British computer games magazine which ran from 1991-96 for 65 issues and focused, unsurprisingly, on Amiga games. Mostly.It's mostly remembered for its totally quirky yet endlessly readable style. People didn't read it for the Amiga games; they read it for the writers, the biting yet totally honest opinions, the Running Gags, the reviews done in the style of other things (play Review-By-Numbers! No, really; the reviewer writing it as if they were in hospital), the features that you simply wouldn't get in other magazines (for example, a two-page spread on how to play Doomin real life).The magazine ended in 1996 as the Amiga itself was dying, but people fondly remember it to this day. Former staffer Stuart Campbell maintains a historical fansite that gives a peek into the inner workings. An archive of its reviews is also available here.
Named the following trope:
Slippy-Slidey Ice World: A term for a level in a Platform Game where most of the difficulty comes from reduced friction on the platforms, thus forcing the player to wrestle with the controls instead of providing a proper challenge. They hated it.
"Human Killing Machine is one of the great unsung classics of our time, sadly under-rated by all and sundry and due for a major critical reappraisal any day now. And the Poll Tax was a really good idea. And I'm the Archbishop Of Canterbury."
Cloud Cuckoo Lander: Jonathan Nash. If you ever read anything which entered into the world of the utterly bizarre, it was Jonathan Nash who wrote it. The same reviewer who, whenever a photo opportunity arose, always presented himself as a cartoon character from Animaniacs.
Cluster Bleep Bomb: In the article "You Can't Say That!" in AP 38, Stuart Campbell's opinion on censorship, extracted after being forced to watch TV-edited versions of RoboCop (1987), Repo Man and Aliens, was, after the statement "I'll tell you what I think about censorship," mostly obscured by orange bars (like many other allegedly offensive phrases in the article), aside from the occasional preposition like "up their."
Credits Gag: It was easier to list the times when they didn't slip a funny comment under the names of the production staff.
"Are terrapins retarded? All typos re-worded? Any tea, Reginald? No."
Good News, Bad News: Full-length reviews summarized games' "Uppers" and "Downers" in a red box. In a review of a truly awful game, the former would be along the lines of "You must be joking."
Happy Ending: The last-ever piece of writing in the mag described a sort of Elysian Fields for the remaining reviewers, stuffed with Amiga games and all their favourite things.
In The Style Of: A regular section. Beginning as a back-page feature, it later moved to the news pages where it became a reader competition, with readers being asked to make pictures of Amiga games in the style of other things (normally other games). AP awarded a score out of 10, with £20 worth of Amiga games for each point, but in a Running Gag, always found trivial or unlikely reasons to halve the point score.
A recurring feature in the magazine's reviews was named after this - it examined one of the magazine's Berserk Buttons, then found a way to execute the game for using it.
The final issue's review for Kick Off '96 had Stuart Campbell being tried for murdering the Amiga, for which he is found guilty and executed by firing squad.
Kill 'em All: The final issue was mostly composed of concept reviews and articles, killing off practically all of the staff.
Moral Guardians: From the sublime (sued by the British Legion to block the use of a poppy on their cover) to the ridiculous (one parent wrote in to ask them to stop using "crap" to describe games, suggesting "dead" instead.
"'This game is a load of dead.' - hmm, doesn't really work now, does it?"
Orphaned Punchline: One of the "Who Do We Think We Are?" pages (the page in each issue which introduces the writers) involved every reviewer giving their favourite joke punchline (but not the joke itself).
Running Gag: Lots and lots of them. Whenever someone asked how they could "be" Goro, for instance.
Spiritual Successor: Dave Golder left to start the sci-fi/fantasy magazine SFX, using much the same humour in the reviews and occasionally some of the old staff as reviewers. Stuart Campbell, for instance, did The X-Files. It gradually devolved into a "normal" mag, eventually even eliminating the different titles for the head editor. Thankfully, the honest reviews are mostly still there.
Similarly, J. Nash and S. Campbell teamed up with P. Rose and K. Gillen to create Digi-o-spinoff Digiworld — although both were regular columnists for the Tele Text version anyway.
And Amiga Power itself may be seen as a Spiritual Successor: several of the writers (including Golder, Nash, and Campbell) came from the classic ZX Spectrum magazine Your Sinclair, which had a similarly zany style. Sega Power also took up the torch, though they tended to not so much walk the line of absolute lunacy as leap headlong over it while screaming incoherently about mackerel.
Take That: Seriously. There was nobody safe from the mag's criticism: game publishers, the magazine's own ex-staff, and the readers especially. But most of Amiga Power's entries in this trope were directed at other game magazines, and game publishers. Because they cared.
In later issues, AP became fed up with other magazines giving clearly awful games 95%, or reviewing games that hadn't been released, or in one case reviewing a game's PC version and pretending it was the Amiga version. Because of this, they made The Disseminator, a table of review scores from other magazines with annotations to show how bad their reviewing was.
Vapour Ware: its "design-a-game" competition never produced a real playable game. R.I.P., Spodland.