Divulgation, a mysterious, slow-build, unsettling track reminiscent of "Chill and Rigor".
Demise, a surprisingly upbeat tune for the Bad Ends. Probably because it also plays when everyone escapes in the true end.
Broken Base: Sigma's pervertedness. It's either extremely funny, or really creepy with how insistent he is (plus, Junpei from 999 was far more subtle). Doesn't help that Sigma is actually 67 years old with the mind of a 22 year-old throughout the story.
Contested Sequel: Not as much as other examples, but there's some debate over whether it's an Even Better Sequel or a really good follow up that doesn't quite match the previous installment. While some prefer VLR's new mechanics and greater scope, others prefer the more focused narrative of the previous. The characters are a frequent point of contention, as many see VLR's cast as primarily a bunch on Jerkasses whereas the cast of 999 had its share of Hidden Depths.
Ensemble Darkhorse: Luna, because she is by far the nicest and friendliest person in the cast, to the point that she never betrays you. This is an especially notable dark horse since traditionally feminine, submissive characters USUALLY tend to be unpopular in the West.
In a lot of the bad endings, someone manages to escape and then promises to contact the police to come and save everyone else left behind. The problem is, as you play through all the routes you gradually learn that the world is now post-apocalypse...as Tenmyouji (who knows about the Radical-6 pandemic) snarks in his own first bad ending, let's hope there's someone left out there to contact for help...
Not to mention THEY'RE ON THE MOON! It'd be lucky if they ever saw another human being at all!
Made better by the fact that, somewhere on the moon, there are 53 other Rhizomes, presumably filled with people that escaped from Earth.
Betraying Luna, as Sigma is unknowingly her creator and Luna herself has quite a bit of angst relating to the fact that she's not human.
Narm: K's "shocked" animation pose has him clapping his hands to face not entirely unlike the iconic Home Alone cover. His pupils turn vertical too. It looks more silly and adorable than shocked.
The game definitely makes you feel like a jerk any time you choose "betray", but it's especially bad if the opponent is Luna or a comatose Quark.
Learning that the dead old woman is Akane.
That One Level: The dice puzzle in the Q Room. Unlike the same puzzle in the Archives, it's not enough to have the right number on the top of each die, they also have to be aligned properly, which requires a specific combination of moves for each die.
You would be very hard-pressed to find anybody who are genuine fans of Dio. Put simply, he's a tremendous, unceasing Jerkass who doesn't have much in the way of redeeming characteristics, even more so than Alice (who is also covered below). So if you see someone rejoicing over his death in some routes or picking the "Betray" option any time the player is given the choice to side with him, make no bones about it, it's likely more out of spite for the guy than anything else.
Many people were kinda put-off by how different Clover was personality-wise in this game from the first installment. A pretty ironic turnaround when you consider that Clover returned in this game because she was a fan favorite in the first game.
Alice is seen this way as well, mainly due to her Jerkass attitude in her character path as well as the infamous act where she stealth-betrays you, leaving Sigma with -1 BP (death) unless the player had the foresight to pick betray beforehand. Ironically, outside her character path minus her ending, she is less of a Jerkass and is a helpful ally...when she's not committing suicide due to Radical-6.
Ship Tease: Sigma could reasonably be shipped with every single named female character in the game, since to get the Omega Ending he must be emotionally close to each one of them in at least one timeline and at least one of them is strongly implied to have feelings for him. Can reach squick territory after The Reveal, though, and worse squick territory after Zero Time Dilemma.
That One Puzzle: The Q Room contains revamped versions of some of the hardest puzzles across the game, but what stands out is its dice puzzle. Like before, it provides the player with clues to where the dice need to go, and the player has to roll the dice to the indicated locations. However, instead of matching one face and the die's position, the entire die's orientation must match the clue.
Dio is so repugnant that finding out he's the antagonist of the scenario is...really surprising because it's so unsurprising. You keep expecting him to have some sort of hidden redeeming value. Nope. He doesn't. He really is as bad as he appears to be, and then some. Particularly surprising in the sequel of a game where the biggest jerkasses turn out to be caring and selfless people
Accordingly, Quark is such an innocent and well behaved child and Luna such a nice and caring woman that anyone who played the first game will become immediately suspicious and may even for a while believe Dio's story that Quark is the one who picks "Betray" against Tenmyouji. They turn out to be, respectively, even more adorably innocent and heroically selfless than initially apparent
The True End, for some players. If you know Prisoner's Dilemma, then you know from the start of the game that there's only one way for everyone to survive: cooperate. Unlike 999 and the "q/9" twist, VLR has no way to disguise this.
Clover falls into this with her unemotional perpetual grin mixed with the soulful voice acting she can come off as quite creepy. Her actions don't help either.
Some people feel this way about Luna as well, due to her stiff movements and occasional monotone voice. This becomes a bit of Fridge Brilliance following The Reveal in her route.
Unintentionally Unsympathetic: Phi is something of a secondary protagonist, but she urges you to betray in the first round, even against Luna, even after mentioning that the best way to win the Prisoner's Dilemma for the whole group is to ally. And if you take her advice and betray, she blames the vote on you. If you ally and you're right to do so, she still chews you out.
What an Idiot: You've just inspected the Laboratory with Dio and Clover, found Axelavir in the safe, and had Dio steal it from you, who tells you to vote Ally in the next AB Game and tell nobody that he has it, or else he'll smash it. You'd expect: Dio to stay where he can see them and hear what they're talking to the others about. Instead: He leaves their side no less than three times Even Worse: He goes into one of the soundproof AB Rooms prematurely, leaving Clover and Sigma with everybody else, and no way for him to know if they tell the others about the Axelavir You'd Expect: Sigma and Clover to tell everyone, especially the physically intimidating K, that Dio stole the Axelavir, and perhaps ask K to grab and search him after he leaves the AB Room Instead: They never do this, and they're forced to risk either Sigma dying, or Quark to never have any hope of being cured from Radical-6
There is also no option to point out to Dio that if you told others and he did smash the Axelavir, most if not all of the other players would want him dead after that, with nothing to hold them back.
The game's Japanese title was generally translated as Good People Die, but it also could be read as I Want To Be a Good Person. To preserve this double meaning, the English title was changed to Virtue's Last Reward to play off the phrases "Virtue is its own reward" and "The last reward" (death). The scenario writer liked it so much he had the game's main theme on the soundtrack renamed to "Virtue's Last Reward".
Myrmidons were originally called Clay Dolls, another way of saying golems. It is implying that Dio and the other Left clones are similar in nature to the gaulems. Myrmidons on the other hand are a reference to "ant people" from Greek mythology which also suggests that while autonomous, they are a hivemind like the gaulems. It also has a double meaning as "fanatical warrior".