History WesternAnimation / OneHundredAndOneDalmatians

** In the book, her hair changes color with the shock of her defeat. The black half turns white... and the white half turns green!

** "What's My Crime?"

* ClothesMakeTheLegend: One of the most famous fur coats ever. Ironic considering it never actually gets made.

* DopeSlap: Jasper's usual response to Horace's DumbassHasAPoint moments.

* NoOneGetsLeftBehind: Pongo and Patch refuse to leave behind the other puppies even though they don't have homes. Perdita agrees without argument and adopts them all as her kids.

** Jasper and Horace recognize an old acquaintance of theirs, Percival "Meathead" Fauncewater, on "What's My Crime", a game show where a panel has ten guesses to figure out the unusual felony of a criminal contestant. The show runs out of time before they guess, and so the question of what the hell Meathead did remains unanswered. It's confirmed that it wasn't burglary or murder, at least.

* LimitedAnimation: While still a literal film when compared to most theatrical cartoons from the time, most of the character designs and backgrounds have an abstract stylized look inspired by the works of UPA. The Kanine Krunchies commercial is especially animated in the limited style of animated commercials of the sixties.

* LimitedAnimation: While still a literal film when compared to most theatrical cartoons from the time, most of the character designs and backgrounds have an abstract stylized look inspired by the works of [[Creator / Columbia Cartoons|UPA]]. The Kanine Krunchies commercial is especially animated in the limited style of animated commercials of the sixties.

* LimitedAnimation: Not the whole movie, but the Kanine Krunchies commercial is animated in the limited style of animated commercials of the sixties.

* BadassBaritone: The Labrador at Dinsford has a very deep, powerful voice. He gets his badass credentials by singlehandedly distracting the Baduns to give the truck time to drive off with the dalmatians.

[[caption-width-right:300:[[{{Tagline}} One great big]] '''one'''[[{{Tagline}} derful motion picture.]]]]

'''Dalmatian Puppy''': Oh no, ''we're'' not stolen. We're bought and paid for. There's 99 of us all together.\\

'''Tibbs''': ''(rubs his eyes and stares in shock)'' NINETY-NINE?!\\

* JanitorImpersonationInfiltration: Jasper and Horace try to disguise themselves as repairmen from the electric company to get into the Radcliffe household. However, the nanny tells them to come back when Roger and Anita are there, so they just barge their way in.

Entry #17 in the Franchise/DisneyAnimatedCanon, ''Literature/TheHundredAndOneDalmatians'' was adapted for animation by [[Franchise/DisneyAnimatedCanon Walt Disney Pictures]] as ''One Hundred and One Dalmatians''[[note]]Usually promoted with the Arabic numeral as ''101 Dalmatians''[[/note]]. The second Disney animated film to be set unambiguously in contemporary time period[[note]]It is sometimes thought to be the first Disney animated film set in present day, but the first one to do that was actually ''WesternAnimation/{{Dumbo}}''[[/note]], this 1961 production was also the first to use xerography to ease the inking process and make a film with this much technical complexity (the 101 dogs and their collective innumerable spots) possible. Unfortunately, financial setbacks at the studio, especially in the wake of Creator/WaltDisney's death in 1966, made the process the norm and the technique, now dubbed Disney's "scratchy outline" period, plagued the studio's features for 16 years until technological improvements allowed for softer xeroxing on ''WesternAnimation/TheRescuers''.

[[caption-width-right:300:[[{{Tagline}} One great big onederful motion picture.]]]]

Entry #17 in the Franchise/DisneyAnimatedCanon, ''Literature/TheHundredAndOneDalmatians'' was adapted for animation by [[Franchise/DisneyAnimatedCanon Walt Disney Pictures]] as ''One Hundred and One Dalmatians''[[note]]Usually promoted with the Arabic numeral as ''101 Dalmatians''[[/note]]. The second Disney animated film to be set unambiguously in contemporary time period [[note]]It is sometimes thought to be the first Disney animated film set in present day, but the first one to do that was actually ''WesternAnimation/{{Dumbo}}''[[/note]], this 1961 production was also the first to use xerography to ease the inking process and make a film with this much technical complexity (the 101 dogs and their collective innumerable spots) possible. Unfortunately, financial setbacks at the studio, especially in the wake of Creator/WaltDisney's death in 1966, made the process the norm and the technique, now dubbed Disney's "scratchy outline" period, plagued the studio's features for 16 years until technological improvements allowed for softer xeroxing on ''WesternAnimation/TheRescuers''.

Entry #17 in the Franchise/DisneyAnimatedCanon, ''Literature/TheHundredAndOneDalmatians'' was adapted for animation by [[Franchise/DisneyAnimatedCanon Walt Disney Pictures]] as ''One Hundred and One Dalmatians'' [[note]]Usually promoted with the Arabic numeral as ''101 Dalmatians''.[[/note]] The second Disney animated film to be set unambiguously in contemporary time period [[note]]It is sometimes thought to be the first Disney animated film set in present day, but the first one to do that was actually ''WesternAnimation/{{Dumbo}}'')[[/note]], this 1961 production was also the first to use xerography to ease the inking process and make a film with this much technical complexity (the 101 dogs and their collective innumerable spots) possible. Unfortunately, financial setbacks at the studio, especially in the wake of Creator/WaltDisney's death in 1966, made the process the norm and the technique, now dubbed Disney's "scratchy outline" period, plagued the studio's features for 16 years until technological improvements allowed for softer xeroxing on ''WesternAnimation/TheRescuers''.

!!The Disney Adaptation (1961) provides examples of:

* AdaptationalUgliness: The original book illustrations show Cruella as being fairly attractive looking in spite of her cold-blooded personality. The movie, in contrast, makes her [[{{Gonk}} very ugly]] to fit her more eccentric personality in the adaptation. Early designs for her by her animator Marc Davis keep truer to the original book.

* YouFool: Like most Disney villains, Cruella loves to call people fools, including both Roger and the bumbling henchmen.

Entry #17 in the Franchise/DisneyAnimatedCanon, ''Literature/TheHundredAndOneDalmatians'' was adapted for animation by [[Franchise/DisneyAnimatedCanon Walt Disney Pictures]] as ''One Hundred and One Dalmatians'' [[note]]Usually promoted with the Arabic numeral as ''101 Dalmatians''.[[/note]] The second Disney animated film to be set unambiguously in contemporary time period [note]It is sometimes thought to be the first Disney animated film set in present day, but the first one to do that was actually ''WesternAnimation/{{Dumbo}}'')[[/note]], this 1961 production was also the first to use xerography to ease the inking process and make a film with this much technical complexity (the 101 dogs and their collective innumerable spots) possible. Unfortunately, financial setbacks at the studio, especially in the wake of Creator/WaltDisney's death in 1966, made the process the norm and the technique, now dubbed Disney's "scratchy outline" period, plagued the studio's features for 16 years until technological improvements allowed for softer xeroxing on ''WesternAnimation/TheRescuers''.

Entry #17 in the Franchise/DisneyAnimatedCanon, ''Literature/TheHundredAndOneDalmatians'' was adapted for animation by [[Franchise/DisneyAnimatedCanon Walt Disney Pictures]] as ''One Hundred and One Dalmatians''.[[note]]Usually promoted with the Arabic numeral as ''101 Dalmatians''.[[/note]] The second Disney animated film to be set unambiguously in contemporary time period (the first one was ''WesternAnimation/{{Dumbo}}''), this 1961 production was also the first to use xerography to ease the inking process and make a film with this much technical complexity (the 101 dogs and their collective innumerable spots) possible. Unfortunately, financial setbacks at the studio, especially in the wake of Creator/WaltDisney's death in 1966, made the process the norm and the technique, now dubbed Disney's "scratchy outline" period, plagued the studio's features for 16 years until technological improvements allowed for softer xeroxing on ''WesternAnimation/TheRescuers''.

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