- Alternate Character Interpretation:
- Spider Jerusalem has this in spades. Is he an Anti-Hero, doing what has to be done? Is he a Knight Templar who crosses the line just as much as those he's against, with his constant physical assaults, and violations of people's privacy? Perhaps the most disturbing possibility: he's a massive hypocrite, who dehumanizes the rich the same way he claims they dehumanize the poor while also using their methods to accomplish his goals. Ellis encourages examination of Spider's character and there's enough evidence for just about any interpretation.
- Fred Christ is also a good example. There's no question that he has self-serving motives, but it isn't clear if those are his ONLY motives. There are definitely moments, immediately before his death especially, when he seems to actually be concerned about people other than himself.
- Religion makes you evil, period. If you are religious you can't even die with dignity.
- There's a recurring undertone of "Pornography is exploitative and harms sexual progress".
- One of the lunatics in "There is a Reason" spouts off every stereotypically "right-wing" ideology under the sun, ending with a Bible quote. About as subtle as a brick to the eyeballs.
- Complete Monster: Senator (and eventually President) Gary "The Smiler" Callahan, in a world nearly without ethics, he goes above and beyond the call of evil. He has his campaign coordinator publicly assassinated to win sympathy for himself after his campaign went into the gutter; he has his family killed in an "accident" to again win sympathy; he has a member of his State Sec pull a sniper spree on civilians so that no one would notice the freak storm brewing nearby, a storm that causes massive damage and loss of life, all so he could wipe the evidence against him from existence (and that was a fool's errand as Spider kept his own private records, meaning that the Smiler did what he did for nothing); he has a peaceful protest of college students riddled with bullets at the first opportunity of "I thought he was pulling a gun"; he allows the brutal murderers of an innocent kid to go free and orders the cops to butcher all of the protesters as soon as violence was initiated (and it was done so by the murderers) and then (briefly) used his power to prevent the media from even acknowledging the riot and the slaughter of innocent civilians from happening.
- Crazy Awesome - The whole thing, but especially Spider.
- Crosses the Line Twice - And then hops back and forth over the line some more before firing a bowel disruptor into the air indiscriminately.
- Draco in Leather Pants: While Spider definitely means well, some fans forget that he's also a dangerously unstable and occasionally hypocritical jerkass who uses unethical journalistic methods like violence and invasion of privacy to get the truth. See Misaimed Fandom below.
- Ensemble Darkhorse - The Chair Leg of Truth.
IT. DOES. NOT. LIE!
- Family-Unfriendly Aesop - Like so many things in the series it Crosses the Line Twice:
Spider: Hi. I'm Spider Jerusalem. I smoke. I take drugs. I drink. I wash every six weeks. I masturbate constantly and fling my steaming poison semen down from my window into your hair and food. I'm a rich and respected columnist for a major metropolitan newspaper. I live with two beautiful women in the city's most expensive and select community. Being a bastard works.
The City Careers Service. Call us now. No matter how much of a fuck you are.
- "Funny Aneurysm" Moment: In his acknowledgements, Ellis saves his appreciation for Patrick Stewart for last and jokes that Stewart's wife Wendy Neuss is "smarter than both of us." Stewart and Neuss divorced a year later.
- Genius Bonus: The reveal that Channon will be getting plenty of sex at the nunnery she's joining is foreshadowed a few panels earlier by the brochure, which reads, "Our Lady of the Little Death." The French phrase "la petite mort" or "the little death" is an old euphemism for an orgasm.
- Harsher in Hindsight:
- On the penultimate pages of the series, Spider puts a cigarette in his mouth for One Last Smoke, draws a handgun, puts it under his chin, and it turns out to be a lighter. Sad part? Three years later, Spider's inspiration, Hunter S. Thompson, did the exact same thing... except the gun was real.
- The Ruin-Storm arc is a lot harder to read for some after Hurricane Sandy, considering that The City is heavily implied to be New York throughout the series.
- Jerkass Woobie:
"Sometimes I want to be someone else so badly it hurts."
- Spider. His reaction to Vita Severn's murder is heartbreaking, and whenever he's not being completely insane, you can't help but feel bad for him.
- Arguably the Beast. His argument to Spider is that, due to the limits of his power, he cannot be expected to do more than the bare minimum. He's not corrupt so much as beaten down and jaded, skating through the time remaining in his term. He's what happens when cynicism wins, as a contrast to Spider's angry, frustrated idealism.
- Misaimed Fandom - Ellis has repeatedly said that Spider is not a role model to be emulated. And yet...
- Moral Event Horizon: Vita Severn's murder.
- Some Anvils Need to Be Dropped - You can't do a tribute to Hunter S. Thompson and not be anvilicious. 'Business', about child prostitution, is arguably the most famous.
- Squick - Yelena drinking the bottle of tequila on election night. Rather than a worm it has a cockroach in it and we're treated to an extreme close-up of her slowly biting it in half!
- Tear Jerker:
Spider: He systematically sexually abused her over a two-year period and she missed him because he was her brother and she loved him.
- A story Spider tells in an interview about a young woman and her brother. It's agonizing.
Spider: You can let yourself forget that they're just kids so easily.
- Vita's death. Spider's reaction shot is crushing. We've seen him angry, excited, confused... it's the first time we've seen him horrified.
- "Business". The whole damn thing. But especially the line "Can we go to Long Pig? They have toys."
- Values Dissonance: Toward the very beginning of the series. Spider's first story is covering the "Transients", who are people transitioning between being human and alien which began as a kind of temporary body mod. Spider finds the whole thing distasteful, says Transients should be treated like the kids they are (in so many words), and there's an overwhelming implication that Fred Christ, the spokesman for the "Transient Movement" protesting in the City, is faking it for the exclusive purpose of getting access to sex. In 1997, just about everyone probably would've agreed with Spider's (and Ellis') take on the situation... but two decades later, it's hard not to make comparisons to actual transsexuality and for the section to come off as more than a little transphobic for hitting just about every negative stereotype of transsexuals (just faking it, it's just temporary, et cetera). Of course, the City government and police then use the flimsiest of constructed excuses as justification to send in the riot cops to crush, kill and erase the Transients, and Spider shines a light on the utter ridiculousness and naked power-displaying of this (as he notes that he might not agree with what the Transients do to themselves, but they weren't hurting anyone and in no way or form deserve what's happening) resulting in the whole thing whipping straight back around into a kind of Values Resonance that Ellis may not have even intended.