fighting crime and the forces of evil (one minor character points out that they were basically child soldiers).soldiers).
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**With engineering, it was criticized how dangerous it was to rely on unstable power supplies (In this case, Anti-Matter) to make your ship's hypberdrive run, how senseless and dangerous it is to have everything being run by one massive computer system instead of having different units assigned to different areas of the ship independently and how this can cause a security danger, and how having only voice recognition as a security measure for doors can be bypassed and exploited by having voice changing abilities (which the android in the crew possesses) and simply recording someone else's voice.

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