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The band's first album of TheNineties, ''Honey's Dead'', continued with the sound of ''Automatic'' but added more IndustrialMetal influences. Its first single, "Reverence" attracted controversy for its lyrics (with choice couplets like 'I wanna die just like UsefulNotes/{{Jesus}} Christ/I wanna die on a bed of spikes" and "I wanna die just like [[UsefulNotes/JohnFKennedy JFK]]/I wanna die in the USA") and was banned from being played on BBC Radio 1 and ''Series/TopOfThePops''. [[NoSuchThingAsBadPublicity It became a hit in the UK anyway]]. Another NewSoundAlbum followed, ''Stoned & Dethroned'', which was very melodic and folky, but intra-band tensions were worsening. After another album, The Jesus and Mary Chain split up for good in 1999.

to:

The band's first album of TheNineties, ''Honey's Dead'', continued with the sound of ''Automatic'' but added more IndustrialMetal [[IndustrialMetal Industrial Rock]] and [[AlternativeDance Madchester]] influences. Its first single, "Reverence" attracted controversy for its lyrics (with choice couplets like 'I wanna die just like UsefulNotes/{{Jesus}} Christ/I wanna die on a bed of spikes" and "I wanna die just like [[UsefulNotes/JohnFKennedy JFK]]/I wanna die in the USA") and was banned from being played on BBC Radio 1 and ''Series/TopOfThePops''. [[NoSuchThingAsBadPublicity It became a hit in the UK anyway]]. Another NewSoundAlbum followed, ''Stoned & Dethroned'', which was very melodic and folky, but intra-band tensions were worsening. After another album, The Jesus and Mary Chain split up for good in 1999.



* AlternativeRock

to:

* AlternativeRockAlternativeRock: One of the {{Trope Codifier}}s for the genre.



* NewSoundAlbum: ''Darklands'' moved from NoisePop to skeletal Indie Rock, ''Automatic'' was more '70s HardRock influenced, ''Honey's Dead'' went with more industrial influences, ''Stoned & Dethroned'' was acoustic and folky, and ''Munki'' was more noisy AlternativeRock. They never completely abandoned the noise, though the ratio of it to Indie Rock varied with every album.

to:

* NewSoundAlbum: ''Darklands'' moved from NoisePop to skeletal Indie Rock, ''Automatic'' was more '70s HardRock influenced, ''Honey's Dead'' went with more industrial industrial/baggy influences, ''Stoned & Dethroned'' was acoustic and folky, and ''Munki'' was more noisy AlternativeRock. They never completely abandoned the noise, though the ratio of it to Indie Rock varied with every album.
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The band was formed in 1983 by Scottish brothers Jim and William Reid, who wanted to put together their passion for noisy rock and experimental music (Music/VelvetUnderground and Music/EinsturzendeNeubauten especially) with their love of classic pop such as [[Music/TheBeachBoys Brian Wilson]], Creator/PhilSpector and various {{Girl Group}}s. Jim assumed lead vocal duties, while William became the lead guitarist. They then happened upon an idea: Why not use catchy pop melodies, play them through an ear destroying amount of feedback and noise, and sing [[DullSurprise like you're about to fall asleep at any moment]]?

to:

The band was formed in 1983 by Scottish brothers Jim and William Reid, who wanted to put together their passion for noisy rock and experimental music (Music/VelvetUnderground and Music/EinsturzendeNeubauten especially) with their love of classic pop such as [[Music/TheBeachBoys Brian Wilson]], Creator/PhilSpector Music/PhilSpector and various {{Girl Group}}s. Jim assumed lead vocal duties, while William became the lead guitarist. They then happened upon an idea: Why not use catchy pop melodies, play them through an ear destroying amount of feedback and noise, and sing [[DullSurprise like you're about to fall asleep at any moment]]?
Is there an issue? Send a MessageReason:
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* LetsDuet: "Sometimes Always" on ''Stoned & Dethroned'' with [[Music/MazzyStar Hope Sandoval]], "Two Of Us" on ''Damage and Joy'' with [[Music/BelleAndSebastian Isobel Campbell]].

to:

* LetsDuet: "Sometimes Always" on ''Stoned & Dethroned'' with [[Music/MazzyStar Hope Sandoval]], "Two Of Us" on ''Damage and Joy'' with [[Music/BelleAndSebastian Isobel Campbell]].Campbell]] or Music/SkyFerreira depending on which version you hear.
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* LetsDuet: "Sometimes Always" on ''Stoned & Dethroned'' with [[Music/MazzyStar Hope Sandoval]], "Two Of Us" on ''Damage and Joy'' with Music/SkyFerreira.

to:

* LetsDuet: "Sometimes Always" on ''Stoned & Dethroned'' with [[Music/MazzyStar Hope Sandoval]], "Two Of Us" on ''Damage and Joy'' with Music/SkyFerreira.[[Music/BelleAndSebastian Isobel Campbell]].
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* LetsDuet: "Sometimes Always" on ''Stoned & Dethroned" with [[Music/MazzyStar Hope Sandoval]], "Two Of Us" on ''Damage and Joy'' with Music/SkyFerreira.

to:

* LetsDuet: "Sometimes Always" on ''Stoned & Dethroned" Dethroned'' with [[Music/MazzyStar Hope Sandoval]], "Two Of Us" on ''Damage and Joy'' with Music/SkyFerreira.

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* {{Bookends}}: ''Munki'' begins with "I Love Rock and Roll" and ends with "I Hate Rock and Roll." ''Honey's Dead'' opens with "Reverence" and ends with "Frequence", which is basically "Reverence" done InTheStyleOf Music/TheModernLovers.
* CallBack: Thirteen years after "Never Understand", they write a song (on ''Munki'') called "Never Understood".

to:

* {{Bookends}}: ''Munki'' begins with "I Love Rock and Roll" and ends with "I Hate Rock and Roll." ''Honey's Dead'' opens with "Reverence" and ends with "Frequence", "Frequency", which is basically "Reverence" done InTheStyleOf Music/TheModernLovers.
* CallBack: BreakupSong: "April Skies"
-->''And there's one thing I couldn't do\\
Sacrifice myself to you''
* CallBack:
** ''Honey's Dead'' was meant to lampshade that they didn't sound like "Just Like Honey" anymore.
**
Thirteen years after "Never Understand", they write a song (on ''Munki'') called "Never Understood".


Added DiffLines:

* HappyRain: "Happy When It Rains", though both the lyrics and Jim's typical [[FlatJoy monotone]] hint that maybe he ''shouldn't'' be happy about it.
-->''Looking at me enjoying something\\
That feels like feels like pain''

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The band received more attention post-split through RevivalByCommercialization, as Creator/SofiaCoppola used their song "Just Like Honey" at the end of ''Film/LostInTranslation''. The band finally reunited in 2007, playing for the first time in 8 years at the Coachella Festival. Notably, Creator/ScarlettJohansson joined them on stage to sing backing vocals on "Just Like Honey". According to Jim, new material is being written, though it's still tense between him and William, so it's unsure if a new album will happen.

to:

The band received more attention post-split through RevivalByCommercialization, as Creator/SofiaCoppola used their song "Just Like Honey" at the end of ''Film/LostInTranslation''. The After years of Jim and William barely even speaking to each other the band finally reunited in 2007, playing for the first time in 8 years at the Coachella Festival. Notably, Creator/ScarlettJohansson joined them on stage to sing backing vocals on "Just Like Honey". According to Jim, new material is being written, though it's still tense between him They've toured off and William, so it's unsure if on since then, and a new album will happen.eventually appeared in 2017.



* ''Damage and Joy'' (2017)



* {{Bookends}}: ''Munki'' begins with "I Love Rock and Roll" and ends with "I Hate Rock and Roll."

to:

* {{Bookends}}: ''Munki'' begins with "I Love Rock and Roll" and ends with "I Hate Rock and Roll."" ''Honey's Dead'' opens with "Reverence" and ends with "Frequence", which is basically "Reverence" done InTheStyleOf Music/TheModernLovers.



* ElvisLives: ...and Music/BobDylan's dead, according to "Fizzy".



* LetsDuet: "Sometimes Always" on ''Stoned & Dethroned" with [[Music/MazzyStar Hope Sandoval]], "Two Of Us" on ''Damage and Joy'' with Music/SkyFerreira.



* LoveIsADrug: "You Trip Me Up", "Some Candy Talking"... actually, pretty much any love song they do will probably have drug metaphors in it, or vice versa.



* NewSoundAlbum: ''Darklands'' moved from NoisePop to skeletal Indie Rock, ''Automatic'' was more '70s HardRock influenced, ''Stoned & Dethroned'' was acoustic and folky, and ''Munki'' was more noisy AlternativeRock. They never completely abandoned the noise, though the ratio of it to Indie Rock varied with every album.

to:

* NewSoundAlbum: ''Darklands'' moved from NoisePop to skeletal Indie Rock, ''Automatic'' was more '70s HardRock influenced, ''Honey's Dead'' went with more industrial influences, ''Stoned & Dethroned'' was acoustic and folky, and ''Munki'' was more noisy AlternativeRock. They never completely abandoned the noise, though the ratio of it to Indie Rock varied with every album.


Added DiffLines:

* RereleaseTheSong: Several songs on ''Damage and Joy'' are re-recordings of tracks from various solo projects.


Added DiffLines:

* SomethingBlues: The B-side "Write Record Release Blues"

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* LooksLikeCesare[=/=]EightiesHair: The Reid brothers were known for their [[Music/TheCure Robert Smith]]
-like hair in TheEighties.

to:

* LooksLikeCesare[=/=]EightiesHair: The Reid brothers were known for their [[Music/TheCure Robert Smith]]
-like
Smith]]-like hair in TheEighties.

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* CoverVersion: Employed often for B-sides. Includes Music/TheBeachBoys' "Surfin' USA", Music/LeonardCohen's "Tower of Song", among others.

to:

* CoverVersion: Employed often for B-sides. Includes Music/TheBeachBoys' "Surfin' USA", USA" and Music/LeonardCohen's "Tower of Song", among others.



* LooksLikeCesare / EightiesHair: The Reid brothers were known for their Robert Smith-like hair in TheEighties.

to:

* LooksLikeCesare / EightiesHair: LooksLikeCesare[=/=]EightiesHair: The Reid brothers were known for their [[Music/TheCure Robert Smith-like Smith]]
-like
hair in TheEighties.
Is there an issue? Send a MessageReason:
None


The band's first album of TheNineties, ''Honey's Dead'', continued with the sound of ''Automatic'' but added more IndustrialMetal influences. Its first single, "Reverence" attracted controversy for its lyrics (with choice couplets like ''I wanna die just like Jesus Christ / I wanna die on a bed of spikes'' and ''I wanna die just like JFK / I wanna die in the USA'') and was banned from being played on BBC Radio 1 and ''Series/TopOfThePops''. [[NoSuchThingAsBadPublicity It became a hit in the UK]]. Another NewSoundAlbum followed, ''Stoned & Dethroned'', which was very melodic and folky, but intra-band tensions were worsening. After another album, The Jesus and Mary Chain split up for good in 1999.

to:

The band's first album of TheNineties, ''Honey's Dead'', continued with the sound of ''Automatic'' but added more IndustrialMetal influences. Its first single, "Reverence" attracted controversy for its lyrics (with choice couplets like ''I 'I wanna die just like Jesus Christ / I UsefulNotes/{{Jesus}} Christ/I wanna die on a bed of spikes'' spikes" and ''I "I wanna die just like JFK / I [[UsefulNotes/JohnFKennedy JFK]]/I wanna die in the USA'') USA") and was banned from being played on BBC Radio 1 and ''Series/TopOfThePops''. [[NoSuchThingAsBadPublicity It became a hit in the UK]].UK anyway]]. Another NewSoundAlbum followed, ''Stoned & Dethroned'', which was very melodic and folky, but intra-band tensions were worsening. After another album, The Jesus and Mary Chain split up for good in 1999.
Is there an issue? Send a MessageReason:
None


Jim and William have remained the [[IAmTheBand only two constant members of the band since]], with a large assortment of musicians floating through various lineups, mostly for live performances, as the brothers ended up handling everything (guitars, bass, drum machine programming, synthesizers). JAMC soon signed with Creation Records, releasing their debut album ''Music/{{Psychocandy}}'' in 1985. This brought critical acclaim to the band and has retained historical importance as the first NoisePop album.

to:

Jim and William have remained the [[IAmTheBand only two constant members of the band since]], with a large assortment of musicians floating through various lineups, mostly for live performances, as the brothers ended up handling everything (guitars, bass, drum machine programming, synthesizers). JAMC soon signed with Creation Records, Creator/CreationRecords, releasing their debut album ''Music/{{Psychocandy}}'' in 1985. This brought critical acclaim to the band and has retained historical importance as the first NoisePop album.

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[[caption-width-right:321:The Reid brothers]]

to:

[[caption-width-right:321:The [[caption-width-right:321: The Reid brothers]]



The band was formed in 1983 by Scottish brothers Jim and William Reid, who wanted to put together their passion for noisy rock and experimental music (Music/VelvetUnderground and Music/EinsturzendeNeubauten especially) with their love of classic pop such as [[Music/TheBeachBoys Brian Wilson]], PhilSpector and various {{Girl Group}}s. Jim assumed lead vocal duties, while William became the lead guitarist. They then happened upon an idea: why not use catchy pop melodies, play them through an ear-destroying amount of feedback and noise, and sing [[DullSurprise like you're about to fall asleep at any moment]]?

to:

The band was formed in 1983 by Scottish brothers Jim and William Reid, who wanted to put together their passion for noisy rock and experimental music (Music/VelvetUnderground and Music/EinsturzendeNeubauten especially) with their love of classic pop such as [[Music/TheBeachBoys Brian Wilson]], PhilSpector Creator/PhilSpector and various {{Girl Group}}s. Jim assumed lead vocal duties, while William became the lead guitarist. They then happened upon an idea: why Why not use catchy pop melodies, play them through an ear-destroying ear destroying amount of feedback and noise, and sing [[DullSurprise like you're about to fall asleep at any moment]]?



The Jesus and Mary Chain became infamous for having short concerts (generally around 20 minutes) that ended with violence or riots, a reputation that stayed with them throughout their early years. The brothers felt they had done as much as they could with pure noise pop and made their next albums, ''Darklands'' and ''Automatic'', {{New Sound Album}}s - the former was more melodic and acoustic while the latter was classic-rock influenced AlternativeRock. Both were well-received and spawned a few hits ("Happy When It Rains" and "Darklands" for the former, "Head On" and "Blues from a Gun" for the latter).

The band's first album of TheNineties, ''Honey's Dead'', continued with the sound of ''Automatic'' but added more IndustrialMetal influences. Its first single, "Reverence" attracted controversy for its lyrics (with choice couplets like ''I wanna die just like Jesus Christ/I wanna die on a bed of spikes'' and ''I wanna die just like JFK/I wanna die in the USA'') and was banned from being played on BBC Radio 1 and ''Series/TopOfThePops''. [[NoSuchThingAsBadPublicity It became a hit in the UK]]. Another NewSoundAlbum followed, ''Stoned & Dethroned'', which was very melodic and folky, but intra-band tensions were worsening. After another album, The Jesus and Mary Chain split up for good in 1999.

The band received more attention post-split through RevivalByCommercialization, as Creator/SofiaCoppola used their song "Just Like Honey" at the end of ''LostInTranslation''. The band finally reunited in 2007, playing for the first time in 8 years at the Coachella Festival. Notably, Creator/ScarlettJohansson joined them on stage to sing backing vocals on "Just Like Honey". According to Jim, new material is being written, though it's still tense between him and William, so it's unsure if a new album will happen.

Discography:

to:

The Jesus and Mary Chain became infamous for having short concerts (generally around 20 minutes) that ended with violence or riots, a reputation that stayed with them throughout their early years. The brothers felt they had done as much as they could with pure noise pop and made their next albums, ''Darklands'' and ''Automatic'', {{New Sound Album}}s - -- the former was more melodic and acoustic while the latter was classic-rock classic rock influenced AlternativeRock. Both were well-received well received and spawned a few hits ("Happy When It Rains" and "Darklands" for the former, "Head On" and "Blues from a Gun" for the latter).

The band's first album of TheNineties, ''Honey's Dead'', continued with the sound of ''Automatic'' but added more IndustrialMetal influences. Its first single, "Reverence" attracted controversy for its lyrics (with choice couplets like ''I wanna die just like Jesus Christ/I Christ / I wanna die on a bed of spikes'' and ''I wanna die just like JFK/I JFK / I wanna die in the USA'') and was banned from being played on BBC Radio 1 and ''Series/TopOfThePops''. [[NoSuchThingAsBadPublicity It became a hit in the UK]]. Another NewSoundAlbum followed, ''Stoned & Dethroned'', which was very melodic and folky, but intra-band tensions were worsening. After another album, The Jesus and Mary Chain split up for good in 1999.

The band received more attention post-split through RevivalByCommercialization, as Creator/SofiaCoppola used their song "Just Like Honey" at the end of ''LostInTranslation''.''Film/LostInTranslation''. The band finally reunited in 2007, playing for the first time in 8 years at the Coachella Festival. Notably, Creator/ScarlettJohansson joined them on stage to sing backing vocals on "Just Like Honey". According to Jim, new material is being written, though it's still tense between him and William, so it's unsure if a new album will happen.

happen.
----

!!
Discography:



* ''Barbed Wire Kisses'' (1988) - compilation of B-sides and non-album material

to:

* ''Barbed Wire Kisses'' (1988) - compilation of B-sides and non-album materialmaterial.



* ''The Sound of Speed'' (1993) - compilation of B-sides and non-album material

to:

* ''The Sound of Speed'' (1993) - compilation of B-sides and non-album materialmaterial.




!!Tropes:

to:

\n!!Tropes:----

!! Tropes:



* BookEnds: ''Munki'' begins with "I Love Rock And Roll" and ends with "I Hate Rock And Roll."

to:

* BookEnds: {{Bookends}}: ''Munki'' begins with "I Love Rock And and Roll" and ends with "I Hate Rock And and Roll."



* CoverVersion: Employed often for B-sides. Includes Music/TheBeachBoys' "Surfin USA", Music/LeonardCohen's "Tower of Song", among others.
* IAmTheBand: Jim and William are the primary writers and performers on all of their albums, as well as the only consistent members.
* LooksLikeCesare + EightiesHair: The Reid brothers were known for their Robert Smith-like hair in TheEighties.

to:

* CoverVersion: Employed often for B-sides. Includes Music/TheBeachBoys' "Surfin "Surfin' USA", Music/LeonardCohen's "Tower of Song", among others.
* IAmTheBand: Jim and William are the primary writers and performers on all of their albums, as well as the only consistent members.
members.
* LooksLikeCesare + / EightiesHair: The Reid brothers were known for their Robert Smith-like hair in TheEighties.



* NewSoundAlbum: ''Darklands'' moved from NoisePop to skeletal Indie Rock, ''Automatic'' was more 70s HardRock-influenced, ''Stoned & Dethroned'' was acoustic and folky, and ''Munki'' was more noisy AlternativeRock. They never completely abandoned the noise, though the ratio of it to Indie Rock varied with every album.
* NoisePop: {{Trope Codifier}}s with ''Music/{{Psychocandy}}'' Later albums are less this and more AlternativeRock, though they always had some noise going on.

to:

* NewSoundAlbum: ''Darklands'' moved from NoisePop to skeletal Indie Rock, ''Automatic'' was more 70s HardRock-influenced, '70s HardRock influenced, ''Stoned & Dethroned'' was acoustic and folky, and ''Munki'' was more noisy AlternativeRock. They never completely abandoned the noise, though the ratio of it to Indie Rock varied with every album.
* NoisePop: {{Trope Codifier}}s with ''Music/{{Psychocandy}}'' ''Psychocandy''. Later albums are less this and more AlternativeRock, though they always had some noise going on.



** And one called "Music/BoDiddley [[BlasphemousBoast Is]] [[NamesTheSame Jesus]]."

to:

** And one called "Music/BoDiddley [[BlasphemousBoast Is]] is]] [[NamesTheSame Jesus]]."



* StartMyOwn: No less than two of their [[RevolvingDoorBand drummers]] did this with a fair amount of success - Bobby Gillespie with Music/PrimalScream, and John Moore with Black Box Recorder.
* SurprisinglyGentleSong: Make that ''album'' - ''Darklands'' and ''Stoned & Dethroned''.
* TakeThat: "I Hate Rock & Roll" has sarcastic disdain for {{MTV}} and the BBC.

to:

* StartMyOwn: No less than two of their [[RevolvingDoorBand drummers]] did this with a fair amount of success - -- Bobby Gillespie with Music/PrimalScream, and John Moore with Black Box Recorder.
* SurprisinglyGentleSong: Make that ''album'' - -- ''Darklands'' and ''Stoned & Dethroned''.
* TakeThat: "I Hate Rock & and Roll" has sarcastic disdain for {{MTV}} Creator/{{MTV}} and the BBC.Creator/TheBBC.
Is there an issue? Send a MessageReason:
None


The band's first album of TheNineties, ''Honey's Dead'', continued with the sound of ''Automatic'' but added more IndustrialMetal influences. Its first single, "Reverence" attracted controversy for its lyrics (with choice couplets like ''I wanna die just like Jesus Christ/I wanna die on a bed of spikes'' and ''I wanna die just like JFK/I wanna die in the USA'') and was banned from being played on BBC Radio 1 and ''TopOfThePops''. [[NoSuchThingAsBadPublicity It became a hit in the UK]]. Another NewSoundAlbum followed, ''Stoned & Dethroned'', which was very melodic and folky, but intra-band tensions were worsening. After another album, The Jesus and Mary Chain split up for good in 1999.

to:

The band's first album of TheNineties, ''Honey's Dead'', continued with the sound of ''Automatic'' but added more IndustrialMetal influences. Its first single, "Reverence" attracted controversy for its lyrics (with choice couplets like ''I wanna die just like Jesus Christ/I wanna die on a bed of spikes'' and ''I wanna die just like JFK/I wanna die in the USA'') and was banned from being played on BBC Radio 1 and ''TopOfThePops''.''Series/TopOfThePops''. [[NoSuchThingAsBadPublicity It became a hit in the UK]]. Another NewSoundAlbum followed, ''Stoned & Dethroned'', which was very melodic and folky, but intra-band tensions were worsening. After another album, The Jesus and Mary Chain split up for good in 1999.
Is there an issue? Send a MessageReason:
None


The band received more attention post-split through RevivalByCommercialization, as Creator/SofiaCoppola used their song "Just Like Honey" at the end of ''LostInTranslation''. The band finally reunited in 2007, playing for the first time in 8 years at the Coachella Festival. Notably, ScarlettJohansson joined them on stage to sing backing vocals on "Just Like Honey". According to Jim, new material is being written, though it's still tense between him and William, so it's unsure if a new album will happen.

to:

The band received more attention post-split through RevivalByCommercialization, as Creator/SofiaCoppola used their song "Just Like Honey" at the end of ''LostInTranslation''. The band finally reunited in 2007, playing for the first time in 8 years at the Coachella Festival. Notably, ScarlettJohansson Creator/ScarlettJohansson joined them on stage to sing backing vocals on "Just Like Honey". According to Jim, new material is being written, though it's still tense between him and William, so it's unsure if a new album will happen.

Added: 44

Changed: 92

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Jim and William have remained the [[IAmTheBand only two constant members of the band since]], with a large assortment of musicians floating through various lineups, mostly for live performances, as the brothers ended up handling everything (guitars, bass, drum machine programming, synthesizers). JAMC soon signed with Creation Records, releasing their debut album ''Psychocandy'' in 1985. This brought critical acclaim to the band and has retained historical importance as the first NoisePop album.

to:

Jim and William have remained the [[IAmTheBand only two constant members of the band since]], with a large assortment of musicians floating through various lineups, mostly for live performances, as the brothers ended up handling everything (guitars, bass, drum machine programming, synthesizers). JAMC soon signed with Creation Records, releasing their debut album ''Psychocandy'' ''Music/{{Psychocandy}}'' in 1985. This brought critical acclaim to the band and has retained historical importance as the first NoisePop album.



* ''Psychocandy'' (1985)

to:

* ''Psychocandy'' ''Music/{{Psychocandy}}'' (1985)



* MohsScaleOfRockAndMetalHardness: Much of ''Psychocandy'' arguably goes up to 7-8 due to the feedback. Later albums go down to 4-6, with the odd track going lower, while ''Stoned & Dethroned'' is a pretty solid 2-4.

to:

* MohsScaleOfRockAndMetalHardness: Much of ''Psychocandy'' arguably ''Music/{{Psychocandy}}'' goes up to 7-8 due to the feedback. Later albums go down to 4-6, with the odd track going lower, while ''Stoned & Dethroned'' is a pretty solid 2-4.



* NoisePop: {{Trope Codifier}}s with ''Psychocandy'' Later albums are less this and more AlternativeRock, though they always had some noise going on.

to:

* NoisePop: {{Trope Codifier}}s with ''Psychocandy'' ''Music/{{Psychocandy}}'' Later albums are less this and more AlternativeRock, though they always had some noise going on.



* TakeThat: "I Hate Rock & Roll" has sarcasmic disdain for {{MTV}} and the BBC. "I love it when they're shittin' on me."

to:

* TakeThat: "I Hate Rock & Roll" has sarcasmic sarcastic disdain for {{MTV}} and the BBC. BBC.
-->
"I love it when they're shittin' on me."
Is there an issue? Send a MessageReason:
None

Added DiffLines:

* MohsScaleOfRockAndMetalHardness: Much of ''Psychocandy'' arguably goes up to 7-8 due to the feedback. Later albums go down to 4-6, with the odd track going lower, while ''Stoned & Dethroned'' is a pretty solid 2-4.

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Removed: 184

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* NewSoundAlbum: ''Darklands'' moved from NoisePop to skeletal Indie Rock, ''Automatic'' was more 70s HardRock-influenced, ''Stoned & Dethroned'' was acoustic and folky, and ''Munki'' was more noisy AlternativeRock.
** They never completely abandoned NoisePop though, as they always played pop songs with a little noise around the edges. They did vary the ratio significantly with each album, though.

to:

* NewSoundAlbum: ''Darklands'' moved from NoisePop to skeletal Indie Rock, ''Automatic'' was more 70s HardRock-influenced, ''Stoned & Dethroned'' was acoustic and folky, and ''Munki'' was more noisy AlternativeRock.
**
AlternativeRock. They never completely abandoned NoisePop though, as they always played pop songs with a little noise around the edges. They did vary noise, though the ratio significantly of it to Indie Rock varied with each album, though.every album.

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* AlternativeRock: After leaving NoisePop behind, their sound could best be described as this.
** Though they never entirely abandoned NoisePop, and they always counted as an AlternativeRock band, right from the start.

to:

* AlternativeRock: After leaving NoisePop behind, their sound could best be described as this.
** Though they never entirely abandoned NoisePop, and they always counted as an AlternativeRock band, right from the start.
AlternativeRock

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** Though they never entirely abandoned NoisePop, and they always counted as an AlternativeRock band, right from the start.



* NoisePop: {{Trope Codifier}}s with ''Psychocandy''

to:

** They never completely abandoned NoisePop though, as they always played pop songs with a little noise around the edges. They did vary the ratio significantly with each album, though.
* NoisePop: {{Trope Codifier}}s with ''Psychocandy''''Psychocandy'' Later albums are less this and more AlternativeRock, though they always had some noise going on.

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* CallBack: Thirteen years after "Never Understand", they write a song (on ''Munki'') called "Never Understood".



* ShoutOut:

to:

* ShoutOut: ShoutOut:


Added DiffLines:

* TakeThat: "I Hate Rock & Roll" has sarcasmic disdain for {{MTV}} and the BBC. "I love it when they're shittin' on me."
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Added DiffLines:

* LoudnessWar: Definitely on the first two albums. With feedback.
Is there an issue? Send a MessageReason:
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Added DiffLines:

* StandardSnippet: The distinct dum-du-dum-tsch drum beat that kicks off "Just Like Honey" was originally a ShoutOut to The Ronettes' "Be My Baby", but has since been used by just about every indie rock band.

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* BookEnds: ''Munki'' begins with "I Love Rock And Roll" and ends with "I Hate Rock And Roll."



* Expy: Everyone in the band looks like Robert Smith.


Added DiffLines:

* ShoutOut:
** "Kill Surf City" is one to Music/JanAndDean's "Surf City."
** They have a song called "[[Music/VelvetUnderground Moe Tucker]]."
** And one called "Music/BoDiddley [[BlasphemousBoast Is]] [[NamesTheSame Jesus]]."
* SiblingRivalry: Oh yeah.
-->'''Jim:''' After each tour we wanted to kill each other, and after the final tour we tried.
* StartMyOwn: No less than two of their [[RevolvingDoorBand drummers]] did this with a fair amount of success - Bobby Gillespie with Music/PrimalScream, and John Moore with Black Box Recorder.
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robert smith expy look

Added DiffLines:

* Expy: Everyone in the band looks like Robert Smith.
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The band received more attention post-split through RevivalByCommercialization, as SofiaCoppola used their song "Just Like Honey" at the end of ''LostInTranslation''. The band finally reunited in 2007, playing for the first time in 8 years at the Coachella Festival. Notably, ScarlettJohansson joined them on stage to sing backing vocals on "Just Like Honey". According to Jim, new material is being written, though it's still tense between him and William, so it's unsure if a new album will happen.

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The band received more attention post-split through RevivalByCommercialization, as SofiaCoppola Creator/SofiaCoppola used their song "Just Like Honey" at the end of ''LostInTranslation''. The band finally reunited in 2007, playing for the first time in 8 years at the Coachella Festival. Notably, ScarlettJohansson joined them on stage to sing backing vocals on "Just Like Honey". According to Jim, new material is being written, though it's still tense between him and William, so it's unsure if a new album will happen.

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Changed: 601

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Fixing natter, no-info examples, adding some tropes


The band was formed in 1983 by Scottish brothers Jim and William Reid, who wanted to put together their passion for noisy rock and experimental music (Music/VelvetUnderground and Music/EinsturzendeNeubauten especially) with their love of classic pop such as [[Music/BeachBoys Brian Wilson]], PhilSpector and various {{Girl Group}}s. Jim assumed lead vocal duties, while William became the lead guitarist. They then happened upon an idea: why not use catchy pop melodies, play them through an ear-destroying amount of feedback and noise, and sing [[DullSurprise like you're about to fall asleep at any moment]]?

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The band was formed in 1983 by Scottish brothers Jim and William Reid, who wanted to put together their passion for noisy rock and experimental music (Music/VelvetUnderground and Music/EinsturzendeNeubauten especially) with their love of classic pop such as [[Music/BeachBoys [[Music/TheBeachBoys Brian Wilson]], PhilSpector and various {{Girl Group}}s. Jim assumed lead vocal duties, while William became the lead guitarist. They then happened upon an idea: why not use catchy pop melodies, play them through an ear-destroying amount of feedback and noise, and sing [[DullSurprise like you're about to fall asleep at any moment]]?



!Tropes:

* CoolShades: Pretty frequent.
* CoverVersion: They've done a few.

to:

!Tropes:

!!Tropes:
* AlternativeRock: After leaving NoisePop behind, their sound could best be described as this.
* CoolShades: Pretty frequent.
Frequently.
* CoverVersion: They've done a few.Employed often for B-sides. Includes Music/TheBeachBoys' "Surfin USA", Music/LeonardCohen's "Tower of Song", among others.
* IAmTheBand: Jim and William are the primary writers and performers on all of their albums, as well as the only consistent members.



* NewSoundAlbum: ''Darklands'', ''Automatic'', ''Stoned'', ''Munki''.
* PerishingAltRockVoice: A lot. But Jim manages to sound {{Badass}} while singing.
* RuleOfCool: They're kind of reliant on this musically.

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* NewSoundAlbum: ''Darklands'', ''Automatic'', ''Stoned'', ''Munki''.
''Darklands'' moved from NoisePop to skeletal Indie Rock, ''Automatic'' was more 70s HardRock-influenced, ''Stoned & Dethroned'' was acoustic and folky, and ''Munki'' was more noisy AlternativeRock.
* NoisePop: {{Trope Codifier}}s with ''Psychocandy''
* PerishingAltRockVoice: A lot. But Jim manages to sound {{Badass}} while singing.
Both brothers have breathy, sleepy voices. Qualify as {{Trope Codifier}}s as well.
* RuleOfCool: They're kind of reliant on this musically.musically, especially the campy HardRock of ''Automatic''.


Added DiffLines:

* ThreeChordsAndTheTruth: Their music is very simplistic, sometimes not even bothering with a third chord. As described in the booklet included in ''The Power of Negative Thinking'', the Reid brothers were more concerned with the feel of the music than technical ability.
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The band received more attention post-split through RevivalByCommercialization, as SofiaCoppola used their song "Just Like Honey" at the end of ''LostInTranslation''. The band finally reunited in 2007, playing for the first time in 8 years at the Coachella Festival. Notably, ScarlettJohansson joined them on stage to sing backing vocals on "Just Like Honey".

to:

The band received more attention post-split through RevivalByCommercialization, as SofiaCoppola used their song "Just Like Honey" at the end of ''LostInTranslation''. The band finally reunited in 2007, playing for the first time in 8 years at the Coachella Festival. Notably, ScarlettJohansson joined them on stage to sing backing vocals on "Just Like Honey".
Honey". According to Jim, new material is being written, though it's still tense between him and William, so it's unsure if a new album will happen.
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None


-->''I don't mind about the state of my mind''
-->''But you know it's good for nothing''
-->''And I left you behind''
-->''It's a sick sick city''
-->''But it's never gonna make me insane''
-->--"Blues from a Gun"

TheJesusAndMaryChain are the {{Trope Codifier}}s for the genre of NoisePop.

The band was formed in 1983 by Scottish brothers Jim and William Reid, who wanted to put together their passion for noisy rock and experimental music (TheVelvetUnderground and Einstürzende Neubauten especially) with their love of classic pop such as [[BeachBoys Brian Wilson]], PhilSpector and various {{Girl Group}}s. Jim assumed lead vocal duties, while William became the lead guitarist. They then happened upon an idea: why not use catchy pop melodies, play them through an ear-destroying amount of feedback and noise, and sing [[DullSurprise like you're about to fall asleep at any moment]]?

to:

-->''I ->''"I don't mind about the state of my mind''
-->''But ->''But you know it's good for nothing''
-->''And ->''And I left you behind''
-->''It's ->''It's a sick sick city''
-->''But ->''But it's never gonna make me insane''
-->--"Blues
insane"''
-->--'''"Blues
from a Gun"

TheJesusAndMaryChain
Gun"'''

The Jesus and Mary Chain
are the {{Trope Codifier}}s for the genre of NoisePop.

The band was formed in 1983 by Scottish brothers Jim and William Reid, who wanted to put together their passion for noisy rock and experimental music (TheVelvetUnderground (Music/VelvetUnderground and Einstürzende Neubauten Music/EinsturzendeNeubauten especially) with their love of classic pop such as [[BeachBoys [[Music/BeachBoys Brian Wilson]], PhilSpector and various {{Girl Group}}s. Jim assumed lead vocal duties, while William became the lead guitarist. They then happened upon an idea: why not use catchy pop melodies, play them through an ear-destroying amount of feedback and noise, and sing [[DullSurprise like you're about to fall asleep at any moment]]?
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None


* CrowningMusicOfAwesome: Most people would argue ''Psychocandy'', but you can find good support for ''Automatic'' as well.
* EarWorm: Quite a few.
* EpicRiff: You're not going to forget "Just Like Honey", "You Trip Me Up", "Head On" and "Blues from a Gun" very easily.
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None


-->'''The Jesus and Mary Chain''', ''Blues from a Gun''

to:

-->'''The Jesus and Mary Chain''', ''Blues -->--"Blues from a Gun''
Gun"

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