A Bokukko is a female character who uses male pronouns. This term arises from the Japanese Pronounboku, primarily used by boys and young men, and "ko", meaning "girl"*
Technically it means "child", but it's generally used for feminine names and titles
. Extreme tomboys may prefer the pronoun ore, normally almost exclusively used by "tough guys"*
; the term "ore-onna" (ore-woman) is mostly interchangeable with "bokukko". Also called "bokko".
Like many of the "-kko" terms, this has its place in female archetypes in anime or Japanese Video Games. Most, but not all, bokukko are tomboys, and not all tomboys are bokukko, as the term revolves solely around the use of the pronoun "boku".
While the use of boku most often signals tomboyishness, it can sometimes signal some other situation, such as not knowing correct societal behavior, or lacking polite speech. Sometimes it can be used to keep a characters gender obscured- is she a boyish girl? Or a bishounen boy?
Whenever a Bokukko that primarily uses the male pronoun permanently switches to primarily using the female pronoun, it's a plot point. When the show is dubbed, however, this will invariably lead to a Dub Induced Plot Hole due to the lack of gender-specific first person pronouns.
Also, a Bokukko character will usually be addressed with the "-kun" honorific.
Although none of this has to be reflected in her appearance, the bokukko is usually either flat-chested or extremely well-endowed. A Dark Skinned Redhead is likely to be a bokukko, but it's not guaranteed.
See also Cute Bruiser, Shorttank. Characters who are tomboyish but don't use male pronouns should not be placed here, but instead under their respective types of Tomboys. It can be very unfortunate to accidentally mix up this word with another one.
In Haruhi Suzumiya's 9th novel, Sasaki is introduced in a flashback. The reader isn't told her gender until later in the flashback, relying on her speech patterns (she talks a lot like Koizumi) and the use of masculine pronouns. The reader, confused by Haruhi's behavior around this "very close friend" of Kyon's, suddenly understands.
As it turns out, that doesn't translate too well into English.
There's also an illustration of her before she even meets Haruhi; she's wearing a skirt and looking very unambiguously female.
Sasaki is an interesting case; she uses male speech patterns with boys, but feminine speech with girls. It's currently unknown why she does this; Kyon just chalks it up to one of her quirks.
Ritsu Tainaka from K-On!. With the exception of using the gender-neutral pronoun "watashi" to refer to herself, Ritsu utilizes quite masculine Japanese in her speech patterns (e.g., using the "yagaru" suffix when she's annoyed, ending sentences with the informal suffixes "-e", "-n" "-da" and "-daro"; and never using feminine suffixes such as "ne" and "wa").
When she has to play the part of Juliet in the school play, she's forced to use feminine speech patterns. But then she continues to speak that way even backstage, gets very flustered when she realizes it, and claims that she was still in character.
Ryougi Shiki after the car accident from Kara No Kyoukai. Also note that she uses ore instead of bokuin order to imitate her lost male persona. At the end of the seventh movie, she switches back to watashi upon accepting the loss of her male persona.
Akito Sohma from Fruits Basket addresses herself as boku. This is largely due to the fact that she was forcefully raised as man by her Complete Monster of a mother, and acted like one until she was about twenty.
Also Uotani.
Yun from Simoun calls herself ore, and it's a significant plot point when she switches to atashi.
Likewise, Helena from Claymore both refers to herself as ore and speaks in an extremely masculine dialect.
Happy Lesson's Satsuki. Naturally she's the gym teacher.
Kagura from Azumanga Daioh. Sakaki from the same show is perceived as a Bokukko by her classmates, but actually has very girlish interests — such as petting cats and collecting stuffed animals.
JunJun of the Amazones Quartet refers to herself with ore. She is also the only member of the Quartet to wear pants (of course, this being the Amazones Quartet, the pants hardly count as pants and you'd be hard pressed to find a guy who would want to wear them, but it still counts for something, right?) According to Naoko Takeuchi, she also talks like a yankee and is a biker chick.
Haruka a.k.a. Sailor Uranus uses the "boku" pronoun. Mamoru even refers to her in one episode as "Haruka-kun" because of her boyish personality.
Yoruichi in Bleach, whose cat form is often mistaken as male because of the way she refers to herself/voice in anime. She uses the old sounding washi and the cat has a deep male voice.
Let's not forget Kuukaku Shiba, who refers to herself as ore.
The other tomboys in the series, on the other hand, don't use male pronouns. Tatsuki and Karin use atashi, while Hiyori uses uchi - both very feminine personal pronouns.
Hilariously inverted with Urahara, a male who actually uses... atashi to refer to himself. His use of it exaggerates his role of a 'humble' shopkeeper.
Souseiseki from Rozen Maiden, although she's more stoic than brash.
Ryuunosuke from Urusei Yatsura. "Ore wa onna da zo!" ("I'm a woman!")
Lampshaded and made more ridicolous by the resident Ataru and Mendo trying to teach her to talk like a girl and showing themselves really proficient at it.
Also by Rumiko Takahashi, Akane Tendo from Ranma ˝ is an interesting case since it's primarily others who insist on referring to her with male pronouns. Probably because she acts like a tomboy and is the only one in the family that practices martial arts other than her father, and frequently hits anyone she gets angry at. She shows girlish behavior when talking to her pet pig P-Chan/Ryoga, puts on dresses more often than not, attempts (and fails) to act more feminine, and was criticized by Kasumi as a little girl for getting into fights so much that she "sometimes thinks [she has] a little brother". Ranma's usual insults are "You're sooo un-cute!", "Who would wanna marry a tomboy like you, anyway?", and "Flat-chested, pig-loving, short-legged, tomboy...". Incidentally, these insults are what brings back her memory when Shampoo erases them.
Ukyo Kuonji seems to be the real Bokukko, since Ukyo uses the word ore to refer to herself. She's also the most boyish of the fiancées (i.e., she goes to school wearing the boys uniform, whereas Akane uses the girls one), but according to Ranma she's still the "cute one" among them.
Kei, the more tomboyish half of the Dirty Pair, tends to devolve into this style of speaking whenever she gets particularly angry.
In Dirty Pair Flash, she even said "Ore wa onna da!" at least once.
Both Hanyuu and Rika use boku. This is despite the fact that neither fits the normal pattern for a Bokukko, though in Rika's case, it's probably a habit acquired from Hanyuu. She also uses "watashi" whenever she's not Obfuscating Stupidity.
It's stated that Rika used to be a troublemaker and quite similar to the tomboyish Satoko in early worlds, so she counts a bit.
Salor Maiden Anabel/Tower Tycoon Rera in Pokémon. She also used "boku" to refer to herself in Japanese, and thanks to her short hair and androgynous clothing she was mistaken as a waifish boy in the beginning, even succesfully foolingBrock.
In Revolutionary Girl Utena the titular character uses "boku". In the movie, she's actually mistaken for a guy (despite her bright pink hair). In the TV series, Utena's tomboyish qualities are at times acknowledged by other characters as defining traits for her. One episode (set after Utena's loss in a duel with Touga) explores what a more feminine, Yamato Nadeshiko Utena would be like (and her fangirls were still wet for her). After Wakaba delivers her a Get A Hold Of Yourself Man, she eventually abandons this in favor of returning to her usual attitude and winning Anthy back.
Makoto Kikuchi from The Idolm@ster, who became an Idol Singer to get in touch with her feminine side.
The game has a dialogue choice of asking her age or gender, with the latter causing her to insist that she's a girl: "Boku wa onna no ko desu!"
Akira Sakou from Girls Saurus actually has some very complicated gender identity issues, and dreams about being a boy every single day. Consequentially, she doesn't have a problem with boys seeing her naked and sometimes uses the boys' bathroom... but in a bizarre inversion of Sitch Sexuality, becomes attracted to Shingo because he's the only person who's afraid of her. What's more, she lives in a Big Fancy House and is a total (explicitly identified) Yamato Nadeshiko at home, which only complicates matters further.
The fact that her attraction to Shingo resembles nothing so much as an athlete being attracted to a teammate doesn't make matters simpler, either.
Strangely for the sheer number of girls in the story, Mahou Sensei Negima! doesn't seem to have one among the main cast. There is only the very minor character Fuka Narutaki, who is described by Akamatsu as being the tougher and more boyish of the Narutaki twins.
Hungary from Axis Powers Hetalia. When she was a young Cute Bruiser, she assumed that she would grow up to be a boy and that everyone eventually grew a penis. She eventually grew into a Ninja MaidCool Big Sis, even marrying one of the two Team Dads in the cast.
Austria and Holy Roman Empire thought Italy was one when he used to use "boku" to refer to himself. He has switched to "ore" since then.
Actually, the closest to a canon bokukko is... theveryfeminine Monaco, who is said to have speech patterns akin to an old man's.
Kino from Kinos Journey confusingly alternates between "boku" and "atashi".
She only uses "atashi" in flashbacks when she's still conflicted about her identity. It's an Establishing Character Moment when she switches to "boku" for good.
Hinagiku, aka Angel Daisy from Wedding Peach uses ore, even while wearing a pretty yellow wedding dress.
Played with in Video Girl Ai. Lead female Ai Amano was supposed to be a Yamato Nadeshiko, but since her video was played in a broken VCR, she became a Tsundere-ishBokukko. She refers to herself as "ore", i.e.
Moemi Hayakawa invokes the trope when she cuts her hair short and starts acting and speaking more boyishly to appeal to Youta. It doesn't work. In the end, she keeps her hair short but returns to her Yamato Nadeshiko self.
Ursula from Kiki's Delivery Service is pretty much textbook bokukko. A girl in her late teens living on her own during the summer in a cabin in the woods, Ursula is the embodiment of the strong-willed independence commonly desired by Japanese girls. Those attributes do make her come off as somewhat of a Tom Boy, but her choice of attire leaves no doubt she's all woman, except when a stranger giving her and Kiki a lift into town said she had "boy's legs". Her response to that was more of "Some people..." rather than indignation, indicating she's quite comfortable being bokukko.
There's always Yu-Gi-Oh! GX's Yubel for a rather creepy example. Technically, Yubel is more of a he/she considering the whole hermaphrodite thing. However, s/he's constantly proclaiming her love for Judai, and was originally a human girl.
The dub places Yubel as a girl in both forms, largely to avoid Squick from viewers and more likely outraged parents who would want to shield their children from the existence of hermaphrodites.
In Change 123, the female protagonist has Split Personality. One of her alternative personalities is Hibiki who, on the one hand, is a very aggressive and tomboyish Blood Knight karateka and refers to herself as "ore", but on the other hand she can be very gentle (and sexually very extrovert) to her Love Interest, and at times her emotional vulnerability can also be seen.
Though she's trying to act more feminine, Hinagiku of Hayate the Combat Butler is called particularly masculine by her friends.
Subverted in Zetsuai1989. Kouji Nanjo thought that the angry, spirited, tormented child he met as a kid in the soccer courts was a Bokukko... but she WAS aboy. Cue Gayngst when he finds out the truth, several years later.
In Kouji's defense, "Izumi" is both a very common last name and a Gender Blender Name (though mostly used by women) in Japan.
This term might be applicable to Chrona from Soul Eater...or not, depending on what the authors finally decide her/his gender to be.
In Wandering Son, Takatsuki Yoshino is a girl who wants to be a boy. Everybody refers to her as Takatsuki-kun. Subverted when she was on the town with her friend who wants to be a girl and she noticed that he still uses "boku" when talking to her, even when wearing a dress. She says it suits him and says that she'll continue to use "watashi" despite dressing like a boy.
A meta example happens with Nitori. He identifies as female, and is quite a Yamato Nadeshiko, however still refers to himself as "boku".
Priss didn't usually call herself "ore" in Bubblegum Crisis — she only started doing so in Bubblegum Crash, after Ryoko Tachikawa replaced Kinuko Oomori as her voice actress.
Hideyoshi from Baka To Test To Shokanju uses the even rarer "washi"; that would make Hideyoshi a "washikko".
Although this example is subverted since Hideyoshi is actually a guy yet no one cares.
Aiko Kudou suits this trope better, as she does use "boku" to refer to herself, but is no less feminine.
In Darker than Black Ryuusei no Gemini, Suou Pavlichenko, the new female protagonist uses Boku. This doesn't help the fact that the she looks almost the same as her twin brother if she is hiding her hair
Ookami-san's Ryoko Ookami, who fits both the "masculine pronoun" and "tomboyish appearance" parts of the trope.
Risky, from Risky Safety refers to herself as "ore."
Yagyuu Kyuubei from Gintama- it was used to conceal her Bifauxnen throughout the arc in which she was introduced.
Tatsumi, the fire fighter, uses "ore" and also refers to herself as "onii-chan" when speaking to children. It's likely that she adopted this way of speaking due to being raised in a very masculine environment; her adoptive father believes that women can't be fire fighters, but Tatsumi still idolizes him and wants to follow in his footsteps.
Yozora did this during her childhood days with Hasegawa Kodaka from the light novel Boku wa Tomodachi ga Sukunai.
Between this and her boyish personality Lizzy from Seikon No Qwaser is mistaken for a boy by many characters, until she takes off her underwear.
Tomonori/Yuki/Maelstrom from Kore Wa Zombie Desu Ka. In fact, her speech patterns, not just the pronouns, are entirely like a boy's, so much such that initially, Ayumu mistook her for a guy. The reason why she's called Tomonori is because it's how you would read the kanji of her name, if it was a guy's name.
Madoka Ayukawa from Kimagure Orange Road used to be a Bokukko as a child, so much that she's mistaken as a boy by a time-travelling Kyousuke. She switches to Tsundere years later.
La Roux - The name chosen by the the band's singer; a mixture of "la rousse" (redhead female) and "le roux" (redhead male).
Hitomi Yoshizawa, from Morning Musume, does not use the masculine pronouns, but it's been noted by other members and persons in talk shows that the rest of her speech is quite masculine.
In all of the opening theme songs, plus insert songs "Take a Shot", "Brave Phoenix", and "Pray", the singer, Nana Mizuki, uses "boku". This is fairly common in singing or poetry, because "watashi" can sometimes throw off the meter.
Princess Tiltyu from FE 4 aka Seisen no Keifu, too. Her speech patterns are rougher than the other women in Sigurd's army, though it's not really alluded to by other charas.
It's explained in The Legend of Zelda: Twilight Princess that the character of Ashei was raised by her widowed father, an exiled knight, who basically treated her as a boy. She's a really good warrior, and cute with a nice figure, but doesn't know much about social niceties and is a little self-conscious about it.
In Touhou fanon, Wriggle "I'm a girl!" Nightbug gets this treatment quite a bit, due to her androgynous appearance.
Although Marisa Kirisame behaves tomboyishly and ends her sentences with "ze", a masculine sentence end which indicates force and command, she doesn't use "ore", and depicting her doing so is memetically a sign of posers who try to write Touhou doujinshi without being familiar with the fandom.
Elh from Solatorobo. Her companions actually mistake her for a boy initially, which doesn't make as much sense in the translated version of the game, due to the lack of Japanese pronouns.
The Dept Heaven series has a long-standing tradition of including at least one of these in every game:
Yggdra Union, Blaze Union, and Yggdra Unison have Emilia, who otherwise uses feminine speech patterns. Given her background, she likely was never taught to use a different pronoun while growing up, and since her brother is now Emperor, no one's going to tell her not to speak the way she wants to.
Gloria Union has Pinger, who actually uses keigo. Justified in that the person who raised her wanted her to be a marketable rarity, and may have trained her to have a weird speech pattern to increase her worth.
Razzly from Chrono Cross refers to herself as boku, possibly because she's the closest thing the game has to a male fairy (who are all female). Kid uses ore while calling herself a "cute, frail girl" in one breath.
The seiyuu Akeno Watanabe uses boku in real life. And voices many tomboys, too.
While it's very rare, some real Japanese girls do use masculine pronouns. Those who do so fall into three types—girls who use them as a feminist statement, those who do it to imitate anime and game characters to be cutesy, and very young (preschool-age) girls who haven't been trained to use traditionally feminine pronouns by societal pressure. The Japanese page on this phenomenon on The Other Wiki notes that this is a very recent trend. See also this case study on use of boku vs. use of watashi in young girls.
