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+Music/Radiohead, Music/{{Elbow}}, Music/WildBeasts, Music/EverythingEverythingBand

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+Music/Radiohead, +Music/{{Radiohead}}, Music/{{Elbow}}, Music/WildBeasts, Music/EverythingEverythingBand
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+Music/MilesDavis, Music/JohnColtrane, Music/{{Can}}, Music/PinkFloyd, Music/BelaBartok, Music/ClaudeDebussy, Music/SteveWinwood, [Music/TrafficBand Traffic]

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+Music/MilesDavis, Music/JohnColtrane, Music/{{Can}}, Music/PinkFloyd, Music/BelaBartok, Music/ClaudeDebussy, Music/SteveWinwood, [Music/TrafficBand Traffic]Music/TrafficBand
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+Music/MilesDavis, Music/{{Can}}, Music/PinkFloyd, Music/BelaBartok, Music/SteveWinwood, [Music/TrafficBand Traffic]

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+Music/MilesDavis, Music/JohnColtrane, Music/{{Can}}, Music/PinkFloyd, Music/BelaBartok, Music/ClaudeDebussy, Music/SteveWinwood, [Music/TrafficBand Traffic]
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+Music/MilesDavis, Music/{{Can}}, Music/PinkFloyd, Music/BelaBartok, Music/SteveWinwood, [[Music/TrafficBand Traffic]]

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+Music/MilesDavis, Music/{{Can}}, Music/PinkFloyd, Music/BelaBartok, Music/SteveWinwood, [[Music/TrafficBand Traffic]][Music/TrafficBand Traffic]
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[floatboxright: Influences:
+Music/MilesDavis, Music/{{Can}}, Music/PinkFloyd, Music/BelaBartok, Music/SteveWinwood, [[Music/TrafficBand Traffic]]
Influenced:
+Music/Radiohead, Music/{{Elbow}}, Music/WildBeasts, Music/EverythingEverythingBand
]

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* KidsRock: "Happiness Is Easy".
* LongestSongGoesLast: "Time It's Time" from ''The Colour Of Spring''.

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* KidsRock: "Happiness Is Easy".
Easy" features a choir of schoolchildren during the choruses.
* LongestSongGoesLast: "Time It's Time" from LongestSongGoesFirst: ''Music/SpiritOfEden'' opens with the nine-minute "The Rainbow". The next-longest track, "Desire", just barely fails to crack seven.
* LongestSongGoesLast:
**
''The Colour Of Spring''.of Spring'' closes out with the 8:14 "Time It's Time". The next-longest track, "Living in Another World", just barely falls short of seven minutes.



* TheXOfY: ''The Colour of Spring'' and ''Spirit of Eden''

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* TheXOfY: ''The Colour of Spring'' and ''Spirit of Eden''Eden''.

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* NewSoundAlbum: Each one is different from the ones that came before it, with the jump between ''The Colour of Spring'' and ''Spirit of Eden'' being the most drastic.

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* NewSoundAlbum: Each one is different from the ones that came before it, with the jump between ''The Colour of Spring'' ditches the synths in favor of a dense, organic art pop sound. ''Music/SpiritOfEden'' takes things a step further by eschewing traditional song structures in favor of an impressionist mix of ClassicalMusic and ''Spirit of Eden'' being JazzFusion that would lay the most drastic.groundwork for PostRock.


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* UnbuiltTrope: Though Talk Talk are widely considered to be the originators of PostRock (along with Music/{{Slint}}), they sound nothing like the other bands which are given that moniker. ''Music/LaughingStock'' in particular is just as much jazz as it is rock if not more, and the intense crescendos associated with the genre are rare in their work. Mark Hollis's [[Music/MarkHollisAlbum solo album]] isn't even rock, but rather completely acoustic, minimalist folk jazz.
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* NotChristianRock: Biblical allusions feature heavily in their lyrics, from their first album all the way to the Mark Hollis solo record, but despite this the band are not an overtly religious band and mainly use Christocentric imagery for metaphorical purposes.
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Up To Eleven is a defunct trope


Critical acclaim greeted the record while sales predictably decreased a bit, and some attempted ExecutiveMeddling from EMI making them release "I Believe in You" as a single led to a lawsuit that the band eventually won and had their contract dissolved. Webb left in the meantime, and the now-reduced-to-a-trio Talk Talk moved to Creator/PolydorRecords. Their last album, ''Music/LaughingStock'', came out in 1991 on Polydor's famed jazz label, Creator/{{Verve|Records}}. The recording sessions were even more demanding, the list of guest musicians was longer, the track lengths increased as well, the music moved in an even more minimalist, improvisational direction, the influence on PostRock was larger and the critical acclaim even larger. In short, ''Laughing Stock'' was ''Spirit of Eden'' turned UpToEleven.

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Critical acclaim greeted the record while sales predictably decreased a bit, and some attempted ExecutiveMeddling from EMI making them release "I Believe in You" as a single led to a lawsuit that the band eventually won and had their contract dissolved. Webb left in the meantime, and the now-reduced-to-a-trio Talk Talk moved to Creator/PolydorRecords. Their last album, ''Music/LaughingStock'', came out in 1991 on Polydor's famed jazz label, Creator/{{Verve|Records}}. The recording sessions were even more demanding, the list of guest musicians was longer, the track lengths increased as well, the music moved in an even more minimalist, improvisational direction, the influence on PostRock was larger and the critical acclaim even larger. In short, ''Laughing Stock'' was ''Spirit of Eden'' turned UpToEleven.up to eleven.
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On February 24, 2019, reports emerged that Hollis had passed away at the age of 64. The reports were confirmed two days later by his former manager, who specified that Hollis had died of "a short illness from which he never recovered." No exact date of death has been specified, nor has the name of the illness; Hollis will be dearly missed.

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On February 24, 2019, reports emerged that Hollis had passed away at the age of 64. The reports were confirmed two days later by his former manager, who specified that Hollis had died of "a short illness from which he never recovered." No exact date of death has been specified, nor has but the name of the illness; illness was later confirmed in 2022 to be cancer; Hollis will be dearly missed.
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* ''Mark Hollis'' (1998)[[note]]billed as a Mark Hollis solo album, but was originally made under the band name and is generally treated as the sixth Talk Talk album in all but name[[/note]]

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* ''Mark Hollis'' ''Music/{{Mark Hollis|Album}}'' (1998)[[note]]billed as a Mark Hollis solo album, but was originally made under the band name and is generally treated as the sixth Talk Talk album in all but name[[/note]]
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While Hollis from the start cited jazz musicians like Music/MilesDavis, Music/JohnColtrane, and classical artists like Bartók and Debussy and influences, the band's financial situation in their early years forced them to rely on synths and brought about predictable comparisons to [[NewWaveMusic New Wave]] artists like Music/DuranDuran. Snapped up by Creator/{{EMI}}, the lads released their first album in 1982, ''The Party's Over.'' Produced by former Music/DavidBowie and Music/DuranDuran engineer Colin Thurston, the album showcased the SynthPop / [[NewWaveMusic New Wave]] sound that attracted accusations of [[FollowTheLeader derivativeness]] but scraped the UK Top 40 with "Talk Talk" and "Today." In the ensuing tour, the band opened for Music/{{Genesis}} at a concert, forcing Hollis to spend most of the set [[ProducePelting avoiding whatever fans threw on stage]].

to:

While Hollis from the start cited jazz musicians like Music/MilesDavis, Music/JohnColtrane, and classical artists like Bartók and Debussy and influences, the band's financial situation in their early years forced them to rely on synths and brought about predictable comparisons to [[NewWaveMusic New Wave]] artists like Music/DuranDuran. Snapped up by Creator/{{EMI}}, the lads released their first album in 1982, ''The Party's Over.'' Produced by former Music/DavidBowie and Music/DuranDuran engineer Colin Thurston, the album showcased the SynthPop / [[NewWaveMusic New Wave]] sound that attracted accusations of [[FollowTheLeader derivativeness]] but scraped the UK Top 40 with "Talk Talk" and "Today." In the ensuing tour, the band opened for Music/{{Genesis}} Music/{{Genesis|Band}} at a concert, forcing Hollis to spend most of the set [[ProducePelting avoiding whatever fans threw on stage]].
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None


Critical acclaim greeted the record while sales predictably decreased a bit, and some attempted ExecutiveMeddling from EMI making them release "I Believe in You" as a single led to a lawsuit that the band eventually won and had their contract dissolved. Webb left in the meantime, and the now-reduced-to-a-trio Talk Talk moved to Creator/PolydorRecords. Their last album, ''Music/LaughingStock'', came out in 1991 on Polydor's famed jazz label, Verve. The recording sessions were even more demanding, the list of guest musicians was longer, the track lengths increased as well, the music moved in an even more minimalist, improvisational direction, the influence on PostRock was larger and the critical acclaim even larger. In short, ''Laughing Stock'' was ''Spirit of Eden'' turned UpToEleven.

to:

Critical acclaim greeted the record while sales predictably decreased a bit, and some attempted ExecutiveMeddling from EMI making them release "I Believe in You" as a single led to a lawsuit that the band eventually won and had their contract dissolved. Webb left in the meantime, and the now-reduced-to-a-trio Talk Talk moved to Creator/PolydorRecords. Their last album, ''Music/LaughingStock'', came out in 1991 on Polydor's famed jazz label, Verve.Creator/{{Verve|Records}}. The recording sessions were even more demanding, the list of guest musicians was longer, the track lengths increased as well, the music moved in an even more minimalist, improvisational direction, the influence on PostRock was larger and the critical acclaim even larger. In short, ''Laughing Stock'' was ''Spirit of Eden'' turned UpToEleven.
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Added DiffLines:

* ReligionRantSong: "Happiness is Easy" is about how clergy justify atrocities in the name of religion.
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While Hollis from the start cited jazz musicians like Music/MilesDavis, Music/JohnColtrane, and classical artists like Bartók and Debussy and influences, the band's financial situation in their early years forced them to rely on synths and brought about predictable comparisons to [[NewWaveMusic New Wave]] artists like Music/DuranDuran. Snapped up by Creator/{{EMI}}, the lads released their first album in 1982, ''The Party's Over.'' Produced by former Music/DavidBowie and Music/DuranDuran engineer Colin Thurston, the album showcased the SynthPop / [[NewWaveMusic New Wave]] sound that attracted accusations of [[FollowTheLeader derivativeness]] but scraped the UK Top 40 with "Talk Talk" and "Today." In the ensuing tour, the band opened for Music/{{Genesis}} at a concert, forcing Hollis to spend most of the set avoiding whatever fans threw on stage.

to:

While Hollis from the start cited jazz musicians like Music/MilesDavis, Music/JohnColtrane, and classical artists like Bartók and Debussy and influences, the band's financial situation in their early years forced them to rely on synths and brought about predictable comparisons to [[NewWaveMusic New Wave]] artists like Music/DuranDuran. Snapped up by Creator/{{EMI}}, the lads released their first album in 1982, ''The Party's Over.'' Produced by former Music/DavidBowie and Music/DuranDuran engineer Colin Thurston, the album showcased the SynthPop / [[NewWaveMusic New Wave]] sound that attracted accusations of [[FollowTheLeader derivativeness]] but scraped the UK Top 40 with "Talk Talk" and "Today." In the ensuing tour, the band opened for Music/{{Genesis}} at a concert, forcing Hollis to spend most of the set [[ProducePelting avoiding whatever fans threw on stage.
stage]].

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* ''Mark Hollis'' (1998)[[note]]billed as a Mark Hollis solo album, but was originally made under the band name and is generally treated as the sixth Talk Talk album in all but name[[/note]]



* BookEnds: ''The Party's Over'' opens with the self-titled track "Talk Talk". Mark Hollis' 1998 solo album, generally treated as an epilogue to ''Laughing Stock'', is a SelfTitledAlbum.



* IAmTheBand: Mark Hollis became this around ''Laughing Stock'', despite Lee Harris being present on the album.

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* IAmTheBand: Mark Hollis became this around ''Laughing Stock'', despite Lee Harris being present on the album. Hollis' self-titled solo album years later was even planned to be released under the Talk Talk name at first.
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[[caption-width-right:350:From left to right: Lee Haris, Mark Hollis, Paul Webb (in 1984).]]

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[[caption-width-right:350:From left to right: Lee Haris, Harris, Mark Hollis, Paul Webb (in 1984).]]

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