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* MagicalAsian: Yuan Chen is a wise old sage from distant Cathay (China) who has been an honored guest at the court of Camelot for many years now.
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%%* HeroicFantasy: Par for the course as an Arthurian romance.
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%%* IntergenerationalFriendship: Val and Gawain.
%%* KnightInShiningArmor: But, of course.
%%* KnightInShiningArmor: But, of course.
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%%*
* KnightInShiningArmor: But, of
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* {{Textplosion}}: What you get when you don't use speech bubbles. Not that this is a bad thing.
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* {{Textplosion}}: What you get when you don't use speech bubbles. Not that It stands out as an example of a Sunday-only [[NewspaperComics Comic Strip]] which has always used this is a bad thing.format. Speech bubbles are rather scarce.
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reorgnizing
Changed line(s) 3,4 (click to see context) from:
''Prince Valiant in the Days of King Arthur'' is a [[NewspaperComics comic strip]] created by Hal Foster, run by Creator/KingFeaturesSyndicate [[LongRunner from 1937 to the present]] (Foster's last drawn strip was in 1971, though he continued to do scripting until 1980), that recounted the adventures of the eponymous Norse prince and his family and friends. The comic came out only in the Sunday paper and featured narration juxtaposed with illustrations rather than the usual thought and speech balloons. During most of Hal Foster's lifetime it occupied one whole page of the Sunday funnies. In the 90s it spun off into a Creator/MarvelComics limited series not set in Marvel continuity.
to:
''Prince Valiant in the Days of King Arthur'' is a [[NewspaperComics comic strip]] created by Hal Foster, run by Creator/KingFeaturesSyndicate [[LongRunner from 1937 to the present]] (Foster's last drawn strip was in 1971, though he continued to do scripting until 1980), that recounted the adventures of the eponymous Norse prince and his family and friends. The comic came out only in the Sunday paper and featured narration juxtaposed with illustrations rather than the usual thought and speech balloons. During most of Hal Foster's lifetime it occupied one whole page of the Sunday funnies. In the 90s it spun off into a Creator/MarvelComics limited series not set in Marvel continuity.\n
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There have been two live action film versions, ''Film/PrinceValiant1954'', starring Creator/RobertWagner, and ''Film/PrinceValiant1997'', starring Creator/StephenMoyer and Creator/KatherineHeigl. An AnimatedAdaptation, ''WesternAnimation/TheLegendOfPrinceValiant'', with [[WesternAnimation/{{Exosquad}} Robbie]] [[WesternAnimation/BeautyAndTheBeast1991 Benson]] voicing the title role, aired in 1991 on what was then [[Creator/ABCFamily The Family Channel]]. It also inspired the ''Prince Valiant: The Story-Telling Game'' TabletopRPG which was more oriented towards storytelling than HackAndSlash ''TabletopGame/DungeonsAndDragons''-style roleplay. He's also been a part of the King/[[Creator/DynamiteComics Dynamite]] comic book SharedUniverse, alongside fellow King Features action heroes ''ComicStrip/FlashGordon'', ''ComicStrip/MandrakeTheMagician'', ''ComicStrip/ThePhantom'', and ''ComicStrip/JungleJim''.
to:
* ''Film/PrinceValiant1954'': A film
* ''Prince Valiant: The Story-Telling Game'' (1989): A TabletopRPG from Creator/{{Chaosium}} which was more oriented towards storytelling than HackAndSlash ''TabletopGame/DungeonsAndDragons''-style roleplay.
* ''WesternAnimation/TheLegendOfPrinceValiant'' (1991–1993): An
* ''Prince
* ''Film/PrinceValiant1997'': A film starring Creator/StephenMoyer and Creator/KatherineHeigl.
* ''Kings Quest'' (2016): A King/[[Creator/DynamiteComics Dynamite]] comic book
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Changed line(s) 7,8 (click to see context) from:
There have been two live action film versions, ''Film/PrinceValiant1954'', starring Robert Wagner, and ''Film/PrinceValiant1997'', starring Creator/StephenMoyer and Creator/KatherineHeigl. An AnimatedAdaptation, ''WesternAnimation/TheLegendOfPrinceValiant'', with [[WesternAnimation/{{Exosquad}} Robbie]] [[WesternAnimation/BeautyAndTheBeast1991 Benson]] voicing the title role, aired in 1991 on what was then [[Creator/ABCFamily The Family Channel]]. It also inspired the ''Prince Valiant: The Story-Telling Game'' TabletopRPG which was more oriented towards storytelling than HackAndSlash ''TabletopGame/DungeonsAndDragons''-style roleplay. He's also been a part of the King/[[Creator/DynamiteComics Dynamite]] comic book SharedUniverse, alongside fellow King Features action heroes ''ComicStrip/FlashGordon'', ''ComicStrip/MandrakeTheMagician'', ''ComicStrip/ThePhantom'', and ''ComicStrip/JungleJim''.
to:
There have been two live action film versions, ''Film/PrinceValiant1954'', starring Robert Wagner, Creator/RobertWagner, and ''Film/PrinceValiant1997'', starring Creator/StephenMoyer and Creator/KatherineHeigl. An AnimatedAdaptation, ''WesternAnimation/TheLegendOfPrinceValiant'', with [[WesternAnimation/{{Exosquad}} Robbie]] [[WesternAnimation/BeautyAndTheBeast1991 Benson]] voicing the title role, aired in 1991 on what was then [[Creator/ABCFamily The Family Channel]]. It also inspired the ''Prince Valiant: The Story-Telling Game'' TabletopRPG which was more oriented towards storytelling than HackAndSlash ''TabletopGame/DungeonsAndDragons''-style roleplay. He's also been a part of the King/[[Creator/DynamiteComics Dynamite]] comic book SharedUniverse, alongside fellow King Features action heroes ''ComicStrip/FlashGordon'', ''ComicStrip/MandrakeTheMagician'', ''ComicStrip/ThePhantom'', and ''ComicStrip/JungleJim''.
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* AfterTheEnd: Continental Europe is reduced to a post-apocalyptic wasteland after the fall of the Western Roman Empire.
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* ArtisticLicenseHistory: Hal Foster clearly did a lot of historical research but he wasn't afraid to change things to suit the story. Contemporary historical figures make appearances, archaic place names (like Gaul for France for example) are used, the Western Roman Empire is still hanging on, paganism is still widely practiced in Europe and the clothing worn throughout the series is more-or-less grounded in the Dark Ages/late antiquity. However, popular anachronistic trappings common to Arthurian literature (such as stone castles, chivalry, jousting and the title of knight) are heavily featured. Justifiable, as these elements have become so ubiquitous to Arthurian mythology that their absence would invoke a sense of RealityIsUnrealistic and most of the castles are implied, if not outright stated, to be Roman strongholds.
to:
* ArtisticLicenseHistory: ArtisticLicenseHistory:
** Hal Fosterclearly did a lot of historical research but he wasn't afraid to change things to suit the story. Contemporary historical figures make appearances, archaic place names (like Gaul for France for example) are used, the Western Roman Empire is still hanging on, paganism is still widely practiced in Europe and the clothing worn throughout the series is more-or-less grounded in the Dark Ages/late antiquity.Late Antiquity/Early Middle Ages. However, popular anachronistic trappings common to Arthurian literature (such as stone castles, chivalry, jousting and the title of knight) are heavily featured. Justifiable, as these elements have become so ubiquitous to Arthurian mythology that their absence would invoke a sense of RealityIsUnrealistic and most of the castles are implied, if not outright stated, to be Roman strongholds.strongholds.
** The depiction of continental Europe as a post-apocalyptic wasteland after the fall of the Western Roman Empire has been increasingly disproved by historians since the nineteenth century.
** Hal Foster
** The depiction of continental Europe as a post-apocalyptic wasteland after the fall of the Western Roman Empire has been increasingly disproved by historians since the nineteenth century.
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* BeneathTheEarth: The subterranean realm of the Dawn People, whose storyline has Val traveling through it to rescue Aleta, encountering monsters and what-not, in something very reminiscent of an old-school ''TabletopGame/DungeonsAndDragons'' dungeon crawl.
* BetaCouple: Many of them. According to Creator/PhilFoglio, this is because Hal Foster realized the strip would still need regular doses of romance once Val and Aleta got married; so he kept introducing new supporting castmembers who could become enamored of each other.
* BetaCouple: Many of them. According to Creator/PhilFoglio, this is because Hal Foster realized the strip would still need regular doses of romance once Val and Aleta got married; so he kept introducing new supporting castmembers who could become enamored of each other.
to:
* BeneathTheEarth: The subterranean realm of the Dawn People, whose storyline has Val traveling through it to rescue Aleta, encountering monsters and what-not, in something very reminiscent of an old-school ''TabletopGame/DungeonsAndDragons'' dungeon crawl.
what-not.
* BetaCouple: Many of them. According to Creator/PhilFoglio, this is because Hal Foster realized the strip would still need regular doses of romance once Val and Aleta got married; so he kept introducing new supportingcastmembers cast members who could become enamored of each other.
* BetaCouple: Many of them. According to Creator/PhilFoglio, this is because Hal Foster realized the strip would still need regular doses of romance once Val and Aleta got married; so he kept introducing new supporting
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* CorporalPunishment: Spanking is a common and accepted form of discipline, for both women and [[DontMakeMeTakeMyBeltOff children]] given the setting and the era of publication, usually taking the form of ComedicSpanking. Most infamously, Aleta is spanked by Val [[KinkySpanking and is apparently into it]]. She extends the same discipline to her children, with many an Arn-focused story arc ending with him being spanked by his mother. The cycle continues when he stays with a neighboring royal family, and is terrorized by a bratty princess: he not only spanks her himself; but tricks her into getting paddled, after a trap intended for him traps the queen instead! AuthorAppeal is apparent.
to:
* CorporalPunishment: Spanking is a common and accepted form of discipline, for both women and [[DontMakeMeTakeMyBeltOff children]] given the setting and the era of publication, children]], usually taking the form of ComedicSpanking. Most infamously, Aleta is spanked by Val [[KinkySpanking and is apparently into it]]. She extends the same discipline to her children, with many an Arn-focused story arc ending with him being spanked by his mother. The cycle continues when he stays with a neighboring royal family, and is terrorized by a bratty princess: he not only spanks her himself; but tricks her into getting paddled, after a trap intended for him traps the queen instead! AuthorAppeal is apparent.instead.
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* CrapsaccharineWorld: Beneath the bright and colorful surface and Camelot's chivalrous ideals, this is still DarkAgeEurope and it shows. Violence and bloodshed is near constant, civilization is hanging by a thread, continental Europe is crawling with barbarians and brigands and battle fields swarm with ghoulish peasants driven to desperation, looting corpses and picking off survivors. It's ultimately a kill-or-be killed world, where any attempt at a peaceful existence is doomed to failure. It sure looks pretty though.
to:
* CrapsaccharineWorld: Beneath the bright and colorful surface and Camelot's chivalrous ideals, this is still DarkAgeEurope and it shows. Violence violence and bloodshed is near constant, civilization is hanging by a thread, continental Europe is crawling with barbarians and brigands and battle fields swarm with ghoulish peasants driven to desperation, looting corpses and picking off survivors. It's ultimately a kill-or-be killed world, where any attempt at a peaceful existence is doomed to failure. It sure looks pretty though.
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* DarkAgeEurope: The setting of most of the stories though Val does venture out of Europe several times. The "dark ages" begin in earnest after Val and Aleta witness the sack of Rome but they're [[WhileRomeBurns too preoccupied to really notice or care]].
to:
* DarkAgeEurope: The setting of most of the stories though Val does venture out of Europe several times. The "dark ages" begin in earnest after Val and Aleta witness the sack of Rome but they're [[WhileRomeBurns too preoccupied to really notice or care]].
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* DoingInTheWizard: Merlin explains to Val that magic is nothing more than scientific trickery.
** Averted, however, by several instances of true magic throughout the series.
* DrivenToSuicide: Empress Sadonia of Saramand when Val kills her son in front of her and she sees that his army has taken her city.
* TheDungAges: Mostly averted but the lands formerly controlled by the Roman Empire are reduced to this AfterTheEnd.
* {{Expy}}: One storyline introduced "Hugh the Fox", leader of a band of outlaws living in the woods. Hugh was clearly an Expy of RobinHood, complete with a "little" companion who challenges Val to a quarter staff duel.
** Averted, however, by several instances of true magic throughout the series.
* DrivenToSuicide: Empress Sadonia of Saramand when Val kills her son in front of her and she sees that his army has taken her city.
* TheDungAges: Mostly averted but the lands formerly controlled by the Roman Empire are reduced to this AfterTheEnd.
* {{Expy}}: One storyline introduced "Hugh the Fox", leader of a band of outlaws living in the woods. Hugh was clearly an Expy of RobinHood, complete with a "little" companion who challenges Val to a quarter staff duel.
to:
* DoingInTheWizard: Merlin explains to Val that magic is nothing more than scientific trickery.
**trickery. Averted, however, by several instances of true magic throughout the series.
* DrivenToSuicide: Empress Sadonia of Saramand when Val kills her son in front of her and she sees that his army has taken hercity.
* TheDungAges: Mostly averted but the lands formerly controlled by the Roman Empire are reduced to this AfterTheEnd.
city.
* {{Expy}}: One storyline introduced "Hugh the Fox", leader of a band of outlaws living in the woods. Hugh was clearly an Expy ofRobinHood, Myth/RobinHood, complete with a "little" companion who challenges Val to a quarter staff duel.
**
* DrivenToSuicide: Empress Sadonia of Saramand when Val kills her son in front of her and she sees that his army has taken her
* TheDungAges: Mostly averted but the lands formerly controlled by the Roman Empire are reduced to this AfterTheEnd.
* {{Expy}}: One storyline introduced "Hugh the Fox", leader of a band of outlaws living in the woods. Hugh was clearly an Expy of
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* GodGuise: Aleta is mistaken for a sun goddess by Native Americans who have never seen a blonde woman before. She plays along for survival reasons, but not without some guilt, and it is revealed in the narration that this belief in a "fair god" will eventually lead to the downfall of Native American civilizations.[[note]][[HaveAGayOldTime "Fair" as in "light-skinned."]] This happened to the Aztecs, who mistook Cortez for their god Quetzalcoatl long enough to let down their guard to the Spanish.[[/note]]
to:
* GodGuise: Aleta is mistaken for a sun goddess by Native Americans who have never seen a blonde woman before. She plays along for survival reasons, but not without some guilt, and it is revealed in the narration that this belief in a "fair god" will eventually lead to the downfall of Native American civilizations.[[note]][[HaveAGayOldTime "Fair" as in "light-skinned."]] This happened to the Aztecs, who mistook Cortez for their god Quetzalcoatl long enough to let down their guard to the Spanish.[[/note]]
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* PoliticallyIncorrectHero: Val is initially shown to be prejudiced against common people. He gets over that but he still has the values of a fifth century warrior (see DeliberateValuesDissonance above).
to:
* PoliticallyIncorrectHero: Val is initially shown to be prejudiced against common people. He gets over that but he still has the values of a fifth century warrior (see DeliberateValuesDissonance above).warrior.
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* RapePillageAndBurn: Heavily implied in Val's assault on the city of Saramand. One of the most chilling examples of DeliberateValuesDissonance in the strip. Also what the Huns were planning to do to Andelkrag. It's just a grim everyday reality of Val's world.
to:
* RapePillageAndBurn: RapePillageAndBurn:
** Heavily implied in Val's assault on the city ofSaramand. One of the most chilling examples of DeliberateValuesDissonance in the strip. Saramand.
** Also what the Huns were planning to do toAndelkrag. It's just a grim everyday reality of Val's world.Andelkrag.
** Heavily implied in Val's assault on the city of
** Also what the Huns were planning to do to
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Changed line(s) 6,7 (click to see context) from:
There have been two live action film versions, ''Film/PrinceValiant1954'', starring Robert Wagner, and ''Film/PrinceValiant1997'', starring Creator/StephenMoyer and Creator/KatherineHeigl. An AnimatedAdaptation, ''WesternAnimation/TheLegendOfPrinceValiant'', with [[WesternAnimation/{{Exosquad}} Robbie Benson]] voicing the title role, aired in 1991 on what was then [[Creator/ABCFamily The Family Channel]]. It also inspired the ''Prince Valiant: The Story-Telling Game'' TabletopRPG which was more oriented towards storytelling than HackAndSlash ''TabletopGame/DungeonsAndDragons''-style roleplay. He's also been a part of the King/[[Creator/DynamiteComics Dynamite]] comic book SharedUniverse, alongside fellow King Features action heroes ''ComicStrip/FlashGordon'', ''ComicStrip/MandrakeTheMagician'', ''ComicStrip/ThePhantom'', and ''ComicStrip/JungleJim''.
to:
There have been two live action film versions, ''Film/PrinceValiant1954'', starring Robert Wagner, and ''Film/PrinceValiant1997'', starring Creator/StephenMoyer and Creator/KatherineHeigl. An AnimatedAdaptation, ''WesternAnimation/TheLegendOfPrinceValiant'', with [[WesternAnimation/{{Exosquad}} Robbie Robbie]] [[WesternAnimation/BeautyAndTheBeast1991 Benson]] voicing the title role, aired in 1991 on what was then [[Creator/ABCFamily The Family Channel]]. It also inspired the ''Prince Valiant: The Story-Telling Game'' TabletopRPG which was more oriented towards storytelling than HackAndSlash ''TabletopGame/DungeonsAndDragons''-style roleplay. He's also been a part of the King/[[Creator/DynamiteComics Dynamite]] comic book SharedUniverse, alongside fellow King Features action heroes ''ComicStrip/FlashGordon'', ''ComicStrip/MandrakeTheMagician'', ''ComicStrip/ThePhantom'', and ''ComicStrip/JungleJim''.
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None
Changed line(s) 37 (click to see context) from:
* CorporalPunishment: Spanking is a common and accepted form of discipline for both women and [[DontMakeMeTakeMyBeltOff children]] given the setting and the era of publication, usually taking the form of ComedicSpanking. Most infamously, Aleta is spanked by Val [[KinkySpanking and is apparently into it]]. She extends the same discipline to her children, with many an Arn-focused story arc ending with him being spanked by his mother. The cycle continues when he stays with a neighboring royal family where he is terrorized by a bratty princess: he not only spanks her himself but tricks her into getting paddled after a trap intended for him traps the queen instead! AuthorAppeal is apparent.
to:
* CorporalPunishment: Spanking is a common and accepted form of discipline discipline, for both women and [[DontMakeMeTakeMyBeltOff children]] given the setting and the era of publication, usually taking the form of ComedicSpanking. Most infamously, Aleta is spanked by Val [[KinkySpanking and is apparently into it]]. She extends the same discipline to her children, with many an Arn-focused story arc ending with him being spanked by his mother. The cycle continues when he stays with a neighboring royal family where he family, and is terrorized by a bratty princess: he not only spanks her himself himself; but tricks her into getting paddled paddled, after a trap intended for him traps the queen instead! AuthorAppeal is apparent.
Changed line(s) 39 (click to see context) from:
* CrapsaccharineWorld: Beneath the bright and colorful surface and Camelot's chivalrous ideals, this is still DarkAgeEurope and it shows. Violence and bloodshed is near constant, civilization is hanging by a thread, continental Europe is crawling with barbarians and brigands and battle fields swarm with ghoulish peasants driven to desperation, looting corpses and picking off survivors. It's ultimately a kill or be killed world where any attempt at a peaceful existence is doomed to failure. It sure looks pretty though.
to:
* CrapsaccharineWorld: Beneath the bright and colorful surface and Camelot's chivalrous ideals, this is still DarkAgeEurope and it shows. Violence and bloodshed is near constant, civilization is hanging by a thread, continental Europe is crawling with barbarians and brigands and battle fields swarm with ghoulish peasants driven to desperation, looting corpses and picking off survivors. It's ultimately a kill or be kill-or-be killed world world, where any attempt at a peaceful existence is doomed to failure. It sure looks pretty though.
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Badass Mustache and Badass Beard are being merged into Manly Facial Hair. Examples that don't fit or are zero-context are removed. To qualify for Manly Facial Hair, the facial hair must be associated with masculinity in some way. Please read the trope description before readding to make sure the example qualifies.
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* BadassBeard: Arthur has a pretty magnificent one. See BeardOfBarbarism for more examples.
Deleted line(s) 23 (click to see context) :
* BadassMustache: Given the setting, many characters sport mustaches but Launcelot's in particular stands out.
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** Averted, however, by several instances of true magic throughout the series.
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* ScoobyDooHoax: In one early story arc Val encounters a castle that has been taken over by bandits with their leader disguised as an ogre. He disguises himself as a demon to scare them out.
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Commented out some zces
Changed line(s) 63,65 (click to see context) from:
* HeroicFantasy: Par for the course as an Arthurian romance.
* HistoricalDomainCharacter: Figures such as Attila, Gaiseric, St. Patrick, Justinian and Belisarius are incorporated into the [[KingArthur Arthurian]] milieu.
* HordesFromTheEast: The Huns, of course.
* HistoricalDomainCharacter: Figures such as Attila, Gaiseric, St. Patrick, Justinian and Belisarius are incorporated into the [[KingArthur Arthurian]] milieu.
* HordesFromTheEast: The Huns, of course.
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* HistoricalDomainCharacter: Figures such as Attila, Gaiseric, St. Patrick, Justinian and Belisarius are incorporated into the
Changed line(s) 69,71 (click to see context) from:
* IntergenerationalFriendship: Val and Gawain.
* KingArthur: As in, "...in the Days of..."
* KnightInShiningArmor: But, of course.
* KingArthur: As in, "...in the Days of..."
* KnightInShiningArmor: But, of course.
to:
*
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Changed line(s) 64 (click to see context) from:
* HistoricalDomainCharacter: Figures such as Attila, Genseric, St Patrick, Justinian and Belisarius are incorporated into the [[KingArthur Arthurian]] milieu.
to:
* HistoricalDomainCharacter: Figures such as Attila, Genseric, St Gaiseric, St. Patrick, Justinian and Belisarius are incorporated into the [[KingArthur Arthurian]] milieu.
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Changed line(s) 70 (click to see context) from:
* KingArthur: As in, "...in the Days of..."
to:
* KingArthur: As in, "...in the Days of..." "
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Changed line(s) 10,11 (click to see context) from:
Not to be confused with ''Little Norse Prince Valiant'', the English dub of ''Anime/HolsPrinceOfTheSun''.
to:
Not to be confused with ''Little Norse Prince Valiant'', the English dub of ''Anime/HolsPrinceOfTheSun''.
''Anime/HorusPrinceOfTheSun''.
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Changed line(s) 51 (click to see context) from:
* DrivenToSuicide: Empress Sadonia of Saramand stabs herself when Val kills her son in front of her and she sees that his army has taken her city. Similarly, the women of Andalkrag choose to face death rather than [[RapePillageAndBurn fall into the hands of the Huns]].
to:
* DrivenToSuicide: Empress Sadonia of Saramand stabs herself when Val kills her son in front of her and she sees that his army has taken her city. Similarly, the women of Andalkrag choose to face death rather than [[RapePillageAndBurn fall into the hands of the Huns]].
* FateWorseThanDeath: In the classical sense of women [[DrivenToSuicide choosing death]] to spare themselves from rape. The women of Andelkrag stay inside their CollapsingLair to keep out of reach of the Huns. Empress Sadonia of Saramand abruptly stabs herself to avoid a similar fate at the hands of [[PoliticallyIncorrectHero Val's army]].
Changed line(s) 89 (click to see context) from:
* PoliticallyIncorrectHero: Val is initially shown to be prejudiced against common people.
to:
* PoliticallyIncorrectHero: Val is initially shown to be prejudiced against common people. He gets over that but he still has the values of a fifth century warrior (see DeliberateValuesDissonance above).
Changed line(s) 93 (click to see context) from:
* RapePillageAndBurn: Heavily implied in Val's assault on the city of Saramand. One of the most chilling examples of DeliberateValuesDissonance in the strip. It's just a grim everyday reality of Val's world.
to:
* RapePillageAndBurn: Heavily implied in Val's assault on the city of Saramand. One of the most chilling examples of DeliberateValuesDissonance in the strip. Also what the Huns were planning to do to Andelkrag. It's just a grim everyday reality of Val's world.
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Changed line(s) 34 (click to see context) from:
* BloodlessCarnage: Played jarringly straight, given how often characters are hacked by swords.
to:
* BloodlessCarnage: Played jarringly straight, given how often characters are hacked by with swords.
Changed line(s) 71 (click to see context) from:
* LastBastion: Abdelkrag, the last stronghold holding out against the Huns who have ravaged Europe. After the fall of Rome, Camelot becomes the last Christian kingdom in Europe.
to:
* LastBastion: Abdelkrag, the last stronghold holding out against the Huns who have ravaged Europe. After the fall of Rome, Camelot Arthur's Britain becomes the last Christian kingdom in Europe.
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Changed line(s) 57 (click to see context) from:
* GodGuise: Aleta is mistaken for a sun goddess by Native Americans who have never seen a blonde woman before. She plays along for survival reasons, but not without some guilt, and it is revealed in the narration that this belief in a "fair god" will eventually lead to the downfall of Native American civilizations.
to:
* GodGuise: Aleta is mistaken for a sun goddess by Native Americans who have never seen a blonde woman before. She plays along for survival reasons, but not without some guilt, and it is revealed in the narration that this belief in a "fair god" will eventually lead to the downfall of Native American civilizations.[[note]][[HaveAGayOldTime "Fair" as in "light-skinned."]] This happened to the Aztecs, who mistook Cortez for their god Quetzalcoatl long enough to let down their guard to the Spanish.[[/note]]
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None
Changed line(s) 39 (click to see context) from:
* CorporalPunishment: Spanking is a common and accepted form of discipline for both women and children given the setting and the era of publication, usually taking the form of ComedicSpanking. Most infamously, Aleta is spanked by Val and is apparently into it. She extends the same discipline to her children, with many an Arn-focused story arc ending with him being spanked by his mother. The cycle continues when he stays with a neighboring royal family where he is terrorized by a bratty princess: he not only spanks her himself but tricks her into getting paddled after a trap intended for him traps the queen instead! AuthorAppeal is apparent.
to:
* CorporalPunishment: Spanking is a common and accepted form of discipline for both women and children [[DontMakeMeTakeMyBeltOff children]] given the setting and the era of publication, usually taking the form of ComedicSpanking. Most infamously, Aleta is spanked by Val [[KinkySpanking and is apparently into it.it]]. She extends the same discipline to her children, with many an Arn-focused story arc ending with him being spanked by his mother. The cycle continues when he stays with a neighboring royal family where he is terrorized by a bratty princess: he not only spanks her himself but tricks her into getting paddled after a trap intended for him traps the queen instead! AuthorAppeal is apparent.
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None
Changed line(s) 41 (click to see context) from:
* CrapsaccharineWorld: Beneath thee bright and colorful surface and Camelot's chivalrous ideals, this is still DarkAgeEurope and it shows. Violence and bloodshed is near constant, civilization is hanging by a thread, continental Europe is crawling with barbarians and brigands and battle fields swarm with ghoulish peasants driven to desperation, looting corpses and picking off survivors. It's ultimately a kill or be killed world where any attempt at a peaceful existence is doomed to failure. It sure looks pretty though.
to:
* CrapsaccharineWorld: Beneath thee the bright and colorful surface and Camelot's chivalrous ideals, this is still DarkAgeEurope and it shows. Violence and bloodshed is near constant, civilization is hanging by a thread, continental Europe is crawling with barbarians and brigands and battle fields swarm with ghoulish peasants driven to desperation, looting corpses and picking off survivors. It's ultimately a kill or be killed world where any attempt at a peaceful existence is doomed to failure. It sure looks pretty though.
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Misuse
* DirectLineToTheAuthor: The series is supposed to be based on the writings of Val's friend and biographer Arf Geoffrey.
Deleted line(s) 75 (click to see context) :
* LiteraryAgentHypothesis: A variation. The series is supposed to be based on the writings of Val's friend and biographer Arf Geoffrey.
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* CorporalPunishment: Common and accepted given the setting and the era of publication. Aleta in particular does not hesitate to spank her children.
** ComedicSpanking: in one arc, Arn is staying with another royal family and is constantly being terrorized by the young princess. Eventually she plants an elaborate trap in his room but ends up accidentally trapping her mother who takes her to her room and spanks her with a hair brush, much to Arn's satisfaction.
** ComedicSpanking: in one arc, Arn is staying with another royal family and is constantly being terrorized by the young princess. Eventually she plants an elaborate trap in his room but ends up accidentally trapping her mother who takes her to her room and spanks her with a hair brush, much to Arn's satisfaction.
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* CorporalPunishment: Common Spanking is a common and accepted form of discipline for both women and children given the setting and the era of publication. publication, usually taking the form of ComedicSpanking. Most infamously, Aleta in particular does not hesitate is spanked by Val and is apparently into it. She extends the same discipline to spank her children.
** ComedicSpanking: in one arc, Arn is stayingchildren, with another many an Arn-focused story arc ending with him being spanked by his mother. The cycle continues when he stays with a neighboring royal family and where he is constantly being terrorized by the young princess. Eventually she plants an elaborate trap in his room but ends up accidentally trapping her mother who takes her to her room and a bratty princess: he not only spanks her with himself but tricks her into getting paddled after a hair brush, much to Arn's satisfaction.trap intended for him traps the queen instead! AuthorAppeal is apparent.
** ComedicSpanking: in one arc, Arn is staying
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Fix repeated trope, alphabetize
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* BloodKnight: Val lives for battle and bloodshed, at least in his younger days. He mellows out as he gets older.
* BloodlessCarnage: Played jarringly straight, given how often characters are hacked by swords.
* BloodlessCarnage: Played jarringly straight, given how often characters are hacked by swords.
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* BloodKnight: Val definitely loves a fight.
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* BloodKnight: Val definitely loves a fight.lives for battle and bloodshed, at least in his younger days. He mellows out as he gets older.
* BloodlessCarnage: Played jarringly straight, given how often characters are hacked by swords.
* BloodlessCarnage: Played jarringly straight, given how often characters are hacked by swords.
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* ArtisticLicenseHistory: Hal Foster clearly did a lot of historical research but he wasn't afraid to change things to suit the story. Contemporary historical figures make appearances, archaic place names (like Gaul for France for example) are used, the Western Roman Empire is still hanging on, paganism is still widely practiced in throughout Europe and the clothing worn throughout the series is more-or-less grounded in the Dark Ages/late antiquity. However, popular anachronistic trappings common to Arthurian literature (such as stone castles, chivalry, jousting and the title of knight) are heavily featured. Justifiable, as these elements have become so ubiquitous to Arthurian mythology that their absence would invoke a sense of RealityIsUnrealistic and most of the castles are implied, if not outright stated, to be Roman strongholds.
to:
* ArtisticLicenseHistory: Hal Foster clearly did a lot of historical research but he wasn't afraid to change things to suit the story. Contemporary historical figures make appearances, archaic place names (like Gaul for France for example) are used, the Western Roman Empire is still hanging on, paganism is still widely practiced in throughout Europe and the clothing worn throughout the series is more-or-less grounded in the Dark Ages/late antiquity. However, popular anachronistic trappings common to Arthurian literature (such as stone castles, chivalry, jousting and the title of knight) are heavily featured. Justifiable, as these elements have become so ubiquitous to Arthurian mythology that their absence would invoke a sense of RealityIsUnrealistic and most of the castles are implied, if not outright stated, to be Roman strongholds.
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* CrapsaccharineWorld: Beneath thee bright and colorful surface and Camelot's chivalrous ideals, this is still DarkAgeEurope and it shows. Violence and bloodshed is near constant, civilization is hanging by a thread, continental Europe is crawling with barbarians and brigands and battle fields swarm with ghoulish peasants driven to desperation looting corpses and picking off survivors. It's ultimately a kill or be killed world where any attempt at a peaceful existence is doomed to failure. It sure looks pretty though.
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* CrapsaccharineWorld: Beneath thee bright and colorful surface and Camelot's chivalrous ideals, this is still DarkAgeEurope and it shows. Violence and bloodshed is near constant, civilization is hanging by a thread, continental Europe is crawling with barbarians and brigands and battle fields swarm with ghoulish peasants driven to desperation desperation, looting corpses and picking off survivors. It's ultimately a kill or be killed world where any attempt at a peaceful existence is doomed to failure. It sure looks pretty though.
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Changed line(s) 6,7 (click to see context) from:
There have been two live action film versions, ''Film/PrinceValiant1954'', starring Robert Wagner, and ''Film/PrinceValiant1997'', starring Creator/StephenMoyer and Creator/KatherineHeigl. An AnimatedAdaptation, ''WesternAnimation/TheLegendOfPrinceValiant'', with [[WesternAnimation/{{Exosquad}} Robbie Benson]] voicing the title role, aired in 1991 on what was then [[Creator/ABCFamily The Family Channel]]. It also inspired the ''Prince Valiant: The Story-Telling Game'' TabletopRPG which was more oriented towards storytelling than HackAndSlash ''TabletopGame/DungeonsAndDragons''-style roleplay. He's also been a part of the King/[[Creator/DynamtieComics Dynamite]] comic book SharedUniverse, alongside fellow King Features action heroes ''ComicStrip/FlashGordon'', ''ComicStrip/MandrakeTheMagician'', ''ComicStrip/ThePhantom'', and ''ComicStrip/JungleJim''.
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There have been two live action film versions, ''Film/PrinceValiant1954'', starring Robert Wagner, and ''Film/PrinceValiant1997'', starring Creator/StephenMoyer and Creator/KatherineHeigl. An AnimatedAdaptation, ''WesternAnimation/TheLegendOfPrinceValiant'', with [[WesternAnimation/{{Exosquad}} Robbie Benson]] voicing the title role, aired in 1991 on what was then [[Creator/ABCFamily The Family Channel]]. It also inspired the ''Prince Valiant: The Story-Telling Game'' TabletopRPG which was more oriented towards storytelling than HackAndSlash ''TabletopGame/DungeonsAndDragons''-style roleplay. He's also been a part of the King/[[Creator/DynamtieComics King/[[Creator/DynamiteComics Dynamite]] comic book SharedUniverse, alongside fellow King Features action heroes ''ComicStrip/FlashGordon'', ''ComicStrip/MandrakeTheMagician'', ''ComicStrip/ThePhantom'', and ''ComicStrip/JungleJim''.
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Changed line(s) 6,7 (click to see context) from:
There have been two live action film versions, ''Film/PrinceValiant1954'', starring Robert Wagner, and ''Film/PrinceValiant1997'', starring Creator/StephenMoyer and Creator/KatherineHeigl. An AnimatedAdaptation, ''WesternAnimation/TheLegendOfPrinceValiant'', with [[WesternAnimation/{{Exosquad}} Robbie Benson]] voicing the title role, aired in 1991 on what was then [[Creator/ABCFamily The Family Channel]]. It also inspired the ''Prince Valiant: The Story-Telling Game'' TabletopRPG which was more oriented towards storytelling than HackAndSlash ''TabletopGame/DungeonsAndDragons''-style roleplay. He's also been a part of the King/Dynamite comic book SharedUniverse, alongside fellow King Features action heroes ''ComicStrip/FlashGordon'', ''ComicStrip/MandrakeTheMagician'', ''ComicStrip/ThePhantom'', and ''ComicStrip/JungleJim''.
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There have been two live action film versions, ''Film/PrinceValiant1954'', starring Robert Wagner, and ''Film/PrinceValiant1997'', starring Creator/StephenMoyer and Creator/KatherineHeigl. An AnimatedAdaptation, ''WesternAnimation/TheLegendOfPrinceValiant'', with [[WesternAnimation/{{Exosquad}} Robbie Benson]] voicing the title role, aired in 1991 on what was then [[Creator/ABCFamily The Family Channel]]. It also inspired the ''Prince Valiant: The Story-Telling Game'' TabletopRPG which was more oriented towards storytelling than HackAndSlash ''TabletopGame/DungeonsAndDragons''-style roleplay. He's also been a part of the King/Dynamite King/[[Creator/DynamtieComics Dynamite]] comic book SharedUniverse, alongside fellow King Features action heroes ''ComicStrip/FlashGordon'', ''ComicStrip/MandrakeTheMagician'', ''ComicStrip/ThePhantom'', and ''ComicStrip/JungleJim''.
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Changed line(s) 6,7 (click to see context) from:
There have been two live action film versions, ''Film/PrinceValiant1954'', starring Robert Wagner, and ''Film/PrinceValiant1997'', starring Stephen Moyer and Katherine Heigl. An AnimatedAdaptation, ''WesternAnimation/TheLegendOfPrinceValiant'', with [[WesternAnimation/{{Exosquad}} Robbie Benson]] voicing the title role, aired in 1991 on what was then [[Creator/ABCFamily The Family Channel]]. It also inspired the ''Prince Valiant: The Story-Telling Game'' TabletopRPG which was more oriented towards storytelling than HackAndSlash ''TabletopGame/DungeonsAndDragons''-style roleplay. He's also been a part of the King/Dynamite comic book SharedUniverse, alongside fellow King Features action heroes ''ComicStrip/FlashGordon'', ''ComicStrip/MandrakeTheMagician'', ''ComicStrip/ThePhantom'', and ''ComicStrip/JungleJim''.
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There have been two live action film versions, ''Film/PrinceValiant1954'', starring Robert Wagner, and ''Film/PrinceValiant1997'', starring Stephen Moyer Creator/StephenMoyer and Katherine Heigl.Creator/KatherineHeigl. An AnimatedAdaptation, ''WesternAnimation/TheLegendOfPrinceValiant'', with [[WesternAnimation/{{Exosquad}} Robbie Benson]] voicing the title role, aired in 1991 on what was then [[Creator/ABCFamily The Family Channel]]. It also inspired the ''Prince Valiant: The Story-Telling Game'' TabletopRPG which was more oriented towards storytelling than HackAndSlash ''TabletopGame/DungeonsAndDragons''-style roleplay. He's also been a part of the King/Dynamite comic book SharedUniverse, alongside fellow King Features action heroes ''ComicStrip/FlashGordon'', ''ComicStrip/MandrakeTheMagician'', ''ComicStrip/ThePhantom'', and ''ComicStrip/JungleJim''.