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* ShortTitleLongElaborateSubtitle: All of the song titles.
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* GenreMashup: Mingus frequently described the record's orchestral style as "ethnic folk-dance music".
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* GenreMashup: Mingus frequently described the record's orchestral style as "ethnic folk-dance music".music."
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* NonAppearingTitle: The album title verbatim doesn't appear in the tracklist, though there are references to sinners and saints.
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cut trope
* GenreMashup: Mingus frequently described the record's orchestral style as "ethnic folk-dance music".
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* NeoclassicalPunkZydecoRockabilly: Mingus frequently described the record's orchestral style as "ethnic folk-dance music".
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The record is considered a NewSoundAlbum for Mingus and an incendiary release for {{Jazz}} music as a whole, with it's genre-defying composition and innovative use of overdubbing. The three-way brass dialogue of trumpets, trombone and tuba, high flying reeds and a sturdy rhythm section balance delicate Andalusian modes and Music/DukeEllington-esque melodies, the ensemble frequently bursts into a cacophony of collective improvisation on par with jazz giants such as Music/JohnColtrane or Music/OrnetteColeman.
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The record is considered a NewSoundAlbum for Mingus and an incendiary release for {{Jazz}} music as a whole, with it's its genre-defying composition and innovative use of overdubbing. The three-way brass dialogue of trumpets, trombone and tuba, high flying reeds and a sturdy rhythm section balance delicate Andalusian modes and Music/DukeEllington-esque melodies, the ensemble frequently bursts into a cacophony of collective improvisation on par with jazz giants such as Music/JohnColtrane or Music/OrnetteColeman.
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1. "Solo Dancer (Stop! Look! And Listen, Sinner Jim Whitney!)" (6:39)
2. "Duet Solo Dancers (Heart's Beat and Shades in Physical Embraces)" (6:45)
3. "Group Dancers (Soul Fusion) (Freewoman and Oh, This Freedom's Slave Cries)" (7:22)
2. "Duet Solo Dancers (Heart's Beat and Shades in Physical Embraces)" (6:45)
3. "Group Dancers (Soul Fusion) (Freewoman and Oh, This Freedom's Slave Cries)" (7:22)
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4. "Trio and Group Dancers (Stop! Look! And Sing Songs of Revolutions!)" / "Single Solos and Group Dance (Saint and Sinner Join in Merriment on Battle Front)" / "Group and Solo Dance (Of Love, Pain, and Passioned Revolt, Then Farewell, My Beloved, 'Til It's Freedom Day)" (18:39)
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* EpicRocking: Every track is above six minutes, and "Trio and Group Dancers" lasts an entire LP side.
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* LongestSongGoesLast: "Trio and Group Dancers (Stop! Look! And Sing Songs of Revolutions!)" takes up the entire side at just above eighteen and a half minutes.
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''The Black Saint and the Sinner Lady'' is a studio album by American jazz musician Music/CharlesMingus, released on Impulse! Records in 1963. Comprised of six suites composed by Mingus that were initially conceived as a [[{{Ballet}} ballet]], Mingus recorded the album shortly after he was discharged from [[BedlamHouse Bellevue Psychiatric Hospital]], a fact furthered by the liner notes containing a letter / review from his then psychotherapist, Dr. Edmund Pollock.
The record is considered a NewSoundAlbum for Mingus and an incendiary release for {{Jazz}} music as a whole, with it's genre-defying composition and innovative use of overdubbing. The three-way brass dialogue of trumpets, trombone and tuba, high flying reeds and a sturdy rhythm section balance delicate Andalusian modes and Ellington-esque melodies, the ensemble frequently bursts into a cacophony of collective improvisation on par with jazz giants such as Music/JohnColtrane or Music/OrnetteColeman.
The record is considered a NewSoundAlbum for Mingus and an incendiary release for {{Jazz}} music as a whole, with it's genre-defying composition and innovative use of overdubbing. The three-way brass dialogue of trumpets, trombone and tuba, high flying reeds and a sturdy rhythm section balance delicate Andalusian modes and Ellington-esque melodies, the ensemble frequently bursts into a cacophony of collective improvisation on par with jazz giants such as Music/JohnColtrane or Music/OrnetteColeman.
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''The Black Saint and the Sinner Lady'' is a studio album by American jazz musician Music/CharlesMingus, released on Impulse! Records Creator/ImpulseRecords in 1963. Comprised of six suites composed by Mingus that were initially conceived as a [[{{Ballet}} ballet]], {{ballet}}, Mingus recorded the album shortly after he was discharged from [[BedlamHouse Bellevue Psychiatric Hospital]], a fact furthered by the liner notes containing a letter / review from his then psychotherapist, Dr. Edmund Pollock.
The record is considered a NewSoundAlbum for Mingus and an incendiary release for {{Jazz}} music as a whole, with it's genre-defying composition and innovative use of overdubbing. The three-way brass dialogue of trumpets, trombone and tuba, high flying reeds and a sturdy rhythm section balance delicate Andalusian modes andEllington-esque Music/DukeEllington-esque melodies, the ensemble frequently bursts into a cacophony of collective improvisation on par with jazz giants such as Music/JohnColtrane or Music/OrnetteColeman.
The record is considered a NewSoundAlbum for Mingus and an incendiary release for {{Jazz}} music as a whole, with it's genre-defying composition and innovative use of overdubbing. The three-way brass dialogue of trumpets, trombone and tuba, high flying reeds and a sturdy rhythm section balance delicate Andalusian modes and
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Magnum Opus is for in-universe examples only, and examples don't get blank lines between them.
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It is because of this, the record is considered to be Mingus' [[MagnumOpus masterwork]] alongside his prior record, ''Music/MingusAhUm''.
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''The Black Saint and the Sinner Lady'' is a studio album by American jazz musician Music/CharlesMingus, released on Impulse! Records in 1963. Comprised six suites composed by Mingus that were initially conceived as a [[{{Ballet}} ballet]], Mingus recorded the album shortly after he was discharged from [[BedlamHouse Bellevue Psychiatric Hospital]], a fact furthered by the liner notes containing a letter / review from his then psychotherapist, Dr. Edmund Pollock.
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''The Black Saint and the Sinner Lady'' is a studio album by American jazz musician Music/CharlesMingus, released on Impulse! Records in 1963. Comprised of six suites composed by Mingus that were initially conceived as a [[{{Ballet}} ballet]], Mingus recorded the album shortly after he was discharged from [[BedlamHouse Bellevue Psychiatric Hospital]], a fact furthered by the liner notes containing a letter / review from his then psychotherapist, Dr. Edmund Pollock.
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!!!Side One
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!!!Side Two
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* NeoclassicalPunkZydecoRockabilly: Mingus frequently described the record's orchestral style "ethnic folk-dance music".
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* NeoclassicalPunkZydecoRockabilly: Mingus frequently described the record's orchestral style as "ethnic folk-dance music".
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* NewSoundAlbum: This record introduced more complex classical influences to his New Orleans Brass and blues / gospel influenced sound.
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* NewSoundAlbum: This record introduced more complex classical influences to his New Orleans Brass brass and blues / gospel influenced sound.
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* NewSoundAlbum: This record introduced more complex classical influences to his New Orleans Brass and blues / gospel influenced sound.
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* NewSoundAlbum: This record introduced more complex classical influences to his New Orleans Brass and blues / gospel influenced sound.sound.
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The record is considered a NewSoundAlbum for Mingus and an incendiary release for {{Jazz}} music as a whole, with it's genre-defying composition and innovative use of overdubbing. The three-way brass dialogue of trumpets, trombone and tuba, high flying reeds and sturdy rhythm section balance delicate Andalusian modes and Ellington-esque melodies, the ensemble frequently bursts into a cacophony of collective improvisation on par with jazz giants such as Music/JohnColtrane or Music/OrnetteColeman.
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The record is considered a NewSoundAlbum for Mingus and an incendiary release for {{Jazz}} music as a whole, with it's genre-defying composition and innovative use of overdubbing. The three-way brass dialogue of trumpets, trombone and tuba, high flying reeds and a sturdy rhythm section balance delicate Andalusian modes and Ellington-esque melodies, the ensemble frequently bursts into a cacophony of collective improvisation on par with jazz giants such as Music/JohnColtrane or Music/OrnetteColeman.
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* NewMusicAlbum: This record introduced more complex classical influences to his New Orleans Brass and blues / gospel influenced sound.
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* NewMusicAlbum: NewSoundAlbum: This record introduced more complex classical influences to his New Orleans Brass and blues / gospel influenced sound.
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* NeoclassicalPunkZydecoRockabilly: Mingus frequently described the record's orchestral style "ethnic folk-dance music".
to:
* NeoclassicalPunkZydecoRockabilly: Mingus frequently described the record's orchestral style "ethnic folk-dance music".music".
* NewMusicAlbum: This record introduced more complex classical influences to his New Orleans Brass and blues / gospel influenced sound.
* NewMusicAlbum: This record introduced more complex classical influences to his New Orleans Brass and blues / gospel influenced sound.
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/81hhw07nbdl_ac_sl1400.jpg]]
[[caption-width-right:350:''"Touch my beloved's thought while her world's affluence crumbles at my feet."'']]
''The Black Saint and the Sinner Lady'' is a studio album by American jazz musician Music/CharlesMingus, released on Impulse! Records in 1963. Comprised six suites composed by Mingus that were initially conceived as a [[{{Ballet}} ballet]], Mingus recorded the album shortly after he was discharged from [[BedlamHouse Bellevue Psychiatric Hospital]], a fact furthered by the liner notes containing a letter / review from his then psychotherapist, Dr. Edmund Pollock.
The record is considered a NewSoundAlbum for Mingus and an incendiary release for {{Jazz}} music as a whole, with it's genre-defying composition and innovative use of overdubbing. The three-way brass dialogue of trumpets, trombone and tuba, high flying reeds and sturdy rhythm section balance delicate Andalusian modes and Ellington-esque melodies, the ensemble frequently bursts into a cacophony of collective improvisation on par with jazz giants such as Music/JohnColtrane or Music/OrnetteColeman.
It is because of this, the record is considered to be Mingus' [[MagnumOpus masterwork]] alongside his prior record, ''Music/MingusAhUm''.
!!Tracklist:
!!!Side One
1. "Solo Dancer (Stop! Look! And Listen, Sinner Jim Whitney!)" (6:39)
2. "Duet Solo Dancers (Heart's Beat and Shades in Physical Embraces)" (6:45)
3. "Group Dancers (Soul Fusion) (Freewoman and Oh, This Freedom's Slave Cries)" (7:22)
!!!Side Two
4. "Trio and Group Dancers (Stop! Look! And Sing Songs of Revolutions!)" / "Single Solos and Group Dance (Saint and Sinner Join in Merriment on Battle Front)" / "Group and Solo Dance (Of Love, Pain, and Passioned Revolt, Then Farewell, My Beloved, 'Til It's Freedom Day)" (18:39)
!!Stop! Look! And Listen To The Tropes!
* ConceptAlbum: Although it has no lyrics, it is generally considered to have themes of social injustice, freedom and liberation. Of which is elaborated upon by the letter / review written by his psychotherapist in the liner notes.
--> "''The titles of this composition suggest the plight of the black man and a plea to the white man to be aware. He seems to state that the black man is not alone but all mankind must unite in revolution against any society that restricts freedom and human rights.''"
* {{Instrumentals}}: As to be expected from a jazz record.
* {{Jazz}}: The record is considered to be a landmark in jazz music. Particularly in the avant-garde, third stream and free jazz movements.
* NeoclassicalPunkZydecoRockabilly: Mingus frequently described the record's orchestral style "ethnic folk-dance music".
[[caption-width-right:350:''"Touch my beloved's thought while her world's affluence crumbles at my feet."'']]
''The Black Saint and the Sinner Lady'' is a studio album by American jazz musician Music/CharlesMingus, released on Impulse! Records in 1963. Comprised six suites composed by Mingus that were initially conceived as a [[{{Ballet}} ballet]], Mingus recorded the album shortly after he was discharged from [[BedlamHouse Bellevue Psychiatric Hospital]], a fact furthered by the liner notes containing a letter / review from his then psychotherapist, Dr. Edmund Pollock.
The record is considered a NewSoundAlbum for Mingus and an incendiary release for {{Jazz}} music as a whole, with it's genre-defying composition and innovative use of overdubbing. The three-way brass dialogue of trumpets, trombone and tuba, high flying reeds and sturdy rhythm section balance delicate Andalusian modes and Ellington-esque melodies, the ensemble frequently bursts into a cacophony of collective improvisation on par with jazz giants such as Music/JohnColtrane or Music/OrnetteColeman.
It is because of this, the record is considered to be Mingus' [[MagnumOpus masterwork]] alongside his prior record, ''Music/MingusAhUm''.
!!Tracklist:
!!!Side One
1. "Solo Dancer (Stop! Look! And Listen, Sinner Jim Whitney!)" (6:39)
2. "Duet Solo Dancers (Heart's Beat and Shades in Physical Embraces)" (6:45)
3. "Group Dancers (Soul Fusion) (Freewoman and Oh, This Freedom's Slave Cries)" (7:22)
!!!Side Two
4. "Trio and Group Dancers (Stop! Look! And Sing Songs of Revolutions!)" / "Single Solos and Group Dance (Saint and Sinner Join in Merriment on Battle Front)" / "Group and Solo Dance (Of Love, Pain, and Passioned Revolt, Then Farewell, My Beloved, 'Til It's Freedom Day)" (18:39)
!!Stop! Look! And Listen To The Tropes!
* ConceptAlbum: Although it has no lyrics, it is generally considered to have themes of social injustice, freedom and liberation. Of which is elaborated upon by the letter / review written by his psychotherapist in the liner notes.
--> "''The titles of this composition suggest the plight of the black man and a plea to the white man to be aware. He seems to state that the black man is not alone but all mankind must unite in revolution against any society that restricts freedom and human rights.''"
* {{Instrumentals}}: As to be expected from a jazz record.
* {{Jazz}}: The record is considered to be a landmark in jazz music. Particularly in the avant-garde, third stream and free jazz movements.
* NeoclassicalPunkZydecoRockabilly: Mingus frequently described the record's orchestral style "ethnic folk-dance music".
