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Protest the Hero are a Canadian Progressive Metal/Avant-Garde Metal band, who began life playing somewhat straightforward Punk, and got more and more progressive with each release.

The band formed in 2001 when all the members were 13 years old and were originally named Happy Go Lucky. They later changed their name in 2002 to Protest the Hero, as a reference to Canadian rock band Hail the Villain, and released their Search for the Truth EP which got them recognised in the Canadian underground hardcore scene. The next year saw the release of their A Calculated Use of Sound EP.

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In 2004 they release their debut album Kezia which marked a large shift in their style and tone. Instead of the aggressive hardcore punk they had been known for, Kezia was a Progressive Metal Concept Album which told the tale of a young girl facing execution for an unknown crime. Throughout the album the events are described by three characters, the prison priest, the prison guard and Kezia herself.

2008 saw the release of their sophomore effort, Fortress, which once again was a further move into Progressive Metal and also a Concept Album around the idea of the loss of goddess worship and gradual move towards organised religion.

Scurrilous, released in 2011, saw another shift in style from Progressive Metal Concept Album to a more Hard Rock sound. A large contributor to this shift was that for this album the lyrics were co-written by lead vocalist Rody Walker and bassist Arif Mirabdolbaghi, who had written all of the lyrics to the previous albums. Reception to this album was rather divided.

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In 2013 the band were dropped from their label and drummer Moe Carlson decided to leave the band to pursue an education. They launched a successful Indie Go Go campaign and, along with help from Chris Adler on Drums, they managed to release their latest album Volition. Continuing on from the style they had developed on Scurrilous, Volition was lyrically written by Rody alone and deals with a lot of his own personal beliefs towards politics, religion, the music industry and the future of the band itself.

Another departure occurred in 2014 when bassist Arif Mirabdolbaghi decided to focus on other projects and was replaced by touring bassist Cam McLellan

To date, they have released 4 albums, 3 EP's and 1 live album.

Members:

Current

  • Rody Walker - Vocals (2001-present)
  • Luke Hoskin - Lead guitar, backing vocals, piano (2001-present)
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  • Tim Millar - Rhythm guitar, backing vocals, piano (2001-present)
  • Cam McLellan - Bass Guitar (2014-present)
  • Mike Ieradi - Drums (2013-present)

Former

  • Moe Carlson – drums (2001–2013)
  • Arif Mirabdolbaghi - Bass guitar (2001-2014)

Discography:

  • Search for the Truth (EP) (2002)
  • A Calculated Use of Sound (EP) (2003)
  • Kezia (2005)
  • Fortress (2008)
  • Gallop Meets the Earth (Live Recording) (2009)
  • Scurrilous (2011)
  • The Best of Protest the Hero (Compilation) (2013)
  • Volition (2013)
  • Pacific Myth (2016) (EP)

A Calculated Use of Tropes:

  • Alien Invasion: Both averted and subverted in "Sequoia Throne". "They're not the ones who cause us harm - we are!" Then later; "They bloviate about a future beyond the moon, to bring about another planet's doom, to find some other peaceful life, and beat a war-drum to its tune. Unless my prayers are answered, our end is coming soon."
  • Badass Beard: Tim's certainly counts since it's huge, but everyone except Moe is sporting rather nifty ones now.
  • Concept Album: Kezia and Fortress.
  • Downer Ending: Kezia is about a woman going facing execution for an unmentioned crime. Guess how it ends.
  • Epic Rocking: A fair amount of this. Their longest song is probably "Caravan" from Pacific Myth, which is 8:40 long.
  • Genre Shift: From Punk Rock to Progressive Metal and finally to experimental metal.
  • Home Porn Movie: "Sex Tapes"
  • Humans Are the Real Monsters: The album Fortress is about peaceful pagans being massacred by Christian missionaries. One song that particularly stands out is "Sequoia Throne".
    • On the flip side, you also have "Bloodmeat", from the same album, which is about the hordes of Genghis Khan slaughtering Christians.
  • Large Ham: Rody has a habit of hamming it up in videos.
  • Long-Runner Line-up: Type 1, prior to Scurillous.
  • Loudness War: Played straight on the whole, but the remaster of Kezia is actually quieter than the original, which is fairly unusual for this trope these days.
  • Mohs Scale of Rock and Metal Hardness: Generally around 7-8, but there's some guttural screaming which raises it now and then.
  • New Sound Album: There's a massive change between their EP and Kezia (which isn't surprising considering they were teenagers when they started), and almost a big a change between Kezia and Fortress. From Fortress to Scurrilous, their sound changes completely and Volition continues in the same vein.
    • Scurrilous also switches to a much less progressive, more straightforward metal sound.
    • Just compare this, the first song they released, to the latest.
  • Religion Rant Song: Many tracks on both Kezia and Fortress contain anti-religious themes, especially the first three tracks of the former. "Tilting Against Windmills" from Volition is clearly against Christianity and God.
  • Spiritual Successor: To SikTh.
  • Title Drop: Many times.
    • In "The Dissentience" on the album Fortress: Bloooodmeeeat! (ironically in the previous song, "Bloodmeat", they never say this.)
    • In "The Divine Suicide of K." on Kezia: Blindfold Aside, I'll probably still close my eyes."
    • "Divinity Within" also name drops itself a couple of times.

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