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added discography section

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!! Discography:

[[AC:Studio Albums]]

* ''The Second Annual Report'' (1977; combination of live and studio tracks)
* ''D.o.A: The Third and Final Report of Throbbing Gristle'' (1978)
* ''20 Jazz Funk Greats'' (1979)
* ''Journey Through a Body'' (1982)
* ''[=CD1=]'' (1986)
* ''TG Now'' (2004)
* ''Part Two: The Endless Not'' (2007)
* ''The Third Mind Movements'' (2009; sold only at tour venues and on the band's website)

[[AC:Live Albums]]

* ''Heathen Earth'' (1980)
* ''Mission of Dead Souls'' (1981)
* ''[=TG24=]'' (2004)
* ''TG+'' (2004)
* ''Live December 2004 A Souvenir Of Camber Sands'' (2004)
* ''The Thirty-Second Annual Report'' (2008)

[[AC:Misc. Albums]]

* ''The First Annual Report'' (bootleg of unreleased music recorded in 1975 but released most prominently in 2001)
* ''In the Shadow of the Sun'' (1984; soundtrack to the film of the same name)
* ''Mutant Throbbing Gristle'' (2004; RemixAlbum)
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* CoversAlwaysLie: The title and cover of ''20 Jazz Funk Greats'', which were deliberately designed to make the album look much more populist than it is.
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* NobodyLikesTheBassist: In the later years of the band, this was the rest of the group's opinion. In the liner notes of X-TG's ''Desertshore[=/=]The Final Report,'' wherein Chris and Cosey related the good times they and Sleazy had together, Genesis isn't even mentioned.

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* NobodyLikesTheBassist: NobodyLovesTheBassist: In the later years of the band, this was the rest of the group's opinion. In the liner notes of X-TG's ''Desertshore[=/=]The Final Report,'' wherein Chris and Cosey related the good times they and Sleazy had together, Genesis isn't even mentioned.
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** Genesis went on to form Psychic TV.


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* NobodyLikesTheBassist: In the later years of the band, this was the rest of the group's opinion. In the liner notes of X-TG's ''Desertshore[=/=]The Final Report,'' wherein Chris and Cosey related the good times they and Sleazy had together, Genesis isn't even mentioned.
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* BizarreInstrument: Or as they called it, the Gristleizer.

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* BizarreInstrument: Or as they called it, the Gristleizer.The Gristleizer, a standalone version of a synthesizer filter bank based on a modified DIY project.
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* LeadBassist: Genesis P-orridge

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* DroneOfDread: Quite a lot of their material, most infamously "Hamburger Lady" and "Slug Bait".



* MindRape: "Persuasion"
* MindScrew
* MohsScaleOfRockAndMetalHardness: They stay at the 10-11 ranges of the scale. Yes, their music is downright brutal even to this day.

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* MindRape: "Persuasion"
"Persuasion" is from the perspective of a man emotionally abusing a woman into taking her clothes off.
* MindScrew
MindScrew: Just about everything about their music.
* MohsScaleOfRockAndMetalHardness: They stay at the 10-11 ranges of the scale. Yes, their music is downright brutal even to this day. Back when they were first starting out, they were far, '''far''' off the scale.
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Widely recognized as the {{ur example}} of the genre, Throbbing Gristle was an avant-garde {{industrial}} band from England, originally active from [[TheSeventies 1975]] to [[TheEighties 1981]]. They reunited in 2004, only to disband again in 2010 after the death of Peter Christopherson. Though they are oft overlooked these days, the group was notorious in the [[TheSeventies 70s]] for their transgressive, gruesome live shows and extremely dark lyrical content, which covered (among other things) {{serial killer}}s, cynical political/social commentary, and feelings of angry helplessness that followed the [[TheSixties 1960s]]; this effectively set the tone for future industrial bands, whose subject matter rarely strayed far from these themes. They also founded Industrial Records, the label which gave the {{industrial}} genre its name, and published many of its earlier exponents.

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Widely recognized as the {{ur example}} UrExample of the genre, Throbbing Gristle was an avant-garde {{industrial}} band from England, originally active from [[TheSeventies 1975]] to [[TheEighties 1981]]. They reunited in 2004, only to disband again in 2010 after the death of Peter Christopherson. Though they are oft overlooked these days, the group was notorious in the [[TheSeventies 70s]] for their transgressive, gruesome live shows and extremely dark lyrical content, which covered (among other things) {{serial killer}}s, cynical political/social commentary, and feelings of angry helplessness that followed the [[TheSixties 1960s]]; this effectively set the tone for future industrial bands, whose subject matter rarely strayed far from these themes. They also founded Industrial Records, the label which gave the {{industrial}} genre its name, and published many of its earlier exponents.
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work and creator names are not supposed to be in bold (that's for the Other Wiki)


Widely recognized as the {{ur example}} of the genre, '''Throbbing Gristle''' was an avant-garde {{industrial}} band from England, originally active from [[TheSeventies 1975]] to [[TheEighties 1981]]. They reunited in 2004, only to disband again in 2010 after the death of Peter Christopherson. Though they are oft overlooked these days, the group was notorious in the [[TheSeventies 70s]] for their transgressive, gruesome live shows and extremely dark lyrical content, which covered (among other things) {{serial killer}}s, cynical political/social commentary, and feelings of angry helplessness that followed the [[TheSixties 1960s]]; this effectively set the tone for future industrial bands, whose subject matter rarely strayed far from these themes. They also founded Industrial Records, the label which gave the {{industrial}} genre its name, and published many of its earlier exponents.

to:

Widely recognized as the {{ur example}} of the genre, '''Throbbing Gristle''' Throbbing Gristle was an avant-garde {{industrial}} band from England, originally active from [[TheSeventies 1975]] to [[TheEighties 1981]]. They reunited in 2004, only to disband again in 2010 after the death of Peter Christopherson. Though they are oft overlooked these days, the group was notorious in the [[TheSeventies 70s]] for their transgressive, gruesome live shows and extremely dark lyrical content, which covered (among other things) {{serial killer}}s, cynical political/social commentary, and feelings of angry helplessness that followed the [[TheSixties 1960s]]; this effectively set the tone for future industrial bands, whose subject matter rarely strayed far from these themes. They also founded Industrial Records, the label which gave the {{industrial}} genre its name, and published many of its earlier exponents.
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Widely recognized as the {{ur example}} of the genre, Throbbing Gristle was an avant-garde {{industrial}} band from England, originally active from [[TheSeventies 1975]] to [[TheEighties 1981]]. They reunited in 2004, only to disband again in 2010 after the death of Peter Christopherson. Though they are oft overlooked these days, the group was notorious in the [[TheSeventies 70s]] for their transgressive, gruesome live shows and extremely dark lyrical content, which covered (among other things) {{serial killer}}s, cynical political/social commentary, and feelings of angry helplessness that followed the [[TheSixties 1960s]]; this effectively set the tone for future industrial bands, whose subject matter rarely strayed far from these themes. They also founded Industrial Records, the label which gave the {{industrial}} genre its name, and published many of its earlier exponents.

to:

Widely recognized as the {{ur example}} of the genre, Throbbing Gristle '''Throbbing Gristle''' was an avant-garde {{industrial}} band from England, originally active from [[TheSeventies 1975]] to [[TheEighties 1981]]. They reunited in 2004, only to disband again in 2010 after the death of Peter Christopherson. Though they are oft overlooked these days, the group was notorious in the [[TheSeventies 70s]] for their transgressive, gruesome live shows and extremely dark lyrical content, which covered (among other things) {{serial killer}}s, cynical political/social commentary, and feelings of angry helplessness that followed the [[TheSixties 1960s]]; this effectively set the tone for future industrial bands, whose subject matter rarely strayed far from these themes. They also founded Industrial Records, the label which gave the {{industrial}} genre its name, and published many of its earlier exponents.
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* TheBandMinusTheFace: X-TG. Genesis pretty much left the band in 2010, and he refused to let the remaining members use the name. They folded soon after the death of Christopherson, but continued releasing works up to the end of 2012.

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* TheBandMinusTheFace: X-TG. Genesis pretty much left the band in 2010, and he s/he refused to let the remaining members use the name. They folded soon after the death of Christopherson, but continued releasing works up to the end of 2012.
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* NeoClassicalPunkZydecoRockabilly: They touched on a ''very'' wide variety of different genres ({{Ambient}}, PunkRock, Lounge Music / Exotica, SynthPop, proto-{{Techno}} / HouseMusic, Spoken Word and more-or-less pure noise, among others), though it generally all counts as {{Industrial}} due to its noisiness and overall menacing feel.

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* NeoClassicalPunkZydecoRockabilly: NeoclassicalPunkZydecoRockabilly: They touched on a ''very'' wide variety of different genres ({{Ambient}}, PunkRock, Lounge Music / Exotica, SynthPop, proto-{{Techno}} / HouseMusic, Spoken Word and more-or-less pure noise, among others), though it generally all counts as {{Industrial}} due to its noisiness and overall menacing feel.
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* MeanCharacterNiceActor: All of the band members come off as extremely affable in interviews, standing in stark contrast to the brutality of their music.

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* MeanCharacterNiceActor: All of the band members come off as extremely affable in interviews, standing in stark contrast to the brutality of their music. Genesis P-Orridge [[http://arthurmag.com/2010/10/22/my-top-ten-favorite-psychedelic-folk-songs-by-genesis-breyer-p-orridge-2004/ is a huge fan of folk music]], surprisingly enough.

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* BlackComedy: "We Hate You (Little Girls)"

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* BlackComedy: BlackComedy:
**
"We Hate You (Little Girls)"Girls)"
** The innocent-looking cover of ''20 Jazz-Funk Greats'' has the band on Beachy Head, a popular suicide spot.
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* NeoClassicalPunkZydecoRockabilly: They touched on a ''very'' wide variety of different genres ({{Ambient}}, PunkRock, Lounge Music / Exotica, SynthPop, proto-{{Techno}} / HouseMusic, Spoken Word and more-or-less pure noise, among others), though it generally all counts as {{Industrial}} due to its noisiness and overall menacing feel.


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* {{Sampling}}: One of the very first musical acts of any genre to do this- they built primitive sampling equipment themselves, since at the time such things weren't commercially feasible. They generally sampled everyday sounds, machine noises and the rantings of criminals and the mentally ill, rather then other music, though.
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* AndIMustScream: "Hamburger Lady". She's been burnt from the waist up and is stuck to several wires in a hospital bed.


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* {{Improv}}: Most of their live shows extended their songs length by several minutes, with mostly improvised or added lyrics to some of their songs.
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* ArtistDisillusionment: Genesis P-Orridge as the band gained critical recognition.
* AuthorExistenceFailure: Peter Christopherson died in his sleep on November 24, 2010, pretty much putting an end to the band for good.



* DoingItForTheArt



* KeepCirculatingTheTapes: Much of TG's earliest cassette material is almost impossible to find. For a while, the [=CDs=] of their early vinyls were also difficult to locate.
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Widely recognized as the {{UR example}} of the genre, {{Throbbing Gristle}} was an avant-garde {{industrial}} band from England, originally active from [[TheSeventies 1975]] to [[TheEighties 1981]]. They reunited in 2004, only to disband again in 2010 after the death of Peter Christopherson. Though they are oft overlooked these days, the group was notorious in the [[TheSeventies 70s]] for their transgressive, gruesome live shows and extremely dark lyrical content, which covered (among other things) {{serial killer}}s, cynical political/social commentary, and feelings of angry helplessness that followed the [[TheSixties 1960s]]; this effectively set the tone for future industrial bands, whose subject matter rarely strayed far from these themes. They also founded Industrial Records, the label which gave the {{industrial}} genre its name, and published many of its earlier exponents.

to:

Widely recognized as the {{UR {{ur example}} of the genre, {{Throbbing Gristle}} Throbbing Gristle was an avant-garde {{industrial}} band from England, originally active from [[TheSeventies 1975]] to [[TheEighties 1981]]. They reunited in 2004, only to disband again in 2010 after the death of Peter Christopherson. Though they are oft overlooked these days, the group was notorious in the [[TheSeventies 70s]] for their transgressive, gruesome live shows and extremely dark lyrical content, which covered (among other things) {{serial killer}}s, cynical political/social commentary, and feelings of angry helplessness that followed the [[TheSixties 1960s]]; this effectively set the tone for future industrial bands, whose subject matter rarely strayed far from these themes. They also founded Industrial Records, the label which gave the {{industrial}} genre its name, and published many of its earlier exponents.
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None


* TheBandMinusTheFace: X-TG. Genesis left the band in 2010, and he refused to let the remaining members use the name. They folded soon after the death of Christopherson, but continued releasing works up to the end of 2012.

to:

* TheBandMinusTheFace: X-TG. Genesis pretty much left the band in 2010, and he refused to let the remaining members use the name. They folded soon after the death of Christopherson, but continued releasing works up to the end of 2012.
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* NoEnding: Their live performances would often end up abruptly, simply because they would cut the power when their time had elapsed.


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* SpokenWordInMusic: Several of their songs included it. "Slug Bait - Live at Brighton" from their first album chillingly included the confession of a child rapist turned killer.
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* MohsScaleOfRockAndMetalHardness: They stay at the 10-11 ranges of the scale. Yes, their music is downright brutal even to this day.
Is there an issue? Send a MessageReason:
None


* BlackComedy: "We Hate You (Little Girls)", anyone?

to:

* BlackComedy: "We Hate You (Little Girls)", anyone?Girls)"
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None


Widely recognized as the {{UR example}} of the genre, {{Throbbing Gristle}} was an avant-garde {{industrial}} band from England, originally active from [[TheSeventies 1975]] to [[TheEighties 1981]]. They reunited in 2004, only to disband again in 2010 after the death of Peter Christopherson. Though they are oft overlooked these days, the group was notorious in the [[TheSeventies 70s]] for their transgressive, gruesome live shows and extremely dark lyrical content, which covered (among other things) [[SerialKiller serial killers]], cynical political/social commentary, and feelings of angry helplessness that followed the [[TheSixties 1960s]]; this effectively set the tone for future industrial bands, whose subject matter rarely strayed far from these themes. They also founded Industrial Records, the label which gave the {{industrial}} genre its name, and published many of its earlier exponents.

to:

Widely recognized as the {{UR example}} of the genre, {{Throbbing Gristle}} was an avant-garde {{industrial}} band from England, originally active from [[TheSeventies 1975]] to [[TheEighties 1981]]. They reunited in 2004, only to disband again in 2010 after the death of Peter Christopherson. Though they are oft overlooked these days, the group was notorious in the [[TheSeventies 70s]] for their transgressive, gruesome live shows and extremely dark lyrical content, which covered (among other things) [[SerialKiller serial killers]], {{serial killer}}s, cynical political/social commentary, and feelings of angry helplessness that followed the [[TheSixties 1960s]]; this effectively set the tone for future industrial bands, whose subject matter rarely strayed far from these themes. They also founded Industrial Records, the label which gave the {{industrial}} genre its name, and published many of its earlier exponents.



* TheBandMinusTheFace: X-TG, after P-Orride left in 2010. They themselves folded not long after the death of Christopherson.

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* TheBandMinusTheFace: X-TG, after P-Orride X-TG. Genesis left the band in 2010. 2010, and he refused to let the remaining members use the name. They themselves folded not long soon after the death of Christopherson.Christopherson, but continued releasing works up to the end of 2012.
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* RefugeInAudacity: Well...
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* TheBandMinusTheFace: X-TG. They themselves folded not long after the death of Christopherson.

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* TheBandMinusTheFace: X-TG.X-TG, after P-Orride left in 2010. They themselves folded not long after the death of Christopherson.
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* TheBandMinusTheFace: X-TG. They themselves folded not long after the death of Christopherson.


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* BreakupBreakout:
** Sleazy joined with Jhonn Balance and formed Music/{{Coil}}
** Chris and Cosey have been performing as a duo for years.
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* ADateWithRosiePalms: "Something Came Over Me", "Five Knuckle Shuffle"

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* ADateWithRosiePalms: "Something Came Over Me", Me"(the studio cut), "Five Knuckle Shuffle"
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Rename.


* BlackComedy / DeadBabyComedy: "We Hate You (Little Girls)", anyone?

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* BlackComedy / DeadBabyComedy: BlackComedy: "We Hate You (Little Girls)", anyone?
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* IndecipherableLyrics: The vocals on "Hamburger Lady" are heavily processed to the point of unintelligible. Not that you'd actually want to hear what they have to say.

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