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P. D. Q. Bach is a fairly obscure member of the Bach family (being the last, least, and certainly oddest of Music/JohannSebastianBach's 20-odd children) who lived from 1807–1742[[MerlinSickness (?)]]. As with much of his family, he began a career as a musician; unlike much of his family, he was both GiftedlyBad and extremely prolific. After his death he was promptly forgotten by history, and most of his compositions were suppressed by the Bachs to protect the family name; what we do know of him is primarily the work of one Professor Peter Schickele (July 17, 1935 – January 16, 2024) of the University of Southern North Dakota at Hoople. Schickele has spent much of his career not only researching the life of this obscure historical figure, but also discovering his works and performing them for modern audiences.

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P. D. Q. Bach is a fairly obscure member of the Bach family (being the last, least, and certainly oddest of Music/JohannSebastianBach's 20-odd children) who lived from 1807–1742[[MerlinSickness (?)]]. As with much of his family, he began a career as a musician; unlike much of his family, he was both GiftedlyBad and extremely prolific. After his death he was promptly forgotten by history, and most of his compositions were suppressed by the Bachs to protect the family name; what we do know of him is primarily the work of one Professor Peter Schickele (July 17, 1935 – January 16, 2024) of the University of Southern North Dakota at Hoople. Schickele has spent much of his career not only researching the life of this obscure historical figure, but also discovering his works and performing them for modern audiences.
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* BerserkButton: The Prof's WTWP co-host Blondie is driven insane by Pachelbel's Canon, almost DrivenToSuicide. Especially at a time when she's on the verge of being let go by the station's head.

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* BerserkButton: The Prof's WTWP co-host Blondie is driven insane by Pachelbel's Canon, Canon (the station's call letters stand for "Wall-to-Wall Pachelbel"), almost DrivenToSuicide. Especially at a time when she's on the verge of being let go by the station's head.
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* DynamicEntry: Until the early 1980s, Schickele's preferred method of arriving at his concerts (late and disheveled, as per his character) was to swing from the balcony onto the stage, with the goal of knocking over as many chairs and music stands as possible. This was replaced in later years with the somewhat more subdued method of running down an aisle and belly-flopping onto the stage.
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P. D. Q. Bach is a fairly obscure member of the Bach family (being the last, least, and certainly oddest of Music/JohannSebastianBach's 20-odd children) who lived from 1807-1742[[MerlinSickness (?)]]. As with much of his family, he began a career as a musician; unlike much of his family, he was both GiftedlyBad and extremely prolific. After his death he was promptly forgotten by history, and most of his compositions were suppressed by the Bachs to protect the family name; what we do know of him is primarily the work of one Professor Peter Schickele (July 17, 1935 - January 16, 2024) of the University of Southern North Dakota at Hoople. Schickele has spent much of his career not only researching the life of this obscure historical figure, but also discovering his works and performing them for modern audiences.

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P. D. Q. Bach is a fairly obscure member of the Bach family (being the last, least, and certainly oddest of Music/JohannSebastianBach's 20-odd children) who lived from 1807-1742[[MerlinSickness 1807–1742[[MerlinSickness (?)]]. As with much of his family, he began a career as a musician; unlike much of his family, he was both GiftedlyBad and extremely prolific. After his death he was promptly forgotten by history, and most of his compositions were suppressed by the Bachs to protect the family name; what we do know of him is primarily the work of one Professor Peter Schickele (July 17, 1935 - January 16, 2024) of the University of Southern North Dakota at Hoople. Schickele has spent much of his career not only researching the life of this obscure historical figure, but also discovering his works and performing them for modern audiences.
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P. D. Q. Bach is a fairly obscure member of the Bach family (being the last, least, and certainly oddest of Music/JohannSebastianBach's 20-odd children) who lived from 1807-1742[[MerlinSickness (?)]]. As with much of his family, he began a career as a musician; unlike much of his family, he was both GiftedlyBad and extremely prolific. After his death he was promptly forgotten by history, and most of his compositions were suppressed by the Bachs to protect the family name; what we do know of him is primarily the work of one Professor Peter Schickele (born July 17, 1935) of the University of Southern North Dakota at Hoople. Schickele has spent much of his career not only researching the life of this obscure historical figure, but also discovering his works and performing them for modern audiences.

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P. D. Q. Bach is a fairly obscure member of the Bach family (being the last, least, and certainly oddest of Music/JohannSebastianBach's 20-odd children) who lived from 1807-1742[[MerlinSickness (?)]]. As with much of his family, he began a career as a musician; unlike much of his family, he was both GiftedlyBad and extremely prolific. After his death he was promptly forgotten by history, and most of his compositions were suppressed by the Bachs to protect the family name; what we do know of him is primarily the work of one Professor Peter Schickele (born July (July 17, 1935) 1935 - January 16, 2024) of the University of Southern North Dakota at Hoople. Schickele has spent much of his career not only researching the life of this obscure historical figure, but also discovering his works and performing them for modern audiences.
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** In the final notes of ''Iphigenia in Brooklyn'', the "bargain countertenor" [[note]]so called because the part combines the ranges of a baritone, alto, and soprano in one musician[[/note]] must sing a G[[subscript:5]] followed by a G[[subscript:2]], three octaves lower, and well out of a normal countertenor's range.
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Oedipus Complex is a disambiguation


[[OedipusComplex Don't love your mother]], save it for your horse.\\

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[[OedipusComplex Don't love your mother]], mother, save it for your horse.\\
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-->"The crowd is getting very excited. The brasses have come in and the tympani and everybody, and it's extremely exciting! I think we're building up to a fugue!"

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-->"The crowd is getting very excited. The brasses have come in and the tympani timpani and everybody, and it's extremely exciting! I think we're building up to a fugue!"
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* ViewersAreGeniuses: The more you know about ClassicalMusic, the funnier you'll find the jokes.

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* ViewersAreGeniuses: The more you know about ClassicalMusic, the funnier you'll find the jokes. For example, the aforementioned Jonathon "Boozey" Hawkes is a reference to the British music publisher Boosey & Hawkes, something only a classical musician would know.
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* YiddishAsASecondLanguage: The refrain of "The Queen to Me a Royal Pain Doth Give" is repetitions of "Oy vey!"

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** "So This Guy," the last movement of the "Knock Knock Cantata," offers one of these. There's also a sketch on the ''1712 Overture'' CD that turns out to be a long build-up to the punchline, "I've just always wanted to [[spoiler:give Burt Bach a rock]]."

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** "So This Guy," the last movement of the "Knock Knock Cantata," offers one of these. these.
**
There's also a sketch on the ''1712 Overture'' CD that turns out to be a long build-up to the punchline, "I've just always wanted to [[spoiler:give Burt Bach a rock]]."


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* FirstWorldProblems: "Classical Rap" contains a number of these, from being badgered for charitable donations, to being unable to get tickets to a popular Broadway show.
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* AluminumChristmasTrees: The ''Concerto For Horn & Hardart'' is a play on the [[https://en.wikipedia.org/wiki/Horn_%26_Hardart Horn & Hardart]] restaurant chain, which went out of business in the early 90's. Obviously, this joke is mostly lost on younger listeners.
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added Informed Location

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* InformedLocation: There really is a Hoople, North Dakota, but it's a town of only about 250 people and it's located in the northeastern part of the state.
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%%* AffectionateParody

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%%* AffectionateParody* AffectionateParody: Of the entire genre of ClassicalMusic, playfully riffing on the genre's tropes and most famous compositions through the lens of a GiftedlyBad fictitious descendant of Music/JohannSebastianBach.



** "Come un pipistrello fuori dall' inferno" (finale of the "Howdy" Symphony) = "Like a BatOutOfHell"

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** "Come un pipistrello fuori dall' inferno" (finale of the "Howdy" Symphony) = "Like "[[Music/BatOutOfHell Like a BatOutOfHell"Bat out of Hell]]"
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* TranslationConvention: P.D.Q. Bach's vocal works have most often been discovered in English translations. These were supposedly prepared by Jonathan "Boozey" Hawkes, a drinking buddy of P.D.Q.'s from Liverpool.
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* EarlyInstallmentWeirdness: 'The 'Sanka' Cantata'' is mostly puns on the names of the people whose house they recorded it in. More bizarrely, the role of the discoverer was played by David Schickele as Sir Osbronk Chapie, Bart.

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* EarlyInstallmentWeirdness: 'The 'Sanka' Cantata'' {{Cantata}}'' is mostly puns on the names of the people whose house they recorded it in. More bizarrely, the role of the discoverer was played by David Schickele as Sir Osbronk Chapie, Bart.

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When I hear people calling us well-off.

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When I hear people calling us well-off.\\
Anyone who thinks that we're sitting pretty\\
Doesn't know what it's like in the big bad city.
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-->So we're making six figures here\\
But I have to make one thing crystal clear:\\
I have to laugh, and I have to scoff\\
When I hear people calling us well-off.
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* GodSaveUsFromTheQueen: The madrigal "The Queen To Me A Royal Pain Doth Give".

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* IncrediblyLongNote: Parodied at one point in ''The Stoned Guest'', when the soprano runs out of air and has to catch her breath, getting called out on it by the mezzo.

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* IncrediblyLongNote: Parodied at one point in ''The Stoned Guest'', when the soprano runs out of air and has to catch her breath, getting called out on it by the mezzo.[[note]]On the LP, you have to flip to side B to hear the end. The lyric is an extend "I" and it ends with the mezzo singing 'win!' [[/note]]
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Fixing a fix.


* YourMom: ''The Art of the Ground Round'' has a verse not found on the LP, ''Who, oh Who'' where the three voices combine to sing “your mother wear army shoes.”

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* YourMom: ''The Art of the Ground Round'' has a verse not found on the LP, ''Who, oh Who'' where the three voices combine to sing “your mother wear wears army shoes.”
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* YourMom: ''The Art of the Ground Round'' has a verse not found on the LP, ''Who, oh Who'' where the three voices combine to sing “your mother war army shoes.”

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* YourMom: ''The Art of the Ground Round'' has a verse not found on the LP, ''Who, oh Who'' where the three voices combine to sing “your mother war wear army shoes.”
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* ForegoneConclusion: Since ''Oedipus Tex'' is ''Theatre/OedipusRex'' [[RecycledInSpace IN THE WILD WEST]], it's pretty clear what's gonna happen, and the opening GreekChorus figuratively and [[SpellingSong literally]] spells it all out.

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* ForegoneConclusion: Since ''Oedipus Tex'' is ''Theatre/OedipusRex'' [[RecycledInSpace [[JustForFun/RecycledInSpace IN THE WILD WEST]], it's pretty clear what's gonna happen, and the opening GreekChorus figuratively and [[SpellingSong literally]] spells it all out.
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** For the latter piece, the part where it’s easiest to hear the music is the main joke in the actual piece: A Dixieland band tries to replace the oboes, and has to be kicked out.

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** For the latter piece, the part where it’s easiest to hear the music is the main joke in the actual piece: A Dixieland band tries to replace the oboes, and has to be kicked out. This itself becomes a funny background event in live performances, as they try to sneak back onstage a few more times.
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Commented out Zero Context Examples.


* AffectionateParody

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* %%* AffectionateParody



* EverythingsLouderWithBagpipes

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* %%* EverythingsLouderWithBagpipes
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** For the latter piece, the part where it’s easiest to hear the music is the main joke in the actual piece: A Dixieland band tries to replace the oboes, and has to be kicked out.
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* {{Bowdlerize}}: Each madrigal in ''The Triumphs of Thusnelda'' was published with slightly sanitized lyrics. The Biography mentions and complains about this, and gives permission to use the original words, which it includes.
Willbyr MOD

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* KazoosMeanSilliness: He often scored for kazoos in his larger-scale works, usually along with various other unconventional instruments. One set of program notes explains that though the kazoos used were modern, they were equipped with 18th-century tissue paper for the sake of authenticity.
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* IncrediblyLongNote: Parodied at one point in ''Oedipus Tex'', when the soprano runs out of air and has to catch her breath, getting called out on it by the mezzo.

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* IncrediblyLongNote: Parodied at one point in ''Oedipus Tex'', ''The Stoned Guest'', when the soprano runs out of air and has to catch her breath, getting called out on it by the mezzo.
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sp


* StylisticSuck: Peter Schickele is a Julliard-trained composer and performer, but the level of unoriginality and poor music theory in PDQ Bach's work certainly makes it seem otherwise.

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* StylisticSuck: Peter Schickele is a Julliard-trained Juilliard-trained composer and performer, but the level of unoriginality and poor music theory in PDQ Bach's work certainly makes it seem otherwise.

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