Music: Franz Liszt

Before there was Beatlemania, there was Lisztomania. Franz Liszt (22 October 1811 –- 31 July 1886) was the Trope Codifier for all music stars that came after him. (Violinist Niccolo Paganini was the Ur Example, for anyone interested.)

As a child prodigy, Liszt was stage-managed by his father, until he dropped dead in 1827. Liszt entered a self-imposed exile until the 1830s. After coming out of seclusion, he toured for nine years in Europe, and accrued a devoted fanbase comparable to that of today's pop stars. When Liszt got tired of touring, he settled in Weimar, where he first met that young hotshot composer Richard Wagner. They were musical kindred spirits, with a flair for the dramatic. Liszt actually premiered several of Wagner's operas. After 15 years in Weimar, Liszt moved to Rome. Though Liszt was quite the womanizer, he was a practicing Roman Catholic; nonetheless, his decision to become a priest shocked everyone. After he took up the cloth, Liszt spent the last years of his life teaching in Rome, Weimar, and Budapest (which must have been quite the commute). Liszt died in 1886, without having his Last Rites, with his request to be buried simply in a monk's robe ignored.

He is the composer of the Hungarian Rhapsody No. 2, immortalized in the cartoons The Cat Concerto and Rhapsody Rabbit as the definitive concert piano music.

He is mentioned as being dead in the song "Decomposing Composers" by Michael Palin sang on Monty Python's Monty Pythons Contractual Obligation Album.


Tropes Present in Liszt's life and work: