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History Film / AnatomyOfHell

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* CluelessAesop: Apparently the moral of the story is that all men hate women, and that male homosexuality is an expression of this hate.

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* AgitatedItemStomping: As a child, The Man takes a baby bird from its nest, but it dies in his pocket. He throws the corpse to the ground and stomps on it. He turns out gay because vaginas look like baby birds.


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* NamelessNarrative: Neither character is named.



* NoNameGiven: Neither character is named.


'''''Anatomy of Hell''''' ('''''Anatomie de l'enfer''''') is a 2004 French arthouse film directed by Creator/CatherineBreillat, based on her novel ''Pornocratie''. It's {{Euroshlock}} at its finest.

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'''''Anatomy ''Anatomy of Hell''''' ('''''Anatomie Hell'' (''Anatomie de l'enfer''''') l'enfer'') is a 2004 French arthouse film directed by Creator/CatherineBreillat, based on her novel ''Pornocratie''. It's {{Euroshlock}} at its finest.


* StrawMisogynist: The Man.

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* StrawMisogynist: The Man. It's very easy for the film to hold him as an example for men's supposed disgust for women's bodies when he is, you know, ''gay'' and therefore wouldn't be attracted to her as a result.


* BannedInChina: Averted. It was ''very nearly'' banned in Australia and New Zealand (for a brief scene that may or may not constitute explicit child pornography), but managed to pull through at the last minute.


* BannedInChina: Averted. It was ''very nearly'' banned in Australia and New Zealand, but managed to pull through at the last minute.

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* BannedInChina: Averted. It was ''very nearly'' banned in Australia and New Zealand, Zealand (for a brief scene that may or may not constitute explicit child pornography), but managed to pull through at the last minute.


* TheEveryman: The Man and The Woman.

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* TheEveryman: The Man and The Woman.Woman are intended as such.


'''''Anatomy of Hell''''' ('''''Anatomie de l'enfer''''') is a 2004 French arthouse film directed by CatherineBreillat, based on her novel ''Pornocratie''. It's {{Euroshlock}} at its finest.

to:

'''''Anatomy of Hell''''' ('''''Anatomie de l'enfer''''') is a 2004 French arthouse film directed by CatherineBreillat, Creator/CatherineBreillat, based on her novel ''Pornocratie''. It's {{Euroshlock}} at its finest.


* NoPeriodsPeriod: Averted.

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* NoPeriodsPeriod: Averted. A prominent scene involves the Woman removing her tampon and showing it to the Man, [[spoiler:then drinking water tainted with its blood]].


The Man takes The Woman to have her wounds bound. They take a walk, during which The Woman goes down on The Man and claims that all men hate women. She invites him to visit her at her house for the next four nights to prove this hypothesis. He agrees. The next night he comes, and she strips, lies on the bed and displays herself to him, to prove the revulsion that men have for the female form. Cue the baffling philosophical narration and buckets of {{squick}}. The two then have sex. The Man then goes down to the bar and grumbles a bit to another patron, then comes back up and pushes The Woman off a cliff. And at last the movie ends.

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The Man takes The Woman to have her wounds bound. They take a walk, during which The Woman goes down on The Man and claims that all men hate women. She invites him to visit her at her house for the next four nights to prove this hypothesis. He agrees. The next night he comes, and she strips, lies on the bed and displays herself to him, to prove the revulsion that men have for the female form. Cue the baffling philosophical narration and buckets of {{squick}}. The two then have sex. The Man then goes down to the bar and grumbles a bit to another patron, then comes back up and pushes The Woman off a cliff. And at last the movie ends.
Scene.


The Man takes The Woman to have her wounds bound. They take a walk, during which The Woman goes down on The Man and claims that all men hate women. She invites him to visit her at her house for the next four nights to prove this hypothesis. He agrees. The next night he comes, and she strips, lies on the bed and displays herself to him, to prove the revulsion that men have for the female form. Cue the baffling philosophical narration and three straight nights of {{squick}}. The two then have sex. The Man then goes down to the bar and grumbles a bit to another patron, then comes back up and pushes The Woman off a cliff. And at last the movie ends.

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The Man takes The Woman to have her wounds bound. They take a walk, during which The Woman goes down on The Man and claims that all men hate women. She invites him to visit her at her house for the next four nights to prove this hypothesis. He agrees. The next night he comes, and she strips, lies on the bed and displays herself to him, to prove the revulsion that men have for the female form. Cue the baffling philosophical narration and three straight nights buckets of {{squick}}. The two then have sex. The Man then goes down to the bar and grumbles a bit to another patron, then comes back up and pushes The Woman off a cliff. And at last the movie ends.



* WomensMysteries: What The Woman attempts to educate The Man on.

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* WomensMysteries: What The Woman attempts to educate The Man on.A key aspect of the film's premise.


After a gratuitous scene of unsimulated homosexual fellatio, we cut to a woman identified only as "The Woman" (played by Amira Casar) moping around a gay nightclub, going into the bathroom and slitting her wrists. A gay man, likewise identified only as "The Man" (for apparently these characters are meant to be representations of every woman and man), played by Italian porn star Rocco Siffredi catches her. When he asks her why she did it, she replies "''because I'm a woman.''"

The Man takes The Woman to have her wounds bound. They take a walk. She sucks him off. She then claims that all men hate women, and invites him to visit her at her house for the next four nights to prove this hypothesis. He agrees. The next night he comes, and she strips, lies on the bed and displays herself to him, to prove the revulsion that men have for the female form. FauxlosophicNarration ensues ("''The elasticity of a boy's anus doesn't lie''."). Over the remaining three nights, we are treated to such delights as The Woman recounting her past (PlayingDoctor with some local boys during childhood in which there is an uncensored, but mercifully simulated shot of a prepubescent girls' privates), The Man sticking his nose and a rake, handle first, up her orifices, and The Woman ''pulling out her tampon, dipping it in a glass of water like a teabag, and then drinking it''. The two then have sex. The Man then goes down to the bar and grumbles a bit to another patron, then comes back up and pushes The Woman off a cliff. And at last the movie ends.

to:

After a gratuitous scene of unsimulated homosexual fellatio, we cut to a woman identified only as "The Woman" (played by Amira Casar) moping around a gay nightclub, going into the bathroom and slitting her wrists. A gay man, likewise identified only as "The Man" (for apparently these characters are meant to be representations of every woman and man), Man", played by Italian porn star Rocco Siffredi catches her. When he asks her why she did it, she replies "''because I'm a woman.''"

The Man takes The Woman to have her wounds bound. They take a walk. She sucks him off. She then walk, during which The Woman goes down on The Man and claims that all men hate women, and women. She invites him to visit her at her house for the next four nights to prove this hypothesis. He agrees. The next night he comes, and she strips, lies on the bed and displays herself to him, to prove the revulsion that men have for the female form. FauxlosophicNarration ensues ("''The elasticity of a boy's anus doesn't lie''."). Over Cue the remaining baffling philosophical narration and three nights, we are treated to such delights as The Woman recounting her past (PlayingDoctor with some local boys during childhood in which there is an uncensored, but mercifully simulated shot straight nights of a prepubescent girls' privates), The Man sticking his nose and a rake, handle first, up her orifices, and The Woman ''pulling out her tampon, dipping it in a glass of water like a teabag, and then drinking it''.{{squick}}. The two then have sex. The Man then goes down to the bar and grumbles a bit to another patron, then comes back up and pushes The Woman off a cliff. And at last the movie ends.



* DullSurprise: The Woman takes having a rake protruding from her vagina as though it were a daily occurrence.

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* DullSurprise: The Woman takes having has a total non-reaction to [[spoiler: The Man lodging a rake protruding from in her vagina as though it were a daily occurrence.nethers.]]



* TheEveryman: The Man and The Woman for their respective genres.

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* TheEveryman: The Man and The Woman for their respective genres.Woman.



* QuoteMine: Just take a look at the poster above. Apparently it's "provocative" and takes graphic sex and anatomical detail to new heights in art house films...no word on whether they thought it was ''good''.


!!''AnatomyOfHell'' provides examples of:

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!!''AnatomyOfHell'' !!This film provides examples of:

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