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Trope was cut/disambiguated due to cleanup
Deleted line(s) 16 (click to see context) :
* EvilIsSexy: While Juliana doesn't appear to be outright evil, she's a Satan worshiper and a follower of Prospero's - also spending the film clad in gowns that give generous attention to her cleavage.
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Unapproved by the MB thread
Deleted line(s) 3,5 (click to see context) :
* MagnificentBastard: The Red Death
** In the Short Story: One would have to say that a plague disguising itself as a costumed guest to get in and then goading Prospero is a very clever move.
** The Movie: The Red Death himself infects an old woman to deliver a vow to her village that the tyranny of Prince Prospero is at its end, spreading the plague as she goes to enhance the fear of the Red Death and draw all the nobles to the sadistic Prospero's manor. Gathering them together, the Red Death exposes himself to Prospero and takes him and all his revelers with the plague, sparing six innocents as a form of mercy before reuniting with his fellow brothers, having secured his "illimitable dominion" over the land.
** In the Short Story: One would have to say that a plague disguising itself as a costumed guest to get in and then goading Prospero is a very clever move.
** The Movie: The Red Death himself infects an old woman to deliver a vow to her village that the tyranny of Prince Prospero is at its end, spreading the plague as she goes to enhance the fear of the Red Death and draw all the nobles to the sadistic Prospero's manor. Gathering them together, the Red Death exposes himself to Prospero and takes him and all his revelers with the plague, sparing six innocents as a form of mercy before reuniting with his fellow brothers, having secured his "illimitable dominion" over the land.
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* MagnificentBastard: The Red Death himself infects an old woman to deliver a vow to her village that the tyranny of Prince Prospero is at its end, spreading the plague as she goes to enhance the fear of the Red Death and draw all the nobles to the sadistic Prospero's manor. Gathering them together, the Red Death exposes himself to Prospero and takes him and all his revelers with the plague, sparing six innocents as a form of mercy before reuniting with his fellow brothers, having secured his "illimitable dominion" over the land.
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None
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* RetroactiveRecognition: A male dancer is played by Creator/BillOwen, who would later be best known for playing Compo Simmonite in ''Series/LastOfTheSummerWine''.
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Added line(s) 5 (click to see context) :
* FanficFuel: The end sequence has personifications of other deadly plagues - the Black Death, Yellow Fever, Leprosy (gold), Porphyria (violet), Cholera (blue), Tuberculosis (white) - providing ripe material for stories focusing on them.
Deleted line(s) 5 (click to see context) :
* FanficFuel: The end sequence has personifications of other deadly plagues - the Black Death, Yellow Fever, Leprosy (gold), Porphyria (violet), Cholera (blue), Tuberculosis (white) - providing ripe material for stories focusing on them.
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That's the way that I read it, anyway
Added line(s) 2 (click to see context) :
!!General
* MagnificentBastard: The Red Death
**In the Short Story: One would have to say that a plague disguising itself as a costumed guest to get in and then goading Prospero is a very clever move.
**The Movie: The Red Death himself infects an old woman to deliver a vow to her village that the tyranny of Prince Prospero is at its end, spreading the plague as she goes to enhance the fear of the Red Death and draw all the nobles to the sadistic Prospero's manor. Gathering them together, the Red Death exposes himself to Prospero and takes him and all his revelers with the plague, sparing six innocents as a form of mercy before reuniting with his fellow brothers, having secured his "illimitable dominion" over the land.
* FanficFuel: The end sequence has personifications of other deadly plagues - the Black Death, Yellow Fever, Leprosy (gold), Porphyria (violet), Cholera (blue), Tuberculosis (white) - providing ripe material for stories focusing on them.
* MagnificentBastard: The Red Death
**In the Short Story: One would have to say that a plague disguising itself as a costumed guest to get in and then goading Prospero is a very clever move.
**The Movie: The Red Death himself infects an old woman to deliver a vow to her village that the tyranny of Prince Prospero is at its end, spreading the plague as she goes to enhance the fear of the Red Death and draw all the nobles to the sadistic Prospero's manor. Gathering them together, the Red Death exposes himself to Prospero and takes him and all his revelers with the plague, sparing six innocents as a form of mercy before reuniting with his fellow brothers, having secured his "illimitable dominion" over the land.
* FanficFuel: The end sequence has personifications of other deadly plagues - the Black Death, Yellow Fever, Leprosy (gold), Porphyria (violet), Cholera (blue), Tuberculosis (white) - providing ripe material for stories focusing on them.
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%% ???
to:
Deleted line(s) 15 (click to see context) :
* FanficFuel: The end sequence has personifications of other deadly plagues - the Black Death, Yellow Fever, Leprosy (gold), Porphyria (violet), Cholera (blue), Tuberculosis (white) - providing ripe material for stories focusing on them.
Deleted line(s) 18 (click to see context) :
* MagnificentBastard: The Red Death himself infects an old woman to deliver a vow to her village that the tyranny of Prince Prospero is at its end, spreading the plague as she goes to enhance the fear of the Red Death and draw all the nobles to the sadistic Prospero's manor. Gathering them together, the Red Death exposes himself to Prospero and takes him and all his revelers with the plague, sparing six innocents as a form of mercy before reuniting with his fellow brothers, having secured his "illimitable dominion" over the land.
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None
Changed line(s) 19 (click to see context) from:
* NarmCharm: The lurid pantomime that is the climax, where the Red Death kills the revelers. The movements should be ridiculous (and Roger Corman himself expressed dissatisfaction at it) but the pageantry is part of the charm.
to:
* NarmCharm: NarmCharm:
** The lurid pantomime that is the climax, where the Red Death kills the revelers. The movements should be ridiculous (and Roger Corman himself expressed dissatisfaction at it) but the pageantry is part of thecharm.charm.
** While Hop-Toad was played by Skip Martin, an actual dwarf actor, Esmeralda was played by child actress Verina Greenlaw (see below) and dubbed by what is clearly an uncredited adult woman.
** The lurid pantomime that is the climax, where the Red Death kills the revelers. The movements should be ridiculous (and Roger Corman himself expressed dissatisfaction at it) but the pageantry is part of the
** While Hop-Toad was played by Skip Martin, an actual dwarf actor, Esmeralda was played by child actress Verina Greenlaw (see below) and dubbed by what is clearly an uncredited adult woman.
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None
Changed line(s) 15 (click to see context) from:
* FanFicFuel: The end sequence has personifications of other deadly plagues - the Black Death, Yellow Fever, Leprosy (gold), Porphyria (violet), Cholera (blue), Tuberculosis (white) - providing ripe material for stories focusing on them.
to:
* FanFicFuel: FanficFuel: The end sequence has personifications of other deadly plagues - the Black Death, Yellow Fever, Leprosy (gold), Porphyria (violet), Cholera (blue), Tuberculosis (white) - providing ripe material for stories focusing on them.
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Uncanny Valley is IUEO now and the subjective version has been split; cleaning up misuse and ZCE in the process
Deleted line(s) 21 (click to see context) :
* UncannyValley: The dancer Esmeralda was played by a seven-year-old girl whose voice was dubbed by an adult woman. The effect is very noticeable and disconcerting, possibly intentionally.
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Approved by the thread and is on Film J To Y
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* MagnificentBastard: The Red Death himself infects an old woman to deliver a vow to her village that the tyranny of Prince Prospero is at its end, spreading the plague as she goes to enhance the fear of the Red Death and draw all the nobles to the sadistic Prospero's manor. Gathering them together, the Red Death exposes himself to Prospero and takes him and all his revelers with the plague, sparing six innocents as a form of mercy before reuniting with his fellow brothers, having secured his "illimitable dominion" over the land.
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None
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* AlternateCharacterInterpretation:
to:
* AlternateCharacterInterpretation: AlternativeCharacterInterpretation:
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Wrong YMMV page, dude.
Deleted line(s) 15 (click to see context) :
* MagnificentBastard: Jang Dong-soo is an affable, ruthless gangster who runs an efficient rigged gambling ring that he has used for years to get rich. After being attacked by the serial killer Kyung-ho, Dong-soo begins working with rival cop Tae-suk to track down the vicious murderer and bring him to justice as payback for the assault, with Dong-soo recording his interactions with Tae-suk so as to ensure the cop can't betray him at a later date. Using his vast network to hunt down evidence and eventually Kyung-ho himself, Dong-soo, utterly disgusted with Kyung-ho after he killed a young girl Dong-soo had treated nicely hours earlier, decides to take justice into his own hands and attempts to murder Kyung-ho. Even after Tae-suk stops the murder, Dong-soo turns himself in just so he can testify against Kyung-ho and get them both locked in the same prison, where Dong-soo cheerfully corners Kyung-ho with plans to make him pay for all the suffering he's caused.
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Approved by the thread.
Added DiffLines:
* MagnificentBastard: Jang Dong-soo is an affable, ruthless gangster who runs an efficient rigged gambling ring that he has used for years to get rich. After being attacked by the serial killer Kyung-ho, Dong-soo begins working with rival cop Tae-suk to track down the vicious murderer and bring him to justice as payback for the assault, with Dong-soo recording his interactions with Tae-suk so as to ensure the cop can't betray him at a later date. Using his vast network to hunt down evidence and eventually Kyung-ho himself, Dong-soo, utterly disgusted with Kyung-ho after he killed a young girl Dong-soo had treated nicely hours earlier, decides to take justice into his own hands and attempts to murder Kyung-ho. Even after Tae-suk stops the murder, Dong-soo turns himself in just so he can testify against Kyung-ho and get them both locked in the same prison, where Dong-soo cheerfully corners Kyung-ho with plans to make him pay for all the suffering he's caused.
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None
Changed line(s) 1,2 (click to see context) from:
* BigLippedAlligatorMoment / DisneyAcidSequence: Juliana's hallucinations when she undergoes her final Satanic ritual.
* EvilIsCool: Prospero, which is only natural since he's played by Creator/VincentPrice. The Red Death, while not ''evil'' per se, is also an extremely cool and memorable character, thanks largely to the performance of John Westbrook.
* EvilIsCool: Prospero, which is only natural since he's played by Creator/VincentPrice. The Red Death, while not ''evil'' per se, is also an extremely cool and memorable character, thanks largely to the performance of John Westbrook.
to:
* BigLippedAlligatorMoment / DisneyAcidSequence: AlternateCharacterInterpretation:
** Juliana gives Francesca a key to escape the castle, also helping her free her father and Gino. Was this a pragmatic choice on her part - removing a potential romantic rival whom it would be hard to simply kill (Prospero would most certainly take revenge on Juliana if she had Francesca killed)? Or was it a genuine act of kindness - sensing that Francesca's Christian faith was extremely strong and she would be better off being freed from the castle?
** Then there's Prospero having Juliana killed. Was it a punishment for the above mentioned stunt? Did he think it was what she wanted, being TogetherInDeath with Satan? Or did he think she was potentially getting too powerful and had to be eliminated?
* AngstWhatAngst:
** The little girl at the end is spared by the Red Death and is seen happily playing cards with him - without an apparent thought to the people shot dead in front of her earlier (including her own father).
** Played very well with Francesca however. She looks blankly at Alfredo burning to death in front of her because she's so traumatized by the death and torture she's witnessed beforehand that nothing can faze her anymore.
* BigLippedAlligatorMoment: Juliana's hallucinations when she undergoes her final Satanicritual.
ritual. It's extremely out there, not another sequence in the film is this trippy, and the fact that she's killed off immediately afterwards means that it's forgotten about.
*EvilIsCool: EvilIsCool:
** Prospero, which is only natural since he's played by Creator/VincentPrice. At his magnificent hammiest, able to make his revelers do his bidding and with just enough PetTheDog moments to make us root for him.
** The Red Death, while not ''evil'' per se, is also an extremely cool and memorable character, thanks largely to the performance of JohnWestbrook.Westbrook.
* EvilIsSexy: While Juliana doesn't appear to be outright evil, she's a Satan worshiper and a follower of Prospero's - also spending the film clad in gowns that give generous attention to her cleavage.
* FanFicFuel: The end sequence has personifications of other deadly plagues - the Black Death, Yellow Fever, Leprosy (gold), Porphyria (violet), Cholera (blue), Tuberculosis (white) - providing ripe material for stories focusing on them.
* SugarWiki/HeartwarmingMoments: The Red Death tells Francesca to go to the battlements, and Prospero says he'll soon join her there. Francesca seems to guess that Prospero will be meeting his end soon, and gives him a single kiss on the cheek. Despite all he did to her, she also seems able to sense that he cares for her in a twisted way. And it's a sign that she wasn't fully broken by her trauma - able to have SympathyForTheDevil.
* JustHereForGodzilla: Although there are plenty tuning in for Vincent Price and the Edgar Allen Poe touches, there are loads who are drawn in just by the colourful sets and costumes - and the general spectacle.
* NarmCharm: The lurid pantomime that is the climax, where the Red Death kills the revelers. The movements should be ridiculous (and Roger Corman himself expressed dissatisfaction at it) but the pageantry is part of the charm.
** Juliana gives Francesca a key to escape the castle, also helping her free her father and Gino. Was this a pragmatic choice on her part - removing a potential romantic rival whom it would be hard to simply kill (Prospero would most certainly take revenge on Juliana if she had Francesca killed)? Or was it a genuine act of kindness - sensing that Francesca's Christian faith was extremely strong and she would be better off being freed from the castle?
** Then there's Prospero having Juliana killed. Was it a punishment for the above mentioned stunt? Did he think it was what she wanted, being TogetherInDeath with Satan? Or did he think she was potentially getting too powerful and had to be eliminated?
* AngstWhatAngst:
** The little girl at the end is spared by the Red Death and is seen happily playing cards with him - without an apparent thought to the people shot dead in front of her earlier (including her own father).
** Played very well with Francesca however. She looks blankly at Alfredo burning to death in front of her because she's so traumatized by the death and torture she's witnessed beforehand that nothing can faze her anymore.
* BigLippedAlligatorMoment: Juliana's hallucinations when she undergoes her final Satanic
*
** Prospero, which is only natural since he's played by Creator/VincentPrice. At his magnificent hammiest, able to make his revelers do his bidding and with just enough PetTheDog moments to make us root for him.
** The Red Death, while not ''evil'' per se, is also an extremely cool and memorable character, thanks largely to the performance of John
* EvilIsSexy: While Juliana doesn't appear to be outright evil, she's a Satan worshiper and a follower of Prospero's - also spending the film clad in gowns that give generous attention to her cleavage.
* FanFicFuel: The end sequence has personifications of other deadly plagues - the Black Death, Yellow Fever, Leprosy (gold), Porphyria (violet), Cholera (blue), Tuberculosis (white) - providing ripe material for stories focusing on them.
* SugarWiki/HeartwarmingMoments: The Red Death tells Francesca to go to the battlements, and Prospero says he'll soon join her there. Francesca seems to guess that Prospero will be meeting his end soon, and gives him a single kiss on the cheek. Despite all he did to her, she also seems able to sense that he cares for her in a twisted way. And it's a sign that she wasn't fully broken by her trauma - able to have SympathyForTheDevil.
* JustHereForGodzilla: Although there are plenty tuning in for Vincent Price and the Edgar Allen Poe touches, there are loads who are drawn in just by the colourful sets and costumes - and the general spectacle.
* NarmCharm: The lurid pantomime that is the climax, where the Red Death kills the revelers. The movements should be ridiculous (and Roger Corman himself expressed dissatisfaction at it) but the pageantry is part of the charm.
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* VanillaProtagonist: In contrast to the other characters of the castle, Gino and Francesca come across as rather bland and unmemorable.
to:
* VanillaProtagonist: In contrast to the other characters of the castle, Gino and Francesca come across as rather bland and unmemorable. Francesca's proactive role and PluckyGirl nature might endear her to some however.
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None
Deleted line(s) 2 (click to see context) :
* CounterpartComparison: The Red Death as portrayed in this film has a number of similarities with Death in ''Film/TheSeventhSeal'', being a cold and implacable but ultimately benevolent AnthropomorphicPersonification of death who appears in a plague-stricken medieval land and kills most of the cast but for the most innocent and virtuous characters at the end.
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Not YMMV, unapproved by MB thread
Deleted line(s) 4,5 (click to see context) :
* LargeHam: Patrick Magee as Alfredo.
* MagnificentBastard: Hop Toad, for the way he manages to humiliate and kill Alfredo before escaping the castle with his love through guile alone.
* MagnificentBastard: Hop Toad, for the way he manages to humiliate and kill Alfredo before escaping the castle with his love through guile alone.
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None
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* VanillaProtagonist: In contrast to the other characters of the castle, Gino and Francesca come across as rather bland and unmemorable.
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None
Added line(s) 3 (click to see context) :
* CounterpartComparison: The Red Death as portrayed in this film has a number of similarities with Death in ''Film/TheSeventhSeal'', being a cold and implacable but ultimately benevolent AnthropomorphicPersonification of death who appears in a plague-stricken medieval land and kills most of the cast but for the most innocent and virtuous characters at the end.
* EvilIsCool: Prospero, which is only natural since he's played by Creator/VincentPrice. The Red Death, while not ''evil'' per se, is also an extremely cool and memorable character, thanks largely to the performance of John Westbrook.
* EvilIsCool: Prospero, which is only natural since he's played by Creator/VincentPrice. The Red Death, while not ''evil'' per se, is also an extremely cool and memorable character, thanks largely to the performance of John Westbrook.
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* UncannyValley: The dancer Esmeralda was played by a seven-year-old girl whose voice was dubbed by an adult woman.
to:
* MagnificentBastard: Hop Toad, for the way he manages to humiliate and kill Alfredo before escaping the castle with his love through guile alone.
* {{Squick}}: Alfredo's VillainousCrush on Esmeralda is made even more repulsive by the fact that Esmeralda is played by a little girl.
* UncannyValley: The dancer Esmeralda was played by a seven-year-old girl whose voice was dubbed by an adult woman. The effect is very noticeable and disconcerting, possibly intentionally.
* {{Squick}}: Alfredo's VillainousCrush on Esmeralda is made even more repulsive by the fact that Esmeralda is played by a little girl.
* UncannyValley: The dancer Esmeralda was played by a seven-year-old girl whose voice was dubbed by an adult woman. The effect is very noticeable and disconcerting, possibly intentionally.
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None
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* UncannyValley: The dancer Esmeralda was played by a seven-year-old girl whose voice was dubbed by an adult woman.
to:
* UncannyValley: The dancer Esmeralda was played by a seven-year-old girl whose voice was dubbed by an adult woman.woman.
----
----
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* UncannyValley: The dancer Esmeralda was played by a seven-year-old girl whose voice was dubbed by an adult woman.
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unfortunate implications need citations
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* UnfortunateImplications: Hop-Toad's lover Esmeralda is meant to be a fully-grown midget but is played by a child (though her voice is dubbed by an adult). This could be seen as unfortunate on more than one level.
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None
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* LargeHam: Patrick Magee as
to:
* LargeHam: Patrick Magee as Alfredo.
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* Big Lipped Alligator Moment / Disney Acid Sequence: Juliana's hallucinations when she undergoes her final Satanic ritual.
to:
* Big Lipped Alligator Moment BigLippedAlligatorMoment / Disney Acid Sequence: DisneyAcidSequence: Juliana's hallucinations when she undergoes her final Satanic ritual.
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*Big Lipped Alligator Moment / Disney Acid Sequence: Juliana's hallucinations when she undergoes her final Satanic ritual.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* UnfortunateImplications: Hop-Toad's lover Esmeralda is meant to be a fully-grown midget but is played by a child (though her voice is dubbed by an adult). This could be seen as unfortunate on more than one level.