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** His TheReasonYouSuckSpeech towards the killer and by extension, Billy Loomis and Stu also serves as a moment as well.
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** His TheReasonYouSuckSpeech towards the killer and by extension, Billy Loomis and Stu also serves as a moment as well.
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* Dewey's '''brutal''' TheReasonYouSuckSpeech to Gale considering not only ''again'' trying to get more on Sidney's life instead of leaving her alone and her basic "demotion" of his character in her book. It actually ''shakes'' Gale, who's usually a JerkAss, into feeling bad.
* Gail's African-American cameraman being shrewd enough to note, "Brothers don't last long in situations like this", leaving town... and ''surviving''.
* Gail's African-American cameraman being shrewd enough to note, "Brothers don't last long in situations like this", leaving town... and ''surviving''.
to:
* Dewey's '''brutal''' TheReasonYouSuckSpeech to Gale considering not only is she ''again'' trying to get more on Sidney's life instead of leaving her alone and her basic "demotion" of his character in her book. It actually ''shakes'' Gale, who's usually a JerkAss, into feeling bad.
*Gail's Joel, Gale's African-American cameraman cameraman, being shrewd enough to note, "Brothers don't last long in situations like this", leaving town... and ''surviving''.
*
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* Sidney's fight with Mrs. Loomis in the theater, where Sidney grabs the fire ax and uses her knowledge of the backstage works to her advantage - alternately hacking at the ropes to send the lighting rigs and other heavy objects down at Mrs. Loomis, and setting off the various effects (such as thunder, lightning, and fog) to disorient her and keep her from being able to fight back effectively against Sidney.
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Changed line(s) 7 (click to see context) from:
--> Where's your innovation, huh?! Why copy two high school loser-ass dick heads? Stu was a pussy-ass wet rag! And Billy Loomis? Billy Loomis?! '''What the fuck?!''' Jesus! '''WHAT A RAT-LOOKING HOMO-REPRESSED MAMA'S BOY!''' WHY NOT SET YOUR GOALS HIGHER, HUH?! YOU WANT TO BE ONE OF THE BIG BOYS!? HUH?! MANSON, BUNDY, O.J., SON O- [[KilledMidSentence (attacked from behind by the killer and dragged into Gale's car)]]
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-->'''Sidney:''' Why don't you show yourself, you ''fucking coward''?
-->'''Ghostface:''' My pleasure...
-->'''Ghostface:''' My pleasure...
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-->'''Sidney:''' Why don't you show yourself, you ''fucking coward''?
-->'''Ghostface:'''coward''?\\
'''Ghostface:''' My pleasure...
-->'''Ghostface:'''
'''Ghostface:''' My pleasure...
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* [[MetaGuy Randy]] [[PluckyComicRelief Meeks]] gets a [[DyingMomentofAwesome dying moment of awesome]] by stalling the killer over the phone so Dewey and Gale can find him. It ends with him chewing out one of the first killers, Billy Loomis, as well as the killer, fully knowing it would kill him.
to:
* [[MetaGuy Randy]] [[PluckyComicRelief Randy Meeks]] gets a [[DyingMomentofAwesome dying moment of awesome]] by stalling the killer over the phone so Dewey and Gale can find him. It ends with him chewing out one of the first killers, Billy Loomis, as well as the killer, fully knowing it would kill him.
Deleted line(s) 17 (click to see context) :
* A retroactive meta example: Creator/LaurieMetcalf, who plays the killer Mrs. Loomis here, would be nominated for an Academy Award two decades after this film for her performance in ''Film/LadyBird''. As of 2021, this makes Mrs. Loomis the only Ghostface to be played by an ''Academy Award nominee!'' Sure, Mrs. Loomis may have been defeated in this sequel, but for her actress years later, TheBadGuyWins an Oscar nomination.
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Changed line(s) 4 (click to see context) from:
* When Sidney is confronted by Mickey, he begins comparing himself to Billy, to which Sid replies "You're forgetting one thing about Billy Loomis -- I fucking killed him!" Sid's delivery AND the line itself is incredibly badass!
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* When Sidney is confronted by Mickey, he begins comparing himself to Billy, to which Sid replies "You're forgetting one thing about Billy Loomis -- I fucking killed him!" Sid's delivery AND She then hits him across the line itself is incredibly badass!face with Derek's frat necklace.
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* When Sidney is confronted by Mickey, he begins comparing himself to Billy, to which Sid replies "You're forgetting one thing about Billy Loomis -- I fucking killed him!" Sid's delivery AND the line itself is incredibly bad-ass!
* [[MetaGuy Randy]] [[PluckyComicRelief Meeks]] gets a [[DyingMomentofAwesome dying moment of awesome]] by stalling the killer over the phone so Dewey and Gale to find him. It ends with him chewing out one of the first killers, Billy Loomis, as well as the killer, fully knowing it would kill him.
* [[MetaGuy Randy]] [[PluckyComicRelief Meeks]] gets a [[DyingMomentofAwesome dying moment of awesome]] by stalling the killer over the phone so Dewey and Gale to find him. It ends with him chewing out one of the first killers, Billy Loomis, as well as the killer, fully knowing it would kill him.
to:
* When Sidney is confronted by Mickey, he begins comparing himself to Billy, to which Sid replies "You're forgetting one thing about Billy Loomis -- I fucking killed him!" Sid's delivery AND the line itself is incredibly bad-ass!
badass!
* [[MetaGuy Randy]] [[PluckyComicRelief Meeks]] gets a [[DyingMomentofAwesome dying moment of awesome]] by stalling the killer over the phone so Dewey and Galeto can find him. It ends with him chewing out one of the first killers, Billy Loomis, as well as the killer, fully knowing it would kill him.
* [[MetaGuy Randy]] [[PluckyComicRelief Meeks]] gets a [[DyingMomentofAwesome dying moment of awesome]] by stalling the killer over the phone so Dewey and Gale
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* Ghostface gets one when he attacks Sidney and Hailee while they are under the protection of the local police detectives by quickly and brutally dispatching people trained to stop people like him.
** One of the cops, Richards, gets some credit for remaining on the hood of the car for a while and trying to get Ghostface to stop by pointing his gun at him.
** One of the cops, Richards, gets some credit for remaining on the hood of the car for a while and trying to get Ghostface to stop by pointing his gun at him.
to:
* Ghostface gets one when he attacks Sidney and Hailee Hallie while they are under the protection of the local police detectives by quickly and brutally dispatching people trained to stop people like him.
** One of the cops, Richards, gets some credit for remaining on the hood of the car for awhile while, and trying to get Ghostface to stop by pointing his gun at him.
** One of the cops, Richards, gets some credit for remaining on the hood of the car for a
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* Gail's African-American cameraman being shrewd enough to note, "Brothers don't last long in situations like this", leaving town. . . and ''surviving''.
* A retroactive meta example: Creator/LaurieMetcalf who plays the killer Mrs. Loomis in this would two decades after this film would be nominated for an Academy Award for her performance in ''Film/LadyBird'', as of 2021, this makes Mrs. Loomis the only Ghostface to be played by an ''Academy Award nominee'' compared to others in the films! Sure, Mrs. Loomis may have been defeated in this sequel, but for her actress years later, TheBadGuyWins an Oscar nomination.
* It's easy to overlook considering Gail's status in the first two movies as a ButtMonkey, and especially on a first viewing where you don't know who the killer will be, but in this movie, Gail unknowingly goes toe to toe with the killer in arguments not once, but ''twice''.
* A retroactive meta example: Creator/LaurieMetcalf who plays the killer Mrs. Loomis in this would two decades after this film would be nominated for an Academy Award for her performance in ''Film/LadyBird'', as of 2021, this makes Mrs. Loomis the only Ghostface to be played by an ''Academy Award nominee'' compared to others in the films! Sure, Mrs. Loomis may have been defeated in this sequel, but for her actress years later, TheBadGuyWins an Oscar nomination.
* It's easy to overlook considering Gail's status in the first two movies as a ButtMonkey, and especially on a first viewing where you don't know who the killer will be, but in this movie, Gail unknowingly goes toe to toe with the killer in arguments not once, but ''twice''.
to:
* Gail's African-American cameraman being shrewd enough to note, "Brothers don't last long in situations like this", leaving town. . .town... and ''surviving''.
* A retroactive meta example:Creator/LaurieMetcalf Creator/LaurieMetcalf, who plays the killer Mrs. Loomis in this would two decades after this film here, would be nominated for an Academy Award two decades after this film for her performance in ''Film/LadyBird'', as ''Film/LadyBird''. As of 2021, this makes Mrs. Loomis the only Ghostface to be played by an ''Academy Award nominee'' compared to others in the films! nominee!'' Sure, Mrs. Loomis may have been defeated in this sequel, but for her actress years later, TheBadGuyWins an Oscar nomination.
* It's easy tooverlook overlook, considering Gail's Gale's status in the first two movies as a ButtMonkey, and especially on a first viewing where you don't know who the killer will be, but in this movie, Gail Gale unknowingly goes toe to toe with the killer in arguments not once, but ''twice''.
* A retroactive meta example:
* It's easy to
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* It's easy to overlook considering Gail's status in the first two movies as a ButtMonkey, and especially on a first viewing where you don't know who the killer will be, but in this movie, Gail unknowingly goes toe to toe with the killer in arguments not once, but ''twice''.
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Changed line(s) 17 (click to see context) from:
* A retroactive meta example: Creator/LaurieMetcalf who plays the killer Mrs. Loomis in this would two decades after this film would be nominated for an Academy Award for her performance in ''Film/LadyBird'', as of 2021, this makes Mrs. Loomis the only Ghostface to be played by an ''Academy Award nominee'' compared to others in the films! Sure, Mrs. Loomis may have been defeated in this sequel, but for her actress years late, TheBadGuyWins an Oscar nomination.
to:
* A retroactive meta example: Creator/LaurieMetcalf who plays the killer Mrs. Loomis in this would two decades after this film would be nominated for an Academy Award for her performance in ''Film/LadyBird'', as of 2021, this makes Mrs. Loomis the only Ghostface to be played by an ''Academy Award nominee'' compared to others in the films! Sure, Mrs. Loomis may have been defeated in this sequel, but for her actress years late, later, TheBadGuyWins an Oscar nomination.
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* A retroactive meta example: Creator/LaurieMetcalf who plays the killer Mrs. Loomis in this would two decades after this film would be nominated for an Academy Award for her performance in ''Film/LadyBird'', as of 2021, this makes Mrs. Loomis the only Ghostface to be played by an ''Academy Award nominee'' compared to others in the films! Sure, Mrs. Loomis may have been defeated in this sequel, but for her actress years late, TheBadGuyWins an Oscar nomination.
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* Gail's African-American cameraman being shrewd enough to note, "Brothers don't last long in situations like this", leaving town. . . and ''surviving''.
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* Cici doesn't put up the best fight of Ghostface's victims, but she doesn't go down easily either, throwing a potted plant at his head and shoving a bicycle lying in the hallway at him.
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** One of the cops, Richards, gets some credit for remaining on the hood of the car for a while and trying to get Ghostface to stop by pointing his gun at him.
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Changed line(s) 7 (click to see context) from:
--> Where's your innovation, huh?!Why copy two high school loser-ass dick heads? Stu was a pussy-ass wet rag! And Billy Loomis? Billy Loomis?! '''What the fuck?!''' Jesus! '''WHAT A RAT-LOOKING HOMO-REPRESSED MAMA'S BOY!''' WHY NOT SET YOUR GOALS HIGHER, HUH?! YOU WANT TO BE ONE OF THE BIG BOYS!? HUH?! MANSON, BUNDY, O.J., SON O- [[KilledMidSentence (attacked from behind by the killer and dragged into Gale's car)]]
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--> Where's your innovation, huh?!Why huh?! Why copy two high school loser-ass dick heads? Stu was a pussy-ass wet rag! And Billy Loomis? Billy Loomis?! '''What the fuck?!''' Jesus! '''WHAT A RAT-LOOKING HOMO-REPRESSED MAMA'S BOY!''' WHY NOT SET YOUR GOALS HIGHER, HUH?! YOU WANT TO BE ONE OF THE BIG BOYS!? HUH?! MANSON, BUNDY, O.J., SON O- [[KilledMidSentence (attacked from behind by the killer and dragged into Gale's car)]]
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Moments subpages (such as Heartwarming, Tearjerker etc.) are Spoilers Off pages.
Changed line(s) 1,5 (click to see context) from:
* [[spoiler:Maureen]]'s death cry at the beginning.
* When Sidney is confronted by [[spoiler:Mickey]], he begins comparing himself to [[spoiler:Billy]], to which Sid replies "You're forgetting one thing about [[spoiler: Billy Loomis]] -- I fucking killed him!" Sid's delivery AND the line itself is incredibly bad-ass!
* [[MetaGuy Randy]] [[PluckyComicRelief Meeks]] gets a [[spoiler:[[DyingMomentofAwesome dying moment of awesome]]]] by stalling the killer over the phone so Dewey and Gale to find him. It ends with him chewing out one of the first killers, [[spoiler:Billy Loomis]], as well as the killer, fully knowing it would have [[spoiler:killed him]].
** His TheReasonYouSuckSpeech towards the killer and extention, [[spoiler: Billy Loomis]] and [[spoiler: Stu]] also serves as a moment as well.
--> Where's your innovation, huh?!Why copy two high school loser-ass dick heads? [[spoiler: Stu]] was a pussy-ass wet rag! And [[spoiler: Billy Loomis]]? [[spoiler: Billy Loomis]]?! '''What the fuck?!''' Jesus! '''WHAT A RAT-LOOKING HOMO-REPRESSED MAMA'S BOY!''' WHY NOT SET YOUR GOALS HIGHER, HUH?! YOU WANT TO BE ONE OF THE BIG BOYS!? HUH?! MANSON, BUNDY, O.J., SON O-[[spoiler: [[KilledMidSentence (attacked from behind by the killer and dragged into Gale's car)]]]]
* When Sidney is confronted by [[spoiler:Mickey]], he begins comparing himself to [[spoiler:Billy]], to which Sid replies "You're forgetting one thing about [[spoiler: Billy Loomis]] -- I fucking killed him!" Sid's delivery AND the line itself is incredibly bad-ass!
* [[MetaGuy Randy]] [[PluckyComicRelief Meeks]] gets a [[spoiler:[[DyingMomentofAwesome dying moment of awesome]]]] by stalling the killer over the phone so Dewey and Gale to find him. It ends with him chewing out one of the first killers, [[spoiler:Billy Loomis]], as well as the killer, fully knowing it would have [[spoiler:killed him]].
** His TheReasonYouSuckSpeech towards the killer and extention, [[spoiler: Billy Loomis]] and [[spoiler: Stu]] also serves as a moment as well.
--> Where's your innovation, huh?!Why copy two high school loser-ass dick heads? [[spoiler: Stu]] was a pussy-ass wet rag! And [[spoiler: Billy Loomis]]? [[spoiler: Billy Loomis]]?! '''What the fuck?!''' Jesus! '''WHAT A RAT-LOOKING HOMO-REPRESSED MAMA'S BOY!''' WHY NOT SET YOUR GOALS HIGHER, HUH?! YOU WANT TO BE ONE OF THE BIG BOYS!? HUH?! MANSON, BUNDY, O.J., SON O-[[spoiler: [[KilledMidSentence (attacked from behind by the killer and dragged into Gale's car)]]]]
to:
''As a Moments subpage, all spoilers are unmarked. You have been warned.''
*[[spoiler:Maureen]]'s Maureen's death cry at the beginning.
* When Sidney is confronted by[[spoiler:Mickey]], Mickey, he begins comparing himself to [[spoiler:Billy]], Billy, to which Sid replies "You're forgetting one thing about [[spoiler: Billy Loomis]] Loomis -- I fucking killed him!" Sid's delivery AND the line itself is incredibly bad-ass!
* [[MetaGuy Randy]] [[PluckyComicRelief Meeks]] gets a[[spoiler:[[DyingMomentofAwesome [[DyingMomentofAwesome dying moment of awesome]]]] awesome]] by stalling the killer over the phone so Dewey and Gale to find him. It ends with him chewing out one of the first killers, [[spoiler:Billy Loomis]], Billy Loomis, as well as the killer, fully knowing it would have [[spoiler:killed him]].
kill him.
** His TheReasonYouSuckSpeech towards the killer andextention, [[spoiler: by extension, Billy Loomis]] Loomis and [[spoiler: Stu]] Stu also serves as a moment as well.
--> Where's your innovation, huh?!Why copy two high school loser-ass dick heads?[[spoiler: Stu]] Stu was a pussy-ass wet rag! And [[spoiler: Billy Loomis]]? [[spoiler: Loomis? Billy Loomis]]?! Loomis?! '''What the fuck?!''' Jesus! '''WHAT A RAT-LOOKING HOMO-REPRESSED MAMA'S BOY!''' WHY NOT SET YOUR GOALS HIGHER, HUH?! YOU WANT TO BE ONE OF THE BIG BOYS!? HUH?! MANSON, BUNDY, O.J., SON O-[[spoiler: O- [[KilledMidSentence (attacked from behind by the killer and dragged into Gale's car)]]]]car)]]
*
* When Sidney is confronted by
* [[MetaGuy Randy]] [[PluckyComicRelief Meeks]] gets a
** His TheReasonYouSuckSpeech towards the killer and
--> Where's your innovation, huh?!Why copy two high school loser-ass dick heads?
Changed line(s) 11 (click to see context) from:
* Dewey's '''brutal''' TheReasonYouSuckSpeech to Gale considering not only ''again'' trying to get more on Sidney's life instead of leaving her alone and her basic "demotion" of his character in her book. It actually ''shakes'' Gale, who's usually a JerkAss into feeling bad.
to:
* Dewey's '''brutal''' TheReasonYouSuckSpeech to Gale considering not only ''again'' trying to get more on Sidney's life instead of leaving her alone and her basic "demotion" of his character in her book. It actually ''shakes'' Gale, who's usually a JerkAss JerkAss, into feeling bad.
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* Sidney shooting the already dead killer in the head with the deadpan remark "just in case".
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* Sidney shooting the (probably) already dead killer in the head with the deadpan remark "just in case".
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Changed line(s) 5 (click to see context) from:
--> Where's your innovation, huh?!Why copy two high school loser-ass dick heads? [[spoiler: Stu]] was a pussy-ass wet rag! And [[spoiler: Billy Loomis]]? [[spoiler: Billy Loomis]]?! '''What the fuck?!''' Jesus! '''WHAT A RAT-LOOKING HOMO-REPRESSED MAMA'S BOY!''' WHY NOT SET YOUR GOALS HIGHER, HUH?! YOU WANT TO BE ONE OF THE BIG BOYS!? HUH?! MANSON, BUNDY, O.J., SON O-[[spoiler: KilledMidSentence (attacked from behind by the killer and dragged into Gale's car)]]
to:
--> Where's your innovation, huh?!Why copy two high school loser-ass dick heads? [[spoiler: Stu]] was a pussy-ass wet rag! And [[spoiler: Billy Loomis]]? [[spoiler: Billy Loomis]]?! '''What the fuck?!''' Jesus! '''WHAT A RAT-LOOKING HOMO-REPRESSED MAMA'S BOY!''' WHY NOT SET YOUR GOALS HIGHER, HUH?! YOU WANT TO BE ONE OF THE BIG BOYS!? HUH?! MANSON, BUNDY, O.J., SON O-[[spoiler: KilledMidSentence [[KilledMidSentence (attacked from behind by the killer and dragged into Gale's car)]]car)]]]]
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** His TheReasonYouSuckSpeech towards the killer and extention, [[spoiler: Billy Loomis]] and [[spoiler: Stu]] also serves as a moment as well.
--> Where's your innovation, huh?!Why copy two high school loser-ass dick heads? [[spoiler: Stu]] was a pussy-ass wet rag! And [[spoiler: Billy Loomis]]? [[spoiler: Billy Loomis]]?! '''What the fuck?!''' Jesus! '''WHAT A RAT-LOOKING HOMO-REPRESSED MAMA'S BOY!''' WHY NOT SET YOUR GOALS HIGHER, HUH?! YOU WANT TO BE ONE OF THE BIG BOYS!? HUH?! MANSON, BUNDY, O.J., SON O-[[spoiler: KilledMidSentence (attacked from behind by the killer and dragged into Gale's car)]]
--> Where's your innovation, huh?!Why copy two high school loser-ass dick heads? [[spoiler: Stu]] was a pussy-ass wet rag! And [[spoiler: Billy Loomis]]? [[spoiler: Billy Loomis]]?! '''What the fuck?!''' Jesus! '''WHAT A RAT-LOOKING HOMO-REPRESSED MAMA'S BOY!''' WHY NOT SET YOUR GOALS HIGHER, HUH?! YOU WANT TO BE ONE OF THE BIG BOYS!? HUH?! MANSON, BUNDY, O.J., SON O-[[spoiler: KilledMidSentence (attacked from behind by the killer and dragged into Gale's car)]]
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* Dewey's '''brutal''' TheReasonYouSuckSpeech to Gale considering not only ''again'' trying to get more on Sidney's life instead of leaving her alone and her basic "demotion" of his character in her book. It actually ''shakes'' Gale, who's usually a JerkAss into feeling bad.
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* Ghostface again when he subverts Sidney's expectations and confronts her as soon as she goads him to quit hiding.
-->'''Sidney:''' Why don't you show yourself, you ''fucking coward''?
-->'''Ghostface:''' My pleasure...
-->'''Sidney:''' Why don't you show yourself, you ''fucking coward''?
-->'''Ghostface:''' My pleasure...
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Changed line(s) 5 (click to see context) from:
* Ghostface gets one when he attacks Sidney and Hailee while they are under the protection of the FBI by quickly and brutally dispatching people trained to stop people like him.
to:
* Ghostface gets one when he attacks Sidney and Hailee while they are under the protection of the FBI local police detectives by quickly and brutally dispatching people trained to stop people like him.
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Split the different works off to their own pages.
Added DiffLines:
* [[spoiler:Maureen]]'s death cry at the beginning.
* When Sidney is confronted by [[spoiler:Mickey]], he begins comparing himself to [[spoiler:Billy]], to which Sid replies "You're forgetting one thing about [[spoiler: Billy Loomis]] -- I fucking killed him!" Sid's delivery AND the line itself is incredibly bad-ass!
* [[MetaGuy Randy]] [[PluckyComicRelief Meeks]] gets a [[spoiler:[[DyingMomentofAwesome dying moment of awesome]]]] by stalling the killer over the phone so Dewey and Gale to find him. It ends with him chewing out one of the first killers, [[spoiler:Billy Loomis]], as well as the killer, fully knowing it would have [[spoiler:killed him]].
* Sidney shooting the already dead killer in the head with the deadpan remark "just in case".
* Ghostface gets one when he attacks Sidney and Hailee while they are under the protection of the FBI by quickly and brutally dispatching people trained to stop people like him.
----
* When Sidney is confronted by [[spoiler:Mickey]], he begins comparing himself to [[spoiler:Billy]], to which Sid replies "You're forgetting one thing about [[spoiler: Billy Loomis]] -- I fucking killed him!" Sid's delivery AND the line itself is incredibly bad-ass!
* [[MetaGuy Randy]] [[PluckyComicRelief Meeks]] gets a [[spoiler:[[DyingMomentofAwesome dying moment of awesome]]]] by stalling the killer over the phone so Dewey and Gale to find him. It ends with him chewing out one of the first killers, [[spoiler:Billy Loomis]], as well as the killer, fully knowing it would have [[spoiler:killed him]].
* Sidney shooting the already dead killer in the head with the deadpan remark "just in case".
* Ghostface gets one when he attacks Sidney and Hailee while they are under the protection of the FBI by quickly and brutally dispatching people trained to stop people like him.
----
