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* Mike Ieradi - drums (2013-present)

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* Mike Ieradi - drums (2013-present)





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* Mike Ieradi - drums (2013-2022)
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* MohsScaleOfRockAndMetalHardness: Generally around 7-8, but there's some guttural screaming which raises it now and then.
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Badass Mustache and Badass Beard are being merged into Manly Facial Hair. Examples that don't fit or are zero-context are removed. To qualify for Manly Facial Hair, the facial hair must be associated with masculinity in some way. Please read the trope description before readding to make sure the example qualifies.


* BadassBeard: Tim's certainly counts since it's huge, but everyone except Moe is sporting rather nifty ones now.
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* {{Eagleland}}: ''Palimpsest'' is mostly a Type 2, along with HorribleHistoryMetal, as it is a view of the United States from a critical lens and particularly its many historical black marks and the less glamorous side of numerous events that the US played a major role in.
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! '''''A Calculated Use of Tropes''''':

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! '''''A Calculated Use !!A thousand fathers killed, a thousand virgin daughters bled, with swords still wet with the tropes of Tropes''''':their dead!:
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''Scurrilous'', released in 2011, saw another shift in style from Progressive Metal Concept Album to a more Hard Rock sound. A large contributor to this shift was that for this album the lyrics were co-written by lead vocalist Rody Walker and bassist Arif Mirabdolbaghi, who had written all of the lyrics to the previous albums. Reception to this album was rather divided.

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''Scurrilous'', released in 2011, saw another shift in style from Progressive Metal Concept Album to a more Hard Rock sound. A large contributor to this shift was that for this album the lyrics were co-written by lead vocalist Rody Walker and bassist Arif Mirabdolbaghi, who had written penned all of the lyrics to lyricism for the previous albums. Reception to this album was rather divided.



* Rody Walker - Vocals (2001-present)
* Luke Hoskin - Lead guitar, backing vocals, piano (2001-present)
* Tim Millar - Rhythm guitar, backing vocals, piano (2001-present)
* Mike Ieradi - Drums (2013-present)

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* Rody Walker - Vocals vocals (2001-present)
* Luke Hoskin - Lead lead guitar, backing vocals, piano (2001-present)
* Tim Millar - Rhythm rhythm guitar, backing vocals, piano (2001-present)
* Mike Ieradi - Drums drums (2013-present)



* Cam McLellan - bass (2014-2017)

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* Cam McLellan [=McLellan=] - bass (2014-2017)



* LongRunnerLineUp: Type 1, prior to ''Scurillous''.

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* LongRunnerLineUp: Type 1, prior to ''Scurillous''.''Scurrilous''.



** Just compare [[https://www.youtube.com/watch?v=R3QRHBlV4Rk this]], the first song they released, to [[https://www.youtube.com/watch?v=a7pvvAuj7jw the latest]].

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** Just compare [[https://www.youtube.com/watch?v=R3QRHBlV4Rk this]], the first song they released, to [[https://www.youtube.com/watch?v=a7pvvAuj7jw the latest]].one of their later tracks]].
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* ConceptAlbum: ''Kezia'', ''Fortress'', and ''Palimpsest''. ''Pacific Myth'' itself was not a full-fledged concept EP, but had a loose overarching theme of the ocean as a metaphor for their decision to take a risk and go unsigned rather than continue to deal with a label that had caused them nothing but headaches.

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* ConceptAlbum: ''Kezia'', ''Fortress'', and ''Palimpsest''. ''Pacific Myth'' itself was not a full-fledged concept EP, but had a loose overarching theme of the ocean as a metaphor for their decision to take a risk and go unsigned rather than continue to deal with a label labels that had caused them nothing but headaches.



* TakeThat: ''Pacific Myth'' was effectively one giant one of these towards Vagrant Records, using the ocean as a metaphor for both the amount of problems that they had with the label and their decision to risk their career as an unsigned band rather than continue to fight with them at every turn.

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* TakeThat: ''Pacific Myth'' was effectively one giant one of these towards Vagrant Records, Records and Razor and Tie, using the ocean as a metaphor for both the amount of problems that they had with the label labels and their decision to risk their career as an unsigned band rather than continue to fight with them at every turn.

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* ConceptAlbum: ''Kezia'' and ''Fortress''.

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* ConceptAlbum: ''Kezia'' ''Kezia'', ''Fortress'', and ''Fortress''.''Palimpsest''. ''Pacific Myth'' itself was not a full-fledged concept EP, but had a loose overarching theme of the ocean as a metaphor for their decision to take a risk and go unsigned rather than continue to deal with a label that had caused them nothing but headaches.


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* TakeThat: ''Pacific Myth'' was effectively one giant one of these towards Vagrant Records, using the ocean as a metaphor for both the amount of problems that they had with the label and their decision to risk their career as an unsigned band rather than continue to fight with them at every turn.
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* EarlyInstallmentWeirdness: Their early demos and [=EPs=] were post-hardcore that was highly typical of the Ontario scene at the time (being comparable to Alexisonfire and Billy Talent), and while ''Kezia'' was most certainly a TropeCodifier for their more famous style, it also had far more prominent post-hardcore and pop-punk elements than their releases from ''Fortress'' onward.

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* Cam [=McLellan=] - Bass Guitar (2014-present)



* Arif Mirabdolbaghi - Bass guitar (2001-2014)

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* Arif Mirabdolbaghi - Bass guitar bass (2001-2014)
* Cam McLellan - bass (2014-2017)
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* ''Palimpsest'' (2020)


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* GenreMashup: A blend of melodic metalcore, ProgressiveMetal, PopPunk, PowerMetal, and TechnicalDeathMetal.


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* RapePillageAndBurn: "Bloodmeat".
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The band formed in 2001 when all the members were 13 years old and were originally named Happy Go Lucky. They later changed their name in 2002 to Protest The Hero, as a reference to canadian rock band Hail The Villain, and released their Search for the Truth EP which got them recognised in the canadian underground hardcore scene. The next year saw the release of their A Calculated Use of Sound EP.

In 2004 they release their debut album Kezia which marked a large shift in their style and tone. Instead of the aggressive hardcore punk they had been known for, Kezia was a {{Progressive Metal}} {{Concept Album}} which told the tale of a young girl facing execution for an unknown crime. Throughout the album the events are described by three characters, the prison priest, the prison guard and Kezia herself.

2008 saw the release of their sophomore effort, Fortress, which once again was a further move into Progressive Metal and also a Concept Album around the idea of the loss of goddess worship and gradual move towards organised religion.

Scurrilous, released in 2011, saw another shift in style from Progressive Metal Concept Album to a more Hard Rock sound. A large contributor to this shift was that for this album the lyrics were co-written by lead vocalist Rody Walker and bassist Arif Mirabdolbaghi, who had written all of the lyrics to the previous albums. Reception to this album was rather divided.

In 2013 the band were dropped from their label and drummer Moe Carlson decided to leave the band to pursue an education. They launched a successful IndieGoGo campaign and, along with help from [[Music/LambOfGod Chris Adler]] on Drums, they managed to release their latest album Volition. Continuing on from the style they had developed on Scurrilous, Volition was lyrically written by Rody alone and deals with a lot of his own personal beliefs towards politics, religion, the music industry and the future of the band itself.

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The band formed in 2001 when all the members were 13 years old and were originally named Happy Go Lucky. They later changed their name in 2002 to Protest The the Hero, as a reference to canadian Canadian rock band Hail The the Villain, and released their Search ''Search for the Truth Truth'' EP which got them recognised in the canadian Canadian underground hardcore scene. The next year saw the release of their A ''A Calculated Use of Sound Sound'' EP.

In 2004 they release their debut album Kezia ''Kezia'' which marked a large shift in their style and tone. Instead of the aggressive hardcore punk they had been known for, Kezia ''Kezia'' was a {{Progressive Metal}} {{Concept Album}} which told the tale of a young girl facing execution for an unknown crime. Throughout the album the events are described by three characters, the prison priest, the prison guard and Kezia herself.

2008 saw the release of their sophomore effort, Fortress, ''Fortress'', which once again was a further move into Progressive Metal and also a Concept Album around the idea of the loss of goddess worship and gradual move towards organised religion.

Scurrilous, ''Scurrilous'', released in 2011, saw another shift in style from Progressive Metal Concept Album to a more Hard Rock sound. A large contributor to this shift was that for this album the lyrics were co-written by lead vocalist Rody Walker and bassist Arif Mirabdolbaghi, who had written all of the lyrics to the previous albums. Reception to this album was rather divided.

In 2013 the band were dropped from their label and drummer Moe Carlson decided to leave the band to pursue an education. They launched a successful IndieGoGo campaign and, along with help from [[Music/LambOfGod Chris Adler]] on Drums, they managed to release their latest album Volition. ''Volition''. Continuing on from the style they had developed on Scurrilous, Volition ''Scurrilous'', ''Volition'' was lyrically written by Rody alone and deals with a lot of his own personal beliefs towards politics, religion, the music industry and the future of the band itself.



* BadassBeard: Tim's certainly counts since it's huge, but everyone except moe are sporting rather nifty ones now.
* ConceptAlbum: Kezia and Fortress.
* DownerEnding: "Kezia" is about a woman going facing execution for an unmentioned crime. Guess how it ends.

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* BadassBeard: Tim's certainly counts since it's huge, but everyone except moe are Moe is sporting rather nifty ones now.
* ConceptAlbum: Kezia ''Kezia'' and Fortress.
''Fortress''.
* DownerEnding: "Kezia" ''Kezia'' is about a woman going facing execution for an unmentioned crime. Guess how it ends.



* HumansAreTheRealMonsters: The album "Fortress" is about peaceful pagans being massacred by Christian missionaries. One song that particularly stands out is "Sequoia Throne".

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* HumansAreTheRealMonsters: The album "Fortress" ''Fortress'' is about peaceful pagans being massacred by Christian missionaries. One song that particularly stands out is "Sequoia Throne".



* NewSoundAlbum: There's a massive change between their EP and Kezia (which isn't surprising considering they were teenagers when they started), and almost a big a change between Kezia and Fortress. From Fortress to Scurrilous, their sound changes completely and Volition continues in the same vein.
** Scurrilous also switches to a much less progressive, more straightforward metal sound.

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* NewSoundAlbum: There's a massive change between their EP and Kezia ''Kezia'' (which isn't surprising considering they were teenagers when they started), and almost a big a change between Kezia ''Kezia'' and Fortress. ''Fortress''. From Fortress ''Fortress'' to Scurrilous, ''Scurrilous'', their sound changes completely and Volition ''Volition'' continues in the same vein.
** Scurrilous ''Scurrilous'' also switches to a much less progressive, more straightforward metal sound.



* ReligionRantSong: Many tracks on both "Kezia" and "Fortress" contain anti-religious themes, especially the first three tracks of the former. Tilting Against Windmills from "Volition" is clearly against Christianity and God.

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* ReligionRantSong: Many tracks on both "Kezia" ''Kezia'' and "Fortress" ''Fortress'' contain anti-religious themes, especially the first three tracks of the former. Tilting "Tilting Against Windmills Windmills" from "Volition" ''Volition'' is clearly against Christianity and God.



** In "The Dissentience" on the album "Fortress": Bloooodmeeeat! (ironically in the previous song, "Bloodmeat", they never say this.)
** In "The Divine Suicide of K." on "Kezia": Blindfold Aside, I'll probably still close my eyes."

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** In "The Dissentience" on the album "Fortress": ''Fortress'': Bloooodmeeeat! (ironically in the previous song, "Bloodmeat", they never say this.)
** In "The Divine Suicide of K." on "Kezia": ''Kezia'': Blindfold Aside, I'll probably still close my eyes."
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** Just compare [[https://www.youtube.com/watch?v=R3QRHBlV4Rk this]], the first song they released, to [https://www.youtube.com/watch?v=a7pvvAuj7jw the latest]].

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** Just compare [[https://www.youtube.com/watch?v=R3QRHBlV4Rk this]], the first song they released, to [https://www.[[https://www.youtube.com/watch?v=a7pvvAuj7jw the latest]].

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* EpicRocking: A fair amount of this. Their longest song is probably "Caravan" from ''Pacific Myth'', which is 8:40 long.



* HumansAreTheRealMonsters: The album "Fortress" is about peaceful pagans being massacred by Christian missionaries. One song that particularly stands out is "Sequoia Throne".
** On the flip side, you also have "Bloodmeat", from the same album, which is about the hordes of Genghis Khan slaughtering Christians.



* HumansAreTheRealMonsters: The album "Fortress" is about peaceful pagans being massacred by Christian missionaries. One song that particularly stands out is "Sequoia Throne".
** On the flip side, you also have "Bloodmeat", from the same album, which is about the hordes of Genghis Khan slaughtering Christians.

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* HumansAreTheRealMonsters: The album "Fortress" is about peaceful pagans being massacred by Christian missionaries. One song that particularly stands out is "Sequoia Throne".
** On
LoudnessWar: Played straight on the flip side, you also have "Bloodmeat", from whole, but the same album, {{remaster}} of ''Kezia'' is actually quieter than the original, which is about the hordes of Genghis Khan slaughtering Christians.fairly unusual for this trope these days.
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* ''Gallop Meets The Earth'' (Live Recording) (2009)

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* ''Gallop Meets The the Earth'' (Live Recording) (2009)



* ''The Best of Protest The Hero'' (Compilation) (2013)

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* ''The Best of Protest The the Hero'' (Compilation) (2013)




!Tropes that apply to Protest The Hero:

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\n!Tropes that apply to Protest The Hero:----
! '''''A Calculated Use of Tropes''''':
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Protest The Hero are a Canadian ProgressiveMetal[=/=]AvantGardeMetal band, who began life playing somewhat straightforward [[PunkRock Punk]], and got more and more progressive with each release.

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Protest The the Hero are a Canadian ProgressiveMetal[=/=]AvantGardeMetal band, who began life playing somewhat straightforward [[PunkRock Punk]], and got more and more progressive with each release.



* LongRunnerLineUp: Type A prior to ''Scurillous''.

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* LongRunnerLineUp: Type A 1, prior to ''Scurillous''.

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