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Oh, the secondary characters are definitely superior, but for the most part they all get a good amount of screentime, so they aren't exactly wasted.
* AssPull: [[spoiler:Amren coming BackFromTheDead, memories completely intact, at the end of ''A Court of Wings and ruin''. Not only does it directly go against what she'd repeatedly stated--that if she regained her true form, her memories would be gone forever--there's absolutely no foreshadowing, and the explanation that "a piece of her was stuck in the Cauldron" is pretty unconvincing.]]
* EnsembleDarkhorse: The secondary characters are quite commonly praised for being very interesting and nuanced, some moreso than others.
** Tarquin, for being the genuinely nicest High Lord with a good amount of [[OnlySaneMan common sense]] and having dreams of overturning the racist aspects of Prythian culture.
** Nesta's [[DefiantToTheEnd fiery spirit]] and HiddenDepths marked her as a fan-favorite, which only escalated when [[spoiler:the sheer depths of her anger ''unnerved [[BigBad the king of Hybern]]''.]]
** Tarquin, for being the genuinely nicest High Lord with a good amount of [[OnlySaneMan common sense]] and having dreams of overturning the racist aspects of Prythian culture.
** Nesta's [[DefiantToTheEnd fiery spirit]] and HiddenDepths marked her as a fan-favorite, which only escalated when [[spoiler:the sheer depths of her anger ''unnerved [[BigBad the king of Hybern]]''.]]
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** The constant uses of "male" and "female" to refer to the gender of a character has been mocked alongside the sheer number of times "mate" appears in ''A Court of Wings and Ruin''.
to:
** The constant uses of "male" and "female" to refer to the gender of a character has been mocked mocked, alongside the sheer number of times "mate" appears in ''A Court of Wings and Ruin''.
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* TheyWastedAPerfectlyGoodCharacter: Many of the secondary characters, such as Nesta, Elain, Lucien, Tarquin or Mor are considered by many far superior to Feyre and Rhysand.
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* TheyWastedAPerfectlyGoodCharacter: Many Prince Dagdan and Princess Brannah, the creepy twin emissaries from Hybern. They show a lot of political cunning and power, engaging in [[{{Telepath}} literal mind-games]] with Feyre [[spoiler:and playing her as good as she plays them]]. Their presence also has the possibility of giving first-hand insight into Hybern culture. [[spoiler:Too bad they're killed off a third of the secondary characters, such as Nesta, Elain, Lucien, Tarquin or Mor are considered by many far superior to Feyre way through ''A Court of Wings and Rhysand.Ruin'']]
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** On the one hand there are many readers who are glad that Tamlin has received his comeuppance in ''A Court of Frost and Starlight''. However there are many others who believe Sarah J. Maas has gone to extreme lengths to punish Tamlin for what he has done, making Rhysand's gloating of his current state come across as unnecessarily cruel.
to:
** On the one hand hand, there are many readers who are glad that Tamlin has received his comeuppance in ''A Court of Frost and Starlight''. However However, there are many others who believe Sarah J. Maas has gone to extreme lengths to punish Tamlin for what he has done, making Rhysand's gloating of his current state come across as unnecessarily cruel.
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* RomanticPlotTumor: It is argued that that Feyre's relationships with Tamlin and Rhysand are given more focus than either the Amarantha plotline or the war with Hybern.
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* RomanticPlotTumor: It is It's argued that that Feyre's relationships with Tamlin and Rhysand are given more focus than either the Amarantha plotline or and the war with Hybern.Hybern are put on the back-burn for Feyre's relationship with Tamlin [[spoiler:and later Rhysand]] during the first two books. The third arguably alleviates this, however, by being more focused on the war efforts.
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Mary Sue is Flame Bait—don't list it anywhere. Creators Pet isn't applicable unless all criteria apply (jerk he may be, but Rhys does prove himself to live up to his reputation as powerful and Maas hasn't, to my knowledge, called him her favorite). Disproportionate Retribution isn't YMMV, that sounds more like Broken Base. The Designated Hero points are stuff he admits were wrong (Tam and Lucien) or gets called out for (drugging and Mor), and there are a lot of times the narrative calls him on his secretive plotting (Unintentionally Unsympathetic). Hid the examples that don't have explanations for why they're examples.
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* AuthorsSavingThrow: The series has been criticized for the lack of diversity, which is what presumably prompted Maas to make Mor bisexual with a preference for women (in a rather problematic way) and Lucien more dark-skinned as Helion's son, even though the latter had been described in previous books as pale-skinned.
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* AuthorsSavingThrow: The series has been criticized for the lack of diversity, which is what presumably prompted Maas to make Mor bisexual with a preference for women (in a rather problematic way) and Lucien more dark-skinned as [[spoiler:as Helion's son, son]], [[RetCon even though the latter had been described in previous books as pale-skinned.pale-skinned]].
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** Even some of the books more loyal fans didn’t like ''A Court of Frost and Starlight.''
* CreatorsPet: The case with Rhysand - many readers hate him, whereas the narrative seems to constantly [[InformedAttribute gloss over his problematic actions]], coddles him and attempts to make him look more heroic. Rhys is explicitly stated to be the most powerful high lord to ever exist, on multiple occasions it is claimed that he cares about his people even though he is rarely seen performing the duties of a leader and even after he makes a rude remark about the traumatized Nesta, Feyre feels bad about calling him out on it. This has gotten to the point where even some of the ''fans themselves'' were tired of Rhys and Feyre come ''A Court of Frost and Starlight''.
* DesignatedHero: Rhysand is treated as a {{nice guy}} by the narrative, despite the fact that he drugs and tortures Feyre, makes Tamlin and Lucien beg him to spare her life and forces his cousin to confront her abusive father who had essentially sold her into marriage.
* DisproportionateRetribution: On the one hand there are many readers who are glad that Tamlin has received his comeuppance in ''A Court of Frost and Starlight'', however there are many others who believe Sarah J. Maas has gone to extreme lengths to punish Tamlin for what he has done, making Rhysand's gloating of his current state come across as unnecessarily cruel.
* DracoInLeatherPants: Rhysand, also in-universe.
* CreatorsPet: The case with Rhysand - many readers hate him, whereas the narrative seems to constantly [[InformedAttribute gloss over his problematic actions]], coddles him and attempts to make him look more heroic. Rhys is explicitly stated to be the most powerful high lord to ever exist, on multiple occasions it is claimed that he cares about his people even though he is rarely seen performing the duties of a leader and even after he makes a rude remark about the traumatized Nesta, Feyre feels bad about calling him out on it. This has gotten to the point where even some of the ''fans themselves'' were tired of Rhys and Feyre come ''A Court of Frost and Starlight''.
* DesignatedHero: Rhysand is treated as a {{nice guy}} by the narrative, despite the fact that he drugs and tortures Feyre, makes Tamlin and Lucien beg him to spare her life and forces his cousin to confront her abusive father who had essentially sold her into marriage.
* DisproportionateRetribution: On the one hand there are many readers who are glad that Tamlin has received his comeuppance in ''A Court of Frost and Starlight'', however there are many others who believe Sarah J. Maas has gone to extreme lengths to punish Tamlin for what he has done, making Rhysand's gloating of his current state come across as unnecessarily cruel.
* DracoInLeatherPants: Rhysand, also in-universe.
to:
** Even some of the books more loyal fans didn’t like ''A Court of Frost and Starlight.''
* CreatorsPet: The case with Rhysand - many readers hate him, whereas the narrative seems to constantly [[InformedAttribute gloss over his problematic actions]], coddles him and attempts to make him look more heroic. Rhys is explicitly stated to be the most powerful high lord to ever exist, on multiple occasions it is claimed that he cares about his people even though he is rarely seen performing the duties of a leader and even after he makes a rude remark about the traumatized Nesta, Feyre feels bad about calling him out on it. This has gotten to the point where even some of the ''fans themselves'' were tired of Rhys and Feyre come ''A Court of Frost and Starlight''.
* DesignatedHero: Rhysand is treated as a {{nice guy}} by the narrative, despite the fact that he drugs and tortures Feyre, makes Tamlin and Lucien beg him to spare her life and forces his cousin to confront her abusive father who had essentially sold her into marriage.
* DisproportionateRetribution:On the one hand there are many readers who are glad that Tamlin has received his comeuppance in ''A Court of Frost and Starlight'', however Starlight''. However there are many others who believe Sarah J. Maas has gone to extreme lengths to punish Tamlin for what he has done, making Rhysand's gloating of his current state come across as unnecessarily cruel.
* %%** Even some of the books more loyal fans didn’t like ''A Court of Frost and Starlight.''
%%* DracoInLeatherPants: Rhysand, also in-universe.
* CreatorsPet: The case with Rhysand - many readers hate him, whereas the narrative seems to constantly [[InformedAttribute gloss over his problematic actions]], coddles him and attempts to make him look more heroic. Rhys is explicitly stated to be the most powerful high lord to ever exist, on multiple occasions it is claimed that he cares about his people even though he is rarely seen performing the duties of a leader and even after he makes a rude remark about the traumatized Nesta, Feyre feels bad about calling him out on it. This has gotten to the point where even some of the ''fans themselves'' were tired of Rhys and Feyre come ''A Court of Frost and Starlight''.
* DesignatedHero: Rhysand is treated as a {{nice guy}} by the narrative, despite the fact that he drugs and tortures Feyre, makes Tamlin and Lucien beg him to spare her life and forces his cousin to confront her abusive father who had essentially sold her into marriage.
* DisproportionateRetribution:
%%* DracoInLeatherPants: Rhysand, also in-universe.
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* MarySue
** Strangely, Rhys comes across as one to a much greater extent than Feyre. He is described as immensely good looking, the most powerful high lord in history and the narrative never appears to condemn or make him pay for his unethical actions, which are merely hand-waved as being done for Feyre's supposed "good".
** Also Feyre. She is {{obliviously beautiful}}, has all the possible Fae powers due to having been resurrected, receives a lot of unearned praise and any of her unsympathetic actions, such as the lack of empathy for her traumatized sister, is never portrayed in a negative light. There is also no one who calls her out on her [[ChronicHeroSyndrome Chronic Hero Syndrome moments]] or [[spoiler: her amoral behavior concerning Rhysand's death and resurrection at the end of A Court of Wings and Ruin.]]
** Strangely, Rhys comes across as one to a much greater extent than Feyre. He is described as immensely good looking, the most powerful high lord in history and the narrative never appears to condemn or make him pay for his unethical actions, which are merely hand-waved as being done for Feyre's supposed "good".
** Also Feyre. She is {{obliviously beautiful}}, has all the possible Fae powers due to having been resurrected, receives a lot of unearned praise and any of her unsympathetic actions, such as the lack of empathy for her traumatized sister, is never portrayed in a negative light. There is also no one who calls her out on her [[ChronicHeroSyndrome Chronic Hero Syndrome moments]] or [[spoiler: her amoral behavior concerning Rhysand's death and resurrection at the end of A Court of Wings and Ruin.]]
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* UnfortunateImplications
to:
* UnfortunateImplicationsTheyWastedAPerfectlyGoodCharacter: Many of the secondary characters, such as Nesta, Elain, Lucien, Tarquin or Mor are considered by many far superior to Feyre and Rhysand.
* UnfortunateImplications:
* UnfortunateImplications:
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* TheyWastedAPerfectlyGoodCharacter: Many of the secondary characters, such as Nesta, Elain, Lucien, Tarquin or Mor are considered by many far superior to Feyre and Rhysand.
* UnintentionallyUnsympathetic: Maas has presumably intended Rhysand as a {{jerk with a heart of gold}}, yet his treatment of Feyre in the first book and the way the narrative glosses over his actions has led many readers to see him as on par with Tamlin.
* UnintentionallyUnsympathetic: Maas has presumably intended Rhysand as a {{jerk with a heart of gold}}, yet his treatment of Feyre in the first book and the way the narrative glosses over his actions has led many readers to see him as on par with Tamlin.
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* BrokenBase: There’s a bit of disagreement on whether or not Tamlin was ''always'' controlling of Feyre. Some argue that Tamlin was perfectly willing to let Feyre do as she pleased in the first book and that the events of said book screwed him up mentally. Others say that he was always like that and Under the Mountain just made it worse.
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* BrokenBase: BrokenBase:
** There’s a bit of disagreement on whether or not Tamlin was ''always'' controlling of Feyre. Some argue that Tamlin was perfectly willing to let Feyre do as she pleased in the first book and that the events of said book screwed him up mentally. Others say that he wasalways like that ''always'' controlling and Under the Mountain just made it worse.worse.
** Even some of the books more loyal fans didn’t like ''A Court of Frost and Starlight.''
** There’s a bit of disagreement on whether or not Tamlin was ''always'' controlling of Feyre. Some argue that Tamlin was perfectly willing to let Feyre do as she pleased in the first book and that the events of said book screwed him up mentally. Others say that he was
** Even some of the books more loyal fans didn’t like ''A Court of Frost and Starlight.''
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* WhatAnIdiot: Who would have thought that a place where a magical artifact is stored and where there are no guards could actually be a trap?
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* WhatAnIdiot: WhatAnIdiot:
** Who would have thought that a place where a magical artifact is stored and where there are no guards could actually be atrap?trap?
** Turns out starting a civil war in the Court closest to the very wall the enemy wants to bring down is a bad idea.
** Who would have thought that a place where a magical artifact is stored and where there are no guards could actually be a
** Turns out starting a civil war in the Court closest to the very wall the enemy wants to bring down is a bad idea.
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Bisexual's exist
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* AuthorsSavingThrow: The series has been criticized for the lack of diversity, which is what presumably prompted Maas to make Mor a lesbian (in a rather problematic way) and Lucien more dark-skinned as Helion's son, even though the latter had been described in previous books as pale-skinned.
to:
* AuthorsSavingThrow: The series has been criticized for the lack of diversity, which is what presumably prompted Maas to make Mor bisexual with a lesbian preference for women (in a rather problematic way) and Lucien more dark-skinned as Helion's son, even though the latter had been described in previous books as pale-skinned.
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None
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* CreatorsPet: The case with Rhysand - many readers hate him, whereas the narrative seems to constantly [[InformedAttribute gloss over his problematic actions]], coddles him and attempts to make him look more heroic. Rhys is explicitly stated to be the most powerful high lord to ever exist, on multiple occasions it is claimed that he cares about his people even though he is rarely seen performing the duties of a leader and even after he makes a rude remark about the traumatized Nesta, Feyre feels bad about calling him out on it.
to:
* CreatorsPet: The case with Rhysand - many readers hate him, whereas the narrative seems to constantly [[InformedAttribute gloss over his problematic actions]], coddles him and attempts to make him look more heroic. Rhys is explicitly stated to be the most powerful high lord to ever exist, on multiple occasions it is claimed that he cares about his people even though he is rarely seen performing the duties of a leader and even after he makes a rude remark about the traumatized Nesta, Feyre feels bad about calling him out on it. This has gotten to the point where even some of the ''fans themselves'' were tired of Rhys and Feyre come ''A Court of Frost and Starlight''.
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** The constant uses of "male" and "female" to refer to the gender of a character mocked alongside the sheer number of times "mate" appears in ''A Court of Wings and Ruin''.
to:
** The constant uses of "male" and "female" to refer to the gender of a character has been mocked alongside the sheer number of times "mate" appears in ''A Court of Wings and Ruin''.
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None
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* {{Narm}}: Feyre's title as the "Defender of the Rainbow".
to:
* {{Narm}}: {{Narm}}:
** Feyre's title as the "Defender of theRainbow".Rainbow".
** The constant uses of "male" and "female" to refer to the gender of a character mocked alongside the sheer number of times "mate" appears in ''A Court of Wings and Ruin''.
** Feyre's title as the "Defender of the
** The constant uses of "male" and "female" to refer to the gender of a character mocked alongside the sheer number of times "mate" appears in ''A Court of Wings and Ruin''.
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None
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* CreatorsPet: The case with Rhysand - many readers hate him, whereas the narrative seems to constantly [[InformedAttribute gloss over his problematic actions]], coddles him and attempts to make him look more heroic. Rhys is explicitly stated to be the most powerful high lord to ever exist, on multiple occasions it is claimed that he cares about his people even though he is rarely seen performing the duties of a leader and even after he makes a rude remark about the trumatized Nesta, Feyre feels bad about calling him out on it.
to:
* BrokenBase: There’s a bit of disagreement on whether or not Tamlin was ''always'' controlling of Feyre. Some argue that Tamlin was perfectly willing to let Feyre do as she pleased in the first book and that the events of said book screwed him up mentally. Others say that he was always like that and Under the Mountain just made it worse.
* CreatorsPet: The case with Rhysand - many readers hate him, whereas the narrative seems to constantly [[InformedAttribute gloss over his problematic actions]], coddles him and attempts to make him look more heroic. Rhys is explicitly stated to be the most powerful high lord to ever exist, on multiple occasions it is claimed that he cares about his people even though he is rarely seen performing the duties of a leader and even after he makes a rude remark about thetrumatized traumatized Nesta, Feyre feels bad about calling him out on it.
* CreatorsPet: The case with Rhysand - many readers hate him, whereas the narrative seems to constantly [[InformedAttribute gloss over his problematic actions]], coddles him and attempts to make him look more heroic. Rhys is explicitly stated to be the most powerful high lord to ever exist, on multiple occasions it is claimed that he cares about his people even though he is rarely seen performing the duties of a leader and even after he makes a rude remark about the
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* DisproportionateRetribution: On the one hand there are many readers who are glad that Tamlin has received his comeuppance in ''A Court of Frost and Starlight'', however there are many others who believe Sarah J. Maas has went to extreme lengths to punish Tamlin for what he has done, making Rhysand's gloating of his current state come across as unnecessarily cruel.
to:
* DisproportionateRetribution: On the one hand there are many readers who are glad that Tamlin has received his comeuppance in ''A Court of Frost and Starlight'', however there are many others who believe Sarah J. Maas has went gone to extreme lengths to punish Tamlin for what he has done, making Rhysand's gloating of his current state come across as unnecessarily cruel.
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** Also Feyre. She is {{obliviously beautiful}}, has all the possible Fae powers due to having been resurrected, receives a lot of unearned praise and any of her unsympathetic actions, such as the lack of empathy for her trumatised sister, are never portrayed in a negative light. There is also no one who calls her out on her [[ChronicHeroSyndrome Chronic Hero Syndrome moments]] or [[spoiler: her amoral behavior concerning Rhysand's death and resurrection at the end of A Court of Wings and Ruin.]]
to:
** Also Feyre. She is {{obliviously beautiful}}, has all the possible Fae powers due to having been resurrected, receives a lot of unearned praise and any of her unsympathetic actions, such as the lack of empathy for her trumatised traumatized sister, are is never portrayed in a negative light. There is also no one who calls her out on her [[ChronicHeroSyndrome Chronic Hero Syndrome moments]] or [[spoiler: her amoral behavior concerning Rhysand's death and resurrection at the end of A Court of Wings and Ruin.]]
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** The Kingdom of Hybern is based on Ireland, whereas its Faes, such as Dagdan, Brannagh and the King are all portrayed as evil, power hungry and souless.
to:
** The Kingdom of Hybern is based on Ireland, whereas its Faes, such as Dagdan, Brannagh and the King are all portrayed as evil, power hungry and souless.soulless.
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None
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* DisproportionateRetribution: On the one hand there are many readers who are glad that Tamlin has received his comeuppance in A Court of Frost and Starlight, however there are many others who believe Sarah J. Maas has went to extreme lengths to punish Tamlin for what he has done, making Rhysand's gloating of his current state come across as unnecessarily cruel.
to:
* DisproportionateRetribution: On the one hand there are many readers who are glad that Tamlin has received his comeuppance in A ''A Court of Frost and Starlight, Starlight'', however there are many others who believe Sarah J. Maas has went to extreme lengths to punish Tamlin for what he has done, making Rhysand's gloating of his current state come across as unnecessarily cruel.
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None
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* DisproportionateRetribution: On the one hand there are many readers who are glad that Tamlin has received his comeuppance in A Court of Frost and Starlight, however there are many other who believe Sarah J. Maas has went to extreme lengths to punish Tamlin for what he has done, making Rhysand's gloating of his current state come across as unnecessarily cruel.
to:
* DisproportionateRetribution: On the one hand there are many readers who are glad that Tamlin has received his comeuppance in A Court of Frost and Starlight, however there are many other others who believe Sarah J. Maas has went to extreme lengths to punish Tamlin for what he has done, making Rhysand's gloating of his current state come across as unnecessarily cruel.
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Adding section Disproportionate Retribution
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* DisproportionateRetribution: On the one hand there are many readers who are glad that Tamlin has received his comeuppance in A Court of Frost and Starlight, however there are many other who believe Sarah J. Maas has went to extreme lengths to punish Tamlin for what he has done, making Rhysand's gloating of his current state come across as unnecessarily cruel.
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None
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** Also Feyre. She is {{obliviously beautiful}}, has all the possible Fae powers due to having been resurrected, receives a lot of unearned praise and any of her unsympathetic actions, such as the lack of empathy for her trumatised sister, are never portrayed in a negative light. There is also no one who calls her out for neither her [[ChronicHeroSyndrome Chronic Hero Syndrome moments]] nor [[spoiler: her amoral behavior concerning Rhysand's death and resurrection at the end of A Court of Wings and Ruin.]]
to:
** Also Feyre. She is {{obliviously beautiful}}, has all the possible Fae powers due to having been resurrected, receives a lot of unearned praise and any of her unsympathetic actions, such as the lack of empathy for her trumatised sister, are never portrayed in a negative light. There is also no one who calls her out for neither on her [[ChronicHeroSyndrome Chronic Hero Syndrome moments]] nor or [[spoiler: her amoral behavior concerning Rhysand's death and resurrection at the end of A Court of Wings and Ruin.]]
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Addition to Mary Sue point.
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** Also Feyre. She is {{obliviously beautiful}}, has all the possible Fae powers due to having been resurrected, receives a lot of unearned praise and any of her unsympathetic actions, such as the lack of empathy for her trumatised sister, are never portrayed in a negative light.
to:
** Also Feyre. She is {{obliviously beautiful}}, has all the possible Fae powers due to having been resurrected, receives a lot of unearned praise and any of her unsympathetic actions, such as the lack of empathy for her trumatised sister, are never portrayed in a negative light. There is also no one who calls her out for neither her [[ChronicHeroSyndrome Chronic Hero Syndrome moments]] nor [[spoiler: her amoral behavior concerning Rhysand's death and resurrection at the end of A Court of Wings and Ruin.]]
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** Then there is the {{Mandatory Motherhood}} trope - initially Feyre had stated that she doesn't want children until later on in life, yet in ''The Court of Frost and Starlight'', after she has been immortal for only two years, she suddenly wants to be a parent.
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* Protection from Editors: Many readers have picked up on the frequent misuse of em-dashes, grammar mistakes, as well as anachronisms - the usage of "pissy" or "pissed off" in a supposedly early modern world, the existence of flushing toilets and modern stoves paired with the lack of crossbows or firearms and the usage of bows for hunting.
to:
* Protection from Editors: ProtectionFromEditors: Many readers have picked up on the frequent misuse of em-dashes, em-dashes and ellipses, grammar mistakes, as well as anachronisms - the usage of "pissy" or "pissed off" in a supposedly early modern world, the existence of flushing toilets and modern stoves paired with the lack of crossbows or firearms and the usage of bows for hunting.
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* TheyWastedAPerfectlyGoodCharacter: Many of the secondary characters, such as Nesta, Elain, Lucien, Tarquin or Mor are considered far superior to Feyre and Rhysand.
to:
* TheyWastedAPerfectlyGoodCharacter: Many of the secondary characters, such as Nesta, Elain, Lucien, Tarquin or Mor are considered by many far superior to Feyre and Rhysand.
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None
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* Draco in Leather Pants: Rhysand, also in-universe.
to:
* Draco in Leather Pants: DracoInLeatherPants: Rhysand, also in-universe.
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* AuthorsSavingThrow: The series has been criticized for the lack of diversity, which is what presumably prompted Maas to make Mor a lesbian and Lucien more dark-skinned as Helion's son, even though the latter had been described in previous books as pale-skinned.
to:
* AuthorsSavingThrow: The series has been criticized for the lack of diversity, which is what presumably prompted Maas to make Mor a lesbian (in a rather problematic way) and Lucien more dark-skinned as Helion's son, even though the latter had been described in previous books as pale-skinned.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* AuthorsSavingThrow: The series has been criticized for the lack of diversity, which is what presumably prompted Maas to make Mor a lesbian and Lucien more dark-skinned as Helion's son, even though the latter had been described in previous books as pale-skinned.
* CreatorsPet: The case with Rhysand - many readers hate him, whereas the narrative seems to constantly [[InformedAttribute gloss over his problematic actions]], coddles him and attempts to make him look more heroic. Rhys is explicitly stated to be the most powerful high lord to ever exist, on multiple occasions it is claimed that he cares about his people even though he is rarely seen performing the duties of a leader and even after he makes a rude remark about the trumatized Nesta, Feyre feels bad about calling him out on it.
* CreatorsPet: The case with Rhysand - many readers hate him, whereas the narrative seems to constantly [[InformedAttribute gloss over his problematic actions]], coddles him and attempts to make him look more heroic. Rhys is explicitly stated to be the most powerful high lord to ever exist, on multiple occasions it is claimed that he cares about his people even though he is rarely seen performing the duties of a leader and even after he makes a rude remark about the trumatized Nesta, Feyre feels bad about calling him out on it.
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* Draco in Leather Pants: Rhysand, also in-universe.
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* Protection from Editors: Many readers have picked up on the frequent misuse of em-dashes, grammar mistakes, as well as anachronisms - the usage of "pissy" or "pissed off" in a supposedly early modern world, the existence of flushing toilets and modern stoves paired with the lack of crossbows or firearms and the usage of bows for hunting.
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* TheyWastedAPerfectlyGoodCharacter: Many of the secondary characters, such as Nesta, Elain, Lucien, Tarquin or Mor are considered far superior to Feyre and Rhysand.
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None
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** Also Feyre. She is {{obliviously beautiful}}, has all the possible Fae powers due to having been resurrected, receives a lot of unearned praise and any unsympathetic actions, such as the lack of empathy for her trumatised sister, are never portrayed in a negative light.
to:
** Also Feyre. She is {{obliviously beautiful}}, has all the possible Fae powers due to having been resurrected, receives a lot of unearned praise and any of her unsympathetic actions, such as the lack of empathy for her trumatised sister, are never portrayed in a negative light.
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* MarySue: Strangely, Rhys comes across as one to a much greater extent than Feyre. He is described as immensely good looking, the most powerful high lord in history and the narrative never appears to condemn or make him pay for his unethical actions, which are merely hand-waved as being done for Feyre's supposed "good".
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* MarySue: MarySue
** Strangely, Rhys comes across as one to a much greater extent than Feyre. He is described as immensely good looking, the most powerful high lord in history and the narrative never appears to condemn or make him pay for his unethical actions, which are merely hand-waved as being done for Feyre's supposed"good"."good".
** Also Feyre. She is {{obliviously beautiful}}, has all the possible Fae powers due to having been resurrected, receives a lot of unearned praise and any unsympathetic actions, such as the lack of empathy for her trumatised sister, are never portrayed in a negative light.
** Strangely, Rhys comes across as one to a much greater extent than Feyre. He is described as immensely good looking, the most powerful high lord in history and the narrative never appears to condemn or make him pay for his unethical actions, which are merely hand-waved as being done for Feyre's supposed
** Also Feyre. She is {{obliviously beautiful}}, has all the possible Fae powers due to having been resurrected, receives a lot of unearned praise and any unsympathetic actions, such as the lack of empathy for her trumatised sister, are never portrayed in a negative light.
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* RomanticPlotTumor: It is argued that that Feyre's relationships with Tamlin and Rhysand are given more focus than either the Amarantha plotline or the war with Hybern.
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* UnintentionallyUnsympathetic: Maas has presumably intended Rhysand as a {{jerk with a heart of gold}}, yet his treatment of Feyre in the first book and the way the narrative glosses over his actions has led many readers to see him as on par with Tamlin.
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* UnfortunateImplications: All women in authority that were not given it by a man, such as Amarantha or the Mortal Queens, serve villainous roles.
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* UnfortunateImplications: UnfortunateImplications
** All women in authority that were not given it by a man, such as Amarantha or the Mortal Queens, serve villainousroles.roles.
** The Kingdom of Hybern is based on Ireland, whereas its Faes, such as Dagdan, Brannagh and the King are all portrayed as evil, power hungry and souless.
** All women in authority that were not given it by a man, such as Amarantha or the Mortal Queens, serve villainous
** The Kingdom of Hybern is based on Ireland, whereas its Faes, such as Dagdan, Brannagh and the King are all portrayed as evil, power hungry and souless.
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* UnfortunateImplications: All women in authority that were not given it by a man, such as Amarantha or the Mortal Queens, serve villainous roles.
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* StrangledByTheRedString: The romance between Elain and Lucien is established by him announcing to her that she is "his mate".
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* WhatAnIdiot!: Who would have thought that a place where a magical artifact is stored and where there are no guards could actually be a trap?
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* WhatAnIdiot!: WhatAnIdiot: Who would have thought that a place where a magical artifact is stored and where there are no guards could actually be a trap?
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* Designated Hero: Rhysand is treated as a {{nice guy}} by the narrative, despite the fact that he drugs and tortures Feyre, makes Tamlin and Lucien beg him to spare her life and forces his cousin to confront her abusive father who had essentially sold her into marriage.
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* Designated Hero: DesignatedHero: Rhysand is treated as a {{nice guy}} by the narrative, despite the fact that he drugs and tortures Feyre, makes Tamlin and Lucien beg him to spare her life and forces his cousin to confront her abusive father who had essentially sold her into marriage.
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* {{What an Idiot!}}: Who would have thought that a place where a magical artifact is stored and where there are no guards could actually be a trap?
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* FoeYay / FoeRomanceSubtext: Feyre and Rhys, ''[[UnresolvedSexualTension so much]]''. The fact that they have to act as lovers multiple times, including a [[FakeOutMakeOut rather handsy kiss]], does not help. [[spoiler: By the end of the second book, it's no longer "foe" or "subtext".]]
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* Designated Hero: Rhysand is treated as a {{nice guy}} by the narrative, despite the fact that he drugs and tortures Feyre, makes Tamlin and Lucien beg him to spare her life and forces his cousin to confront her abusive father who had essentially sold her into marriage.
* FoeYay / FoeRomanceSubtext: Feyre and Rhys, ''[[UnresolvedSexualTension so much]]''. The fact that they have to act as lovers multiple times, including a [[FakeOutMakeOut rather handsy kiss]], does not help. [[spoiler: By the end of the second book, it's no longer "foe" or "subtext".]]]]
* MarySue: Strangely, Rhys comes across as one to a much greater extent than Feyre. He is described as immensely good looking, the most powerful high lord in history and the narrative never appears to condemn or make him pay for his unethical actions, which are merely hand-waved as being done for Feyre's supposed "good".
* {{Narm}}: Feyre's title as the "Defender of the Rainbow".
* {{What an Idiot!}}: Who would have thought that a place where a magical artifact is stored and where there are no guards could actually be a trap?
* FoeYay / FoeRomanceSubtext: Feyre and Rhys, ''[[UnresolvedSexualTension so much]]''. The fact that they have to act as lovers multiple times, including a [[FakeOutMakeOut rather handsy kiss]], does not help. [[spoiler: By the end of the second book, it's no longer "foe" or "subtext".
* MarySue: Strangely, Rhys comes across as one to a much greater extent than Feyre. He is described as immensely good looking, the most powerful high lord in history and the narrative never appears to condemn or make him pay for his unethical actions, which are merely hand-waved as being done for Feyre's supposed "good".
* {{Narm}}: Feyre's title as the "Defender of the Rainbow".
* {{What an Idiot!}}: Who would have thought that a place where a magical artifact is stored and where there are no guards could actually be a trap?
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* * FoeYay / FoeRomanceSubtext: Feyre and Rhys, ''[[UnresolvedSexualTension so much]]''. The fact that they have to act as lovers multiple times, including a [[FakeOutMakeOut rather handsy kiss]], does not help. [[spoiler: By the end of the second book, it's no longer "foe" or "subtext".]]
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* * FoeYay / FoeRomanceSubtext: Feyre and Rhys, ''[[UnresolvedSexualTension so much]]''. The fact that they have to act as lovers multiple times, including a [[FakeOutMakeOut rather handsy kiss]], does not help. [[spoiler: By the end of the second book, it's no longer "foe" or "subtext".]]