is a 1971 Hammer Horror
film based on the real life Countess Elizabeth Bathory who became known as "The Blood Countess" and inspired part of the Dracula story.
In medieval Europe, the middle aged Countess Elisabeth has just buried her husband and, in a fit of rage one day, strikes one of her ladies-in-waiting and draws blood. She notices that when she wipes the blood off, her skin looks younger. She then bathes in the girl's blood and is transformed into a youthful woman. She passes herself off as her own daughter Ilona returning from years abroad and begins a romance with Lt Toth, much to the jealousy of her former lover Captain Dobi. Unfortunately for Elisabeth, the effects of the blood are only temporary and she must kill again if she is to regain her youth.
Provides examples of:
- Abhorrent Admirer: The countess herself is one for Toth (her older self anyway) while Ilona has one in the man keeping her captive.
- Anti-Villain: Elisabeth discovers the effect of the blood purely by accident and only wishes to enjoy her youth and have a romance with Toth. Julie also goes along with it because she wants Elisabeth to be happy.
- Big Beautiful Woman: A village whore Dobi and Toth bring back to the castle.
- Bitch Alert: Our first impression of Elisabeth is her ignoring a peasant's cries for help.
- Blondes are Evil: Elisabeth may be an Anti-Villain but she's still a villain.
- Blood Bath: As should be expected in a horror story featuring Bathory as a character, her legend being the popular Trope Maker and all. Bathory draws blood from younger women and bathes in it to rejuvenate her body into that of a younger woman.
- Brainless Beauty: Toth is a borderline example.
- Christmas Cake: Elisabeth is this and she is not happy about it.
- Costume Porn: As soon as Elisabeth becomes younger, she certainly shows off her elaborate wardrobe. Even her servants are dressed quite nicely. Toth is no slouch in the costume department either.
- Distressed Damsel: Ilona, held captive in the forest so Elisabeth can impersonate her.
- Evil Makes You Ugly: The more Elisabeth kills, the uglier she gets once the youth effect vanishes.
- Heel Face Door Slam: Happens to Master Fabio. He discovers what Elisabeth and Dobi are up to and offers them advice. However he is about to tell Toth on them but is killed by Dobi before he can.
- High Heel-Face Turn: As soon as Julie discovers Ilona locked in the castle, she helps her escape.
- Hot Gypsy Woman: One of them becomes Elisabeth's second victim.
- I Just Want to Be Beautiful
- Identical Grandson: Elisabeth passes her youthful self off as her own daughter. Some people do acknowledge that they remembered Ilona differently.
- The Igor: Julie.
- Karma Houdini: Subverted. Despite Julie's Heel-Face Turn, she's still sentenced to death at the end.
- Kick the Dog: When the mother of one of the servants asks Dobi if he's seen her, clearly distressed, he suggests she check the whore house.
- Lady Macbeth: Gender Flipped with Dobi.
- Shrinking Violet: Bertha, a girl bought from a seller in the village specifically for Elisabeth's plan. She's naturally picked because only a virgin's blood will work.
- Stuffed In The Fridge
- Title Drop: As the very last line of the film.
- Vain Sorceress: Elisabeth is a borderline example. She's not actually a sorceress but she fits the trope anyway.
- Virgin Sacrifice: Only the blood of a virgin will work on Elisabeth.