A Bokukko is a female character who uses male pronouns. This term arises from the Japanese Pronounboku, primarily used by boys and young men, and "ko", roughly meaning "girl". Extreme tomboys may prefer the pronoun ore, normally used by Hot Blooded young men. (This, incidentally, is an example of how Japanese writing differs from Japanese speech; although feminine speech patterns have by and large become more "neutral" over the years, it would still be quite unusual and out of place for a woman to refer to herself with a masculine pronoun.)
Like many of the "-kko" terms, this has its place in female archetypes in anime or Japanese Video Games. Most, but not all, bokukko are tomboys, and not all tomboys are bokukko, as the term revolves solely around the use of the pronoun "boku". Sometimes, it can just simply indicate that the user is a Plucky Girl.
While the use of boku most often signals tomboyishness, it can sometimes signal some other situation, such as not knowing correct societal behavior, or lacking polite speech. Sometimes it can be used to keep a characters gender obscured- is she a boyish girl, or a girlish boy?
Whenever a Bokukko that primarily uses the male pronoun permanently switches to primarily using the female pronoun, it's a plot point. When the show is dubbed, however, this will invariably lead to a Dub Induced Plot Hole due to the lack of gender-specific first person pronouns.
Also, a Bokukko character will usually be addressed with the "-kun" honorific.
Although none of this has to be reflected in her appearance, the bokukko is usually either flat-chested or extremely well-endowed. A Dark Skinned Redhead is likely to be a bokukko, but it's not guaranteed.
See also Cute Bruiser, Shorttank.
In Haruhi Suzumiya's 9th novel, Sasaki is introduced in a flashback. The reader isn't told her gender until later in the flashback, relying on her speech patterns (she talks a lot like Koizumi) and the use of masculine pronouns. The reader, confused by Haruhi's behavior around this "very close friend" of Kyon's, suddenly understands.
As it turns out, that doesn't translate too well into English.
There's also an illustration of her before she even meets Haruhi; she's wearing a skirt and looking very unambiguously female.
Sasaki is an interesting case; she uses male speech patterns with boys, but feminine speech with girls. It's currently unknown why she does this; Kyon just chalks it up to one of her quirks.
Ritsu Tainaka from K-On!. With the exception of using the gender-neutral pronoun "watashi" to refer to herself, Ritsu utilizes quite masculine Japanese in her speech patterns (e.g., using the "yagaru" suffix when she's annoyed, ending sentences with the informal suffixes "-e", "-n" "-da" and "-daro"; and never using feminine suffixes such as "ne" and "wa").
When she has to play the part of Juliet in the school play, she's forced to use feminine speech patterns. But then she continues to speak that way even backstage, gets very flustered when she realizes it, and claims that she was still in character.
She does use feminine pronouns from time to time, but it's usually when she's being sarcastic and/or tries to play innocent after having been accused of something ("Who, me?")
Ryougi Shiki after the car accident from Kara No Kyoukai. Also note that she uses ore instead of bokuin order to imitate her lost male persona. At the end of the seventh movie, she switches back to watashi upon accepting the loss of her male persona.
Akito Sohma from Fruits Basket addresses herself as boku. This is largely because she was forcefully raised as man by her mother, and acted like one until she was about 20.
Yun from Simoun calls herself ore, and it's a significant plot point when she switches to atashi.
Likewise, Helena from Claymore both refers to herself as ore and speaks in an extremely masculine dialect.
JunJun of the Amazones Quartet refers to herself with ore. She is also the only member of the Quartet to wear pants (of course, this being the Amazones Quartet, the pants hardly count as pants and you'd be hard pressed to find a guy who would want to wear them, but it still counts for something, right?) According to Naoko Takeuchi, she also talks like a yankee and is a biker chick.
Haruka a.k.a. Sailor Uranus uses the "boku" pronoun. Mamoru even refers to her in one episode as "Haruka-kun" because of her boyish personality.
Yoruichi in Bleach, whose cat form is often mistaken as male because of the way she refers to herself/voice in anime. She uses the old sounding washi and the cat has a deep male voice.
Also by Rumiko Takahashi, Akane Tendo from Ranma ˝ is an interesting case since it's primarily others who insist on referring to her with male pronouns. Probably because she acts like a tomboy and is the only one in the family that practices martial arts other than her father, and frequently hits anyone she gets angry at. She shows girlish behavior when talking to her pet pig P-Chan/Ryoga, puts on dresses more often than not, attempts (and fails) to act more feminine, and was criticized by Kasumi as a little girl for getting into fights so much that she "sometimes thinks [she has] a little brother". Ranma's usual insults are "You're sooo un-cute!", "Who would wanna marry a tomboy like you, anyway?", and "Flat-chested, pig-loving, short-legged, tomboy...". Incidentally, these insults are what brings back her memory when Shampoo erases them.
It's even more ironic when you consider that Akane has a very idealised and naive view of femininity, likely coming from the few memories she has of her dead mother (who's shown in flashbacks to have been very similar to the Yamato Nadesiko archetype). She actively wants be more girlish, so being considered a tomboy by almost everyone in such a situation is likely very frustrating.
Ukyo Kuonji seems to be the real Bokukko, since Ukyo uses the word ore to refer to herself. She's also the most boyish of the fiancées (i.e., she goes to school wearing the boys uniform, whereas Akane uses the girls one), but according to Ranma she's still the "cute one" among them. In the anime she once entertains the thought of acting more feminine (and does indeed wear the girls uniform) to try attracting Ranma, but by the end of the episode she decides to just be herself and drops it.
Kei, the more tomboyish half of the Dirty Pair, tends to devolve into this style of speaking whenever she gets particularly angry.
In Revolutionary Girl Utena the titular character uses "boku". In the movie, she's actually mistaken for a guy (despite her bright pink hair). In the TV series, Utena's tomboyish qualities are at times acknowledged by other characters as defining traits for her. One episode (set after Utena's loss in a duel with Touga) explores what a more feminine, Yamato Nadeshiko Utena would be like (and her fangirls were still wet for her). After Wakaba delivers her a Get A Hold Of Yourself Man since she realizes how Utena's trying to be someone she simply is not, she eventually abandons this in favor of returning to her usual attitude and winning Anthy back.
Akira Sakou from Girls Saurus actually has some very complicated gender identity issues, and dreams about being a boy every single day. Consequentially, she doesn't have a problem with boys seeing her naked and sometimes uses the boys' bathroom... but in a bizarre inversion of Sitch Sexuality, becomes attracted to Shingo because he's the only person who's afraid of her. What's more, she lives in a Big Fancy House and is a total (explicitly identified) Yamato Nadeshiko at home, which only complicates matters further.
The fact that her attraction to Shingo resembles nothing so much as an athlete being attracted to a teammate doesn't make matters simpler, either.
Strangely for the sheer number of girls in the story, Mahou Sensei Negima! doesn't seem to have one among the main cast. There is only the very minor character Fuka Narutaki, who is described by Akamatsu as being the tougher and more boyish of the Narutaki twins.
Austria and Holy Roman Empire thought Italy was one when he used to use "boku" to refer to himself. (It's hinted Hungary either always knew or realised it by herself, but kept her mouth shut). He has switched to "ore" since then.
Actually, the closest to a canon bokukko is... theveryfeminine Monaco, who is said to have speech patterns akin to an old man's.
Moemi Hayakawa invokes the trope when she cuts her hair short and starts acting and speaking more boyishly to appeal to Youta. It doesn't work. In the end, she keeps her hair short but returns to her Yamato Nadeshiko self.
Ursula from Kiki's Delivery Service is pretty much textbook bokukko. A girl in her late teens living on her own during the summer in a cabin in the woods, Ursula is the embodiment of the strong-willed independence commonly desired by Japanese girls. Those attributes do make her come off as somewhat of a Tom Boy, but her choice of attire leaves no doubt she's all woman, except when a stranger giving her and Kiki a lift into town said she had "boy's legs". Her response to that was more of "Some people..." rather than indignation, indicating she's quite comfortable being bokukko.
There's always Yu-Gi-Oh! GX's Yubel for a rather creepy example. Technically, Yubel is more of a he/she considering the whole hermaphrodite thing. However, s/he's constantly proclaiming her love for Judai, and was originally a human girl.
This term might be applicable to Chrona from Soul Eater...or not, depending on what the authors finally decide her/his gender to be.
A Zig Zagged Trope in Wandering Son. Takatsuki Yoshino is a female-to-male pre-teen trans person, and everybody refers to them as Takatsuki-kun. Subverted when they went on town with their friend Nitori, a male-to-female trans person, and they (Yoshino) noticed that they still uses "boku" when talking, even when wearing a dress. Yoshino says it suits them (Nitori) and says that they'll continue to use "watashi" despite dressing like a boy.
A meta example happens with Nitori. As said above she identifies as female, and is quite a Yamato Nadeshiko, however she still refers to herself as "boku". She explains it's just because she likes it and thinks it fits her.
Aiko Kudou suits this trope better, as she does use "boku" to refer to herself, but is no less feminine.
In Darker than Black Ryuusei no Gemini, Suou Pavlichenko, the new female protagonist uses Boku. This doesn't help the fact that the she looks almost the same as her twin brother if she is hiding her hair
Ookami-san's Ryoko Ookami, who fits both the "masculine pronoun" and "tomboyish appearance" parts of the trope.
Yagyuu Kyuubei from Gintama- it was used to conceal her Bifauxnen throughout the arc in which she was introduced.
Tatsumi, the fire fighter, uses "ore" and also refers to herself as "onii-chan" when speaking to children. It's likely that she adopted this way of speaking due to being raised in a very masculine environment; her adoptive father believes that women can't be fire fighters, but Tatsumi still idolizes him and wants to follow in his footsteps.
Between this and her boyish personality Lizzy from Seikon No Qwaser is mistaken for a boy by many characters, until she takes off her underwear.
Tomonori/Yuki/Maelstrom from Kore Wa Zombie Desu Ka. In fact, her speech patterns, not just the pronouns, are entirely like a boy's, so much such that initially, Ayumu mistook her for a guy. The reason why she's called Tomonori is because it's how you would read the kanji of her name, if it was a guy's name.
Touhara Asuha from Lotte no Omocha, justified because she was raised by her single father.
In Binbo Gami Ga we have Ranmaru. But instead of "boku" she uses "ore".
In Ouran High School Host Club, Haruhi refers to herself as "boku" for obvious reasons, but she was already tomboyish before that. Actually there was one panel in the manga where she considered referring to herself as "ore" in front of the guests. In the anime, this was translated more or less like "Maybe I should call everyone bro and dude from now on?" and of course, Tamaki's reaction was...his usual reaction.
Actually, Haruhi starts the series referring to herself as jibun. It makes sense since jibun is technically gender-neutral (though often used by men in the military), so is often used to "mask" a character's gender.
The protagonist of Ice Revolution is an androgynous girl who uses "ore". In an attempt to seem more feminine she begins ice skating.
In all of the opening theme songs, plus insert songs "Take a Shot", "Brave Phoenix", and "Pray", the singer, Nana Mizuki, uses "boku". This is fairly common in singing or poetry, because "watashi" can sometimes throw off the meter.
Princess Tailto from FE 4 aka Seisen no Keifu, too. Her speech patterns are rougher than the other women in Sigurd's army, though it's not really alluded to by other charas. She is very straightforward when compared with the other girls save for Ayra, though.
It's explained in The Legend Of Zelda Twilight Princess that the character of Ashei was raised by her widowed father, an exiled knight, who basically treated her as a boy. She's a really good warrior, and cute with a nice figure, but doesn't know much about social niceties and is a little self-conscious about it.
The Justice refers to herself as "boku" in the Japanese version of Magical Drop 3. Fittingly, she's a tomboyish Action Girl.
In Touhou fanon, Wriggle "I'm a girl!" Nightbug gets this treatment quite a bit, due to her androgynous appearance.
Although Marisa Kirisame behaves tomboyishly and ends her sentences with "ze", a masculine sentence end which indicates force and command, she doesn't use "ore" in canon, as she's known to do in doujinshi.
Yggdra Union, Blaze Union, and Yggdra Unison have Emilia, who otherwise uses feminine speech patterns. Given her background, she likely was never taught to use a different pronoun while growing up, and since her brother is now Emperor, no one's going to tell her not to speak the way she wants to.
Gloria Union has Pinger, who actually uses keigo. Justified in that the person who raised her wanted her to be a marketable rarity, and may have trained her to have a weird speech pattern to increase her worth.
Razzly from Chrono Cross refers to herself as boku, possibly because she's the closest thing the game has to a male fairy (who are all female). Kid uses ore while calling herself a "cute, frail girl" in one breath.
The Tokimeki Memorial series host a few of them. 1 has Nozomi Kiyokawa ; 2 has Akane Ichimonji ; and 4 has Itsuki Maeda.
Ayu Tsukimiya from Kanon, although she's rather moe. Yuuichi tries to make her switch to the even more masculine ore.
In the original game, you get a choice of trying to switch her to the masculine ore, the gender-neutral watashi or the very girly atashi.
A rather odd example in Dangan Ronpa. Junko Enoshima normally uses the super-girlish atashi... but when she's revealed to be the Big Badand a person with a huge case of split personalities, when she's under the control of the "punk" persona she uses the very manly ore.
Both Hanyuu and Rika use "boku". This is despite the fact that neither fits the normal pattern for a Bokukko, though in Rika's case, it's probably a habit acquired from Hanyuu. She also uses "watashi" whenever she's not Obfuscating Stupidity. Hanyuu, on the other hand, only uses boku because she's Really 700 Years Old and comes from a time when boys and girls apparently didn't use different pronouns.
It's stated that Rika used to be a troublemaker and quite similar to the tomboyish Satoko in early worlds, so she counts a bit.
Frigg from Guilded Age fits this trope pretty well, despite being in a medieval fantasy world. She's used several male self-references in enough candid detail that it would be impolite to mention here.
The voice actress Akeno Watanabe uses boku in real life. And voices many tomboys, too.
While it's very rare, some real Japanese girls do use masculine pronouns. Those who do so fall into three types—girls who use them as a feminist statement, those who do it to imitate anime and game characters to be cutesy, and very young (preschool-age) girls who haven't been trained to use traditionally feminine pronouns by societal pressure/"gender policing". The Japanese page on this phenomenon on The Other Wiki notes that this is a very recent trend. See also this case study on use of boku vs. use of watashi in young girls.