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* CreatorKiller: Studio executive Rich Ross was fired from his position as Disney Studios leader weeks after Disney predicted they'd lose $200 million on the project; he holds the MedalOfDishonor of being the only Disney Studios chairman since Ron Miller's ousting to lost his job thanks to being simply incompetent in command, with the four chairmen before him (the first of which was Jeffrey Katzenberg, who exited on the back of ''Disney/TheLionKing'') leaving for creative differences (the executive who helmed the marketing campaign also got the boot). Also resulted in a StillbornFranchise for the foreseeable future.
** Director Andrew Stanton has possibly survived being slated to direct ''WesternAnimation/FindingDory'' due in 2016. That said, it's unlikely he will be allowed to work in live action again.

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* CreatorKiller: CreatorBacklash: Stanton's friend and boss at Pixar, John Lasseter, allegedly had a nuclear reaction to the marketing and failure of ''John Carter'' and the move to pin the blame on Stanton solely; this nuclear-level reaction led directly to studio chief Rich Ross's departure.
* CreatorKiller:
**
Studio executive Rich Ross was fired from his position as Disney Studios leader weeks after Disney predicted they'd lose $200 million on the project; he project and Pixar supremo John Lasseter, who is best friends with director Andrew Stanton, ripped him a new asshole and supposedly threatened to leave Disney himself if Ross didn't; Ross holds the MedalOfDishonor of being the only Disney Studios chairman since Ron Miller's ousting to lost his job thanks to being simply incompetent in command, with the four chairmen before him (the first of which was Jeffrey Katzenberg, who exited on the back of ''Disney/TheLionKing'') leaving for creative differences (the executive who helmed the marketing campaign also got the boot). Also resulted in a StillbornFranchise for The failure of ''Film/TheLoneRanger'' the foreseeable future.following year ensured Ross won't likely climb back from network television anytime soon.
** Director Andrew Stanton has possibly survived being slated to direct ''WesternAnimation/FindingDory'' due after directiong ''WesternAnimation/FindingDory'' in 2016. That said, it's unlikely he will be allowed to work in live action again.
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Hey Its That Guy cut by TRS decision. Ditto for Hey Its That Voice.


* HeyItsThatGuy:
** [[Film/XMenOriginsWolverine Gambit]] is John Carter. [[Film/XMenOriginsWolverine Kayla Silver Fox]] is Dejah Thoris.
** [[Series/{{Rome}} Julius Caesar and Mark Antony]] are Tardos Mors and Kantos Kan.
*** Alternatively, Tardos Mors is [[Series/{{GameOfThrones}} The King Beyond The Wall]]
*** [[Series/{{Rome}} Caesar's slave Posca]] is John Carter's attorney.
** [[TheWire Detective Jimmy McNulty]] is Sab Than.
** [[Film/KickAss Frank D'Amico]] / [[Film/SherlockHolmes Lord Blackwood]] is Matai Shang.
*** [[VideoGame/Warhammer40000SpaceMarine Captain]] [[{{Badass}} Titus]] too.
** [[SpyKids Agent Juni Cortez]] / [[GeneratorRex Rex Salazar]] is Creator/EdgarRiceBurroughs.
** [[Series/BreakingBad Walter White]] is the Yankee Colonel.
* HeyItsThatVoice:
** The leadership of the Tharks is contested by [[Film/SpiderManTrilogy Green Goblin and Sandman]]. Figures they'd settle for a Marvel movie ''hero'' (okay, AntiHero).
** [[Series/{{Rome}} Atia of the Julii]] is Sarkoja.
** [[Film/MinorityReport Agatha]] is Sola.

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* BoxOfficeBomb: One of the biggest in recent memory. It cost an absurd $250 million to make and pulled in an anemic $73 million at the domestic box office. Overseas was much much better at $211 million. A big part of this was coming out at the same time as ''WesternAnimation/TheLorax'' and ''Film/TheHungerGames''.

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* BoxOfficeBomb: One of the biggest in recent memory. It cost an absurd $250 million to make and pulled in an anemic $73 million at the domestic box office. Overseas was much much better at $211 million. A big part of this was coming out at the same time as ''WesternAnimation/TheLorax'' and ''Film/TheHungerGames''.


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** Notably, ''The Hunger Games'' got a higher RottenTomatoes score than ''John Carter'' and ''Wrath of the Titans'' '''put together'''.
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** The two really weren't competing against each other as the films were aimed towards totally different audiences (this film for young males, ''The Hunger Games'' for teen girls). This film's actual rival was ''[[ClashOfTheTitans Wrath Of The Titans]]'' (a similar literary concept with big action sequences, a buff male lead and releases in 3-D).

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** The two really weren't competing against each other as the films were aimed towards totally different audiences (this film for young males, ''The Hunger Games'' for teen girls).teenagers). This film's actual rival was ''[[ClashOfTheTitans Wrath Of The Titans]]'' (a similar literary concept with big action sequences, a buff male lead and releases in 3-D).
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* WhatCouldHaveBeen: In the early-mid [=2000s=], Paramount were developing a much lower-budgeted version of the film that would have been produced using the "digital backlot" method, with Creator/RobertRodriguez and then Kerry Conran attached to direct. However, Rodriguez dropped out to direct ''Film/SinCity'', while Conran was ruthlessly fired only a few days after the underwhelming opening of his previous film, ''Film/SkyCaptainAndTheWorldOfTomorrow''. The project then sat in DevelopmentHell for a couple of years, before Paramount let the license expire, and Disney picked it up.
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* CreatorKiller: Studio executive Rich Ross was fired from his position as Disney Studios leader weeks after Disney predicted they'd lose $200 million on the project (the executive who helmed the marketing campaign also got the boot). Also resulted in a StillbornFranchise for the foreseeable future.

to:

* CreatorKiller: Studio executive Rich Ross was fired from his position as Disney Studios leader weeks after Disney predicted they'd lose $200 million on the project project; he holds the MedalOfDishonor of being the only Disney Studios chairman since Ron Miller's ousting to lost his job thanks to being simply incompetent in command, with the four chairmen before him (the first of which was Jeffrey Katzenberg, who exited on the back of ''Disney/TheLionKing'') leaving for creative differences (the executive who helmed the marketing campaign also got the boot). Also resulted in a StillbornFranchise for the foreseeable future.

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* BoxOfficeBomb: One of the biggest in recent memory. It cost an absurd $250 million to make and pulled in an anemic $73 million at the domestic box office. Overseas was much much better at $211 million.

to:

* BoxOfficeBomb: One of the biggest in recent memory. It cost an absurd $250 million to make and pulled in an anemic $73 million at the domestic box office. Overseas was much much better at $211 million. A big part of this was coming out at the same time as ''WesternAnimation/TheLorax'' and ''Film/TheHungerGames''.
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Moved from the main page.

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* CastingGag: Tardos Mors and Kantos Kan, the stoic ruler of a Greco-Romanesque city-state and his snarky right-hand man, are played by Ciaran Hinds and James Purefoy, respectively. It's probably not an accident that Hinds and Purefoy were previously best known for playing Julius Caesar and Marc Antony on HBO's ''Series/{{Rome}}''.
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** There were reservations at Disney about letting Stanton direct the film, despite his obvious sentimental attachment to the material, because he'd never directed a live-action feature before. But, since he'd made ''WesternAnimation/{{WALL-E}}'' and ''WesternAnimation/FindingNemo'' into hits, they let him do it even though he warned them, "I'm not gonna get it right the first time, I'll tell you that right now." Indeed, the film required extensive double reshoots. Throughout production, he ignored the advice of the crewmembers who were live-action veterans in favor of his Pixar friends, back in their offices. Rich Ross and the other studio executives at Disney likewise had little experience with feature films, since most had come from television.

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** There were reservations at Disney about letting Stanton direct the film, despite his obvious sentimental attachment to the material, because he'd never directed a live-action feature before. But, since he'd made ''WesternAnimation/{{WALL-E}}'' ''WesternAnimation/WallE'' and ''WesternAnimation/FindingNemo'' into hits, they let him do it even though he warned them, "I'm not gonna get it right the first time, I'll tell you that right now." Indeed, the film required extensive double reshoots. Throughout production, he ignored the advice of the crewmembers who were live-action veterans in favor of his Pixar friends, back in their offices. Rich Ross and the other studio executives at Disney likewise had little experience with feature films, since most had come from television.
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** [[MinorityReport Agatha]] is Sola.

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** [[MinorityReport [[Film/MinorityReport Agatha]] is Sola.
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* CreatorKiller: Studio executive Rich Ross was fired from his position as Disney Studios leader weeks after Disney predicted they'd lose $200 million on the project. Also resulted in a StillbornFranchise for the foreseeable future.

to:

* CreatorKiller: Studio executive Rich Ross was fired from his position as Disney Studios leader weeks after Disney predicted they'd lose $200 million on the project.project (the executive who helmed the marketing campaign also got the boot). Also resulted in a StillbornFranchise for the foreseeable future.

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* TroubledProduction: Versions of this movie had been in production since the 1930's. Many different studios tried to make it but never got out of pre-production...

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* TroubledProduction: TroubledProduction:
**
Versions of this movie had been in production since the 1930's. Many different studios tried to make it but never got out of pre-production...



** The film's budget qualifies all on its own. At $250 million dollar budget is some $20 million more then James Cameron spent on ''Film/{{Avatar}}''. And unlike the man behind then [[Film/{{Titanic}} highest grossing film in history]], Director Stanton had never made a live action picture.

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** The film's budget qualifies all on its own. At $250 million dollar budget is some $20 million more then James Cameron Creator/JamesCameron spent on ''Film/{{Avatar}}''. And unlike the man behind then [[Film/{{Titanic}} [[Film/{{Titanic 1997}} highest grossing film in history]], Director Stanton had never made a live action picture.
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** The film's budget qualifies all on its own. At $250 million dollar budget is some $20 million more then James Cameroon spent on ''Film/{{Avatar}}''. And unlike the man behind then [[Film/{{Titanic}} highest grossing film in history]], Director Stanton had never made a live action picture.

to:

** The film's budget qualifies all on its own. At $250 million dollar budget is some $20 million more then James Cameroon Cameron spent on ''Film/{{Avatar}}''. And unlike the man behind then [[Film/{{Titanic}} highest grossing film in history]], Director Stanton had never made a live action picture.
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None


* ExecutiveMeddling: The film was titled ''JohnCarterOfMars'' at first, but the 'Mars' was dropped, leaving the film with a nondescript name as the title. That the movie even takes place on Mars was downplayed in marketing, along with any mention of creator Creator/EdgarRiceBurroughs.

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* ExecutiveMeddling: The film was titled ''JohnCarterOfMars'' ''Literature/JohnCarterOfMars'' at first, but the 'Mars' was dropped, leaving the film with a nondescript name as the title. That the movie even takes place on Mars was downplayed in marketing, along with any mention of creator Creator/EdgarRiceBurroughs.
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** The leadership of the Tharks is contested by [[Film/SpiderMan Green Goblin and Sandman]]. Figures they'd settle for a Marvel movie ''hero'' (okay, AntiHero).

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** The leadership of the Tharks is contested by [[Film/SpiderMan [[Film/SpiderManTrilogy Green Goblin and Sandman]]. Figures they'd settle for a Marvel movie ''hero'' (okay, AntiHero).
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** As detailed in John Carter and the Gods of Mars, a combination of executives being replaced and fighting with one another caused the studio to essentially sabotage the film out of internal pettiness.
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trivia migration

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* InMemoriam: Dedicated to Steve Jobs, director Andrew Stanton's former boss at {{Pixar}}, who died several months before the film was released.
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** The studio also refused to use the book's title ''A Princess of Mars'', fearing it would make the movie sound like a chick flick. As many critics pointed out, they exchanged a title that appealed only to women for a title that appealed to ''no one''.
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added new story about the rights going back to Burroughs

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** The rights to the novels have since [[http://variety.com/2014/film/news/new-john-carter-movie-planned-as-rights-revert-to-edgar-rice-burroughs-inc-1201335891/ reverted]] back to the Edgar Rice Burroughs estate, who are still game to try and turn the books into a successful movie franchise.
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** Director Andrew Stanton has possibly survived being slated to direct ''WesternAnimation/FindingDory'' due in 2016. Its unlikely he will be allowed to work in live action again.

to:

** Director Andrew Stanton has possibly survived being slated to direct ''WesternAnimation/FindingDory'' due in 2016. Its That said, it's unlikely he will be allowed to work in live action again.
Is there an issue? Send a MessageReason:
Minor edit.


** If this math seems funny to you first consider marketing is good for at least another $100 million. Secondly the studio does not receive all of that box office money, it splits about half with theater chains domestically. Overseas returns are even lower, where some nations like China don't allow more then 25% of a film gross to leave the country. Also major individuals like directors often have a cut of the gross.

to:

** If this math seems funny to you first consider marketing is good for at least another $100 million. Secondly the studio does not receive all of that box office money, it splits about half with theater chains domestically. Overseas returns are even lower, where some nations like China don't allow more then than 25% of a film gross to leave the country. Also major individuals like directors often have a cut of the gross.

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* ExecutiveMeddling: The film was apparently titled ''JohnCarterOfMars'' at first. A promotional logo for the film is a stylized "JCM". But then Mars was dropped, leaving the film with a nondescript title. John Carter is a quite ordinary name compared to the likes of ComicStrip/FlashGordon or ComicStrip/BuckRogers and it stands out precisely because of the association with Mars. No wonder this didn't go over well with fans and others. Not to mention that Mars, including the JCM logo, was downplayed in the marketing (along with any mention of creator Creator/EdgarRiceBurroughs, the guy also responsible for Literature/{{Tarzan}} among others...)
** Reportedly, the name change was done to disassociate it with ''MarsNeedsMoms'', and/or because people thought girls [[SciFiGhetto wouldn't watch movies with "Mars" in the title.]] Earlier on, the original book title ''A Princess of Mars'' was dropped because people thought boys wouldn't watch movies with "princess" in the title (the underperformance of ''Disney/ThePrincessAndTheFrog'' for Disney in 2009 was partially blamed on this).

to:

* ExecutiveMeddling: The film was apparently titled ''JohnCarterOfMars'' at first. A promotional logo for first, but the film is a stylized "JCM". But then Mars 'Mars' was dropped, leaving the film with a nondescript name as the title. John Carter is a quite ordinary name compared to That the likes of ComicStrip/FlashGordon or ComicStrip/BuckRogers and it stands out precisely because of the association with Mars. No wonder this didn't go over well with fans and others. Not to mention that Mars, including the JCM logo, movie even takes place on Mars was downplayed in the marketing (along marketing, along with any mention of creator Creator/EdgarRiceBurroughs, the guy also responsible for Literature/{{Tarzan}} among others...)
** Reportedly, the name change was done to disassociate it with ''MarsNeedsMoms'', and/or because people thought girls [[SciFiGhetto wouldn't watch movies with "Mars" in the title.]] Earlier on, the original book title ''A Princess of Mars'' was dropped because people thought boys wouldn't watch movies with "princess" in the title (the underperformance of ''Disney/ThePrincessAndTheFrog'' for Disney in 2009 was partially blamed on this).
Creator/EdgarRiceBurroughs.
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** Granted, once one remembers that film journalists get much of their information from executives, perhaps the above should be taken with a massive grain of salt as an attempt to throw Stanton under the bus.

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** Granted, once one remembers that film journalists get much of their information from executives, perhaps the above should be taken with a massive grain of salt as [[ScapegoatCreator an attempt to throw Stanton under the bus.bus]].
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** Director Andrew Stanton has possibly survived being slated to direct [[FindingNemo Finding Dory]] due in 2016. Its unlikely he will be allowed to work in live action again.

to:

** Director Andrew Stanton has possibly survived being slated to direct [[FindingNemo Finding Dory]] ''WesternAnimation/FindingDory'' due in 2016. Its unlikely he will be allowed to work in live action again.

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* TroubledProduction: There were reservations at Disney about letting Stanton direct the film, despite his obvious sentimental attachment to the material, because he'd never directed a live-action feature before. But, since he'd made ''WesternAnimation/{{WALL-E}}'' and ''WesternAnimation/FindingNemo'' into hits, they let him do it even though he warned them, "I'm not gonna get it right the first time, I'll tell you that right now." Indeed, the film required extensive double reshoots. Throughout production, he ignored the advice of the crewmembers who were live-action veterans in favor of his Pixar friends, back in their offices. Rich Ross and the other studio executives at Disney likewise had little experience with feature films, since most had come from television.

to:

* TroubledProduction: There Versions of this movie had been in production since the 1930's. Many different studios tried to make it but never got out of pre-production...
**There
were reservations at Disney about letting Stanton direct the film, despite his obvious sentimental attachment to the material, because he'd never directed a live-action feature before. But, since he'd made ''WesternAnimation/{{WALL-E}}'' and ''WesternAnimation/FindingNemo'' into hits, they let him do it even though he warned them, "I'm not gonna get it right the first time, I'll tell you that right now." Indeed, the film required extensive double reshoots. Throughout production, he ignored the advice of the crewmembers who were live-action veterans in favor of his Pixar friends, back in their offices. Rich Ross and the other studio executives at Disney likewise had little experience with feature films, since most had come from television.
Is there an issue? Send a MessageReason:
None


** The film's budget qualifies all on its own. At $250 million dollar budget is some $20 million more then James Cameroon spent on {{Avatar}}. And unlike the man behind then [[{{Titanic}} highest grossing film in history]], Director Stanton had never made a live action picture.

to:

** The film's budget qualifies all on its own. At $250 million dollar budget is some $20 million more then James Cameroon spent on {{Avatar}}. ''Film/{{Avatar}}''. And unlike the man behind then [[{{Titanic}} [[Film/{{Titanic}} highest grossing film in history]], Director Stanton had never made a live action picture.

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* BoxOfficeBomb: Not as badly as Disney initially thought. The film had a production budget of $250 million, $350 million if you include marketing. While it underperformed tragically stateside with only $73 million, but [[http://www.forbes.com/sites/carolpinchefsky/2012/04/02/john-carters-trip-to-mars-is-finally-profitable/ (barely)]] recouped its budget with $282 million worldwide. On the bright side, ''Carter's'' losses were significantly less than fellow Disney movies ''Film/MarsNeedsMoms'' and ''Film/TheLoneRanger.''
** This seems to be based on the misconception that the studio keeps every dollar that is spent on the film. In reality they get about fifty cents on the dollar from US first-run exhibitions, and even less in the case of the foreign markets the film depended upon so heavily. If anyone ever finds the "real" Disney Studios books, they'd probably show John Carter as a loss even as of 2013.
* CreatorKiller: Rich Ross was fired from his position as Disney Studios leader weeks after Disney predicted they'd lose $200 million on the project (though currently the actual losses stand at just less than $''100'' million, and that's if you count the advertising budget). The film, however, hasn't been proven a StillbornFranchise ''yet'', though it's dangerously close to being one considering where it stands at the moment, [[VindicatedByCable though considering its performance on retail shelves..... ]]
** [[DespairEventHorizon ...means there will never be another film, TV, or even animated adaptation to these stories ever again.]][[note]]And now that Disney has the rights to ''Franchise/StarWars'', there's even less incentive to continue a franchise.[[/note]]
** Despite this, the director and two of the stars are adamant that there will be another film.

to:

* BoxOfficeBomb: Not as badly as Disney initially thought. The film had a production budget One of the biggest in recent memory. It cost an absurd $250 million, $350 million if you include marketing. While it underperformed tragically stateside with only to make and pulled in an anemic $73 million, but [[http://www.forbes.com/sites/carolpinchefsky/2012/04/02/john-carters-trip-to-mars-is-finally-profitable/ (barely)]] recouped its budget with $282 million worldwide. On at the bright side, ''Carter's'' losses were significantly less than fellow Disney movies ''Film/MarsNeedsMoms'' and ''Film/TheLoneRanger.''
** This seems to be based on the misconception that the studio keeps every dollar that is spent on the film. In reality they get about fifty cents on the dollar from US first-run exhibitions, and even less in the case of the foreign markets the film depended upon so heavily. If anyone ever finds the "real" Disney Studios books, they'd probably show John Carter as a loss even as of 2013.
domestic box office. Overseas was much much better at $211 million.
** If this math seems funny to you first consider marketing is good for at least another $100 million. Secondly the studio does not receive all of that box office money, it splits about half with theater chains domestically. Overseas returns are even lower, where some nations like China don't allow more then 25% of a film gross to leave the country. Also major individuals like directors often have a cut of the gross.
** Disney predicted a $200 million dollar loss on the film and this could be optimistic or counting on DVD/Blu-ray sales. Without the actual books its impossible to be sure.
* CreatorKiller: Studio executive Rich Ross was fired from his position as Disney Studios leader weeks after Disney predicted they'd lose $200 million on the project (though currently the actual losses stand at just less than $''100'' million, and that's if you count the advertising budget). The film, however, hasn't been proven project. Also resulted in a StillbornFranchise ''yet'', though it's dangerously close to for the foreseeable future.
** Director Andrew Stanton has possibly survived
being one considering where it stands at the moment, [[VindicatedByCable though considering its performance on retail shelves..... ]]
** [[DespairEventHorizon ...means there will never be another film, TV, or even animated adaptation
slated to these stories ever again.]][[note]]And now that Disney has the rights to ''Franchise/StarWars'', there's even less incentive to continue a franchise.[[/note]]
** Despite this, the director and two of the stars are adamant that there
direct [[FindingNemo Finding Dory]] due in 2016. Its unlikely he will be another film.allowed to work in live action again.


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** The film's budget qualifies all on its own. At $250 million dollar budget is some $20 million more then James Cameroon spent on {{Avatar}}. And unlike the man behind then [[{{Titanic}} highest grossing film in history]], Director Stanton had never made a live action picture.
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*** Alternatively, Tardos Mors is [[Series/{{GameOfThrones}} The King Beyond The Wall]]
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** The two really weren't competing against each other as the films were aimed towards totally different audiences (this film for young males, ''The Hunger Games'' for teen girls). This film's actual rival was ''[[ClashOfTheTitans Wrath Of The Titans]]'' (a similar literary concept with big action sequences, a buff male lead and releases in 3-D) while ''The Hunger Games'' had ''[[{{Twilight}} Breaking Dawn Part II]]'' as its main rival (oddly enough, Lionsgate owns both ''The Hunger Games'' and ''Twilight'').

to:

** The two really weren't competing against each other as the films were aimed towards totally different audiences (this film for young males, ''The Hunger Games'' for teen girls). This film's actual rival was ''[[ClashOfTheTitans Wrath Of The Titans]]'' (a similar literary concept with big action sequences, a buff male lead and releases in 3-D) while ''The Hunger Games'' had ''[[{{Twilight}} Breaking Dawn Part II]]'' as its main rival (oddly enough, Lionsgate owns both ''The Hunger Games'' and ''Twilight'').3-D).
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** [[BreakingBad Walter White]] is the Yankee Colonel.

to:

** [[BreakingBad [[Series/BreakingBad Walter White]] is the Yankee Colonel.

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