Line #24 GenreDeconstruction/WebComics


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3	%%Note: If you wish to add examples, please explain in detail. For instance, sketch the basic premise of the genre that is being deconstructed and how the example deconstructs the genre.
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5	%%Also remember: Darker and Edgier is not inherently Deconstruction, nor is the inverse true.
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9	* In the Chapter 26 of the Spanish webcomic ''[[http://jesulink.com/ 5 Elementos]]'', the author shows the effects of a civil war in a world inhabited by lots and lots of people with superpowers.
10	* ''Webcomic/AlienDice'' is a deconstruction of {{Mons}} and especially ''Pokémon''. The eponymous Alien Dice is a DeadlyGame of GottaCatchEmAll. Here, any species, {{Human\|Aliens}}oid or animal-like can be turned into a mon and get captured when defeated by players. Also, the "mons", despite their HealingFactor do suffer badly in battle.
11	* ''Baby Tyrant'' deconstructs typical reincarnate in another world stories as the heroine’s past life was so traumatic that she despises not being able to be at peace and lashes out at any form of kindness directed at her.
12	* ''{{Webcomic/Canis}}'' deconstructs wolf comic tropes.
13	* ''Webcomic/CuantaVida'': Deconstruction of ''VideoGame/TeamFortress2'' bar none. [[SarcasmMode Because what's funnier]] [[AnyoneCanDie than lovable characters who can die at any time]], [[{{Gorn}} of horrible injuries no less,]] [[ClosedCircle in battlefields miles from their homes]]? As with ''The Last Days of FOXHOUND'', the game becomes '''much''' less funny afterward.
14	* The entire premise behind ''Webcomic/DarthsAndDroids'' is that the ''Franchise/StarWars'' universe is the result of a group of {{Tabletop Game\|s}}rs (including a 7 year old girl) making it up as they go along. It lends a whole new perspective to the storyline of the prequel trilogy. The entire mess on Naboo was the result of the Player Characters epically ruining a delicate, carefully constructed plan by going OffTheRails, and engaging in all the sins of TheRealMan, TheMunchkin, and TheLoonie. Palpatine is actually a good guy overthrowing a corrupt regime, and trying to bring a semblance of stability to the republic. Darth Maul was just a ChaoticNeutral [[HiredGuns Hired Gun]] who was only trying to work ''with'' the player characters, before they attacked him. To top it all off, some the most bizarre and unrealistic plot points, such as Naboo being governed by a ''14 year old elected Queen'' exist because [[RescuedFromTheScrappyHeap Jar Jar Binks]] is being played by a little girl.
15	* ''Webcomic/DMOfTheRings'' deconstructs TabletopGames, especially of the fantasy variety. ''Literature/TheLordOfTheRings'' was basically the TropeCodifier for FantasyLiterature, with an epic plot and massive, meticulously crafted backstory. For decades now {{Roleplaying Game}}s have often been based on fantasy stories and set in fantasy worlds... but you know, the actual progression of a roleplaying game doesn't look a thing like a fantasy novel, certainly not a ''good'' one. ''Webcomic/DMOfTheRings'' takes several familiar player archetypes and transplants them into LOTR, and it's a disaster. The GM needs to use {{Railroading}} on the players every step of the way. Left to their own devices, they would have killed the elves of Lorien for the loot. They also complain endlessly about the boredom of the story (there's nothing to fight but orcs over and over again and {{Eldritch Abomination}}s like the balrog, which their characters don't have the slightest chance against) and the way all the battles and side missions are entirely irrelevant to the main plot.
16	* ''Webcomic/{{Erfworld}}'' is a world where Tabletop Strategy rules are literally true, such as citizens popping in fully grown and a defeated team being frozen in time until someone comes to try and kill them. The more the rules become clear, the creepier everything starts to become.
17	** It also deconstructs the typical Strategist with Parson's reaction to the aftermath of the Battle For Gobwin Knob. [[spoiler:Instead of being proud and/or relieved that he won the battle against impossible odds, he is ''horrified'' by the death and destruction he has caused, so much that he steps down as Chief Warlord in favor of Ansom.]]
18	** The MaryTzu trope is subverted. Gobwin Knob uses a spell to summon a "perfect warlord" to summon Parson, an obese loser with a love for tabletop wargames. While he is proficient in both tabletop and real life military strategies and quickly learns to exploit any loophole in the rules he can find, this does not instantly resolve all of Gobwin Knob's problems. Parson has to be taught all of the various rules and mechanics, and he is often blindsided because of something he wasn't told about, he butts heads with the leader early on, which leads to problems when he [[spoiler: abandons the city and takes all of the elite units with him]], just because he has a plan doesn't change the fact that he's in a disadvantageous position against a powerful enemy, and most importantly, as Parson angrily explains to his casters after several failures, plans can and do fail. "Perfect strategy" does not involve having one single infallible plan, but rather being able to adjust and make new plans as needed, rolling with losses when they come, and reacting when the enemy inevitably doesn't follow the plan.
19	* ''Webcomic/{{Goblins}}: Life Through Their Eyes'' takes a good hard look at the UnfortunateImplications of labeling whole races AlwaysChaoticEvil. It portrays the titular goblins not as ''monsters'' but as ''people'' who live and love. It shows us that what {{Player Character}}s see as just an XP haul isn't so fun when ''you're'' the one they're killing to level up.
20	* ''Webcomic/ItsWalky'' could arguably be seen as a deconstruction of the goofy 1980s cartoons creator David Willis is a fan of (mostly ''Franchise/GIJoe'' and ''Franchise/{{Transformers}}''). Sure, it features a unique special forces group, SEMME (who were initially based on GI Joe) with an eccentric line up of operatives, who routinely foil the insane schemes of a HarmlessVillain, but the eccentric operatives are soon revealed to be a bunch of dysfunctional screw-ups, and the Villain is in fact a NotSoHarmlessVillain.
21	* The PixelArtComic ''Webcomic/KidRadd'', while largely light in tone, presents a "video game characters living in videoland" scenario where it's a very real problem that many inhabitants are innately armed and know nothing but killing. They know why they were created, and they don't like it. The player character Radd goes from slacker to {{Determinator}} because he always had the latter's mindset, but started his days in a game under the player's control, so he had to learn initiative completely from the ground up. Upon being freed, Radd needed instructions to walk independently.
22	* ''Webcomic/{{Kubera}}'' is largely a deconstruction of {{shounen}} action comics, and TheHerosJourney-type fantasy in general. The heroine is an IdiotHero because she wasn't allowed to go to school, and her DoomedHometown was only destroyed because the [[OurDemonsAreDifferent sura]] didn't think it was worth the trouble to find the one person they wanted to kill and just obliterated the whole place. Her gruff mentor figure is actually rather abusive and completely ruins her sense of self-worth. The protagonist is thrust into the role of the hero but doesn't get any of the rewards, respect, or companionship that comes with it because most of the people around her are simply manipulating her for their own ends.
23	* ''Webcomic/TheLastDaysOfFOXHOUND'' deconstructs the backstory of ''VideoGame/MetalGearSolid'' enemies, revealing first and foremost that it was never about Solid Snake. It was all Liquid.
24	* ''Webcomic/MegaTokyo'' is described by its author as a subtle deconstruction of the {{Dating Sim}}s he enjoys, with a mix of LampshadeHanging, playing it dead straight and showing the darker side of each trope, especially UnluckyEverydude, RobotGirl, and CleaningUpRomanticLooseEnds. At least one of the characters might well be [[MetaGuy aware of this...]]
25	* ''Webcomic/{{Misfile}}'' can be considered a broad deconstruction of the GenderBender TransformationComic, showing how much it would actually suck if you were transformed into the opposite gender and didn't have those kinds of tendencies to start with (the part frequently ignored by [[{{Irony}} TG comic fans who wish something like that could happen to them]]). Ash is depicted like a real transgender teen would be (literally a boy trapped in a girl's body), with a realistic level of distress to not only the biological and social changes, but to also having the entire foundation of your world and personal identity ripped out from underneath you.
26	* ''Webcomic/OwMySanity'' is this to the MagicalGirlfriend genre, specifically, ''Manga/AhMyGoddess''... which it does in the best way possible with the addition of Lovecraftian Horror and said girlfriend (or [[UnwantedHarem ''girlfriends'']]) being a HumanoidAbomination[=/=]EldritchAbomination.
27	* ''Webcomic/ShatteredStarlight'' has started to show some of the realistic results of a MagicalGirl lifestyle, especially after growing up, with Farrah showing some signs of PTSD and having trouble keeping a regular job, the team apparently having broken apart after some event hinted to have ended with a member dying, and the former team mentor is now near-constantly drunk.
28	* One could say that ''Webcomic/SluggyFreelance'' is something of a deconstruction of what it's like to live in a FantasyKitchenSink. Eventually, the amount of supernatural villains you piss off (and the infamy among the inhabitants of said FantasyKitchenSink that you gain through your deeds) will reach such a critical mass that your entire life will be swallowed up in a never-ending, breakneck onslaught of attacks and reactions to your attempts to defend yourself from said attacks from grudge-holding demons, psychopaths, monsters, conspiracies, {{Eldritch Abomination}}s, [[ArtifactOfDoom Artifacts of Doom]], evil {{Mega Corp}}s, etc., etc. Being a fairly early webcomic, this has been subjected to a measure of OnceOriginalNowCommon.
29	* ''Webcomic/StrongFemaleProtagonist'': Is a deconstruction of the moral implications of superheroes. The super-powered characters start out as kids and teenagers who are exposed to some unexplained environmental phenomenon that gives them powers, and most of them start out with the best of intentions and a genuine, idealistic desire to make the world a better place. A few years later, they're all young adults and they realize that they haven't really made that much of a difference, and their powers can't really help them solve the world's problems. The main character is a FlyingBrick who's coming to terms with the fact that being able to lift a car over her head doesn't equate to being able to actually fix anything. Her arch-nemesis, a classic EvilGenius supervillain, retires from the Bad Guy game when he finds it intellectually unfulfilling and, frankly, childish. A girl with a mutant HealingFactor decides that the only real way she can make a difference in the world is [[spoiler:to become a living organ farm for the rest of her life]]. And nearly all of them are deeply traumatized from spending their formative years fighting crime and the forces of evil (one minor character points out that they were basically child soldiers).
30	* ''[[Webcomic/TalesOfTheQuestor Quentin Quinn Space Ranger]]'', an offshoot of ''Webcomic/TalesOfTheQuestor'', is deconstructing ''Franchise/StarTrek'' right now. So far the design of the starship ''Enterprise'', the habit of using forcefield airlocks without wearing space suits and the ProudWarriorRaceGuy have already been hit. Hard. Up next is engineering.
31	** With engineering, it was criticized how dangerous it was to rely on unstable power supplies (in this case, anti-matter) to make your ship's hyperdrive run, how senseless and dangerous it is to have everything being run by one massive computer system instead of having different units assigned to different areas of the ship independently and how this can cause a security danger, and how having only voice recognition as a security measure for doors can be bypassed and exploited by having voice changing abilities (which the android in the crew possesses) and simply recording someone else's voice.
32	* ''Webcomic/ThisIsekaiMaidIsFormingAUnion'' is a deconstruction of the Otome Isekai genre that is popular in Japan and South Korea. The maids are slapped by the Otome Isekai protagonists and the male lead is a murderous tyrant who killed a lot of innocent servants. The series also covers racism, xenophobia and prejudice, which are never explored in any other Otome Isekai series.
33	* A blatant deconstruction of the DatingSim genre is ''[[http://www.tsunamichannel.com/archive.php Experimental Comic Kotone]]'' from ''Webcomic/TsunamiChannel'', to the point that the main character is intentionally left anonymous, and the universe ''just won't let'' '''''anyone''''' to know his real identity.
34	** The side story ''Magical Girl Mina'' can be considered a deconstruction (or possibly reconstruction) of the magical girl genre. Mina is far from stereotypical proto-MG and does not adhere to any of the expected cliches, tropes and quirks (despite Tsunami being explicitly instructed to scout those traits) but is smart and fit and very inquisitive about how magic works and can be used. On the other hand Mina never reacts to the weirdness "normally" (such as fleeing or avoiding the situation) but accepts it with cautious curiosity.
35	* ''Webcomic/WeLiveInAnMMO'' follows this; on the surface it's a quirky comedy set in an RPGMechanicsVerse, but right from the start there are darker elements at work. [[{{NPC}} NPCs]] are [[AndIMustScream stuck performing the same daily tasks and unable to protest or defend themselves from the players mistreating them]], as well as looked down on by the players with some in-story referring to them as [[FantasticRacism "mindless dolls" and "toys"]]. One flashback in particular shows [[spoiler: Lu as an [=NPC=] who has been outright broken and traumatised because her role as an NPC forced her to hunt down and kill innocent people before she somehow gained control of herself.]] It's all but stated that this is what led the main party to decide to protect the [=NPCs=], which is ultimately what drives the plot and character's motivations.

Context GenreDeconstruction / WebComics