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YMMV / The Bill

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  • Archive Panic: With over 2,400 episodes having been made over the course of 27 years, any first time viewer who is tempted to start watching the series from the very beginning may find themselves facing a daunting task ahead of them.
  • Complete Monster: See here.
  • Diagnosed by the Audience: Reg Hollis had many traits of Aspergers or high functioning autism, though a full diagnosis was never confirmed.
  • Ensemble Dark Horse:
    • You guessed it, Jo Masters.
    • Burnside was a relatively minor character during his original guest appearance, albeit one who acted as antagonist for the regulars. Chris Ellison's performance was so good that he was invited back to become a regular in season four, and if you ask the person in the street about their memories of The Bill, invariably they'll involve him.
  • Harsher in Hindsight:
    • Kevin Lloyd's character, DC Tosh Lines, was written out (Lloyd had been sacked for drinking problems) as having accepted a job at the coroner's office. The actor died a week later.
    • Any time DI Neil Manson worked on a child abuse case - Andrew Lancel would later be tried (and acquitted in 29 minutes) for child sexual abuse.
  • Hilarious in Hindsight:
    • Eddie Santini and Rosie Fox are depicted as having an Arch-Enemy relationship, with Santini's drunken sexual assault of her instigating one of the most deadly, hate-filled feuds on the shows entire run. The actors of both characters (Michael Higgs and Caroline Catz) had a real life Romance on the Set whilst the storyline was being filmed and married not long afterwards.
    • An episode shows Chief Inspector Philip Cato taking down neo-nazi flyers, arresting the person responsible and expressing vocal disgust for their racism. The actor, Philip Whitchurch, would later portray the head of a violent neo-nazi gang in Waking the Dead, alongside DS John Boulton's actor Russell Boulter.
  • Moral Event Horizon:
    • Eddie Santini crossed it either with his drunken sexual assault of Rosie Fox or with his refusal to simply apologise and move on afterward.
    • Don Beech was already well on his way with all of his corruption (evidence tampering, witness intimidation), but when he murdered John Boulton, he most definitely crossed this line. At times afterwards he did seem genuinely remorseful about what he had done, but it was too late, the line had well and truly been crossed and there was no going back.
    • Tom Chandler crossed it onscreen with the rape of Debbie McAllister, though offscreen he had been guilty of this for decades.
    • David Kent crossed it by seducing June Ackland after finding out she was the mother of his adopted brother Gabriel, whose identity he had stolen, intending to make her believe she had committed incest. He would only get worse afterward (raping and later murdering Kerry Young, leaving Andrea Dunbar to die in the 2005 fire).
  • Never Live It Down: One of his early episodes established that Jack Meadows was demoted back to DCI after failing to supervise a corrupt officer under his command. This "career glitch" (as Chief Superintendent Brownlow once called it) would occasionally pop up again in later years whenever Meadows tried to seek promotion. His inability to supervise corrupt officers also became something of a running theme, with him becoming increasingly more paranoid as people like Don Beech, Zain Nadir and Sergeant Stone ran rampant under his command...
  • Retroactive Recognition: A virtual who's who of the British TV acting scene.
  • Seasonal Rot: The show's transition to Crime Time Soap from 1999 onwards was not taken well by old fans of the show. The later seasons were widely regarded as having inferior storylines and characters, as well as implausible plots that broke the suspension of disbelief. An equally sore point for the fandom was the show losing much of the hard edged realism of it's earlier years during this time, which was part of what made the show so acclaimed.
  • Ships That Pass in the Night: Virtually every romantic storyline between any two of the police officers.
  • Spiritual Successor: The series was very much a spiritual successor of The Sweeney (it shared production personnel with it in the early days). And of Z Cars and Dixon of Dock Green, to a lesser extent.

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