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Film: Mary Reilly
Did you ever wonder what The Strange Case of Dr. Jekyll and Mr. Hyde would be like if Jekyll, Hyde or both of them had a woman in their lives?

Mary Reilly is about an Irish maid in Henry Jekyll's household who becomes the confidant and love interest of Jekyll, the unwilling accomplice and object of lust for Edward Hyde and the suspension of disbelief replacement for the audience, since by now everyone and his grandmother knows the doctor's little secret. Despite having John Malkovich as both Jekyll and Hyde and Julia Roberts as Mary, the film didn't do too well at the box office and was not well received by critics, aided by the general lack of publicity before the film's opening. The book was quite good, though.

The film starts with Mary and Jekyll gradually growing closer despite their social stations, as Mary unbends to him and tells him how her father used to beat her for breaking cups and locked her in a cupboard under the stairs with rats. Happy days. Of course such happiness cannot last, as the doctor announces that he plans to have a new assistant. Of course the audience knows where this is heading, but the staff are naturally curious about this new man, especially since they never seem to be able to catch a glimpse of him.

Based on a novel by Valerie Martin, which was nominated for a Nebula and World Fantasy Award.

Tropes!!

  • Abusive Parents: Mary's father whipped her with his belt for breaking a cup once. It's implied he may have raped her as well. Mary's mother actually knew nothing about it since she worked all day. Mary does say that her father was nice to her before he started drinking.
  • And I Must Scream: Mary's father locked her in the cupboard under the stairs and then put a rat in a sack in there with her, knowing she was scared of them. The kicker is of course Mary sitting in fear knowing that eventually the rat would bite its way out of the bag.
  • Anti-Climax: Much like in the book, Hyde commits suicide.
  • Beauty Inversion: Julia Roberts bypasses Hollywood Homely straight away to look quite believable as a dowdy and repressed scullery maid.
  • Bishōnen: Hyde, in contrast to his original monstrous description.
  • Call Forward: Hyde walks with a unique limp as book readers will know. Mary first tells Jekyll that her father walked strangely as well before we first see Hyde, implying Jekyll got the idea from her.
  • Character Title
  • Costume Porn: Mrs Farraday's costumes. These are in direct contrast to the plain and dowdy clothes that the servants wear.
  • Dull Surprise: Mary most of the time, although she does liven up a tad at the end.
  • Empathic Environment: The growing flowerbeds in the kitchen garden represent the growing relationship between Mary and the doctor.
  • Everyone Loves Blondes: Mrs Faraday in contrast to the demure red-haired Mary.
  • Fake Irish: Julia Roberts. The film was one of many criticisms for her poor attempt by speaking in an Irish accent.
  • Fake Nationality: American Julia Roberts as the Irish Mary. Also American Glenn Close as Mrs Farraday.
  • Fan Fic: A very blatant one.
  • The Film of the Book: Based on a 1990 novel by Valerie Martin.
  • Good Scars, Evil Scars: Mary's scars are on the hands and around the neck but they are easily covered up by her clothes and her face is untouched.
  • Gory Discretion Shot: We never actually see Mary's father whipping her or the rat biting her but Mary's scars speak for themselves.
  • Heroes Want Redheads: Jekyll/Hyde to Mary.
  • Hey, It's That Guy!: Lucien a.k.a. Tony Blair is a footman.
  • Informed Attribute: Mary has been in service since she was twelve years old yet she behaves as though she is new to the job, speaking out of turn to the doctor and snooping around very obviously. Though it could be justified as Mary says "this is by far the best place I've worked" which could imply this is the only house where she'd normally be able to get away with behaviour like that.
  • Kick the Dog: See And I Must Scream above. Also Mary's mother's landlord stuffed the mother's body into a wardrobe since there was such a high demand for her room.
  • Lampshaded Double Entendre: When Mrs Kent talks about a maid who was summoned to the master's room every day, Bradshaw remarks "I expect she now entertains gentlemen at all hours of the day"
  • Letting Her Hair Down: Mary is always shown at her most vulnerable with her hair down.
  • Not Even Bothering with the Accent: John Malkovich keeps his American accent playing the British Jekyll and Hyde, though he does don an Irish accent during one of Mary's dreams.
  • Oireland: In a dream sequence involving Mr Hyde, Mary imagines him with an Irish accent. It's kind of funny to listen to Malkovich try.
  • Perspective Flip
  • Playing Against Type: Julia Roberts first(And last) attempt to act in a period piece.
  • Sailor Earth: Mary herself is one. In the original novel, only Jekyll's butler was named so it was of course very easy for Valerie Martin to insert Mary into the story.
  • Scar Survey: The good doctor examining Mary's scars, in a non-bedroom variant, though it's nevertheless sexually charged.
  • Scenery Porn: Completely inverted. Numerous shots of dreary streets and dingy places but lit and framed in nice ways.
  • Shirtless Scene: Jekyll and Hyde towards the end.
  • Shout-Out: To Dangerous Liaisons, starred both by Malkovich (Jekyll/Hyde) and Glenn Close (Mrs. Farraday). Also, same director and screenwriter.
  • Shrinking Violet: Mary hardly dares to stutter some conversation.
  • Slipknot Ponytail: Mary's hair comes out of its bun when Hyde attacks her in the lab.
  • Softspoken Sadist: Mary's father, seen in flashbacks, has a rather unassuming voice.
  • Why Did It Have to Be Snakes?: Rats in Mary's case. She also confesses she's terrified of having bad dreams.
  • X Meets Y: Pretty much Jane Eyre meets Dr Jekyll and Mr Hyde.

Good OmensWorld Fantasy AwardTigana
Earthsea TrilogyNebula AwardHyperion Cantos
The Mark of the LionLiterature of the 1990sMary Russell
Mars Attacks!Films of the 1990sMatilda
Maid In ManhattanCreator/Mill Creek EntertainmentThe Messengers

alternative title(s): Mary Reilly
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