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* ChristmasRushed: According to then-guitarist Eric Bell, the label initially denied them making a second LP, then gave them three weeks in which to make one - ''Shades of a Blue Orphanage''. Having used up several of the best potential songs on their EP ''New Day'' (which was made due to the label's initial refusal to let them record a second LP), the group had very few new songs at the time and padded the album out with some hastily-put-together filler and a couple of early songs, not to mention sounding exhausted. There were no singles released from it. The group fortunately had a hit a few months later with "Whiskey in the Jar", which allowed them to negotiate a lot more time to make the much more popular ''Vagabonds of the Western World''.
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** Scott Gorham originally left the US in 1973 and travelled to the UK because Bob Siebenberg thought he'd be able to join Music/{{Supertramp}}. This didn't end up happening, and eventually after scraping some work from playing in pub bands for a few months, his visa soon due to expire, Scott eventually found some luck and joined Thin Lizzy in 1974.
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** Scott Gorham originally left the US in 1973 and travelled to the UK because Bob Siebenberg (Scott's brother-in-law) thought he'd be able to join Music/{{Supertramp}}. This didn't end up happening, and eventually after scraping some work from playing in pub bands for a few months, his visa soon due to expire, Scott eventually found some luck and joined Thin Lizzy in 1974.
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Added Scott Gorham's Supertramp story to 'What Could Have Been'
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** Scott Gorham originally left the US in 1973 and travelled to the UK because Bob Siebenberg thought he'd be able to join Music/{{Supertramp}}. This didn't end up happening, and eventually after scraping some work from playing in pub bands for a few months, his visa soon due to expire, Scott eventually found some luck and joined Thin Lizzy in 1974.
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This is for when creators die and leave work unfinished.
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* AuthorExistenceFailure: After Lynott's death, the chances of Thin Lizzy becoming any more than "the official tribute" are ''officially'' zero.
** Black Star Riders started out as an "official tribute" (with Scott Gorham as the only original Thin Lizzy member) who played Thin Lizzy material in live performances, but then moved on to composing original songs in the Thin Lizzy style. Since they chose to bill themselves under a different name out of respect for Lynott, they can be considered more of a SpiritualSuccessor to Thin Lizzy than the band minus the face.
** Black Star Riders started out as an "official tribute" (with Scott Gorham as the only original Thin Lizzy member) who played Thin Lizzy material in live performances, but then moved on to composing original songs in the Thin Lizzy style. Since they chose to bill themselves under a different name out of respect for Lynott, they can be considered more of a SpiritualSuccessor to Thin Lizzy than the band minus the face.
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* LoopingLines: According to co-producer Tony Visconti, 75% of ''Live and Dangerous'' isn't really live, because the band was usually at least a bit drunk on stage and the shortage of coherent recorded performances meant that they had to record it live in the studio and add crowd noise later. The band's manager Chris O'Donnell disputes this, saying that while some parts (mostly guitar solos) got looped in the studio, it's 75% live. Guitarist Brian Robertson insists that the whole thing is live, and that overdubs would have been impossible because of the lack of acoustic separation.[[note]]When a band records live, chances are that any given mic will record more than just the source it's supposed to record. If a part is played badly or contains obvious clams, it will therefore be potentially audible on more than one track. Overdubbing that part won't work, because the original part will be audible in the background of other tracks. The only solution is either acoustic separation, in which each track contains only the instrument or voice it's supposed to contain and which is impossible to achieve in a live recording, or else re-recording the whole performance.[[/note]] Some of the soundboard recordings for what would become the album are available on [=YouTube=], and indicate that the truth is somewhere in between Visconti's and Robertson's assertions. The only thing everyone agrees on is that it's one of the band's best albums.
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* ThePeteBest: Keyboardist Eric Wrixon, who was part of the band's original lineup as a cover band and made his sole recorded appearance on their first single "The Farmer"/"I Need You".
** To a lesser extent, original guitarist Eric Bell, whose leaving the band paved the way for them to rearrange their sound over the twin guitar sound of Scott Gorham and Brian Robertson, making the early folk and blues inspired material somewhat EarlyInstallmentWeirdness. Unlike Wrixon, however, Bell made the occasional guest appearance live, such as on the "Life" album, and has benefitted from the continued popularity of "Whiskey In The Jar" and "The Rocker", both of which he played on.
** To a lesser extent, original guitarist Eric Bell, whose leaving the band paved the way for them to rearrange their sound over the twin guitar sound of Scott Gorham and Brian Robertson, making the early folk and blues inspired material somewhat EarlyInstallmentWeirdness. Unlike Wrixon, however, Bell made the occasional guest appearance live, such as on the "Life" album, and has benefitted from the continued popularity of "Whiskey In The Jar" and "The Rocker", both of which he played on.
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* HeAlsoDid: Damon Johnson, guitarist since 2011, has formerly played with Music/AliceCooper and the country band Whiskey Falls among others.
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misuse
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* AuthorExistenceFailure, TheBandMinusTheFace: After Lynott's death, the chances of Thin Lizzy becoming any more than "the official tribute" are ''officially'' zero.
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* AuthorExistenceFailure, TheBandMinusTheFace: AuthorExistenceFailure: After Lynott's death, the chances of Thin Lizzy becoming any more than "the official tribute" are ''officially'' zero.
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* BigNameFan: Music/HenryRollins is on record as admiring Thin Lizzy precisely because they had the courage to be more sensitive and vulnerable than most hard rock bands.
-->'''Henry Rollins''': My main fuckin' hero of the world, my ''guardo camino'' -- that means "road guard" -- for me, the Man, the man who gets me through the high times, the low times and all the times in between is one man named Phil Lynott. [...] Doesn't matter what mood I'm in, Thin Lizzy works. Like: you get the girlfriend. "Boys are Back in Town", "Jailbreak", no problem. The girl leaves you? Flip the record over, [''snivels''] "I'll come runnin'...". [''normal''] It doesn't matter, I could play any one of those fuckin' records, if fuckin' Phil is on it, [''sobs''] "Fuckin' A, man..." [...] Phil Lynott possesses the irony I never had. He says [''Irish accent''] "You left me...''but I'd come runnin' back''." I say "You left me...but I'd come runnin' back TO STAB YOUR FUCKIN'..."
-->'''Henry Rollins''': My main fuckin' hero of the world, my ''guardo camino'' -- that means "road guard" -- for me, the Man, the man who gets me through the high times, the low times and all the times in between is one man named Phil Lynott. [...] Doesn't matter what mood I'm in, Thin Lizzy works. Like: you get the girlfriend. "Boys are Back in Town", "Jailbreak", no problem. The girl leaves you? Flip the record over, [''snivels''] "I'll come runnin'...". [''normal''] It doesn't matter, I could play any one of those fuckin' records, if fuckin' Phil is on it, [''sobs''] "Fuckin' A, man..." [...] Phil Lynott possesses the irony I never had. He says [''Irish accent''] "You left me...''but I'd come runnin' back''." I say "You left me...but I'd come runnin' back TO STAB YOUR FUCKIN'..."
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* WhatCouldHaveBeen: The original plan for the ''Bad Reputation'' album was to have a number of guest guitarists playing alongside Scott Gorham (possibly including Brian May and Ritchie Blackmore). Eventually the idea was dropped and Gorham played most of the guitar on the album himself, though he left a few songs without solos so that Brian Robertson, who was recovering from his hand injury, could contribute.
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* BigNameFan: Creator/HenryRollins is on record as admiring Thin Lizzy precisely because they had the courage to be more sensitive and vulnerable than most hard rock bands.
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* BigNameFan: Creator/HenryRollins Music/HenryRollins is on record as admiring Thin Lizzy precisely because they had the courage to be more sensitive and vulnerable than most hard rock bands.
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* NoExportForYou: Every American tour they attempted was plagued by problems and usually cancelled, possibly contributing to their lack of worldwide success and probably the reason they are little known across the Atlantic.
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* NoExportForYou: Every American tour they attempted was plagued by problems and usually cancelled, possibly contributing to their lack of worldwide success and probably the reason they are relatively little known across the Atlantic.Atlantic.
** In June 1976, the band was set to tour America with Ritchie Blackmore's Rainbow after the success of their Jailbreak album; unfortunately Lynott contracted hepatitis right before the tour was set to start and he was flown home to recuperate while Lizzy were replaced with another band.
** In November that same year, literally on the eve of another American tour, this time supporting their Johnny the Fox album, Brian Robertson injured his hand in a bar fight (which, ironically enough, was not even his fault--he put his hand out to protect his friend and fellow Scottish musician Frankie Miller from getting hit with a glass bottle). He was unable to play, and Lynott was furious and fired him immediately. The band eventually replaced him with Gary Moore and toured America with Queen, but the damage was done.
** In June 1976, the band was set to tour America with Ritchie Blackmore's Rainbow after the success of their Jailbreak album; unfortunately Lynott contracted hepatitis right before the tour was set to start and he was flown home to recuperate while Lizzy were replaced with another band.
** In November that same year, literally on the eve of another American tour, this time supporting their Johnny the Fox album, Brian Robertson injured his hand in a bar fight (which, ironically enough, was not even his fault--he put his hand out to protect his friend and fellow Scottish musician Frankie Miller from getting hit with a glass bottle). He was unable to play, and Lynott was furious and fired him immediately. The band eventually replaced him with Gary Moore and toured America with Queen, but the damage was done.
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* TroubledProduction: "Don't Believe A Word" on ''Johnny the Fox'' was originally written as a slow, sad, bluesy song, but Brian Robertson hated it. Lynott was so annoyed that he left the studio and didn't return for some days, during which Robertson decided he'd been too harsh and he and Downey reworked it into a fast, menacing shuffle. When Lynott returned he liked the result and that's how it ended up on the album, but then when the album came out Lynott had sole credit, which annoyed Robertson, who felt that he and Downey should have had some credit too. The band plays the slow version on the ''Life'' album, where it becomes a SuspiciouslySimilarSong to "Still In Love With You".
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* TroubledProduction: "Don't Believe A Word" on ''Johnny the Fox'' was originally written as a slow, sad, bluesy song, but Brian Robertson hated it. Lynott was so annoyed and hurt that he left the studio and didn't return for some days, during which Robertson decided he'd been too harsh and he and Downey reworked it into a fast, menacing shuffle. When Lynott returned he liked the result and that's how it ended up on the album, but then when the album came out Lynott had sole credit, which annoyed Robertson, who felt that he and Downey should have had some credit too. The band plays the slow version on the ''Life'' album, where it becomes a SuspiciouslySimilarSong to "Still In Love With You".
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** Black Star Riders started out as an "official tribute" (with Scott Gorham as the only original Thin Lizzy member) who played Thin Lizzy material in live performances, but then moved on to composing original songs in the Thin Lizzy style. Since they chose to bill themselves under a different name out of respect for Lynott, they can be considered more of a SpiritualSucessor to Thin Lizzy than the band minus the face.
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** Black Star Riders started out as an "official tribute" (with Scott Gorham as the only original Thin Lizzy member) who played Thin Lizzy material in live performances, but then moved on to composing original songs in the Thin Lizzy style. Since they chose to bill themselves under a different name out of respect for Lynott, they can be considered more of a SpiritualSucessor SpiritualSuccessor to Thin Lizzy than the band minus the face.
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** Black Star Riders started out as an "official tribute" (with Scott Gorham as the only original Thin Lizzy member) who played Thin Lizzy material in live performances, but then moved on to composing original songs in the Thin Lizzy style. Since they chose to bill themselves under a different name out of respect for Lynott, they can be considered more of a SpiritualSucessor to Thin Lizzy than the band minus the face.
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* AuthorExistenceFailure, TheBandMinusTheFace: After Lynotts death, the chances of Thin Lizzy becoming any more than "the official tribute" are ''officially'' zero.
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* AuthorExistenceFailure, TheBandMinusTheFace: After Lynotts Lynott's death, the chances of Thin Lizzy becoming any more than "the official tribute" are ''officially'' zero.
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* TroubledProduction: "Don't Believe A Word" on ''Johnny the Fox'' was originally written as a slow, sad, bluesy song, but Brian Robertson hated it. Lynott was so annoyed that he left the studio and didn't return for some days, during which Robertson decided he'd been too harsh and he and Downey reworked it into a fast, menacing shuffle. When Lynott returned he liked the result and that's how it ended up on the album, but then when the album came out Lynott had sole credit, which annoyed Robertson, who felt that he and Downey should have had some credit too. The band plays the slow version on the ''Life'' album, where it becomes a SuspiciouslySimilarSong to "Still In Love With You".
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* TroubledProduction: "Don't Believe A Word" on ''Johnny the Fox'' was originally written as a slow, sad, bluesy song, but Brian Robertson hated it. Lynott was so annoyed that he left the studio and didn't return for some days, during which Robertson decided he'd been too harsh and he and Downey reworked it into a fast, menacing shuffle. When Lynott returned he liked the result and that's how it ended up on the album, but then when the album came out Lynott had sole credit, which annoyed Robertson, who felt that he and Downey should have had some credit too. The band plays the slow version on the ''Life'' album, where it becomes a SuspiciouslySimilarSong to "Still In Love With You".You".
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** They have many hits in the UK which still get airplay (the most commonly played nowadays being Dancing In The Moonlight and Sarah). In the UK, Metallica's version of "Whiskey" is nowhere near as popular as the Lizzy version. Metallica rarely get airplay on anything other than specialist stations.
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** They have many hits in the UK which still get airplay (the most commonly played nowadays being Dancing In The Moonlight and Sarah). In the UK, Metallica's version of "Whiskey" is nowhere near as popular as the Lizzy version. Metallica rarely get airplay on anything other than specialist stations.stations.
* TroubledProduction: "Don't Believe A Word" on ''Johnny the Fox'' was originally written as a slow, sad, bluesy song, but Brian Robertson hated it. Lynott was so annoyed that he left the studio and didn't return for some days, during which Robertson decided he'd been too harsh and he and Downey reworked it into a fast, menacing shuffle. When Lynott returned he liked the result and that's how it ended up on the album, but then when the album came out Lynott had sole credit, which annoyed Robertson, who felt that he and Downey should have had some credit too. The band plays the slow version on the ''Life'' album, where it becomes a SuspiciouslySimilarSong to "Still In Love With You".
* TroubledProduction: "Don't Believe A Word" on ''Johnny the Fox'' was originally written as a slow, sad, bluesy song, but Brian Robertson hated it. Lynott was so annoyed that he left the studio and didn't return for some days, during which Robertson decided he'd been too harsh and he and Downey reworked it into a fast, menacing shuffle. When Lynott returned he liked the result and that's how it ended up on the album, but then when the album came out Lynott had sole credit, which annoyed Robertson, who felt that he and Downey should have had some credit too. The band plays the slow version on the ''Life'' album, where it becomes a SuspiciouslySimilarSong to "Still In Love With You".
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* BigNameFan: Creator/HenryRollins is on record as admiring Thin Lizzy precisely because they had the courage to be more sensitive and vulnerable than most hard rock bands, citing "Running Back" as an example.
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* BigNameFan: Creator/HenryRollins is on record as admiring Thin Lizzy precisely because they had the courage to be more sensitive and vulnerable than most hard rock bands, citing "Running Back" as an example.bands.
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-->'''Henry Rollins''': My main fuckin' hero of the world, my ''guardo camino'' -- that means "road guard" -- for me, the Man, the man who gets me through the high times, the low times and all the times in between is one man named Phil Lynott. [...] Doesn't matter what mood I'm in, Thin Lizzy works. Like: you get the girlfriend. "Boys are Back in Town", "Jailbreak", no problem. The girl leaves you? Flip the record over, [''snivels''] "I'll come runnin'...". [''normal''] It doesn't matter, I could play any one of those fuckin' records, if fuckin' Phil is on it, [''sobs''] "Fuckin' A, man..." [...] Phil Lynott possesses the irony I never had. He says [''Irish accent''] "You left me...''but I'd come runnin' back''." I say "You left me...but I'd come runnin' back TO STAB YOUR FUCKIN'..."
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* BigNameFan: Creator/HenryRollins is on record as admiring Thin Lizzy precisely because they wrote songs that were more sensitive and vulnerable than most hard rock bands, citing "Running Back" as an example.
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* BigNameFan: Creator/HenryRollins is on record as admiring Thin Lizzy precisely because they wrote songs that were had the courage to be more sensitive and vulnerable than most hard rock bands, citing "Running Back" as an example.
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* BigNameFan: Creator/HenryRollins is on record as admiring Thin Lizzy precisely because they wrote songs that were more sensitive and vulnerable than most hard rock bands, citing "Running Back" as an example.
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*** The band's first single, "The Farmer"/"I Need You", was released only in Ireland on Creator/ParlophoneRecords (prior to the band signing to Decca), under the slightly different spelling of Thin Lizzie. Whilst 500 copies were pressed, something like only 238 copies were sold, and the remaining unsold copies were returned to the label and destroyed. The record has been bootlegged, but only "The Farmer" has officially appeared on CD. It isn't known why "I Need You" wasn't, although the band only recorded it because the studio owner asked them (it was his composition, and quite different in style, but at this stage, Thin Lizzy often did songs in different styles).
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*** The band's first single, "The Farmer"/"I Need You", was released only in Ireland on Creator/ParlophoneRecords (prior to the band signing to Decca), under the slightly different spelling of Thin Lizzie. Whilst 500 copies were pressed, something like only 238 copies were sold, and the remaining unsold copies were returned to the label and destroyed. The record has been bootlegged, but only "The Farmer" has officially appeared on CD. It isn't known why "I Need You" wasn't, although the band only recorded it because the studio owner asked them (it was his composition, and quite different in style, but at this stage, Thin Lizzy often did songs in different styles).styles).
* OneHitWonder: Annoyingly they are best known only for their two biggest hits, "The Boys Are Back In Town", and "Whiskey In The Jar" (which was later covered by Music/{{Metallica}}).
** They have many hits in the UK which still get airplay (the most commonly played nowadays being Dancing In The Moonlight and Sarah). In the UK, Metallica's version of "Whiskey" is nowhere near as popular as the Lizzy version. Metallica rarely get airplay on anything other than specialist stations.
* OneHitWonder: Annoyingly they are best known only for their two biggest hits, "The Boys Are Back In Town", and "Whiskey In The Jar" (which was later covered by Music/{{Metallica}}).
** They have many hits in the UK which still get airplay (the most commonly played nowadays being Dancing In The Moonlight and Sarah). In the UK, Metallica's version of "Whiskey" is nowhere near as popular as the Lizzy version. Metallica rarely get airplay on anything other than specialist stations.
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* AuthorExistenceFailure, TheBandMinusTheFace: After Lynotts death, the chances of Thin Lizzy becoming any more than "the official tribute" are ''officially'' zero.
* BlackSheepHit: "Whiskey In The Jar" was originally recorded as an Irish in-joke and as a B-side to one of their singles. When the management got hold of it, they flipped it to the A-side and it became a massive hit, much to the band's chagrin.
* NoExportForYou: Every American tour they attempted was plagued by problems and usually cancelled, possibly contributing to their lack of worldwide success and probably the reason they are little known across the Atlantic.
** For reasons that nobody really understands, the B-Side 'Cruising In The Lizzymobile' (originally released as 'A Ride In The Lizzy Mobile'), was only released during the band's lifespan in Germany, as the B-Side to The Rocker. All other territories got Here I Go Again as the B-Side, and 'Lizzy Mobile' was somehow skipped over for all the Decca cash-in compilations. The first place where it appeared outside Germany was on the box set "Vagabonds Kings Warriors Angels" and was later on the deluxe edition of Vagabonds Of The Western World. 'Lizzy Mobile' is generally considered one of the greatest hard rock tracks of the Eric Bell era, so it may be that the label just forgot about it for years.
*** The band's first single, "The Farmer"/"I Need You", was released only in Ireland on Creator/ParlophoneRecords (prior to the band signing to Decca), under the slightly different spelling of Thin Lizzie. Whilst 500 copies were pressed, something like only 238 copies were sold, and the remaining unsold copies were returned to the label and destroyed. The record has been bootlegged, but only "The Farmer" has officially appeared on CD. It isn't known why "I Need You" wasn't, although the band only recorded it because the studio owner asked them (it was his composition, and quite different in style, but at this stage, Thin Lizzy often did songs in different styles).
* BlackSheepHit: "Whiskey In The Jar" was originally recorded as an Irish in-joke and as a B-side to one of their singles. When the management got hold of it, they flipped it to the A-side and it became a massive hit, much to the band's chagrin.
* NoExportForYou: Every American tour they attempted was plagued by problems and usually cancelled, possibly contributing to their lack of worldwide success and probably the reason they are little known across the Atlantic.
** For reasons that nobody really understands, the B-Side 'Cruising In The Lizzymobile' (originally released as 'A Ride In The Lizzy Mobile'), was only released during the band's lifespan in Germany, as the B-Side to The Rocker. All other territories got Here I Go Again as the B-Side, and 'Lizzy Mobile' was somehow skipped over for all the Decca cash-in compilations. The first place where it appeared outside Germany was on the box set "Vagabonds Kings Warriors Angels" and was later on the deluxe edition of Vagabonds Of The Western World. 'Lizzy Mobile' is generally considered one of the greatest hard rock tracks of the Eric Bell era, so it may be that the label just forgot about it for years.
*** The band's first single, "The Farmer"/"I Need You", was released only in Ireland on Creator/ParlophoneRecords (prior to the band signing to Decca), under the slightly different spelling of Thin Lizzie. Whilst 500 copies were pressed, something like only 238 copies were sold, and the remaining unsold copies were returned to the label and destroyed. The record has been bootlegged, but only "The Farmer" has officially appeared on CD. It isn't known why "I Need You" wasn't, although the band only recorded it because the studio owner asked them (it was his composition, and quite different in style, but at this stage, Thin Lizzy often did songs in different styles).
