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* CelebrityParadox: Philinte name-drops ''School for Husbands,'' another Creator/{{Moliere}} play.
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* SeriousBusiness: A police officer comes for Alceste because he told Oronte that his poem was bad. It seems that the police tries to mediate in this kind of conflicts.
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I swear I cannot manage not to love her.
to:
I swear I cannot manage not to love her.her
* ProtagonistTitle: The title refers to Alceste, the protagonist.
* ProtagonistTitle: The title refers to Alceste, the protagonist.
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Changed line(s) 49 (click to see context) from:
* NoodleIncident: At the start of the play, Alceste is in litigation with an unnamed character for an unknown reason. In the end, we hear that he lost the trial, but we never hear who his opponent is and the reason for the trial.
to:
* NoodleIncident: At the start of the play, Alceste is in litigation with an unnamed character for an unknown reason. In the end, we hear that he lost the trial, but we never hear who of the identity of his opponent is and the reason for the trial.
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Alceste lost the trial and refuses to appeal
Changed line(s) 48 (click to see context) from:
* NoEnding: The play ends with all but one plot thread unresolved. [[spoiler:Philinte and Éliante get together, but Alceste and Célimène are still at odds, Alceste's case hasn't been resolved, and Alceste is still threatening to abandon society and live in isolation.]]
to:
* NoEnding: The play ends with all but one plot thread unresolved. [[spoiler:Philinte and Éliante get together, but Alceste and Célimène are still at odds, Alceste's case hasn't been resolved, and Alceste is still threatening to abandon society and live in isolation.]]]]
* NoodleIncident: At the start of the play, Alceste is in litigation with an unnamed character for an unknown reason. In the end, we hear that he lost the trial, but we never hear who his opponent is and the reason for the trial.
* NoodleIncident: At the start of the play, Alceste is in litigation with an unnamed character for an unknown reason. In the end, we hear that he lost the trial, but we never hear who his opponent is and the reason for the trial.
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style
Changed line(s) 26 (click to see context) from:
* ChickMagnet: The three female characters, Célimène, Éliante and Arsinoé are attracted to Alceste, in spite of his poor social skills.
to:
* ChickMagnet: The three female characters, Célimène, Éliante and Arsinoé Arsinoé, are attracted to Alceste, in spite of his poor social skills.
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* ChickMagnet: The three female characters, Célimène, Éliante and Arsinoé are attracted to Alceste, in spite of his poor social skills.
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* AbhorrentAdmirer: Arsinoé is in love with Alceste, who is not attracted to her. In the end, he tells her outright that he is not interested.
Changed line(s) 24 (click to see context) from:
* BrutalHonesty: Alceste endorses and applies this, getting him in a lot of trouble.
to:
* BrutalHonesty: Alceste endorses and applies this, getting him in a lot of trouble. For example, he tells Oronte that his poem is bad.
Changed line(s) 31,32 (click to see context) from:
* GiftedlyBad: Oronte thinks that he is a talented poet and he publishes his poems, but his poetry is really bad according to Alceste.
%%* GrandeDame: The prude Arsinoé.
%%* GrandeDame: The prude Arsinoé.
to:
* GiftedlyBad: Oronte thinks that he is a talented poet and he publishes his poems, but his poetry is really bad according to Alceste.
%%*Alceste and Célimène.
* GrandeDame: The prudeArsinoé.Arsinoé is an upper-class woman who complies with the social norms and criticizes frivolous women like Célimène.
%%*
* GrandeDame: The prude
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Acaste and Clitandre do not fit with the trope because they play a crucial role in the main plot: they unmask Célimène
Changed line(s) 45 (click to see context) from:
%%* MoralGuardian: Arsinoé
to:
Changed line(s) 56 (click to see context) from:
%%* ThoseTwoGuys: Acaste and Clitandre
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* AllLoveIsUnrequited: In the beginning, Philinte is in love with Éliante, while Éliante is in love with Alceste and Alceste is in love with Célimène who has many suitors.
Changed line(s) 25 (click to see context) from:
* DidNotGetTheGirl: Alceste, by his own choice. She offers to marry him, but by that point he's convinced that her love is less than genuine.
to:
* DidNotGetTheGirl: The protagonist, Alceste, by ends up alone. He proposes to his own choice. She offers to marry him, but by that point he's convinced that LoveInterest, Célimène, who would have accepted his offer if he had not demanded her love is less than genuine.to withdraw from the world with him.
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* GiftedlyBad: Oronte thinks that he is a talented poet and he publishes his poems, but his poetry is really bad according to Alceste.
Changed line(s) 44 (click to see context) from:
* NoEnding: The play ends with all but one plot thread unresolved. [[spoiler:Philant and Éliante get together, but Alceste and Célimène are still at odds, Alceste's case hasn't been resolved, and Alceste is still threatening to abandon society and live in isolation.]]
to:
* NoEnding: The play ends with all but one plot thread unresolved. [[spoiler:Philant [[spoiler:Philinte and Éliante get together, but Alceste and Célimène are still at odds, Alceste's case hasn't been resolved, and Alceste is still threatening to abandon society and live in isolation.]]
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* LiarRevealed: Célimène accepts the advances of several men, and writes letters to them with notes on how stupid the ''other'' suitors are. This gets rubbed in her face in her final scene when they all confront her at once.
Changed line(s) 51 (click to see context) from:
* ReallyGetsAround: {{Downplayed|Trope}}. Célimène accepts the advances of several men, and writes letters to them with notes on how stupid the ''other'' suitors are. This gets rubbed in her face in her final scene when they all confront her at once.
to:
* ReallyGetsAround: {{Downplayed|Trope}}. Célimène accepts the advances of several men, and writes letters to tells each of them with notes on how stupid the ''other'' suitors are. This gets rubbed in her face in her final scene when they all confront her at once.that she loves him.
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Such A Phony is about criticizing someone (see description)
Changed line(s) 51 (click to see context) from:
* SuchAPhony: Célimène. She accepts the advances of several men, and writes letters to them with notes on how stupid the ''other'' suitors are. This gets rubbed in her face in her final scene when they all confront her at once.
to:
* SuchAPhony: Célimène. She ReallyGetsAround: {{Downplayed|Trope}}. Célimène accepts the advances of several men, and writes letters to them with notes on how stupid the ''other'' suitors are. This gets rubbed in her face in her final scene when they all confront her at once.once.
* SuchAPhony: When she hears that Arsinoé is coming, Célimène castigates her. As soon as Arsinoé enters the room, Célimène pretends to be nice to her and says that she really enjoys her visit.
* SuchAPhony: When she hears that Arsinoé is coming, Célimène castigates her. As soon as Arsinoé enters the room, Célimène pretends to be nice to her and says that she really enjoys her visit.
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Arsinoé, not Éliante
Changed line(s) 41 (click to see context) from:
** Alceste, the object of affection for Célimène (kind of), Éliante, and perhaps Éliante (though she denies it)
to:
** Alceste, the object of affection for Célimène (kind of), Éliante, and perhaps Éliante Arsinoé (though she denies it)
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None
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For the general trope on misanthropy, see HatesEveryoneEqually and MisanthropeSupreme.
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Changed line(s) 35 (click to see context) from:
** Éliante is one for Alceste, although she is perfectly aware of this and really [[IJustWantMyBelovedToBeHappy wants him to be happy]].
to:
** Éliante is one for Alceste, although she is perfectly aware of this and really [[IJustWantMyBelovedToBeHappy wants him to be happy]].happy.
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%%* ThoseTwoGuys: Acaste and Clitandre?
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%%* ThoseTwoGuys: Acaste and Clitandre?Clitandre
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%% ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Add context to the entries before uncommenting them.
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%% Administrivia.ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Add context to the entries before uncommenting them.
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Changed line(s) 13,14 (click to see context) from:
'''''The Misanthrope, or The Malcontent in Love''''' ('''''Le Misanthrope, ou l'Atrabilaire amoureux''''') is a 1666 comedy of manners by Creator/{{Moliere}}, written in the typical Alexandrine verse [[note]]a line of twelve syllables, with a strong caesura (or pause) in the middle, roughly equivalent to the English iambic hexameter[[/note]] of the French classical drama. Alceste, the title character, looks down on the society, believing it hypocritical and disdaining the false compliments which are considered polite. Unfortunately, the very qualities which are horrifying to him are exemplified in Célimène, the woman he loves.
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!!''The Misanthrope'' provides examples of the following tropes:
to:
!!''The Misanthrope'' provides examples of the following tropes:
of:
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* {{Foil}}
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* {{Foil}}{{Foil}}:
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* HopelessSuitor: Célimène cultivates a herd of them. It's implied that she did like Alceste the best, but is just unwilling to give up on all the attention.
to:
* HopelessSuitor: HopelessSuitor:
** Célimène cultivates a herd of them. It's implied that she did like Alceste the best, but is just unwilling to give up on all the attention.
** Célimène cultivates a herd of them. It's implied that she did like Alceste the best, but is just unwilling to give up on all the attention.
Deleted line(s) 49 (click to see context) :
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Changed line(s) 22 (click to see context) from:
* DidNotGetTheGirl: Alceste, by his own choice. She offers to marry him, but by that point he's convinced that she doesn't really love him.
to:
* DidNotGetTheGirl: Alceste, by his own choice. She offers to marry him, but by that point he's convinced that she doesn't really her love him.is less than genuine.
Changed line(s) 28 (click to see context) from:
* HatesEveryoneEqually: Alceste is honest with everyone equally, but given the nature of the play, it's hard to say if he's more malicious than any of the other characters, or if it just seems that way because he speaks his mind while they conceal it.
to:
* HatesEveryoneEqually: Alceste claims to feel this way, but in practice is simply honest with everyone equally, but given the nature of the play, it's equally. It's hard to say if he's actually any more malicious than any of the other characters, or if it just seems that way because he speaks his mind while they conceal it.it.
-->'''Alceste:''' No, I include all men in one dim view:\\
Some men I hate for being rogues; the others\\
I hate because they treat the rogues like brothers.
-->'''Alceste:''' No, I include all men in one dim view:\\
Some men I hate for being rogues; the others\\
I hate because they treat the rogues like brothers.
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Changed line(s) 21 (click to see context) from:
* CleaningUpRomanticLooseEnds: Philinte and Éliante getting together at the end.
to:
* CleaningUpRomanticLooseEnds: Philinte and Éliante getting together at the end.end, providing the only honest relationship in the whole show.
** Éliante is one for Alceste, although she is perfectly aware of this and really [[IJustWantMyBelovedToBeHappy wants him to be happy]].
Changed line(s) 36,42 (click to see context) from:
* OppositesAttract: Philinte comments on it and Alceste bemoans it, in regards to Célimène.
* SuchAPhony: Célimène. She accepts the advances of several men, and writes letters to them with notes on how stupid the ''other'' suitors are. This gets rubbed in her face in her final scene. As one translation gives it (from memory, possibly not word-for-word correct):
-->''And so, had you but spoken from the heart,\\
Rejected my advances from the start,\\
I'd have no quarrel; or, at any rate\\
I could complain of nothing but my fate.\\
But oh! So ''falsely'' to encourage me!''
* SuchAPhony: Célimène. She accepts the advances of several men, and writes letters to them with notes on how stupid the ''other'' suitors are. This gets rubbed in her face in her final scene. As one translation gives it (from memory, possibly not word-for-word correct):
-->''And so, had you but spoken from the heart,\\
Rejected my advances from the start,\\
I'd have no quarrel; or, at any rate\\
I could complain of nothing but my fate.\\
But oh! So ''falsely'' to encourage me!''
to:
* OppositesAttract: Philinte comments on it and Alceste bemoans it, despises anyone who is polite instead of honest, but is in regards love with Célimène, who by the end of the play is revealed to Célimène.
be about as two-faced as they come. It's {{Lampshaded}} several times.
-->'''Alceste:''' I see her faults, despite my ardent love\\
And all I see I fervently reprove\\
And yet I'm weak; for all her falsity,\\
That woman knows the art of pleasing me\\
And though I never cease complaining of her\\
I swear I cannot manage not to love her.
* SuchAPhony: Célimène. She accepts the advances of several men, and writes letters to them with notes on how stupid the ''other'' suitors are. This gets rubbed in her face in her finalscene. As one translation gives it (from memory, possibly not word-for-word correct):
-->''And so, had you but spoken from the heart,\\
Rejected my advances from the start,\\
I'd have no quarrel; or,scene when they all confront her at any rate\\
I could complain of nothing but my fate.\\
But oh! So ''falsely'' to encourage me!''once.
-->'''Alceste:''' I see her faults, despite my ardent love\\
And all I see I fervently reprove\\
And yet I'm weak; for all her falsity,\\
That woman knows the art of pleasing me\\
And though I never cease complaining of her\\
I swear I cannot manage not to love her.
* SuchAPhony: Célimène. She accepts the advances of several men, and writes letters to them with notes on how stupid the ''other'' suitors are. This gets rubbed in her face in her final
-->''And so, had you but spoken from the heart,\\
Rejected my advances from the start,\\
I'd have no quarrel; or,
I could complain of nothing but my fate.\\
But oh! So ''falsely'' to encourage me!''
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Changed line(s) 23,26 (click to see context) from:
* DownerEnding: Alceste and Célimène have broken it off, and Alceste is still set on becoming a hermit. It doesn't help that the play ends so abruptly (see NoEnding, below).
%%* {{Foil}}
%%** Philinte for Alceste.
%%** Éliante for Célimène.
%%* {{Foil}}
%%** Philinte for Alceste.
%%** Éliante for Célimène.
to:
* DownerEnding: Alceste [[spoiler:Alceste and Célimène have broken it off, and Alceste is still set on becoming a hermit. hermit.]] It doesn't help that the play ends so abruptly (see NoEnding, below).
%%* * {{Foil}}
%%** ** The polite Philinte for the [[BrutalHonesty brutally honest]] Alceste.
%%** ** Honest and loving Éliante for the (ultimately) two-faced Célimène.
Changed line(s) 29 (click to see context) from:
* IJustWantMyBelovedToBeHappy: Philinte for Éliante, and Éliante for Alceste. Both are equally fine being the runner up to their beloved's preferred suitor.
to:
* HopelessSuitor: Célimène cultivates a herd of them. It's implied that she did like Alceste the best, but is just unwilling to give up on all the attention.
* IJustWantMyBelovedToBeHappy: Philinte for Éliante, and Éliante for Alceste. Both are equally fine being the runner up to their beloved's preferredsuitor. suitor.
* LoveTriangle: Bordering on LoveDodecahedron, focused on two points:
** Célimène, desired by (apparently) every man except Philinte
** Alceste, the object of affection for Célimène (kind of), Éliante, and perhaps Éliante (though she denies it)
* IJustWantMyBelovedToBeHappy: Philinte for Éliante, and Éliante for Alceste. Both are equally fine being the runner up to their beloved's preferred
* LoveTriangle: Bordering on LoveDodecahedron, focused on two points:
** Célimène, desired by (apparently) every man except Philinte
** Alceste, the object of affection for Célimène (kind of), Éliante, and perhaps Éliante (though she denies it)
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Changed line(s) 19 (click to see context) from:
%%* BetaCouple: Philinte and Éliante.
to:
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%%* DidNotGetTheGirl
%%* DownerEnding
%%* DownerEnding
to:
%%* DownerEnding
* DidNotGetTheGirl: Alceste, by his own choice. She offers to marry him, but by that point he's convinced that she doesn't really love him.
* DownerEnding: Alceste and Célimène have broken it off, and Alceste is still set on becoming a hermit. It doesn't help that the play ends so abruptly (see NoEnding, below).
Changed line(s) 27 (click to see context) from:
%%* HatesEveryoneEqually: Alceste
to:
* IJustWantMyBelovedToBeHappy: Philinte for Éliante, and Éliante for Alceste. Both are equally fine being the runner up to their beloved's preferred suitor.
* OppositesAttract: Philinte comments on it and Alceste bemoans it, in regards to Célimène.
Changed line(s) 36,37 (click to see context) from:
%%* ThoseTwoGuys: Acaste and Clitandre.
to:
%%* ThoseTwoGuys: Acaste and Clitandre.
Clitandre?
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Do not spoiler tag trope names on work pages or the names of works on trope pages; please see Handling Spoilers for more information.
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%%* [[spoiler:DidNotGetTheGirl]]
to:
%%* [[spoiler:DidNotGetTheGirl]]DidNotGetTheGirl
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Commented out Zero Context Examples.
%%
%%
%% ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Add context to the entries before uncommenting them.
%%
%%
%%
%% ZeroContextExample entries are not allowed on wiki pages. All such entries have been commented out. Add context to the entries before uncommenting them.
%%
%%
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* BetaCouple: Philinte and Éliante.
to:
Changed line(s) 16,23 (click to see context) from:
* [[spoiler:DidNotGetTheGirl]]
* DownerEnding
* {{Foil}}
** Philinte for Alceste.
** Éliante for Célimène.
* GrandeDame: The prude Arsinoé.
* HatesEveryoneEqually: Alceste
* MoralGuardian: Arsinoé
* DownerEnding
* {{Foil}}
** Philinte for Alceste.
** Éliante for Célimène.
* GrandeDame: The prude Arsinoé.
* HatesEveryoneEqually: Alceste
* MoralGuardian: Arsinoé
to:
Changed line(s) 31,32 (click to see context) from:
* ThoseTwoGuys: Acaste and Clitandre.
to:
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->''« L’ami du genre humain n’est point du tout mon fait. »''
->''The human race's friend is not the sort for me."
->''The human race's friend is not the sort for me."
to:
->''« L’ami L'ami du genre humain n’est n'est point du tout mon fait. »''
->''The»''\\
''"The human race's friend is not the sort for me.""''
->''The
''"The human race's friend is not the sort for me.
Changed line(s) 8,9 (click to see context) from:
'''''Le Misanthrope, ou l'Atrabilaire amoureux''''' (''The Misanthrope, or The Malcontent in Love'') is a 1666 comedy of manners by [[Creator/{{Moliere}} Molière]], written in the typical Alexandrine verse [[note]]a line of twelve syllables, with a strong caesura (or pause) in the middle, roughly equivalent to the English iambic hexameter[[/note]] of the French classical drama. Alceste, the title character, looks down on the society, believing it hypocritical and disdaining the false compliments which are considered polite. Unfortunately, the very qualities which are horrifying to him are exemplified in Célimène, the woman he loves.
to:
Changed line(s) 12,14 (click to see context) from:
!!Provides examples of:
* BetaCouple: Philinte and Éliante
* BrutalHonesty: Alceste endorses and applies this, getting him in a lot of trouble
* BetaCouple: Philinte and Éliante
* BrutalHonesty: Alceste endorses and applies this, getting him in a lot of trouble
to:
* BetaCouple: Philinte and
* BrutalHonesty: Alceste endorses and applies this, getting him in a lot of
Changed line(s) 17,18 (click to see context) from:
* {{Foil}}: Philinte for Alceste, Éliante for Célimène
* GrandeDame: The prude Arsinoé
* GrandeDame: The prude Arsinoé
to:
* {{Foil}}: {{Foil}}
** Philinte forAlceste, Alceste.
** Éliante forCélimène
Célimène.
* GrandeDame: The prudeArsinoéArsinoé.
** Philinte for
** Éliante for
* GrandeDame: The prude
Changed line(s) 22,28 (click to see context) from:
* SuchAPhony: Célimène
** She accepts the advances of several men, and writes letters to them with notes on how stupid the ''other'' suitors are. This gets rubbed in her face in her final scene. As one translation gives it (from memory, possibly not word-for-word correct):
--->And so, had you but spoken from the heart,
--->Rejected my advances from the start,
--->I'd have no quarrel; or, at any rate
--->I could complain of nothing but my fate.
--->But oh! So ''falsely'' to encourage me!
** She accepts the advances of several men, and writes letters to them with notes on how stupid the ''other'' suitors are. This gets rubbed in her face in her final scene. As one translation gives it (from memory, possibly not word-for-word correct):
--->And so, had you but spoken from the heart,
--->Rejected my advances from the start,
--->I'd have no quarrel; or, at any rate
--->I could complain of nothing but my fate.
--->But oh! So ''falsely'' to encourage me!
to:
* SuchAPhony: Célimène
**Célimène. She accepts the advances of several men, and writes letters to them with notes on how stupid the ''other'' suitors are. This gets rubbed in her face in her final scene. As one translation gives it (from memory, possibly not word-for-word correct):
--->And -->''And so, had you but spoken from the heart,
--->Rejectedheart,\\
Rejected my advances from thestart,
--->I'dstart,\\
I'd have no quarrel; or, at anyrate
--->Irate\\
I could complain of nothing but myfate.
--->Butfate.\\
But oh! So ''falsely'' to encourageme!me!''
**
--->Rejected
Rejected my advances from the
--->I'd
I'd have no quarrel; or, at any
--->I
I could complain of nothing but my
--->But
But oh! So ''falsely'' to encourage
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->''« L’ami du genre humain n’est point du tout mon fait. »''
to:
->''« L’ami du genre humain n’est point du tout mon fait. »''
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-->-- '''Alceste''', ''Le Misanthrope''
'''''Le Misanthrope, ou l'Atrabilaire amoureux''''' (''The Misanthrope, or The Malcontent in Love'') is a 1666 comedy of manners by [[{{Moliere}} Molière]], written in the typical Alexandrine verse [[hottip:*:a line of twelve syllables, with a strong caesura (or pause) in the middle, roughly equivalent to the English iambic hexameter]] of the French classical drama. Alceste, the title character, looks down on the society, believing it hypocritical and disdaining the false compliments which are considered polite. Unfortunately, the very qualities which are horrifying to him are exemplified in Célimène, the woman he loves.
'''''Le Misanthrope, ou l'Atrabilaire amoureux''''' (''The Misanthrope, or The Malcontent in Love'') is a 1666 comedy of manners by [[{{Moliere}} Molière]], written in the typical Alexandrine verse [[hottip:*:a line of twelve syllables, with a strong caesura (or pause) in the middle, roughly equivalent to the English iambic hexameter]] of the French classical drama. Alceste, the title character, looks down on the society, believing it hypocritical and disdaining the false compliments which are considered polite. Unfortunately, the very qualities which are horrifying to him are exemplified in Célimène, the woman he loves.
to:
-->-- '''Alceste''', ''Le Misanthrope''
Misanthrope''
'''''Le Misanthrope, ou l'Atrabilaire amoureux''''' (''The Misanthrope, or The Malcontent in Love'') is a 1666 comedy of manners by[[{{Moliere}} [[Creator/{{Moliere}} Molière]], written in the typical Alexandrine verse [[hottip:*:a [[note]]a line of twelve syllables, with a strong caesura (or pause) in the middle, roughly equivalent to the English iambic hexameter]] hexameter[[/note]] of the French classical drama. Alceste, the title character, looks down on the society, believing it hypocritical and disdaining the false compliments which are considered polite. Unfortunately, the very qualities which are horrifying to him are exemplified in Célimène, the woman he loves.
'''''Le Misanthrope, ou l'Atrabilaire amoureux''''' (''The Misanthrope, or The Malcontent in Love'') is a 1666 comedy of manners by
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Namespace move.
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[[quoteright:210:http://static.tvtropes.org/pmwiki/pub/images/LeMisanthrope_2971.jpg]]
[[caption-width-right:210:Alceste]]
->''« L’ami du genre humain n’est point du tout mon fait. »''
->''The human race's friend is not the sort for me."
-->-- '''Alceste''', ''Le Misanthrope''
'''''Le Misanthrope, ou l'Atrabilaire amoureux''''' (''The Misanthrope, or The Malcontent in Love'') is a 1666 comedy of manners by [[{{Moliere}} Molière]], written in the typical Alexandrine verse [[hottip:*:a line of twelve syllables, with a strong caesura (or pause) in the middle, roughly equivalent to the English iambic hexameter]] of the French classical drama. Alceste, the title character, looks down on the society, believing it hypocritical and disdaining the false compliments which are considered polite. Unfortunately, the very qualities which are horrifying to him are exemplified in Célimène, the woman he loves.
Some HilarityEnsues, but the play also seriously points out human flaws.
----
!!Provides examples of:
* BetaCouple: Philinte and Éliante
* BrutalHonesty: Alceste endorses and applies this, getting him in a lot of trouble
* [[spoiler:DidNotGetTheGirl]]
* DownerEnding
* {{Foil}}: Philinte for Alceste, Éliante for Célimène
* GrandeDame: The prude Arsinoé
* HatesEveryoneEqually: Alceste
* MoralGuardian: Arsinoé
* NoEnding: The play ends with all but one plot thread unresolved. [[spoiler:Philant and Éliante get together, but Alceste and Célimène are still at odds, Alceste's case hasn't been resolved, and Alceste is still threatening to abandon society and live in isolation.]]
* SuchAPhony: Célimène
** She accepts the advances of several men, and writes letters to them with notes on how stupid the ''other'' suitors are. This gets rubbed in her face in her final scene. As one translation gives it (from memory, possibly not word-for-word correct):
--->And so, had you but spoken from the heart,
--->Rejected my advances from the start,
--->I'd have no quarrel; or, at any rate
--->I could complain of nothing but my fate.
--->But oh! So ''falsely'' to encourage me!
* ThoseTwoGuys: Acaste and Clitandre.
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[[caption-width-right:210:Alceste]]
->''« L’ami du genre humain n’est point du tout mon fait. »''
->''The human race's friend is not the sort for me."
-->-- '''Alceste''', ''Le Misanthrope''
'''''Le Misanthrope, ou l'Atrabilaire amoureux''''' (''The Misanthrope, or The Malcontent in Love'') is a 1666 comedy of manners by [[{{Moliere}} Molière]], written in the typical Alexandrine verse [[hottip:*:a line of twelve syllables, with a strong caesura (or pause) in the middle, roughly equivalent to the English iambic hexameter]] of the French classical drama. Alceste, the title character, looks down on the society, believing it hypocritical and disdaining the false compliments which are considered polite. Unfortunately, the very qualities which are horrifying to him are exemplified in Célimène, the woman he loves.
Some HilarityEnsues, but the play also seriously points out human flaws.
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!!Provides examples of:
* BetaCouple: Philinte and Éliante
* BrutalHonesty: Alceste endorses and applies this, getting him in a lot of trouble
* [[spoiler:DidNotGetTheGirl]]
* DownerEnding
* {{Foil}}: Philinte for Alceste, Éliante for Célimène
* GrandeDame: The prude Arsinoé
* HatesEveryoneEqually: Alceste
* MoralGuardian: Arsinoé
* NoEnding: The play ends with all but one plot thread unresolved. [[spoiler:Philant and Éliante get together, but Alceste and Célimène are still at odds, Alceste's case hasn't been resolved, and Alceste is still threatening to abandon society and live in isolation.]]
* SuchAPhony: Célimène
** She accepts the advances of several men, and writes letters to them with notes on how stupid the ''other'' suitors are. This gets rubbed in her face in her final scene. As one translation gives it (from memory, possibly not word-for-word correct):
--->And so, had you but spoken from the heart,
--->Rejected my advances from the start,
--->I'd have no quarrel; or, at any rate
--->I could complain of nothing but my fate.
--->But oh! So ''falsely'' to encourage me!
* ThoseTwoGuys: Acaste and Clitandre.
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