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Some Anvils Need To Be Dropped got cut.
Changed line(s) 3,4 (click to see context) from:
** Assuming that the beasts don't have meaningful internal organs translates into Sonnie having yet another reason to keep her secret, she could be disabled by hitting close to her brain (concussions, etc.) while her opponent wouldn't.
* SomeAnvilsNeedToBeDropped: Sonnie hits back against assumptions from other characters (well-meaning or antagonistic) that her past as a rape survivor define her current actions. She has moved on as best she can and is making the best life she can given her unusual situation, rather than acting out any cliche proxy-revenge fantasy: It's Sonnie who defines her life, not her trauma.
* SomeAnvilsNeedToBeDropped: Sonnie hits back against assumptions from other characters (well-meaning or antagonistic) that her past as a rape survivor define her current actions. She has moved on as best she can and is making the best life she can given her unusual situation, rather than acting out any cliche proxy-revenge fantasy: It's Sonnie who defines her life, not her trauma.
to:
** Assuming that the beasts don't have meaningful internal organs translates into Sonnie having yet another reason to keep her secret, she could be disabled by hitting close to her brain (concussions, etc.) while her opponent wouldn't.
* SomeAnvilsNeedToBeDropped: Sonnie hits back against assumptions from other characters (well-meaning or antagonistic) that her past as a rape survivor define her current actions. She has moved on as best she can and is making the best life she can given her unusual situation, rather than acting out any cliche proxy-revenge fantasy: It's Sonnie who defines her life, not her trauma.wouldn't.
* SomeAnvilsNeedToBeDropped: Sonnie hits back against assumptions from other characters (well-meaning or antagonistic) that her past as a rape survivor define her current actions. She has moved on as best she can and is making the best life she can given her unusual situation, rather than acting out any cliche proxy-revenge fantasy: It's Sonnie who defines her life, not her trauma.
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Changed line(s) 4 (click to see context) from:
* SomeAnvilsNeedToBeDropped: Sonnie hits back against assumptions from other characters (well-meaning or antagonistic) that her past as a rape survivor define her current actions. She has moved on as best she can and is making the best life she can given her unusual situation, rather than acting out any cliche proxy-revenge fantasy: Sonnie defines her life, not her trauma.
to:
* SomeAnvilsNeedToBeDropped: Sonnie hits back against assumptions from other characters (well-meaning or antagonistic) that her past as a rape survivor define her current actions. She has moved on as best she can and is making the best life she can given her unusual situation, rather than acting out any cliche proxy-revenge fantasy: It's Sonnie who defines her life, not her trauma.
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None
Changed line(s) 3 (click to see context) from:
** Assuming that the beasts don't have meaningful internal organs translates into Sonnie having yet another reason to keep her secret, she could be disabled by hitting close to her brain (concussions, etc.) while her opponent wouldn't.
to:
** Assuming that the beasts don't have meaningful internal organs translates into Sonnie having yet another reason to keep her secret, she could be disabled by hitting close to her brain (concussions, etc.) while her opponent wouldn't.wouldn't.
* SomeAnvilsNeedToBeDropped: Sonnie hits back against assumptions from other characters (well-meaning or antagonistic) that her past as a rape survivor define her current actions. She has moved on as best she can and is making the best life she can given her unusual situation, rather than acting out any cliche proxy-revenge fantasy: Sonnie defines her life, not her trauma.
* SomeAnvilsNeedToBeDropped: Sonnie hits back against assumptions from other characters (well-meaning or antagonistic) that her past as a rape survivor define her current actions. She has moved on as best she can and is making the best life she can given her unusual situation, rather than acting out any cliche proxy-revenge fantasy: Sonnie defines her life, not her trauma.
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None
Changed line(s) 3 (click to see context) from:
** Assuming that the beasts don't have meaningful internal organs translates into Sonnie having yet another reason to keep her secret, she could be disabled by hitting close to her brain (cucussions etc.) while her opponent wouldn't.
to:
** Assuming that the beasts don't have meaningful internal organs translates into Sonnie having yet another reason to keep her secret, she could be disabled by hitting close to her brain (cucussions (concussions, etc.) while her opponent wouldn't.
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None
Changed line(s) 2 (click to see context) from:
* FridgeBrilliance: Sonnie not only is fighting for her life, but she also doesn't suffer from lag effect. Being on the arena herself, she reacts faster than her opponents, who must relay the commands and can get distracted from the combat itself.
to:
* FridgeBrilliance: Sonnie not only is fighting for her life, but she also doesn't suffer from lag effect. Being on the arena herself, she reacts faster than her opponents, who must relay the commands and can get distracted from the combat itself.itself.
** Assuming that the beasts don't have meaningful internal organs translates into Sonnie having yet another reason to keep her secret, she could be disabled by hitting close to her brain (cucussions etc.) while her opponent wouldn't.
** Assuming that the beasts don't have meaningful internal organs translates into Sonnie having yet another reason to keep her secret, she could be disabled by hitting close to her brain (cucussions etc.) while her opponent wouldn't.
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https://tvtropes.org/pmwiki/posts.php?discussion=15540840900A88978500&page=3#comment-74
Doesn't explain how something that was dramatic becomes unintentionally funny.
Doesn't explain how something that was dramatic becomes unintentionally funny.Changed line(s) 2,3 (click to see context) from:
* FridgeBrilliance: Sonnie not only is fighting for her life, but she also doesn't suffer from lag effect. Being on the arena herself, she reacts faster than her opponents, who must relay the commands and can get distracted from the combat itself.
* {{Narm}}: It's ''extremely'' heavy-handed in terms of sexuality, nudity, rape and gender roles, served with badly dated grrrl power sauce. All of it in a short about cage fights of bio-engineered monsters.
* {{Narm}}: It's ''extremely'' heavy-handed in terms of sexuality, nudity, rape and gender roles, served with badly dated grrrl power sauce. All of it in a short about cage fights of bio-engineered monsters.
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* FridgeBrilliance: Sonnie not only is fighting for her life, but she also doesn't suffer from lag effect. Being on the arena herself, she reacts faster than her opponents, who must relay the commands and can get distracted from the combat itself.
* {{Narm}}: It's ''extremely'' heavy-handed in terms of sexuality, nudity, rape and gender roles, served with badly dated grrrl power sauce. All of it in a short about cage fights of bio-engineered monsters.itself.
* {{Narm}}: It's ''extremely'' heavy-handed in terms of sexuality, nudity, rape and gender roles, served with badly dated grrrl power sauce. All of it in a short about cage fights of bio-engineered monsters.
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None
Added DiffLines:
* FridgeBrilliance: Sonnie not only is fighting for her life, but she also doesn't suffer from lag effect. Being on the arena herself, she reacts faster than her opponents, who must relay the commands and can get distracted from the combat itself.
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None
Changed line(s) 2 (click to see context) from:
* Narm: It's ''extremely'' heavy-handed in terms of sexuality, nudity, rape and gender roles, served with badly dated grrrl power sauce. All of it in a short about cage fights of bio-engineered monsters.
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* Narm: {{Narm}}: It's ''extremely'' heavy-handed in terms of sexuality, nudity, rape and gender roles, served with badly dated grrrl power sauce. All of it in a short about cage fights of bio-engineered monsters.
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* {{Anvilicious}}: So it's a story about a [[RapeAsBackstory past rape victim]] dealing with a [[StrawMisogynist snide, condescending bastard]] named... ''[[ADickInName Dicko]].'' Gee, is there maybe supposed to be a theme here, or something...?
to:
* {{Anvilicious}}: So it's a story about a [[RapeAsBackstory past rape victim]] dealing with a [[StrawMisogynist snide, condescending bastard]] named... ''[[ADickInName Dicko]].'' Gee, is there maybe supposed to be a theme here, or something...??
* Narm: It's ''extremely'' heavy-handed in terms of sexuality, nudity, rape and gender roles, served with badly dated grrrl power sauce. All of it in a short about cage fights of bio-engineered monsters.
* Narm: It's ''extremely'' heavy-handed in terms of sexuality, nudity, rape and gender roles, served with badly dated grrrl power sauce. All of it in a short about cage fights of bio-engineered monsters.
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None
Changed line(s) 1 (click to see context) from:
* {{Anvilicious}}: So it's a story about a [[RapeAsBackstory past rape victim]] dealing with a [[StrawMisogynist snide, condescending bastard]] named... ''Dicko.'' Gee, is there maybe supposed to be a theme here, or something...?
to:
* {{Anvilicious}}: So it's a story about a [[RapeAsBackstory past rape victim]] dealing with a [[StrawMisogynist snide, condescending bastard]] named... ''Dicko.''[[ADickInName Dicko]].'' Gee, is there maybe supposed to be a theme here, or something...?
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None
Added DiffLines:
* {{Anvilicious}}: So it's a story about a [[RapeAsBackstory past rape victim]] dealing with a [[StrawMisogynist snide, condescending bastard]] named... ''Dicko.'' Gee, is there maybe supposed to be a theme here, or something...?
