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** Ross is portrayed as someone who has bad luck with women and has been divorced multiple times. One would think he is someone to feel sorry for, but Ross' jealousy of other men when it comes to dating women and how [[HonorBeforeReason he would rather lie his way out of situations instead of being truthful just so he can look good]] makes Ross look more like a jerk.

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** Ray himself is another victim of Flanderization. It's hard to like a protagonist who's portrayed as a selfish, flack-witted ManChild who's constantly two-timing his wife for petty reasons while complaining about everything.
* From ''Series/{{Friends}}'',
Ross is portrayed as someone who has bad luck with women and has been divorced multiple times. One would think he is someone to feel sorry for, but Ross' jealousy of other men when it comes to dating women and how [[HonorBeforeReason he would rather lie his way out of situations instead of being truthful just so he can look good]] makes Ross look more like a jerk.

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* Monica in ''{{Friends}}'' was portrayed as being overweight and weird during her teenage years. The audience is supposed to feel bad for Monica who grew up being a virgin for a long time and had very few friends but it's hard to sympathize when past Monica is always referenced to eating a lot or breaking stuff with her size while her present self is neurotic and obsessive about being clean.
** Likewise, Ross is portrayed as someone who has bad luck with women and has been divorced multiple times. One would think he is someone to feel sorry for, but Ross' jealousy of other men when it comes to dating women and how [[HonorBeforeReason he would rather lie his way out of situations instead of being truthful just so he can look good]] makes Ross look more like a jerk.

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* Monica in ''{{Friends}}'' was portrayed as being overweight and weird during her teenage years. The audience is supposed to feel bad for Monica who grew up being a virgin for a long time and had very few friends but it's hard to sympathize when past Monica is always referenced to eating a lot or breaking stuff with her size while her present self is neurotic and obsessive about being clean.
** Likewise, Ross is portrayed as someone who has bad luck with women and has been divorced multiple times. One would think he is someone to feel sorry for, but Ross' jealousy of other men when it comes to dating women and how [[HonorBeforeReason he would rather lie his way out of situations instead of being truthful just so he can look good]] makes Ross look more like a jerk.



** Kurt is another frequent victim of this trope. Half the time he's a genuine {{Woobie}}; the other half, he's self-centered, hypocritical, and prone to fits of jealousy.

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** Kurt is another frequent victim of this trope. Half the time he's a genuine {{Woobie}}; the other half, he's self-centered, hypocritical, and prone to fits of jealousy. Not to mention the sexual harassment he refused to apologize for.



** Carrie Lynn Eldridge from "Intoxicated" could qualify for this trope. She's caught by her mother having sex with her 21 year old boyfriend, yet the narrative and the detectives (especially Olivia) view the mother as being unreasonable and crazy for being angry, concerned, and freaked out that '' a twenty-one year old is dating her fifteen year old daughter''. Carrie later kills her mother, runs from the crime scene and runs away with her boyfriend to hide in his parents' cabin. When Carrie's caught and the detectives investigate the case it begins to look like Carrie killed the mother solely because the mother didn't approve her boyfriend... and then we find out that [[AbusiveParents Ms. Eldridge was an abusive alcoholic]] who hid bottles in every part of her house [[PlotHole (including the kitchen drawers and a ceiling lamp, places CSU would've checked when processing the murder scene)]] and Carrie suffers from [[HollywoodPsychology Premenstrual syndrome]] that heightened her emotions, especially rage, and pushed her to brutally murder her mother during another argument. While Carrie manages to garner sympathy from Olivia and her lawyer, many fans don't feel the same way and instead see Carrie as a temperamental and violent brat who killed her mother because she didn't get her way and definitely didn't appreciate the writers' attempt to portray her as an abused and troubled teen.
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* In Season 4 of ''Series/{{Arrow}}'', Felicity becomes this full-force in Season 4. We are suppose to feel sorry for her when she learns that Oliver[[spoiler:has keep his long-lost illegitimate son]] a secret. But she comes off very entitled with a nasty ItsAllAboutMe attitude. She accuses him of being untrustworthy (even though he just learned about it a day prior), only thinking of himself and not caring about what she feels, ignoring what he's going through over this knowledge, and breaks up with him over it. And she gets upset with him going behind her back, even though she was doing the same thing at the beginning of the season when she was still assisting Team Arrow without his knowledge. Many fans feels she crossed the MoralEventHorizon when the first thing she does after being able to walk again is turn her back on Oliver and walk away.
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*** The writers eventually [[AuthorsSavingThrow gave up]] on trying to make her actions justifiable or sympathetic entirely and [[spoiler: just made her an actual murdering psychopath the moment she had any opportunity to do so, without much more than a HandWave for justification.]]
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* Gwen in ''Series/{{Torchwood}}'' got a bad case of this trope coupled with DesignatedProtagonistSyndrome a few episodes in to Series 1, when she decides that the only way to cope with all the new and frightening things she's discovering about the universe is to [[spoiler:cheat on her basically decent boyfriend with the office {{Jerkass}} womaniser]] and then [[spoiler:confessing to said boyfriend to assuage her guilt, only to drug him so he'd have no memory of the event and she could feel better without facing the consequences]]. Though most everyone agrees she came back as one of the more sympathetic characters on the show later on, this event put a lot of fans off of her for a while.

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* Gwen in ''Series/{{Torchwood}}'' got a bad case of this trope coupled with DesignatedProtagonistSyndrome VanillaProtagonist a few episodes in to Series 1, when she decides that the only way to cope with all the new and frightening things she's discovering about the universe is to [[spoiler:cheat on her basically decent boyfriend with the office {{Jerkass}} womaniser]] and then [[spoiler:confessing to said boyfriend to assuage her guilt, only to drug him so he'd have no memory of the event and she could feel better without facing the consequences]]. Though most everyone agrees she came back as one of the more sympathetic characters on the show later on, this event put a lot of fans off of her for a while.

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Moved to main page discussion.


* Iris in ''Series/TheFlash2014'' is put on a pedestal by everyone who knows her, especially Barry. The problem is that they really shouldn't. Even after Barry reveals his feelings for her, and learns they are mutual, she refuses to dump her current boyfriend, Eddie. While this is not bad in itself, she maintains this even after learning she and Barry are destined to be HappilyMarried. She and Eddie decide ScrewDestiny in a manner that makes it seem she's more interested in her happiness than Barry's. She also chewed everyone out for not telling her Barry is the Flash in a very entitled way, despite the fact that she really wouldn't have been that helpful. Finally, she discovers from the mother she thought was dead that [[spoiler:she has a brother]]. Iris angrily tells her to never speak to her again. Her mother is dying and is desperate to reconcile and Iris is basically stabbing her in the heart for something she was going to talk to her about anyway, yet treating it like a betrayal. And despite being angry about not learning Barry is the Flash, [[{{Hypocrite}} she chooses not to tell them what she learned until Christmas]]. Her response to Cold's FreudianExcuse about a rough childhood, namely everyone in the room had a rough childhood and should get over it, is hollow when you remember that, aside from thinking her mom was dead, she had the most normal childhood of all the people in the room.
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Taken to discussion.


* The title character of ''Series/JessicaJones'' comes off as this. While her history with Killgrave isn't exactly something to put you in a good mood, people have a hard time sympathizing with her because of how much of a JerkAss she acts throughout the series. One particularly grating moment was when she confronted a woman who had a hatred for superheroes. When she reveals the reason why (the Avengers failed to save a loved one of her's during Loki's rampage), rather than see things from her perspective, Jessica explodes on her, brings up her dead parents, and tells the woman to just get over it when she herself [[{{Hypocrite}} is still struggling to get over her own personal issues]]. Not helping matters is that in a flashback before she met Killgrave, she was shown to be a bit of a JerkAss then as well by slacking off at work and blackmailing her supervisor into giving her a fat severance check.
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* Michael Bluth from ''Series/ArrestedDevelopment'' is clearly meant to be the character the audience sympathises with, and it works to an extent, at least in the first three seasons. But anytime he interacts with a character outside of his family it becomes apparent that he's only "the nice one" by comparison - just a quick run-down of his first few romantic relationships shows him attempting to seduce his brother's girlfriend, sleeping with his son's crush, and giving a fake name to a one-night stand (and later lying to her about losing her dog when he discovers she's blind). He's also not above manipulating his relatives' insecurities to get them to do what he wants, and as an employer is shown to expect everyone to be as much of a workaholic as he is, calling for long hours and weekend work even when he can't afford to pay people on time. The fact that he's most often contrasted with his brother GOB, who is largely viewed by fans as an UnintentionallySympathetic JerkassWoobie, probably doesn't help this trope.

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* Michael Bluth from ''Series/ArrestedDevelopment'' is clearly meant to be the character the audience sympathises with, and it works to an extent, at least in the first three seasons. But anytime he interacts with a character outside of his family it becomes apparent that he's only "the nice one" by comparison - just a quick run-down of his first few romantic relationships shows him attempting to seduce his brother's girlfriend, sleeping with his son's crush, crush (and later blaming said brother when his son finds out), and giving a fake name to a one-night stand (and later lying to her about losing her dog when he discovers she's blind). He's also not above manipulating his relatives' insecurities to get them to do what he wants, and as an employer is shown to expect everyone to be as much of a workaholic as he is, calling for long hours and weekend work even when he can't afford to pay people on time. The fact that he's most often contrasted with his brother GOB, who is largely viewed by fans as an UnintentionallySympathetic JerkassWoobie, probably doesn't help this trope.
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* Rose Tyler from [[Series/DoctorWho Doctor Who]] falls into this category for a lot of the fanbase, despite a lot of them liking her in Series 1. She gets angry at any women who speaks to the Doctor, treats her boyfriend Mickey horribly in her first appearance, and doesn't seem to care that due to her [[YearOutsideHourInside disappearing for a year]] he got accused of murdering her. Her losing the Doctor by being trapped in another Universe may be a Tearjerker but she implies she would be willing to destroy both worlds to get back to him. And "Journey's End" when she returns to her Universe due to the Daleks collapsing reality her dialogue clearly shows she was trying to get back before this happened, despite the Doctor telling her it would destroy both worlds.

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* Rose Tyler from [[Series/DoctorWho Doctor Who]] falls into this category for a lot of the fanbase, despite a lot of them liking her in Series 1. She gets angry at any women who speaks to the Doctor, treats her boyfriend Mickey horribly in her first appearance, and doesn't seem to care that due to her [[YearOutsideHourInside disappearing for a year]] he got accused of murdering her. Her losing the Doctor by being trapped in another Universe may be a Tearjerker but she implies she would be willing to destroy both worlds to get back to him. And "Journey's End" when she returns to her Universe due to the Daleks collapsing reality her dialogue clearly shows she was trying to get back before this happened, despite the Doctor telling her it would destroy both worlds. It doesn't help any that her own mother also in this alternate universe, and she now essentially has her father back when the one in her own universe died when she was a baby, ''and'' her family is now fabulously rich, yet Rose acts remarkably ungrateful about all this.
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* Simmons in ''AgentsOfSHIELD'' in Seasons 2 and 3. The audience is clearly meant to feel that both she and Fitz deserve sympathy for the breakdown of their relationship, but the fact that Simmons constantly changes her mind about whether she's in love with Fitz or merely sees him as a friend, and lets him and everybody else know how unsure she is every step of the way, doesn't help matters. There's also the fact that her indecisiveness is always incidentally timed to cause maximum suffering to Fitz: the first time she leaves him is [[spoiler:right after he's suffered traumatic and possibly career-ending brain damage saving her life]], and basically tells him it's his fault for freaking her out by declaring his love for her when he thought he was going to die; the second time she [[spoiler:declares she ''was'' always in love with him before and that she thought it was ''him'' who ignored ''her'' for years, but that now she's fallen in love with someone else, right after he'd quite literally gone through hell to save her ''again'']]. When it gets to the point where she's even getting mad at him for trying to help her get her new love interest back, because she can't stand how nice he's being to her when she's openly declaring her intent to leave him for the new guy, you have to wonder if the writers aren't doing it on purpose now, since everything she suffers herself always seems to come back on poor Fitz even worse. The fact that she's also the strongest proponent of FantasticRacism against the Inhumans in Season 2, which is more just forgotten about in Season 3 than actually resolved, surely doesn't help either.

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* Simmons in ''AgentsOfSHIELD'' in Seasons 2 and 3. The audience is clearly meant to feel that both she and Fitz deserve sympathy for the breakdown of their relationship, but the fact that Simmons constantly changes her mind about whether she's in love with Fitz or merely sees him as a friend, and lets him and everybody else know how unsure she is every step of the way, doesn't help matters. There's also the fact that her indecisiveness is always incidentally timed to cause maximum suffering to Fitz: the first time she leaves him is [[spoiler:right after he's suffered traumatic and possibly career-ending brain damage saving her life]], and basically tells him it's his fault for freaking her out by declaring his love for her when he thought he was going to die; the second time she [[spoiler:declares she ''was'' always in love with him before and that she thought it was ''him'' who ignored ''her'' for years, but that now she's fallen in love with someone else, right after he'd quite literally gone through hell to save her ''again'']]. When it gets to the point where she's even getting mad at him for trying to help her get her new love interest back, because she can't stand how nice he's being to her when she's openly declaring her intent to leave him for the new guy, you have to wonder if the writers aren't doing it on purpose now, since everything she suffers herself always seems to come back on poor Fitz even worse. The fact that she's also the strongest proponent of FantasticRacism against the Inhumans in Season 2, which is more just forgotten about in Season 3 than actually resolved, surely doesn't help either.didn't exactly win her a lot of support either, to the point where some fans are wondering if she's actually being set up as a villain in the upcoming ''Film/CaptainAmericaCivilWar'' arc.
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* Simmons in ''AgentsOfSHIELD'' in Seasons 2 and 3. The audience is clearly meant to feel that both she and Fitz deserve sympathy for the breakdown of their relationship, but the fact that Simmons constantly changes her mind about whether she's in love with Fitz or merely sees him as a friend, and lets him and everybody else know how unsure she is every step of the way, doesn't help matters. There's also the fact that her indecisiveness is always incidentally timed to cause maximum suffering to Fitz: the first time she leaves him is [[spoiler:right after he's suffered traumatic and possibly career-ending brain damage saving her life]], and basically tells him it's his fault for freaking her out by declaring his love for her when he thought he was going to die; the second time she [[spoiler:declares she ''was'' always in love with him before but that now she's fallen in love with someone else, right after he'd quite literally gone through hell to save her ''again'']]. When it gets to the point where she's even getting mad at him for trying to help her get her new love interest back, because she can't stand how nice he's being to her when she's openly declaring her intent to leave him for the new guy, you have to wonder if the writers aren't doing it on purpose now, since everything she suffers herself always seems to come back on poor Fitz even worse. The fact that she's also the strongest proponent of FantasticRacism against the Inhumans in Season 2, which is more just forgotten about in Season 3 than actually resolved, surely doesn't help either.

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* Simmons in ''AgentsOfSHIELD'' in Seasons 2 and 3. The audience is clearly meant to feel that both she and Fitz deserve sympathy for the breakdown of their relationship, but the fact that Simmons constantly changes her mind about whether she's in love with Fitz or merely sees him as a friend, and lets him and everybody else know how unsure she is every step of the way, doesn't help matters. There's also the fact that her indecisiveness is always incidentally timed to cause maximum suffering to Fitz: the first time she leaves him is [[spoiler:right after he's suffered traumatic and possibly career-ending brain damage saving her life]], and basically tells him it's his fault for freaking her out by declaring his love for her when he thought he was going to die; the second time she [[spoiler:declares she ''was'' always in love with him before and that she thought it was ''him'' who ignored ''her'' for years, but that now she's fallen in love with someone else, right after he'd quite literally gone through hell to save her ''again'']]. When it gets to the point where she's even getting mad at him for trying to help her get her new love interest back, because she can't stand how nice he's being to her when she's openly declaring her intent to leave him for the new guy, you have to wonder if the writers aren't doing it on purpose now, since everything she suffers herself always seems to come back on poor Fitz even worse. The fact that she's also the strongest proponent of FantasticRacism against the Inhumans in Season 2, which is more just forgotten about in Season 3 than actually resolved, surely doesn't help either.
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* Gwen in ''Series/{{Torchwood}}'' got a bad case of this trope coupled with DesignatedProtagonist a few episodes in to Series 1, when she decides that the only way to cope with all the new and frightening things she's discovering about the universe is to [[spoiler:cheat on her basically decent boyfriend with the office {{Jerkass}} womaniser]] and then [[spoiler:confessing to said boyfriend to assuage her guilt, only to drug him so he'd have no memory of the event and she could feel better without facing the consequences]]. Though most everyone agrees she came back as one of the more sympathetic characters on the show later on, this event put a lot of fans off of her for a while.

to:

* Gwen in ''Series/{{Torchwood}}'' got a bad case of this trope coupled with DesignatedProtagonist DesignatedProtagonistSyndrome a few episodes in to Series 1, when she decides that the only way to cope with all the new and frightening things she's discovering about the universe is to [[spoiler:cheat on her basically decent boyfriend with the office {{Jerkass}} womaniser]] and then [[spoiler:confessing to said boyfriend to assuage her guilt, only to drug him so he'd have no memory of the event and she could feel better without facing the consequences]]. Though most everyone agrees she came back as one of the more sympathetic characters on the show later on, this event put a lot of fans off of her for a while.
Is there an issue? Send a MessageReason:
None


* Simmons in ''AgentsOfSHIELD'' in Seasons 2 and 3. The audience is clearly meant to feel that both she and Fitz deserve sympathy for the breakdown of their relationship, but the fact that Simmons constantly changes her mind about whether she's in love with Fitz or merely sees him as a friend, and lets him and everybody else know how unsure she is every step of the way, doesn't help matters. There's also the fact that her indecisiveness is always incidentally timed to cause maximum suffering to Fitz: the first time she leaves him is [[spoiler:right after he's suffered traumatic and possibly career-ending brain damage saving her life]], and basically tells him it's his fault for freaking her out by declaring his love for her when he thought he was going to die; the second time she [[spoiler:declares she ''was'' always in love with him before but that now she's fallen in love with someone else, right after he'd quite literally gone through hell to save her ''again'']]. When it gets to the point where she's even getting mad at him for trying to help her get her new love interest back, because she can't stand how nice he's being to her when she's openly declaring her intent to leave him for the new guy, you have to wonder if the writers aren't doing it on purpose now.
* Gwen in ''Series/{Torchwood}'' got a bad case of this trope coupled with DesignatedProtagonist a few episodes in to Series 1, when she decides that the only way to cope with all the new and frightening things she's discovering about the universe is to [[spoiler:cheat on her basically decent boyfriend with the office {{Jerkass}} womaniser]] and then [[spoiler:confessing to said boyfriend to assuage her guilt, only to drug him so he'd have no memory of the event and she could feel better without facing the consequences]]. Though most everyone agrees she came back as one of the more sympathetic characters on the show later on, this event put a lot of fans off of her for a while.

to:

* Simmons in ''AgentsOfSHIELD'' in Seasons 2 and 3. The audience is clearly meant to feel that both she and Fitz deserve sympathy for the breakdown of their relationship, but the fact that Simmons constantly changes her mind about whether she's in love with Fitz or merely sees him as a friend, and lets him and everybody else know how unsure she is every step of the way, doesn't help matters. There's also the fact that her indecisiveness is always incidentally timed to cause maximum suffering to Fitz: the first time she leaves him is [[spoiler:right after he's suffered traumatic and possibly career-ending brain damage saving her life]], and basically tells him it's his fault for freaking her out by declaring his love for her when he thought he was going to die; the second time she [[spoiler:declares she ''was'' always in love with him before but that now she's fallen in love with someone else, right after he'd quite literally gone through hell to save her ''again'']]. When it gets to the point where she's even getting mad at him for trying to help her get her new love interest back, because she can't stand how nice he's being to her when she's openly declaring her intent to leave him for the new guy, you have to wonder if the writers aren't doing it on purpose now.
now, since everything she suffers herself always seems to come back on poor Fitz even worse. The fact that she's also the strongest proponent of FantasticRacism against the Inhumans in Season 2, which is more just forgotten about in Season 3 than actually resolved, surely doesn't help either.
* Gwen in ''Series/{Torchwood}'' ''Series/{{Torchwood}}'' got a bad case of this trope coupled with DesignatedProtagonist a few episodes in to Series 1, when she decides that the only way to cope with all the new and frightening things she's discovering about the universe is to [[spoiler:cheat on her basically decent boyfriend with the office {{Jerkass}} womaniser]] and then [[spoiler:confessing to said boyfriend to assuage her guilt, only to drug him so he'd have no memory of the event and she could feel better without facing the consequences]]. Though most everyone agrees she came back as one of the more sympathetic characters on the show later on, this event put a lot of fans off of her for a while.
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* The title character of ''Series/JessicaJones'' comes off as this. While her history with Killgrave isn't exactly something to put you in a good mood, people have a hard time sympathizing with her because of how much of a JerkAss she acts throughout the series. One particularly grating moment was when she confronted a woman who had a hatred for superheroes. When she reveals the reason why (the Avengers failed to save a loved one of her's during Loki's rampage), rather than see things from her perspective, Jessica explodes on her, brings up her dead parents, and tells the woman to just get over it when she herself [[{{Hypocrite}} is still struggling to get over her own personal issues]]. Not helping matters is that in a flashback before she met Killgrave, she was shown to be a bit of a JerkAss then as well by slacking off at work and blackmailing her supervisor into giving her a fat severance check.

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* The title character of ''Series/JessicaJones'' comes off as this. While her history with Killgrave isn't exactly something to put you in a good mood, people have a hard time sympathizing with her because of how much of a JerkAss she acts throughout the series. One particularly grating moment was when she confronted a woman who had a hatred for superheroes. When she reveals the reason why (the Avengers failed to save a loved one of her's during Loki's rampage), rather than see things from her perspective, Jessica explodes on her, brings up her dead parents, and tells the woman to just get over it when she herself [[{{Hypocrite}} is still struggling to get over her own personal issues]]. Not helping matters is that in a flashback before she met Killgrave, she was shown to be a bit of a JerkAss then as well by slacking off at work and blackmailing her supervisor into giving her a fat severance check.check.
* Michael Bluth from ''Series/ArrestedDevelopment'' is clearly meant to be the character the audience sympathises with, and it works to an extent, at least in the first three seasons. But anytime he interacts with a character outside of his family it becomes apparent that he's only "the nice one" by comparison - just a quick run-down of his first few romantic relationships shows him attempting to seduce his brother's girlfriend, sleeping with his son's crush, and giving a fake name to a one-night stand (and later lying to her about losing her dog when he discovers she's blind). He's also not above manipulating his relatives' insecurities to get them to do what he wants, and as an employer is shown to expect everyone to be as much of a workaholic as he is, calling for long hours and weekend work even when he can't afford to pay people on time. The fact that he's most often contrasted with his brother GOB, who is largely viewed by fans as an UnintentionallySympathetic JerkassWoobie, probably doesn't help this trope.
* Simmons in ''AgentsOfSHIELD'' in Seasons 2 and 3. The audience is clearly meant to feel that both she and Fitz deserve sympathy for the breakdown of their relationship, but the fact that Simmons constantly changes her mind about whether she's in love with Fitz or merely sees him as a friend, and lets him and everybody else know how unsure she is every step of the way, doesn't help matters. There's also the fact that her indecisiveness is always incidentally timed to cause maximum suffering to Fitz: the first time she leaves him is [[spoiler:right after he's suffered traumatic and possibly career-ending brain damage saving her life]], and basically tells him it's his fault for freaking her out by declaring his love for her when he thought he was going to die; the second time she [[spoiler:declares she ''was'' always in love with him before but that now she's fallen in love with someone else, right after he'd quite literally gone through hell to save her ''again'']]. When it gets to the point where she's even getting mad at him for trying to help her get her new love interest back, because she can't stand how nice he's being to her when she's openly declaring her intent to leave him for the new guy, you have to wonder if the writers aren't doing it on purpose now.
* Gwen in ''Series/{Torchwood}'' got a bad case of this trope coupled with DesignatedProtagonist a few episodes in to Series 1, when she decides that the only way to cope with all the new and frightening things she's discovering about the universe is to [[spoiler:cheat on her basically decent boyfriend with the office {{Jerkass}} womaniser]] and then [[spoiler:confessing to said boyfriend to assuage her guilt, only to drug him so he'd have no memory of the event and she could feel better without facing the consequences]]. Though most everyone agrees she came back as one of the more sympathetic characters on the show later on, this event put a lot of fans off of her for a while.
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None


* The title character of ''Series/JessicaJones'' comes off as this. While her history with Killgrave isn't exactly something to put you in a good mood, people have a hard time sympathizing with her because of how much of a JerkAss she acts throughout the series. One particularly grating moment was when she confronted a woman who had a hatred for superheroes. When she reveals the reason why (the Avengers failed to save a loved one of her's during Loki's rampage), rather than see things from her perspective, Jessica explodes on her, brings up her dead parents, and tells the woman to just get over it when she herself [[{{Hypocrite} is still struggling to get over her own personal issues]]. Not helping matters is that in a flashback before she met Killgrave, she was shown to be a bit of a JerkAss then as well by slacking off at work and blackmailing her supervisor into giving her a fat severance check.

to:

* The title character of ''Series/JessicaJones'' comes off as this. While her history with Killgrave isn't exactly something to put you in a good mood, people have a hard time sympathizing with her because of how much of a JerkAss she acts throughout the series. One particularly grating moment was when she confronted a woman who had a hatred for superheroes. When she reveals the reason why (the Avengers failed to save a loved one of her's during Loki's rampage), rather than see things from her perspective, Jessica explodes on her, brings up her dead parents, and tells the woman to just get over it when she herself [[{{Hypocrite} [[{{Hypocrite}} is still struggling to get over her own personal issues]]. Not helping matters is that in a flashback before she met Killgrave, she was shown to be a bit of a JerkAss then as well by slacking off at work and blackmailing her supervisor into giving her a fat severance check.
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* In yet another example of a LifetimeMovieOfTheWeek, ''Sins of the Mother'', has a BrokenBird who grew up with a single alcoholic mother. While you may sympathize with her at first, the fact that her mother, in the present day, is a responsible, sober woman [[TheAtoner trying to make amends with her and her past actions]], she herself remains bitter and antagonistic towards everyone, including her innocent five-year-old half-sister and repeatedly rebuffs her mother's (genuine) attempts at reconciliation makes her this. [[spoiler: Fortunately, she forgives her mother by the movie's end and has become more optimistic and likable.]]

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* In yet another example of a LifetimeMovieOfTheWeek, ''Sins of the Mother'', has a BrokenBird who grew up with a single alcoholic mother. While you may sympathize with her at first, the fact that her mother, in the present day, is a responsible, sober woman [[TheAtoner trying to make amends with her and her past actions]], she herself remains bitter and antagonistic towards everyone, including her innocent five-year-old half-sister and repeatedly rebuffs her mother's (genuine) attempts at reconciliation makes her this. [[spoiler: Fortunately, she forgives her mother by the movie's end and has become more optimistic and likable.]]]]
* The title character of ''Series/JessicaJones'' comes off as this. While her history with Killgrave isn't exactly something to put you in a good mood, people have a hard time sympathizing with her because of how much of a JerkAss she acts throughout the series. One particularly grating moment was when she confronted a woman who had a hatred for superheroes. When she reveals the reason why (the Avengers failed to save a loved one of her's during Loki's rampage), rather than see things from her perspective, Jessica explodes on her, brings up her dead parents, and tells the woman to just get over it when she herself [[{{Hypocrite} is still struggling to get over her own personal issues]]. Not helping matters is that in a flashback before she met Killgrave, she was shown to be a bit of a JerkAss then as well by slacking off at work and blackmailing her supervisor into giving her a fat severance check.
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* In the first episode of ''Project [=MC2=]'', the protagonists stalk a teenage girl, following her home and putting cameras in her room...wait, why are they the heroes again? (Even worse, the girl inexplicably totally forgives them for this, within the space of ''one conversation.'')

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* In the first episode of ''Project [=MC2=]'', the protagonists stalk a teenage girl, following her home and putting cameras in her room...wait, why are they the heroes again? (Even worse, the girl inexplicably totally forgives them for this, within the space of ''one conversation.'')'')
* In yet another example of a LifetimeMovieOfTheWeek, ''Sins of the Mother'', has a BrokenBird who grew up with a single alcoholic mother. While you may sympathize with her at first, the fact that her mother, in the present day, is a responsible, sober woman [[TheAtoner trying to make amends with her and her past actions]], she herself remains bitter and antagonistic towards everyone, including her innocent five-year-old half-sister and repeatedly rebuffs her mother's (genuine) attempts at reconciliation makes her this. [[spoiler: Fortunately, she forgives her mother by the movie's end and has become more optimistic and likable.]]
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* Debra Barone on ''Series/EverybodyLovesRaymond'' was supposed to come off as a long-suffering CloserToEarth housewife who has to put up with her [[BumblingDad idiot husband]] and ObnoxiousInLaws. Instead, she frequently came off as a hypocritical harpy who belittled and bullied her husband, [[Flanderization especially as the series went on]].

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* Debra Barone on ''Series/EverybodyLovesRaymond'' was supposed to come off as a long-suffering CloserToEarth housewife who has to put up with her [[BumblingDad idiot husband]] and ObnoxiousInLaws. Instead, she frequently came off as a hypocritical harpy who belittled and bullied her husband, [[Flanderization [[{{Flanderization}} especially as the series went on]].

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* Debra Barone on ''Series/EverybodyLovesRaymond'' was supposed to come off as a beleaguered, long-suffering heroine who unfairly has to put up with her in-laws, but instead, she came off as a hypocritical misandrist [[DoubleStandardAbuseFemaleOnMale who regularly belittles, bullies and attacks her husband]], even urging their children to put him down, [[UnfortunateImplications all played for laughs]].

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* Debra Barone on ''Series/EverybodyLovesRaymond'' was supposed to come off as a beleaguered, long-suffering heroine CloserToEarth housewife who unfairly has to put up with her in-laws, but instead, [[BumblingDad idiot husband]] and ObnoxiousInLaws. Instead, she frequently came off as a hypocritical misandrist [[DoubleStandardAbuseFemaleOnMale harpy who regularly belittles, bullies belittled and attacks bullied her husband]], even urging their children to put him down, [[UnfortunateImplications all played for laughs]].husband, [[Flanderization especially as the series went on]].
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* The majority of teenagers who commits a crime in a crime series (''Series/ColdCase'', LawAndOrder, etc.), and even some who don't are always depicted with such {{Wangst}}. While they are suppose to be seen as sympathetic they often just come across as spoiled and selfish with little regard for anyone's problems but their own.

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* The majority of teenagers who commits a crime in a crime series (''Series/ColdCase'', LawAndOrder, ''Franchise/LawAndOrder'', etc.), and even some who don't are always depicted with such {{Wangst}}. While they are suppose to be seen as sympathetic they often just come across as spoiled and selfish with little regard for anyone's problems but their own.



* Similar to Megan Ramsey from “Repression” (see below) the son in [[LawandOrder "All My Children"]] due mainly to because everyone in universe is sympathetic to his side of the story. While the father was a major jerkass like with Megan Ramsey the son never tried to live for himself and seemed to only want to make the father pay for not spoiling him. This is coupled with could have avoided this plot since if the son had just got a job any job he would have never been kicked out of the house.

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* Similar to Megan Ramsey from “Repression” (see below) the son in [[LawandOrder [[Series/LawandOrder "All My Children"]] due mainly to because everyone in universe is sympathetic to his side of the story. While the father was a major jerkass like with Megan Ramsey the son never tried to live for himself and seemed to only want to make the father pay for not spoiling him. This is coupled with could have avoided this plot since if the son had just got a job any job he would have never been kicked out of the house.



* Many of the so-called victims of LawAndOrderSpecialVictimsUnit fall under this.

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* Many of the so-called victims of LawAndOrderSpecialVictimsUnit ''Series/LawAndOrderSpecialVictimsUnit'' fall under this.
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* Iris in ''Series/TheFlash2014'' is put on a pedestal by everyone who knows her, especially Barry. The problem is that they really shouldn't. Even after Barry reveals his feelings for her, and learns they are mutual, she refuses to dump her current boyfriend, Eddie. While this is not bad in itself, she maintains this even after learning she and Barry are destined to be HappilyMarried. She and Eddie decide ScrewDestiny in a manner that makes it seem she's more interested in her happiness than Barry's. She also chewed everyone out for not telling her Barry is the Flash in a very entitled way, despite the fact that she really wouldn't have been that helpful. Finally, she discovers from the mother she thought was dead that [[spoiler:she has a brother]]. Iris angrily tells her to never speak to her again. Her mother is dying and is desperate to reconcile and Iris is basically stabbing her in the heart for something she was going to talk to her about anyway, yet treating it like a betrayal. And despite being angry about not learning Barry is the Flash, [[{{Hypocrite}} she chooses not to tell them what she learned until Christmas]].

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* Iris in ''Series/TheFlash2014'' is put on a pedestal by everyone who knows her, especially Barry. The problem is that they really shouldn't. Even after Barry reveals his feelings for her, and learns they are mutual, she refuses to dump her current boyfriend, Eddie. While this is not bad in itself, she maintains this even after learning she and Barry are destined to be HappilyMarried. She and Eddie decide ScrewDestiny in a manner that makes it seem she's more interested in her happiness than Barry's. She also chewed everyone out for not telling her Barry is the Flash in a very entitled way, despite the fact that she really wouldn't have been that helpful. Finally, she discovers from the mother she thought was dead that [[spoiler:she has a brother]]. Iris angrily tells her to never speak to her again. Her mother is dying and is desperate to reconcile and Iris is basically stabbing her in the heart for something she was going to talk to her about anyway, yet treating it like a betrayal. And despite being angry about not learning Barry is the Flash, [[{{Hypocrite}} she chooses not to tell them what she learned until Christmas]]. Her response to Cold's FreudianExcuse about a rough childhood, namely everyone in the room had a rough childhood and should get over it, is hollow when you remember that, aside from thinking her mom was dead, she had the most normal childhood of all the people in the room.
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* Iris in ''Series/TheFlash2014'' is put on a pedestal by everyone who knows her, especially Barry. The problem is that they really shouldn't. Even after Barry reveals his feelings for her, and learns they are mutual, she refuses to dump her current boyfriend, Eddie. While this is not bad in itself, she maintains this even after learning she and Barry are destined to be HappilyMarried. She and Eddie decide ScrewDestiny in a manner that makes it seem she's more interested in her happiness than Barry's. She also chewed everyone out for not telling her Barry is the Flash in a very entitled way, despite the fact that she really wouldn't have been that helpful. Finally, she discovers from the mother she thought was dead that [[spoiler:she has a brother]]. Iris angrily tells her to never speak to her again. Her mother is dying and is desperate to reconcile and Iris is basically stabbing her in the heart for something she was going to talk to her about anyway, yet treating it like a betrayal. And despite being angry about not learning Barry is the Flash, [[{{Hypocrite}} she chooses not to tell them what she learned until Christmas]].
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* Renly is meant to be seen as a likable character who is trying to take the Iron Throne for the good of the realm, the writers saying it is undoubtedly true he would make a good King, better then Stannis. However it can easily look like he is just being manipulated by the Tyrells so they can increase their power. Considering Stannis's popularity within the fan base, many viewers find Renly's willingness to seize power from his elder brother, especially as he seems quite willing to kill him, as less sympathetic than might have been intended, especially as Stannis even offers to make Renly his heir if they join him. Olenna even points out Renly didn't really have any right to the throne outside of looking good. It doesn't help that in the books Renly is shown as a vain and greedy character with no real ruling skills outside of publicity.
* Similarly, the Tyrells. We're supposed to support them and feel sorry for Loras Tyrell that he lost his lover Renly. However, Loras was encouraging Renly to usurp the throne, basically passing over Stannis on the grounds that Stannis wasn't as socially adept as Renly. Also, despite Loras saying Renly should take the throne as Joffrey is a monster, when Renly dies the Tyrells support Joffrey so Margaery can be Queen, making it look like the Tyrells are acting more in their own interests rather then in the realm's. And let's not forget that after poisoning Joffrey they allow Tyrion to take the blame and don't do anything to help him, even though without him they wouldn't have been able to defeat Stannis.

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* ** Renly is meant to be seen as a likable character who is trying to take the Iron Throne for the good of the realm, the writers saying it is undoubtedly true he would make a good King, better then Stannis. However it can easily look like he is just being manipulated by the Tyrells so they can increase their power. Considering Stannis's popularity within the fan base, many viewers find Renly's willingness to seize power from his elder brother, especially as he seems quite willing to kill him, as less sympathetic than might have been intended, especially as Stannis even offers to make Renly his heir if they join him. Olenna even points out Renly didn't really have any right to the throne outside of looking good. It doesn't help that in the books Renly is shown as a vain and greedy character with no real ruling skills outside of publicity.
* ** Similarly, the Tyrells. We're supposed to support them and feel sorry for Loras Tyrell that he lost his lover Renly. However, Loras was encouraging Renly to usurp the throne, basically passing over Stannis on the grounds that Stannis wasn't as socially adept as Renly. Also, despite Loras saying Renly should take the throne as Joffrey is a monster, when Renly dies the Tyrells support Joffrey so Margaery can be Queen, making it look like the Tyrells are acting more in their own interests rather then in the realm's. And let's not forget that after poisoning Joffrey they allow Tyrion to take the blame and don't do anything to help him, even though without him they wouldn't have been able to defeat Stannis.

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** Renly is meant to be seen as a likable character who is trying to take the Iron Throne for the good of the realm. However it can easily look like he is just being manipulated by the Tyrells so they can increase their power, considering Loras tells him he should become King as Joffrey is a monster, [[spoiler:then when Renly dies the Tyrells join Joffrey so Margaery Tyrell can become Queen]]. Renly shows he was quite willing to start a war to usurp power, when Ned tries to get his help to make sure there is a peaceful transition of power Renly refuses [[spoiler:leading to Ned's death]] and Renly shows he is quite willing to kill his brother because they are trying to push their superior claim to the throne, even though Stannis offers to let Renly remain on the Small Council which will give Renly a lot of power in the running of the realm and become his heir. [[spoiler:Though Stannis kills Renly he later shows a lot of remorse over this and is basically forced into it, while Renly doesn't show any remorse at the idea of killing Stannis.]] It doesn't help that Loras' argument for why Renly would be a better King then Stannis is basically just that Renly has a more likable personality, considering Stannis shows himself to be a very just man who believes in giving people their due despite social status, has had years more experience in running the realm, and despite the claim Renly is [[InformedAbility a superb statesman]] he doesn't show any real political skills outside of publicity. Note, this is exclusive to the show as in the books it is quite clear Renly is a vain and greedy guy with a very high opinion of himself and the Tyrells don't really care who's King just so long as they get more personal power.

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** * Renly is meant to be seen as a likable character who is trying to take the Iron Throne for the good of the realm. realm, the writers saying it is undoubtedly true he would make a good King, better then Stannis. However it can easily look like he is just being manipulated by the Tyrells so they can increase their power, considering power. Considering Stannis's popularity within the fan base, many viewers find Renly's willingness to seize power from his elder brother, especially as he seems quite willing to kill him, as less sympathetic than might have been intended, especially as Stannis even offers to make Renly his heir if they join him. Olenna even points out Renly didn't really have any right to the throne outside of looking good. It doesn't help that in the books Renly is shown as a vain and greedy character with no real ruling skills outside of publicity.
* Similarly, the Tyrells. We're supposed to support them and feel sorry for
Loras tells him Tyrell that he lost his lover Renly. However, Loras was encouraging Renly to usurp the throne, basically passing over Stannis on the grounds that Stannis wasn't as socially adept as Renly. Also, despite Loras saying Renly should become King take the throne as Joffrey is a monster, [[spoiler:then when Renly dies the Tyrells join support Joffrey so Margaery Tyrell can become Queen]]. Renly shows he was quite willing to start a war to usurp power, when Ned tries to get his help to make sure there is a peaceful transition of power Renly refuses [[spoiler:leading to Ned's death]] and Renly shows he is quite willing to kill his brother because they be Queen, making it look like the Tyrells are trying to push acting more in their superior claim to own interests rather then in the throne, realm's. And let's not forget that after poisoning Joffrey they allow Tyrion to take the blame and don't do anything to help him, even though Stannis offers without him they wouldn't have been able to let Renly remain on the Small Council which will give Renly a lot of power in the running of the realm and become his heir. [[spoiler:Though Stannis kills Renly he later shows a lot of remorse over this and is basically forced into it, while Renly doesn't show any remorse at the idea of killing defeat Stannis.]] It doesn't help that Loras' argument for why Renly would be a better King then Stannis is basically just that Renly has a more likable personality, considering Stannis shows himself to be a very just man who believes in giving people their due despite social status, has had years more experience in running the realm, and despite the claim Renly is [[InformedAbility a superb statesman]] he doesn't show any real political skills outside of publicity. Note, this is exclusive to the show as in the books it is quite clear Renly is a vain and greedy guy with a very high opinion of himself and the Tyrells don't really care who's King just so long as they get more personal power.



** Brienne's actions. While her [[spoiler:killing Stannis is clearly meant to be cathartic LaserGuidedKarma, not only is Stannis UnintentionallySympathetic for some viewers]], but the fact that Brienne abandons her duty to Sansa for revenge, spites Stannis by erroneously calling Renly "the rightful King", and essentially [[spoiler:[[KickThemWhileTheyAreDown murders a wounded man]] just like Ramsay does literally a moment later,]] can make her come off as selfish, petty, and vindictive instead and a {{Hypocrite}} to boot, considering [[spoiler:she is killing someone with more right to the throne for killing someone who intended to kill him]].

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** Brienne's actions. While her [[spoiler:killing Stannis is clearly meant to be cathartic LaserGuidedKarma, not only is Stannis UnintentionallySympathetic for some viewers]], but the fact that Brienne abandons her duty to Sansa for revenge, spites Stannis by erroneously calling Renly "the rightful King", and essentially [[spoiler:[[KickThemWhileTheyAreDown murders a wounded man]] just like Ramsay does literally a moment later,]] can make her come off as selfish, petty, and vindictive instead and a {{Hypocrite}} to boot, considering [[spoiler:she is killing someone with more right to the throne for killing someone a usurper who intended to kill him]].

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* Buffy in the Season 5 finale of ''Series/BuffyTheVampireSlayer'' is portrayed as heroic for wanting to protect Dawn at all costs, even though she knows it means [[spoiler:unimaginable suffering and probable death for herself-never mind that she knows that it ''also'' means [[TheEndOfTheWorldAsWeKnowIt unimaginable suffering and probable death for everyone and everything else in existence]], including Dawn, meaning that she basically just wants to end the world for no reason.]]

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* Buffy in the Season 5 finale of ''Series/BuffyTheVampireSlayer'' is portrayed as heroic for wanting to protect Dawn at all costs, even though she knows it means [[spoiler:unimaginable suffering and probable death for herself-never herself- never mind that she knows that it ''also'' means [[TheEndOfTheWorldAsWeKnowIt unimaginable suffering and probable death for everyone and everything else in existence]], including Dawn, meaning that she basically just wants to end the world for no reason.]]]]
* In the first episode of ''Project [=MC2=]'', the protagonists stalk a teenage girl, following her home and putting cameras in her room...wait, why are they the heroes again? (Even worse, the girl inexplicably totally forgives them for this, within the space of ''one conversation.'')
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* ''Series/GameOfThrones'' can go through this due to the moral amibuity and the changes from the source material.

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* ''Series/GameOfThrones'' can go through this due to the moral amibuity ambiguity and the changes from the source material.
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Not an example, since the kid loses all sympathy from both the characters and audience once he is exposed and they actively work to make sure it is proven that it was a case of self-defense gone rather than assault and one of the teachers of the school is shown helping them get it.


** In "Alien", the politics between the Catholic faculty and the lesbian parents (and the implication that 8-year-old Emma is unstable) is all based on the fact that a poor twelve year old boy will never walk again. Except that kid only got paralyzed because he was allowed (by the faculty that didn't want a child raised by lesbians in their school anyway) to ''physically assault'' a little girl in a pattern of hate crimes, culminating in a red-flag juvenile version of ''corrective rape'', after which Emma finally fought back and just happened to score an unlucky CriticalHit and severed his spinal cord. The boy was being raised in an environment that explicitly condoned his sustained torture of a little girl because she was ''related'' to a lesbian and he had no remorse for any of it. He's supposed to be the victim of the day and his being harmed what gets the SVU involved, but his behavior strongly suggests he's a fledgling sex offender who has an irrational hatred for lesbians and their children. It's hard to feel bad for him when it's very possible that his being paralyzed from the waist down is going to save SVU some headaches later on down the line.
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** One episode of ''Series/KamenRiderWizard'' involved a Phantom trying to make the VictimOfTheWeek despair by turning her husband and friends against her. However, the character was so shrill and obnoxious that most fans felt that little effort was needed on the Phantom's part.

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** One episode of ''Series/KamenRiderWizard'' involved a Phantom trying to make the VictimOfTheWeek despair by turning her husband and friends against her. However, the character was so shrill and obnoxious that most fans felt that little effort was needed on the Phantom's part.part.
* Buffy in the Season 5 finale of ''Series/BuffyTheVampireSlayer'' is portrayed as heroic for wanting to protect Dawn at all costs, even though she knows it means [[spoiler:unimaginable suffering and probable death for herself-never mind that she knows that it ''also'' means [[TheEndOfTheWorldAsWeKnowIt unimaginable suffering and probable death for everyone and everything else in existence]], including Dawn, meaning that she basically just wants to end the world for no reason.]]

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** Brienne's actions. While her [[spoiler:killing Stannis is clearly meant to be cathartic LaserGuidedKarma, not only is Stannis UnintentionallySympathetic for some viewers]], but the fact that Brienne abandons her duty to Sansa for revenge, spites Stannis by erroneously calling Renly "the rightful King", and essentially [[spoiler:[[KickThemWhileTheyAreDown murders a wounded man]] just like [[CompleteMonster Ramsay]] does literally a moment later,]] can make her come off as selfish, petty, and vindictive instead and a {{Hypocrite}} to boot, considering [[spoiler:she is killing someone with more right to the throne for killing someone who intended to kill him]].

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** Brienne's actions. While her [[spoiler:killing Stannis is clearly meant to be cathartic LaserGuidedKarma, not only is Stannis UnintentionallySympathetic for some viewers]], but the fact that Brienne abandons her duty to Sansa for revenge, spites Stannis by erroneously calling Renly "the rightful King", and essentially [[spoiler:[[KickThemWhileTheyAreDown murders a wounded man]] just like [[CompleteMonster Ramsay]] Ramsay does literally a moment later,]] can make her come off as selfish, petty, and vindictive instead and a {{Hypocrite}} to boot, considering [[spoiler:she is killing someone with more right to the throne for killing someone who intended to kill him]].
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* The page quote comes from [[WebVideo/HistoryOfPowerRangers Linkara]] discussing Ransik from ''Series/PowerRangersTimeForce''. He notes the fandom considers Ransik a sympathetic AntiVillain who was DrivenToVillainy by the FantasticRacism of humans against mutants like him. However, other characters claim that some people did try to reach out to Ransik, but he rejected them. Additionally, a flashback shows he killed a human who helped him by giving him a serum to help the pain of his mutations, and laughed at his charity as foolish. Furthermore, Ransik never shows any desire to help other mutants or make conditions better for them, and takes his vendetta a thousand years into the past where he just causes chaos for the sake of doing it. This is also compounded with the FantasticRacism aspect being off-set by every mutant in the series save for one acting AlwaysChaoticEvil and justifying the fear normal humans have of them.
** Conversely, other fans see Time Force themselves as this for propping up the racist government that makes threats like Ransik possible. In [[Series/MiraiSentaiTimeranger the Sentai source material]], the Rangers' superior (the analogue to Captain Logan) is actually the true BigBad of the show, and as such it's very easy to spin the main characters' bosses as villains.
** ''Series/PowerRangersOperationOverdrive'': The Overdrive Rangers are meant to come off as sympathetic in "Once A Ranger" when they lose their powers and feel useless enough that they quit. However: 1) They still have their civilian powers, 2) Their mission was not to be just Power Rangers, but to find the jewels, which they could still do while the veteran rangers dealt with the monsters, 3) All of them, save for Tyzonn, were gloating about how awesome it is to be Power Rangers before being reminded it's about saving lives, 4) They only return because they found returning to their old lives boring rather than wanting to actually do something heroic, and 5) Mack, unmorphed, uses Excelsior to slash through a giant monster in half. While Excelsior's power is hyped up this episode, the fact remains that Mack had to jump several hundred feet in the air, and perform a slash powerful enough to one shot the monster. With civilian powers this strong, why complain about not having Ranger powers?
** ''Series/PowerRangersSamurai'' ends up doing this to the rest of the cast, minus Lauren. After the revelation that [[spoiler: Lauren is the real heir and Jayden merely acted as a body-double while she underwent training for the ultimate sealing technique]], the rest of the team focus so much on Jayden and how ''he'' must feel about having kept this secret from them while blatantly ignoring Lauren's attempts at getting to know and become friends with them or not taking them seriously. Along with repeatedly [[HeroWorship hero-worshipping]] Jayden, the rest of the Samurai group comes across as just rude to a new team member who is honestly trying her best to make good out of the situation. This is a complete 180 from the source material, ''Series/SamuraiSentaiShinkenger'', where Lauren's analogue, Kaoru, is only disliked by SixthRanger Genta and that's only because he felt she took his best friend's spot. Even more, the team does accept her as part of the team once she shows a more caring side.
* Many of the older alien races in the StargateVerse are meant to be seen in a sympathetic light, but come bit short.
** The Nox, an ancient race who were once members of the [[TheAlliance Four Great Races]], who keep to themselves in modern times. They claim to have an advanced pacifist philosophy due to their stance of never fighting anyone even to defend themselves. Oh course they have the ability to render themselves invisible and revive the dead, but never offering these wonders to those countless innocents suffering under the Goa'uld every day makes them come across as selfish at best. Many of them claim that the Earthlings' policy [[WeHelpTheHelpless "the strong defend the weak"]] as self-righteous and stupid, often calling them "very young". At the end of their introductory episode it comes across as extremely hypocritical when their leader tells the team that "Your way is not the only way".
** The Tollan were an advanced race who made some mistakes during their first ever "first contact". After the neighboring aliens used the technology given to them to blow themselves all up, the Tollans decided to strictly adhere to a policy of never sharing ''any'' advanced technology with any alien race less advanced than their own (as opposed to, say, being more careful about ''which'' technology they share). This came back to bite them hard when this policy ([[{{Pride}} combined with their lack of upgrading their defensive technology]]) led to them being blackmailed and later wiped out as a whole.
** The series best example would most likely be the Ancients, an [[ExactlyWhatItSaysOnTheTin ancient]] and super-advanced race who built the Stargates and later evolved into EnergyBeings. They'd often claim that they never use their powers to help un-ascended beings because they do not wish to abuse that power and turn out like their evil cousins, [[BigBad the Ori]]. They still come across as extreme NeglectfulPrecursors who never own up to their responsibility to repair the damage ''they themselves'' caused even before their ascension, such as the creation of the [[OurVampiresAreDifferent Wraith]] and Replicators, among others. It's made worse because apparently, if you're an Ancient, it's all right to not dismantle unbelievably hazardous or dangerous technology (or at least put safeties in), such as the machine that would download the entire Ancient database into one's head (with the only safety being "Had the Ancient Tech Gene," and would eventually kill you in a day or so), the exploding tumor machine, an infinite time loop device, and a healing device that will turn you into a zombie. [[FantasticRacism To top it off many of them also appear to have a rather low opinion of non-ascended beings]].
* When [[spoiler:Tony Almeida]] underwent a FaceHeelTurn in ''Series/TwentyFour'' he was clearly supposed to be seen as some sort of TragicVillain who has had his family violently taken from him. But it's so quickly thrown in [[ShockingSwerve out of the blue]] that he doesn't come off sympathetic at all. [[spoiler: It also doesn't help that the same season that had said event that would drive him to said Face Heel Turn portrayed him as drastically different: although he was of course devastated by the loss even though he did contemplate taking revenge on one of the killers he still threw the chance for revenge away because he knew it was morally wrong. So it just comes off as a nasty case of CharacterDerailment.]]
** It also doesn't look much better when you compare it to [[spoiler:Jack Bauer]]'s FaceHeelTurn period in the final season. Both of them endangered innocent people, but in completely different ways. [[spoiler: Jack]] did become a danger to others during his attacks, but only because at this point they had become so reckless that innocent people were now running the risk of getting harmed in the crossfire - the only people he ''directly'' tried to harm were [[AssholeVictim enemy]] [[KickTheSonOfABitch agents]] the whole time. [[spoiler: Tony]] on the other hand had no qualms about killing anyone and everyone to further his goals, at one point even being willing to [[spoiler: infect a crowd of innocent men, women and children in a subway station with a lethal virus]].
* The main protagonists of ''Series/{{Charmed}}'' slowly become this in later series, turning from the BigGood into a bunch of selfish heroes-in-name-only that are more concerned with their own petty lives, than actually saving the world. The Avatar arc of Series 7 had them ultimately agree to a plan to end the battle between good and evil once and for all. Except, their reasons for agreeing was not because they'd hit the GodzillaThreshold where the apocalypse was looming and evil was in danger of winning, but because they were simply too ''lazy'' to continue fighting!
** Phoebe, who the show insisted was the victim of Cole's actions, despite being technically responsible for his descent into insanity and preventing him from attempting a HeroicSuicide at least ''twice'', because he felt he was in danger of becoming evil again. We're meant to sympathise with her, but the large majority of the audience felt that she was the bigger villain.
* The majority of teenagers who commits a crime in a crime series (''Series/ColdCase'', LawAndOrder, etc.), and even some who don't are always depicted with such {{Wangst}}. While they are suppose to be seen as sympathetic they often just come across as spoiled and selfish with little regard for anyone's problems but their own.
* Assorted guest characters on ''Series/ColdCase'', often of the UnwittingInstigatorOfDoom flavor; this person may not be the murderer, but they're still, however indirectly, responsible for the victim's death.
** Leah in "Wishing." She allowed an autistic classmate with a crush on her to kiss her, then cried rape when caught by her {{Jerkass}} boyfriend. This gets the poor kid committed as a "sexual risk," and things only go downhill from there, culminating in a MercyKill.
** The victim's mother in "Time to Crime," who began an affair with an [[ObviouslyEvil obviously-untrustworthy arms smuggler]] and was inevitably cheated on herself, and yes ''still'' tried to get him back. Had she not attempted this, her daughter would still be alive.
** The victim's FatBastard best friend Butch in "Kensington." He was intended to be shown as a man broken by the loss of his job, but just came off as a dick. [[spoiler: Unlike the others, however, he is actually punished; as he witnessed the murder and did nothing, the cops arrest him as accessory]].
** Both the AlphaBitch and her older brother in "The Sleepover". Even with having [[AbusiveParent abusive parents]] growing up, in the present, she ''remains'' a [[ItsAllAboutMe self-serving bitch]] who doesn't even care about the victim or her [[BetaBitch cohorts in crime.]] Her brother is more sympathetic, but he still [[spoiler: killled another girl the same way as the victim for no good reason (she reminded him of the girl).]]
* ''Series/DesperateHousewives'' gave us Katherine Mayfair, who, after being dumped by Mike Delfino, went insane and delusional. She then orchestrated a plot in which Mike was framed for attacking her (complete with her pointing to him as the ambulance arrived, getting him arrested.) Later, the women, including Susan, Mike's wife, are all shown as forgiving her, and we're supposed to take their side, but what happened is treated as water under the bridge, she never once apologizes to Mike or shows any regret for her actions. She came off more as a sociopath, and we were still supposed to like her.
* ''Series/{{Dexter}}'': You are supposed to root for the title character, since he only kills other [[SerialKiller Serial Killers]], but that doesn't make ''him'' '''not''' a SerialKiller.
** Not to mention the "sympathetic" part being that these are killers that got away with their crimes. Then we see Dexter intentionally sabotaging the cases against them just so he could go after them.
* Cirilo Rivera from ''Series/{{Carrusel}}''. His [[AllloveIsUnrequited unrequited crush]] on [[{{Tsundere}} Maria Joaquina]] sometimes bordered on obsession. He never stalked her -- let alone hurt her -- [[DoggedNiceGuy but he did not give up on her no matter how much she turned him down]]. And let's face it -- she was out of his league, which has NOTHING to do with their being of different races or even socioeconomic statuses; she, well, just didn't like him that way. But '''he would not stop''', and kept showering her with gifts and attentions that she ''clearly'' didn't want and either upset her or creeped her out. Viewers were supposed to take Cirilo's side... but Maria Joaquina ended up [[UnintentionallySympathetic being the one often favored by the audience instead]], since in practice, nobody blamed her for not loving a kid ''that'' clingy (and borderline creepy) back.
* In the LifetimeMovieOfTheWeek ''Cyber Seduction: His Secret Life'', we are supposed to root for [[DesignatedHero the mother]]. However, she screams at her teenage son for looking at softcore porn and [[AbusiveParents refuses to acknowledge or congratulate him]] because he got [[DisproportionateRetribution third place]] in a swimming competition, [[FelonyMisdemeanor rather than first.]] [[AlternateCharacterInterpretation This makes it seem like the kid's problems stem more from her than from the porn that supposedly ruined his life.]]
* Debra Barone on ''Series/EverybodyLovesRaymond'' was supposed to come off as a beleaguered, long-suffering heroine who unfairly has to put up with her in-laws, but instead, she came off as a hypocritical misandrist [[DoubleStandardAbuseFemaleOnMale who regularly belittles, bullies and attacks her husband]], even urging their children to put him down, [[UnfortunateImplications all played for laughs]].
* Monica in ''{{Friends}}'' was portrayed as being overweight and weird during her teenage years. The audience is supposed to feel bad for Monica who grew up being a virgin for a long time and had very few friends but it's hard to sympathize when past Monica is always referenced to eating a lot or breaking stuff with her size while her present self is neurotic and obsessive about being clean.
** Likewise, Ross is portrayed as someone who has bad luck with women and has been divorced multiple times. One would think he is someone to feel sorry for, but Ross' jealousy of other men when it comes to dating women and how [[HonorBeforeReason he would rather lie his way out of situations instead of being truthful just so he can look good]] makes Ross look more like a jerk.
** And Rachel, who we're meant to feel sorry for because she keeps losing Ross and has to watch him date other women...except she's the one who broke up with him (and refused to take him back), malevolently manipulates TheUnfairSex and back stabs any woman he tries to move on with.
*** We're also meant to sympathise with her 'empowering' journey of getting over her spoiled upbringing and breaking into the fashion industry. That works early on when she's vulnerable and hard-working but not much later when she's unprofessional, lazy and 'empowering' equals taking Ross's daughter to a different continent from him. It doesn't help that Monica is clearly more hard-working, Chandler more capable and Ross more intelligent in their respective jobs but she's still the 'Career' character. Rachel even hires a man she is attracted to rather then someone who has the qualifications, and has an affair with him.
*** However it should be noted that, both Ross and Rachel have been called out on several occasions throughout the show for their shortcomings and [[NeverMyFault refusal to take fault]], arguably more spectacularly and exceptionally than the others. While maybe not proportionately to their actions, there are times they are intentionally played as {{Unsympathetic Comedy Protagonist}}s.
* Thanks to its penchant for UnfortunateImplications, lots of characters in ''Series/{{Glee}}'' have a tendency for falling into this. One particularly notable one is its DesignatedHero, Will Schuester. His [[InformedAttribute supposed virtue]] is that he is a compassionate teacher who genuinely cares for and puts all of his students first. But it's a bit hard to see him as the sweet teacher he's made out to be after he planted drugs in a student's locker to blackmail him to join Glee Club. And after he blatantly favors a select handful of students within his group. And after he abandons his students on their competition day to pursue a personal audition. And after watching him let open acts of bullying of his own students go unreported, ''even when it lands one of them in the hospital''.
** Kurt is another frequent victim of this trope. Half the time he's a genuine {{Woobie}}; the other half, he's self-centered, hypocritical, and prone to fits of jealousy.
* Similar to Megan Ramsey from “Repression” (see below) the son in [[LawandOrder "All My Children"]] due mainly to because everyone in universe is sympathetic to his side of the story. While the father was a major jerkass like with Megan Ramsey the son never tried to live for himself and seemed to only want to make the father pay for not spoiling him. This is coupled with could have avoided this plot since if the son had just got a job any job he would have never been kicked out of the house.
** Done in universe in the episode “True North”
** This was combined with TheUnfairSex "Good Girl" where the murderer was treated sympathetically despite the fact if the situation were reversed (a man had an affair and killed the woman when she tried to end it) he would have never been depicted sympathetically especially if he claimed that he did it because he couldn’t live with out her. When you add to that the the fact that she seems to have a race fetish and the first thing she did after she was arrested was accuse him (the person she claimed to love) of trying to rape her it’s hard to take her crying seriously.
* Many of the so-called victims of LawAndOrderSpecialVictimsUnit fall under this.
** Megan Ramsey from “Repression” is a great example due to just how convenient her situation turned out. Megan was a unrepentant drug addict who was cut off. She goes to therapy and recalls her childhood molestation by her father, she reports the incest hoping it would spare her younger sisters from suffering the same fate, and the threat of this seems credible because her middle sister implies she may have walked in on her father just after molesting the youngest. In the end, the middle sister accidentally shoots the father shortly after falsifying evidence of molestation against him, and we find out that Megan's memories were falsely coached by her therapist and the father was innocent; the therapist is arrested for reckless endangerment, but Megan gets exactly what she wanted from the beginning: to be allowed back in her rich parents' house with her mother taking care of her, despite the fact that this means that her drug addiction had nothing to do with any childhood trauma on her part.
** In "Influence", a teenage girl falsely accuses two classmates of rape, makes advances on a third, and hits nine pedestrians in a car crash, killing one. Medical tests reveal that she recently stopped taking her medication for bipolar disorder, but since the HollywoodPsychology presentation of bipolar disorder includes following a consistent pattern of behavior to avoid responsibility, it makes her look more like a sociopath using the media circus surrounding her case to get away with it.
** The basic premise of "Transitions" has a trans girl (born male, identifies female) being constantly, violently angry, but only against females, particularly a group of girls who didn't want her to use the girls' bathroom, and proudly declare she beat her (entirely supportive) mother in order to "strike a blow for her freedom" after being caught sneaking into the house at two in the morning. She also has a host of other mental problems, a history of self-harm, attempted suicide, virulent hatred of her father, and generally having serious anger issues that, while exacerbated by the stress of being an transgender adolescent, had nothing to do with her actually being transgender. And this all served to be an attempt to justify the attempted murder of her father by her school counselor, who is also a transwoman, and who tried to kill him in order to get some kind of displaced revenge for hate crimes she had experienced when she was younger. The writers at least seemed to realize this as Greyleck stated not every person that has been a victim can have an automatic get out of jail free card when they go looking for retribution. The end result is that the episode tried to show the plight of transgender people by making one of them insane and the other one a murderer, who both want a man dead essentially because [[StrawmanHasAPoint he's not as supportive as they think he ought to be]].
** One episode had a full grown adult who pretended to be a high school student for ''years'', essentially to avoid having to grow up, and in the process, had enough "high school sweethearts" she manipulated and slept with to fill a calendar. She was still seen as the victim for not being able to adjust to adult life, with her arrest for statutory rape being more of a legal formality with the victim's complaint not about being personally violated as much as being embarrassed for sleeping with an old bag. Although the ending seems to imply she's also ''batshit'', it tends to fall in line with TheUnfairSex stance the show often takes.
** Carrie Lynn Eldridge from "Intoxicated" could qualify for this trope. She's caught by her mother having sex with her 21 year old boyfriend, yet the narrative and the detectives (especially Olivia) view the mother as being unreasonable and crazy for being angry, concerned, and freaked out that '' a twenty-one year old is dating her fifteen year old daughter''. Carrie later kills her mother, runs from the crime scene and runs away with her boyfriend to hide in his parents' cabin. When Carrie's caught and the detectives investigate the case it begins to look like Carrie killed the mother solely because the mother didn't approve her boyfriend... and then we find out that [[AbusiveParents Ms. Eldridge was an abusive alcoholic]] who hid bottles in every part of her house [[PlotHole (including the kitchen drawers and a ceiling lamp, places CSU would've checked when processing the murder scene)]] and Carrie suffers from [[HollywoodPsychology Premenstrual syndrome]] that heightened her emotions, especially rage, and pushed her to brutally murder her mother during another argument. While Carrie manages to garner sympathy from Olivia and her lawyer, many fans don't feel the same way and instead see Carrie as a temperamental and violent brat who killed her mother because she didn't get her way and definitely didn't appreciate the writers' attempt to portray her as an abused and troubled teen.
** In "Alien", the politics between the Catholic faculty and the lesbian parents (and the implication that 8-year-old Emma is unstable) is all based on the fact that a poor twelve year old boy will never walk again. Except that kid only got paralyzed because he was allowed (by the faculty that didn't want a child raised by lesbians in their school anyway) to ''physically assault'' a little girl in a pattern of hate crimes, culminating in a red-flag juvenile version of ''corrective rape'', after which Emma finally fought back and just happened to score an unlucky CriticalHit and severed his spinal cord. The boy was being raised in an environment that explicitly condoned his sustained torture of a little girl because she was ''related'' to a lesbian and he had no remorse for any of it. He's supposed to be the victim of the day and his being harmed what gets the SVU involved, but his behavior strongly suggests he's a fledgling sex offender who has an irrational hatred for lesbians and their children. It's hard to feel bad for him when it's very possible that his being paralyzed from the waist down is going to save SVU some headaches later on down the line.
* In ''Series/TheGeorgeLopezShow'', During Benny's trial, George brought in Benny's mother to the stand and try and make Benny sympathetic to the jurors. While on the stand, she proceed to mock Benny and shows how bad a mother she was to Benny. This was done to make Benny seem like a JerkassWoobie at the most since how bad she grew up in a broken home and being a single mother. The problem was that Benny was just as bad at raising George. Being emotional and physically abusive to him, being neglectful of his feelings, disregarding his learning disability, not supporting his goals, and lying to him constantly. And as an adult she still a Jerkass to him and his family. It pretty hard to sympathize with her.
* Nellie in ''Series/TheOfficeUS''. Something of a CreatorsPet from the get-go, she was given "tragic" elements of her past to make her more sympathetic. Unfortunately, all of these elements were entirely self-inflicted, leading to this trope.
* At the end of season two of ''Series/RobinHood'', Guy of Gisborne stabbed Maid Marian to death, sending his CharacterDevelopment and [[StoryArc Redemption Arc]] back to square one. Season Three tried to turn him into a HeartbrokenBadass, ignoring the fact that for a significant portion of the fanbase, he had already crossed the MoralEventHorizon when he ''stabbed Maid Marian to death'' and thus forfeited any right to the goodwill of the audience. Even [[Creator/RichardArmitage the actor]] hated him.
** On the same show, the death of Kate's brother did not carry the emotional weight it should have done thanks to Kate's refusal to utilize common sense in her repeated attempts to rescue him. The writers were going for "headstrong" and "impulsive" in their characterization of Kate -- unfortunately, all they really managed was "stupid." The ridiculous swinging between {{Wangst}} and trying to romance Robin didn't help her either.
*** And the cherry on top is the fact that Kate's brother was killed by Guy, resulting in a scene in which the audience has no reason to care about anyone involved.
*** And the cherry on top of that cherry is that depending on how you see it, ''Kate'' is at fault as well for the murder. He died because she got captured trying to get him out of the army and he died trying to save ''her''. Some fans wonder if he might have survived had she just left him in the army.
* Occurs in ''Series/{{Scrubs}}'' when The Janitor, after losing a bet to Dr. Cox, has to watch his van being crashed into a wall, and the viewer is meant to feel sorry for him. Except that The Janitor has in the past done a number of similar actions, and many that were worse and show outright lack of regard for people that might get hurt and gotten away with them, with the only difference being that his actions were PlayedForLaughs.
* ''Series/ThirtyRock'': Liz Lemon can come off as this a lot of the time, as she can be a pretty terrible person who takes out all of her problems on her staff and makes her problems sound bigger than they are, a lot of her problems are her fault and treats people pretty terribly.
** Liz's classmates in the class reunion episode, when Liz realizes [[MyGodWhatHaveIDone just how awful she treated all of them in the past]] and makes a genuine effort to try and make amends, but they coldly rebuff her and [[HeWhoFightsMonsters and cruelly attempt to humiliate her even worse than she did them]] which makes them look just as bad as she's behaved rather than the mistreated victims they're being presented as. The attempt fails but by that point [[ThenLetMeBeEvil it's made Lemon give up and embrace her bullying side again]] and she tells them off one final time, and it comes off like karma for them more than anything else.
* Diana Prince, aka Franchise/WonderWoman, came off this way in [[Series/WonderWoman2011Pilot the failed 2011 pilot]]. We're supposed to feel sorry for her because [[ItsNotYouItsMyEnemies she had to leave her boyfriend for his own safety]], and her life as an ordinary person is limited. That sympathy doesn't last long in the face of what she does during her superhero work: namely, torturing hospitalized suspects, bullying policemen, slandering rivals with no proof, and killing security guards who are just workers for hire and otherwise uninvolved in the villain's plot.
* Jade from ''{{Victorious}}'' is this character overall, but ''The Worst Couple'' is probably the [[IncrediblyLamePun worst]] example of it. The writers want you to feel sorry for her that [[spoiler: Beck broke up with her]], but it's hard to actually do that when she acts like a spiteful bitch to everyone. Giving a ReasonYouSuckSpeech to her [[WithFriendsLikeThese so-called friends]] and breaking Sinjin's leg by running him down make the [[TakeThatScrappy audience cheer for her misery rather than feel sorry for it]].
* In the 2002 LifetimeMovieOfTheWeek "The Pact", we meet a young man who was charged in the murder of his [[spoiler: pregnant, which was unbeknownst to him until after her demise]] girlfriend, who he killed in a failed suicide pact she initiated. Instead of him being portrayed as the conflicted and [[TheMourningAfter heartbroken boyfriend who just lost the love of his life]] and plagued by [[MyGodWhatHaveIDone confusion and guilt over the situation]] [[spoiler: who was sent off to prison, like he was in the original book the movie it was based off of]], he comes off as a sneaky, creepy, [[TheUnfettered emotionally-detached]] [[JerkAss douchebag]] [[spoiler: who who ends up getting away with his crime due to the father of a dead girl testifying on his behalf.]]
* A worker at a coffee house in ''HotInCleveland'' gets promptly fired in front of his young daughter and weakly tells her "I'll buy you a bicycle next year," when Melanie tells him he's been getting her order wrong. We're meant to feel sorry for him because he's clearly not doing well in life at the moment... but it's hard to feel sorry for the guy when he's been doing his job completely wrong ''consistently for three straight weeks.''
* Rose Tyler from [[Series/DoctorWho Doctor Who]] falls into this category for a lot of the fanbase, despite a lot of them liking her in Series 1. She gets angry at any women who speaks to the Doctor, treats her boyfriend Mickey horribly in her first appearance, and doesn't seem to care that due to her [[YearOutsideHourInside disappearing for a year]] he got accused of murdering her. Her losing the Doctor by being trapped in another Universe may be a Tearjerker but she implies she would be willing to destroy both worlds to get back to him. And "Journey's End" when she returns to her Universe due to the Daleks collapsing reality her dialogue clearly shows she was trying to get back before this happened, despite the Doctor telling her it would destroy both worlds.
** The Tenth Doctor's attitude to regeneration been equivalent to death in ''The End of Time'' makes him come across a whiny brat. Not helping his case is his outrage at the fact that he has to perform a HeroicSacrifice and how no Doctor in the past reacted in this manner and neither did the Eleventh.
* ''Series/GameOfThrones'' can go through this due to the moral amibuity and the changes from the source material.
** The sex scene between Jaime and Cersei in "Breaker of Chains". According to the director, it's ''Jaime'' who's been abused in this relationship, and audience sympathies should be with him. However, because the scene appears to be a rape in the eyes of many viewers (Cersei repeatedly begs Jaime to stop, right up to the time the camera cuts away), Cersei becomes unintentionally sympathetic as a rape victim, and Jaime unintentionally unsympathetic as a rapist.
** Renly is meant to be seen as a likable character who is trying to take the Iron Throne for the good of the realm. However it can easily look like he is just being manipulated by the Tyrells so they can increase their power, considering Loras tells him he should become King as Joffrey is a monster, [[spoiler:then when Renly dies the Tyrells join Joffrey so Margaery Tyrell can become Queen]]. Renly shows he was quite willing to start a war to usurp power, when Ned tries to get his help to make sure there is a peaceful transition of power Renly refuses [[spoiler:leading to Ned's death]] and Renly shows he is quite willing to kill his brother because they are trying to push their superior claim to the throne, even though Stannis offers to let Renly remain on the Small Council which will give Renly a lot of power in the running of the realm and become his heir. [[spoiler:Though Stannis kills Renly he later shows a lot of remorse over this and is basically forced into it, while Renly doesn't show any remorse at the idea of killing Stannis.]] It doesn't help that Loras' argument for why Renly would be a better King then Stannis is basically just that Renly has a more likable personality, considering Stannis shows himself to be a very just man who believes in giving people their due despite social status, has had years more experience in running the realm, and despite the claim Renly is [[InformedAbility a superb statesman]] he doesn't show any real political skills outside of publicity. Note, this is exclusive to the show as in the books it is quite clear Renly is a vain and greedy guy with a very high opinion of himself and the Tyrells don't really care who's King just so long as they get more personal power.
** The Night's Watch conspirators. Kit Harrington [[http://www.ew.com/article/2015/06/14/game-thrones-jon-dies-interview has reasoned]] that their mutiny against Jon was justified because Jon was taking them for granted. The problem is that given the events of "[[Recap/GameOfThronesS5E8Hardhome Hardhome]]" and the fact that none of Jon's more egregious actions from the novels were adapted, the brothers end up coming across as petty and shortsighted more than anything else.
** Brienne's actions. While her [[spoiler:killing Stannis is clearly meant to be cathartic LaserGuidedKarma, not only is Stannis UnintentionallySympathetic for some viewers]], but the fact that Brienne abandons her duty to Sansa for revenge, spites Stannis by erroneously calling Renly "the rightful King", and essentially [[spoiler:[[KickThemWhileTheyAreDown murders a wounded man]] just like [[CompleteMonster Ramsay]] does literally a moment later,]] can make her come off as selfish, petty, and vindictive instead and a {{Hypocrite}} to boot, considering [[spoiler:she is killing someone with more right to the throne for killing someone who intended to kill him]].
** Sam's desire to protect Gilly by becoming a Maester and go to Oldtown is meant to be a cogent, heartwarming reason for him to leave the Wall, but it can come across as extremely selfish since he's essentially using friendship to manipulate Jon into allowing him to run off south with his lover for a few years, which is precisely the reason the Night's Watch are sworn to celibacy. Remember, "Love is the death of duty." In the books Sam was very reluctant to become a Maester and was forced to do so by Jon.
* In ''Series/{{Gotham}}'' we have Renee Montoya. In her mind she might see herself as a good friend to Barbara, coming to her believing that Gordon is actually a DirtyCop who's manipulating her. But her actions in doing so are to go behind Gordon's back ''twice'' to warn Barbara without any evidence aside from two separate informants - both of whom, she knows, have strong mob ties and also have every reason to lie to her. In addition, the second time she ''broke into Barbara's home,'' which Barbara is not pleased about. If anything it looks more like she's a [[PsychoExGirlfriend jealous ex]] who's willing to latch onto any idea without evidence to break the couple up so she can get back together with Barbara. [[spoiler:In fact, when the breakup does happen, it's clear that Barbara brought it on herself by blabbing about the child snatchers earlier, before Cobblepot's return (if anything, Gordon was smart to not tell her anything about Cobblepot); Montoya was little more than the accelerator in the long run.]]
** Then there is how she acted after receiving the information from Cobblepot. After he stated that Fish had the necklace before it was found on Pepper and flat out admitted he is using this information to get rid of his boss. What does Montoya do? Does she follow up on this information? Does she take it with a grain of salt from a guy that is most likely lying to her? Does she go to Gordon to find out if he was even aware of this? No. She takes this very flimsy information and jumps to the conclusion that Jim must have been fully aware and even planted the evidence on Pepper. Then instead of bring this to the police she goes right to Barbara and flat out tells Barbara with no evidence that her fiance is guilty to get them to break up. Gordon wasn't even aware of this theory until after he hears it secondhand from Barbara which means after using this information to try to break up Barbara and Gordon, she did absolutely nothing else with it.
** Barbara herself counts. In the first ep she's a hardnosed reporter who uses her husband's position in the police force to get a scoop despite this going against any decent journalist's code of ethics. She later argues with him when he doesn't want to talk about his work, she becomes frightened of "his world", she ''leaves'' him for her ex-girlfriend (the above, Renee) who in turn leaves ''her'' (Barbara) because they were "Toxic together". She rings her old flat and by complete chance a 12 year old Ivy Pepper has broken in and answers the phone causing Barbara to get mad at Jim even more, and take up refuge with her parents. As of writing this at the 14th episode mark, she hasn't been seen since.
* ''Series/{{Reba}}'' has Kyra. It's hard to deny that she gets the short end of the stick at points, but this is often because of ''very'' justifiable reasons, such as trying to help the teenaged mother in the family get on her feet, and raising a new born child. In addition, with all the complaining Kyra does, she almost ''never'' does anything to ''help improve'' the situation, or at least help make things easier on everyone. The closest thing that can remotely count was [[spoiler: moving out to her dad's place, which only succeeded in causing ''even more stress on the family'' and bringing Reba to tears]]. Combine this with her slowly sliding into the TeensAreMonsters trope during her teenaged years and her DeadpanSnarker tendencies being taken up to near {{Jerkass}} levels in the later seasons, and it's a bit hard to feel bad for her at times when she starts complaining about things.
* ''Series/OnceUponATime'':
** [[GodSaveUsFromTheQueen Regina Mills]] after her HeelFaceTurn comes out as this to [[BaseBreaker part of the fandom]]. After she nearly sacrifices herself to save Storybrooke, the heroes treat all her past heinous actions (which include slaughtering a village, raping a man, sending children on a life threatening mission, killing her own father, cursing a world to an unhappy life, imprisoning an innocent girl in a dungeon,… ) as if they were done by someone else. This is mitigated by the fact that she truly acknowledges having been a villain and tries her best to be a better person but she occasionally [[NeverMyFault puts the blame]] alternatively on her EvilMentor Rumplestilskin or the Author of the book. [[spoiler: It turns out that yes the Author really was manipulating everyone all along but since there was little evidences before, this comes out as a lucky guess.]] At one point in season 3, she says she regrets none of her acts because it gave her Henry, her adopted son, in the long run. In season 4, she whines and resents Emma for ruining her romance with Robin Hood by [[spoiler: accidently bringing Marian back from the dead]] and later, with Henry, she starts a self-centered quest to find the Author so she can be reunited with her boyfriend leaving the fandom unsure [[BrokenBase whether she truly deserves her happy ending]] like everyone in-universe (even some of her former victims) think so. In season 4 finale, [[spoiler: Emma goes as far to save Regina from the darkness by letting it take her instead.]]
** Before her HeelFaceTurn, Regina's motivations are treated as extreme, but still sympathetic and not totally undeserved. Her vendetta against Snow White started when Snow failed to keep Regina's love affair with a stable boy secret, prompting Regina's mother to kill the man. Although Snow is indirectly responsible for Daniel's death, she did only told Cora about it in the hopes of reuniting her with her daughter. Regina treats a ''child's'' well-meaning mistake as something horrible and tortures the girl for years, despite Snow doing everything she can to give Regina a chance at redemption and a happy life.
** Further, Regina's motivation for doing evil in the second season is that she wants to get her son back after he was taken away from her. The show tries to treat this as ReformedButRejected and ThenLetMeBeEvil, that her fall back to darkness was induced by Emma and co. taking Henry and not trusting her. But her actions include siding with [[EvilerThanThou her mother]], and abusing and endangering everyone around her for the sake of her own goals, and even erasing Henry's memory at one point after he called her out on her behavior, showing that she really is a dangerous and everyone was right to suspect her and she shouldn't get Henry just because she loves him.
** [[Literature/TheLittleMermaid Ursula the sea witch]] in the "Queens of Darkness" story arc. While her backstory shows that she used to be a kind mermaid until Hook stole her voice, her transformation into a monster was self inflicted yet she [[NeverMyFault puts all the blame]] on Hook. Just as she’s about to strangle Snow, Hook brings her voice back and makes her reconcile with her father. She’s suddenly considered as good and [[KarmaHoudini free to leave the town]] even thought she express no remorse in actively helping Rumplestilskin and the other Queens [[spoiler: to turn Emma into a villain]]. Not helping is the later revelation that she and Cruella [[MoralEventHorizon left Maleficient’s baby daughter to die]].
** Myth/RobinHood for his LackOfEmpathy toward his wife Marian. When he finds out that [[spoiler: Regina was the one who killed her before Emma undid her death]], he doesn't seem to care at all [[SkewedPriorities being mostly concerned with still being in love with Regina]]. He then [[YourCheatingHeart starts an affair with her]] while Marian is in the coma. [[spoiler: Marian turns out to be Zelena the wicked witch who killed and replaced her. Once again Robin is barely concerned by the revelation and is immediately ready to move on with Regina. The only remaining obstacle is Zelena being pregnant with his baby.]]
* ''KamenRider'':
** Mutsuki Kamijo from ''Series/KamenRiderBlade'' is supposed to be a naive, insecure young boy struggling with the powers he suddenly gains. He mostly came across as an immature whiny brat instead, particularly after his pathetic efforts at a FaceHeelTurn.
** In ''Series/KamenRiderKiva'', Mio Suzuki is forbidden to love the hero Wataru because she is forced to marry his brother Taiga for political reasons. This would indeed have made her sympathetic - had she not repeatedly put pressure on Wataru to [[MurderTheHypotenuse murder Taiga]], then tried to do it herself in front of everyone at their wedding, and sneered about killing Taiga to his own mother's face.
** One episode of ''Series/KamenRiderWizard'' involved a Phantom trying to make the VictimOfTheWeek despair by turning her husband and friends against her. However, the character was so shrill and obnoxious that most fans felt that little effort was needed on the Phantom's part.

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