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Catchphrase has been disambiguated.


* MythologyGag: Early on, Shinji repeats his CatchPhrase "I mustn't run away" and "Center on the target, pull the trigger" SurvivalMantra from canon. Over time, he stops needing these anchors.

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* MythologyGag: Early on, Shinji repeats his CatchPhrase catchphrase "I mustn't run away" and "Center on the target, pull the trigger" SurvivalMantra from canon. Over time, he stops needing these anchors.
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During late July 2017 a sequel was started and can be found ''[[https://forums.sufficientvelocity.com/threads/raising-project-sequel.40297/ here.]]''

to:

During late July 2017 a sequel was started and can be found ''[[https://forums.sufficientvelocity.com/threads/raising-project-sequel.40297/ here.]]''
]]'' but is now DeadFic.

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This or these examples of Surprisingly Realistic Outcome seem to violate at least one of these rules, which disqualifies them: No character reactions (characters get angry, don't forgive, don't change their personality instantly, etc.); Too fantastical (depends on the properties of magic, powers, sci-fi tech, monsters, etc.); Not surprising (a character was warned about the outcome, it's used to provide Karma or An Aesop, or it simply follows normal conventions for this genre or medium); Plot happens (the example only describes an event, but not why audiences would expect a different, unrealistic outcome); Not an outcome (a character just explains why something wouldn't work as expected, or something is just an innate aspect of the setting or character that has a logical reason for being present); More of a Deconstruction (the event has major, lasting effects on the plot, make something more realistic, but not completely realistic, or a parody/fanwork applies realistic consequences to the events of a different work); or fits better under a different trope. See the trope's definition for more details. If you believe a removal was a mistake, please bring it up in the cleanup thread.


* SurprisinglyRealisticOutcome: Misato creates a global network of spies, warlords, and other organizations of dubious morality and legality in order to map and expose SEELE's political and military network. It works, but although she decsively saves the world and reveals a global conspiracy in doing so, she is [[spoiler:dishonorably discharged and barred from military service for breaking too many laws to do so]].
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Five Man Band is undergoing a wick-cleaning project, so examples featuring groups of more than five will be deleted.


* FiveManBand: The NERV crew, eventually playing straight the same roles the original series deconstructed.
** TheLeader: Misato, who holds the group together through sheer charisma and directs them in battle.
** TheLancer: Rei occupies this role, offering alternative points of view on subjects like Third Impact, a slightly more cynical contrast to Misato's idealism, and sometimes operating outside of Misato's orders to fulfill an objective.
** TheSmartGuy: Kaworu, who offers an intellectual counterpoint to both Rei and Misato's worldviews as well as knowing much about SEELE and the nature of the Angels.
** TheBigGuy: Mari and Asuka share this role as the heavy-hitters of the team, Mari as TheBerserker and Asuka as a GeniusBruiser.
** TheChick: Shinji, the object of Rei and Asuka's affections and Misato's most favored child. He saves the group from fracturing several times through his empathy, and is liked by every member of the group. He and Misato also share the role of TheHero.
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Dewicked trope


* AdultFear: Present in spades in Misato and all the pilots, particularly post-Kushiel. Asuka fears being injured and ending up as an invalid, Mari fears growing old and feeble, Kaworu grows to fear dying and [[CessationOfExistence ceasing to exist]], and ''everyone'' fears losing loved ones.

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