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* AlbumTitleDrop: The phrase "making movies" is in the lyrics of "Skateaway".
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''Making Movies'', released in 1980, is the third studio album by British rock band Music/DireStraits. The album marks a significant turning point in the band's style, introducing a greater degree of musical complexity and experimentation compared to the low-key roots rock style of their [[Music/DireStraitsAlbum self-titled debut]] and ''Communiqué'', born out of frontman Mark Knopfler's desire to push what the band were capable of artists. While not everyone was on-board with the idea, with Knopfler's younger brother David leaving the group due to CreativeDifferences, the band was in enough agreement with Knopfler to shift focus towards longer, more intricately-arranged songs influenced by the emerging NewWaveMusic scene and the waning ProgressiveRock scene without totally abandoning their BluesRock core. In particular, the band sought out Jimmy Iovine for production duties after hearing his work on Music/PattiSmith and Music/BruceSpringsteen's duet "Because the Night".

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''Making Movies'', released in 1980, 1980 through Creator/VertigoRecords in the UK and Creator/WarnerBrosRecords in the US, is the third studio album by British rock band Music/DireStraits. The album marks a significant turning point in the band's style, introducing a greater degree of musical complexity and experimentation compared to the low-key roots rock style of their [[Music/DireStraitsAlbum self-titled debut]] and ''Communiqué'', ''Music/{{Communique}}'', born out of frontman Mark Knopfler's desire to push what the band were capable of artists. While not everyone was on-board with the idea, with Knopfler's younger brother David leaving the group due to CreativeDifferences, the band was in enough agreement with Knopfler to shift focus towards longer, more intricately-arranged songs influenced by the emerging NewWaveMusic scene and the waning ProgressiveRock scene without totally abandoning their BluesRock core. In particular, the band sought out Jimmy Iovine for production duties after hearing his work on Music/PattiSmith and Music/BruceSpringsteen's duet "Because the Night".

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* CampGay: Explored sarcastically in "Les Boys".

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* CampGay: Explored sarcastically in "Les Boys".Boys", which depicts a troupe of gay male dancers who give stage performances that homoerotically appropriate Nazi imagery.


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* FranchiseCodifier: While the band's [[Music/DireStraitsAlbum self-titled debut]] made them an instant success, it was this album that established the tone of the majority of their output. The album combined the band's roots/pub rock sound with more elaborate arrangements and composition styles lifted from ProgressiveRock. The band also grew more open to EpicRocking songs to match, exemplified by the 8-minute opener, "Tunnel of Love". This template would be further explored on later material, which ranged from the outright prog album ''Music/LoveOverGold'' to the commercially-inclined ''[=ExtendedancEPlay=]'' and ''Music/{{Brothers in Arms|Album}}''.

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* AlternateMusicVideo: "Tunnel of Love" received two music videos, both of which directly adapt the song's lyrics. The first video, directed by Lester Bookbinder, is shot in a studio and features various offbeat setpieces corresponding with the lyrics. The second video, meanwhile, is shot on-location and features more straightforward interpretations of the lyrics (among other things, part of it is filmed at an actual amusement park).



* SurrealMusicVideo: The music video for "Tunnel of Love" literally adapts the song's lyrics, resulting in a cavalcade of offbeat, but thematically-related imagery. [[note]] There are two videos for "Tunnel of Love". One is part of a thematic video trilogy along with "Romeo and Juliet" and "Skateaway". While each video stands alone, they also blend together from song to song. The other is the one mentioned for this trope.[[/note]]

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* SurrealMusicVideo: The Lester Bookbinder-directed music video videos for "Tunnel of Love" Love", "Romeo and Juliet", and "Skateaway" literally adapts adapt the song's lyrics, resulting in a cavalcade of offbeat, but thematically-related imagery. [[note]] There are two videos for "Tunnel of Love". One is part of a thematic video trilogy along with "Romeo and Juliet" and "Skateaway". While each video stands alone, they also blend together from song to song. The other is the one mentioned for this trope.[[/note]]
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* NotChristianRock: Both the music and lyrics of "Solid Rock" sound incredibly churchy, but it doesn't have any specific Biblical or God-related references.
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* SurrealMusicVideo: The music video for "Tunnel of Love" literally adapts the song's lyrics, resulting in a cavalcade of offbeat, but thematically-related imagery.

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* SurrealMusicVideo: The music video for "Tunnel of Love" literally adapts the song's lyrics, resulting in a cavalcade of offbeat, but thematically-related imagery. [[note]] There are two videos for "Tunnel of Love". One is part of a thematic video trilogy along with "Romeo and Juliet" and "Skateaway". While each video stands alone, they also blend together from song to song. The other is the one mentioned for this trope.[[/note]]
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* MinimalisticCoverArt: Compared to the more elaborate artwork for the band's first two albums and last three, ''Making Movies'' sets itself apart with a stark red square with a notched turquoise strip on the side.

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* MinimalisticCoverArt: Compared to the more elaborate artwork for the band's first two albums and last three, ''Making Movies'' sets itself apart with a stark red square with a notched turquoise strip on the side. See PackagedAsOtherMedium, below.

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It resembles a box for a movie reel.


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* PackagedAsOtherMedium: The album cover is a minimalist reinterpretation of the packaging for a movie reel, tying in with the album title.

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* LongestSongGoesLast: {{Inverted|Trope}}; the 8:11 "Tunnel of Love" opens the album.

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* LongestSongGoesLast: {{Inverted|Trope}}; the LongestSongGoesFirst: The 8:11 "Tunnel of Love" opens the album.


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* SurrealMusicVideo: The music video for "Tunnel of Love" literally adapts the song's lyrics, resulting in a cavalcade of offbeat, but thematically-related imagery.
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It resembles a box for a movie reel.
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* CelebrityBreakUpSong: "Romeo and Juliet", a song in which Mark Knopfler recalls his failed romantic relationship with fellow musician Holly Vincent, after he found out about an interview in which she described her time with him in a very blunt and offhanded way. Hence the line "now you just say, 'oh, Romeo, yeah, you know I used to have a scene with him.'"
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* CelebrityBreakUpSong: "Romeo and Juliet", a song in which Mark Knopfler recalls his failed romantic relationship with fellow musician Holly Vincent, after he found out about an interview in which she described her time with him in a very blunt and offhanded way. Hence the line "now you just say, 'oh, Romeo, yeah, you know I used to have a scene with him.'"
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The end result was positively received by fans and critics, who considered it a major step up from the SophomoreSlump of ''Communiqué'' and generally rank it to this day as one of their finest albums. The album was also a considerable commercial success, spending 252 consecutive weeks on the UK Albums chart, during which it peaked at No. 4, topping the charts in Italy and Norway, and peaking at No. 19 in the United States. The album was certified gold in France, Germany, the Netherlands, and Spain, platinum in the United States, New Zealand, and Finland, and double-platinum in the band's native UK. Lead single "Romeo and Juliet" additionally peaked at No. 8 on the UK Singles chart, though the following two singles, "Skateaway" and "Tunnel of Love", were much more modest in sales. Along with ''Music/LoveOverGold'' and ''Music/BrothersInArms'', ''Making Movies'' is generally considered part of a major creative high point for the band, and these three albums are often considered the band's greatest work (which says quite a bit considering it makes up exactly half their studio album discography). As of 2020, ''WebSite/AcclaimedMusic'' lists the record at No. 1560 on [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums its dynamic list]] of the 3000 most critically lauded albums.

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The end result was positively received by fans and critics, who considered it a major step up from the SophomoreSlump of ''Communiqué'' and generally rank it to this day as one of their finest albums. The album was also a considerable commercial success, spending 252 consecutive weeks on the UK Albums chart, during which it peaked at No. 4, topping the charts in Italy and Norway, and peaking at No. 19 in the United States. The album was certified gold in France, Germany, the Netherlands, and Spain, platinum in the United States, New Zealand, and Finland, and double-platinum in the band's native UK. Lead single "Romeo and Juliet" additionally peaked at No. 8 on the UK Singles chart, though the following two singles, "Skateaway" and "Tunnel of Love", were much more modest in sales. Along with ''Music/LoveOverGold'' and ''Music/BrothersInArms'', ''Making Movies'' is generally considered part of a major creative high point for the band, and these three albums are often considered the band's greatest work (which says quite a bit considering it makes up exactly half their studio album discography). As of 2020, ''WebSite/AcclaimedMusic'' lists the record at No. 1560 on [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums its dynamic list]] of the 3000 most critically lauded albums.
chart.
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The end result was positively received by fans and critics, who considered it a major step up from the SophomoreSlump of ''Communiqué'' and generally rank it to this day as one of their finest albums. The album was also a considerable commercial success, spending 252 consecutive weeks on the UK Albums chart, during which it peaked at No. 4, topping the charts in Italy and Norway, and peaking at No. 19 in the United States. The album was certified gold in France, Germany, the Netherlands, and Spain, platinum in the United States, New Zealand, and Finland, and double-platinum in the band's native UK. Lead single "Romeo and Juliet" additionally peaked at No. 8 on the UK Singles chart, though the following two singles, "Skateaway" and "Tunnel of Love", were much more modest in sales. Along with ''Music/LoveOverGold'' and ''Music/BrothersInArms'', ''Making Movies'' is generally considered part of a major creative high point for the band, and these three albums are often considered the band's greatest work (which says quite a bit considering it makes up exactly half their studio album discography).

to:

The end result was positively received by fans and critics, who considered it a major step up from the SophomoreSlump of ''Communiqué'' and generally rank it to this day as one of their finest albums. The album was also a considerable commercial success, spending 252 consecutive weeks on the UK Albums chart, during which it peaked at No. 4, topping the charts in Italy and Norway, and peaking at No. 19 in the United States. The album was certified gold in France, Germany, the Netherlands, and Spain, platinum in the United States, New Zealand, and Finland, and double-platinum in the band's native UK. Lead single "Romeo and Juliet" additionally peaked at No. 8 on the UK Singles chart, though the following two singles, "Skateaway" and "Tunnel of Love", were much more modest in sales. Along with ''Music/LoveOverGold'' and ''Music/BrothersInArms'', ''Making Movies'' is generally considered part of a major creative high point for the band, and these three albums are often considered the band's greatest work (which says quite a bit considering it makes up exactly half their studio album discography).
discography). As of 2020, ''WebSite/AcclaimedMusic'' lists the record at No. 1560 on [[UsefulNotes/AcclaimedMusicAllTimeTopAlbums its dynamic list]] of the 3000 most critically lauded albums.
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* NewSoundAlbum: This record features more keyboards, courtesy of Roy Bittan from Music/BruceSpringsteen's E Street band, as the band began to move away from the "roots rock" sound of their first two albums.
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--> ''"Now you just say "Oh, Romeo. Yeah, I used to have a scene with him."''

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--> ''"Now you just say "Oh, Romeo. Yeah, I used to have a scene with him."''"''
----
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''Making Movies'', released in 1980, is the third studio album by British rock band Music/DireStraits. The album marks a significant turning point in the band's style, introducing a greater degree of musical complexity and experimentation compared to the low-key roots rock style of their [[Music/DireStraitsAlbum self-titled debut]] and ''Communiqué'', born out of frontman Mark Knopfler's desire to push what the band were capable of artists. While not everyone was on-board with the idea, with Knopfler's younger brother David leaving the group due to creative differences, the band was in enough agreement with Knopfler to shift focus towards longer, more intricately-arranged songs influenced by the emerging NewWaveMusic scene and the waning ProgressiveRock scene without totally abandoning their BluesRock core. In particular, the band sought out Jimmy Iovine for production duties after hearing his work on Music/PattiSmith and Music/BruceSpringsteen's duet "Because the Night".

to:

''Making Movies'', released in 1980, is the third studio album by British rock band Music/DireStraits. The album marks a significant turning point in the band's style, introducing a greater degree of musical complexity and experimentation compared to the low-key roots rock style of their [[Music/DireStraitsAlbum self-titled debut]] and ''Communiqué'', born out of frontman Mark Knopfler's desire to push what the band were capable of artists. While not everyone was on-board with the idea, with Knopfler's younger brother David leaving the group due to creative differences, CreativeDifferences, the band was in enough agreement with Knopfler to shift focus towards longer, more intricately-arranged songs influenced by the emerging NewWaveMusic scene and the waning ProgressiveRock scene without totally abandoning their BluesRock core. In particular, the band sought out Jimmy Iovine for production duties after hearing his work on Music/PattiSmith and Music/BruceSpringsteen's duet "Because the Night".
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''Making Movies'', released in 1980, is the third studio album by British rock band Music/DireStraits. The album marks a significant turning point in the band's style, introducing a greater degree of musical complexity and experimentation compared to the low-key roots rock style of their [[Music/DireStraitsAlbum self-titled debut]] and ''Communiqué'', born out of frontman Mark Knopfler's desire to push what the band were capable of artists. While not everyone was on-board with the idea, with Knopfler's younger brother David leaving the group due to creative differences, the band was in enough agreement with Knopfler to shift focus towards longer, more intricately-arranged songs influenced by the emerging NewWaveMusic scene and the waning ProgressiveRock scene without totally abandoning their roots rock core. In particular, the band sought out Jimmy Iovine for production duties after hearing his work on Music/PattiSmith and Music/BruceSpringsteen's duet "Because the Night".

to:

''Making Movies'', released in 1980, is the third studio album by British rock band Music/DireStraits. The album marks a significant turning point in the band's style, introducing a greater degree of musical complexity and experimentation compared to the low-key roots rock style of their [[Music/DireStraitsAlbum self-titled debut]] and ''Communiqué'', born out of frontman Mark Knopfler's desire to push what the band were capable of artists. While not everyone was on-board with the idea, with Knopfler's younger brother David leaving the group due to creative differences, the band was in enough agreement with Knopfler to shift focus towards longer, more intricately-arranged songs influenced by the emerging NewWaveMusic scene and the waning ProgressiveRock scene without totally abandoning their roots rock BluesRock core. In particular, the band sought out Jimmy Iovine for production duties after hearing his work on Music/PattiSmith and Music/BruceSpringsteen's duet "Because the Night".
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[[quoteright:350:https://static.tvtropes.org/pmwiki/pub/images/making_movies.png]]
[[caption-width-right:350:''"I dreamed your dream for you, and now your dream is real."'']]

''Making Movies'', released in 1980, is the third studio album by British rock band Music/DireStraits. The album marks a significant turning point in the band's style, introducing a greater degree of musical complexity and experimentation compared to the low-key roots rock style of their [[Music/DireStraitsAlbum self-titled debut]] and ''Communiqué'', born out of frontman Mark Knopfler's desire to push what the band were capable of artists. While not everyone was on-board with the idea, with Knopfler's younger brother David leaving the group due to creative differences, the band was in enough agreement with Knopfler to shift focus towards longer, more intricately-arranged songs influenced by the emerging NewWaveMusic scene and the waning ProgressiveRock scene without totally abandoning their roots rock core. In particular, the band sought out Jimmy Iovine for production duties after hearing his work on Music/PattiSmith and Music/BruceSpringsteen's duet "Because the Night".

The end result was positively received by fans and critics, who considered it a major step up from the SophomoreSlump of ''Communiqué'' and generally rank it to this day as one of their finest albums. The album was also a considerable commercial success, spending 252 consecutive weeks on the UK Albums chart, during which it peaked at No. 4, topping the charts in Italy and Norway, and peaking at No. 19 in the United States. The album was certified gold in France, Germany, the Netherlands, and Spain, platinum in the United States, New Zealand, and Finland, and double-platinum in the band's native UK. Lead single "Romeo and Juliet" additionally peaked at No. 8 on the UK Singles chart, though the following two singles, "Skateaway" and "Tunnel of Love", were much more modest in sales. Along with ''Music/LoveOverGold'' and ''Music/BrothersInArms'', ''Making Movies'' is generally considered part of a major creative high point for the band, and these three albums are often considered the band's greatest work (which says quite a bit considering it makes up exactly half their studio album discography).

!!Tracklist
[[AC:Side One]]
# "Tunnel of Love" (8:11)
# "Romeo and Juliet" (6:00)
# "Skateaway" (6:40)

[[AC:Side Two]]
# "Expresso Love" (5:12)
# "Hand in Hand" (4:48)
# "Solid Rock" (3:19)
# "Les Boys" (4:07)

!!''The music make her wanna be the troper, and the troper was whatever was the song, what it was'':
* BreatherEpisode: "Hand in Hand" and "Les Boys", both of which are much more laid-back both musically and lyrically compared to the emotional intensity of the rest of the album.
* CallBack: A couple nods to the band's [[Music/DireStraitsAlbum debut album]] appear:
** "Tunnel of Love" features the phrase "sing about the six-blade, sing about the switchback, and a torture tattoo," in reference to "Six Blade Knife".
** "Expresso Love" features the line "hey mister, you wanna take a walk in a wild west end sometime," nodding to "Wild West End".
* CampGay: Explored sarcastically in "Les Boys".
* EpicRocking: This album marked the point where Dire Straits ''really'' started focusing on this trope, with all three songs on side one being six minutes or longer.
* HoistByHisOwnPetard: The narrator of "Solid Rock" predicts this happening to the target of the song:
-->''"Because the heart that you break,"''\\
''"That's the one that you rely on,"''\\
''"The bed that you make,"''\\
''"That's the one you gotta lie on,"''\\
''"When you point your finger cos your plan fell through"''\\
''"You got three more fingers pointing back at you!"''
* IAmTheBand: This album marked the point where frontman Mark Knopfler started becoming a more singlehanded leader for the band, to the point where it drove his brother to quit.
* LongestSongGoesLast: {{Inverted|Trope}}; the 8:11 "Tunnel of Love" opens the album.
* LoveHurts: "Romeo and Juliet", inspired by Knopfler's own breakup with a fellow musician, Holly Vincent. Less obviously, there's "Tunnel of Love".
* ManicPixieDreamGirl: "Skateaway", though unlike many examples of the trope it just seems to be a girl the narrator has seen who has no apparent interest in him.
* MinimalisticCoverArt: Compared to the more elaborate artwork for the band's first two albums and last three, ''Making Movies'' sets itself apart with a stark red square with a notched turquoise strip on the side.
* NotChristianRock: Both the music and lyrics of "Solid Rock" sound incredibly churchy, but it doesn't have any specific Biblical or God-related references.
* TheOneThatGotAway: "Tunnel of Love" features the narrator remembering a little flingy encounter with a female stranger at an amusement park which he didn't pursue further, but was wistful about later.
* PuttingOnTheReich: "Les Boys" features the eponymous performers dressing in erotic parodies of SS uniforms.
* RealLifeWritesThePlot: "Romeo and Juliet" was inspired by Mark Knopfler's failed relationship with Holly Vincent of Holly and the Italians; the line "now you just say 'oh, Romeo, yeah, I used to have a scene with him'" was based on Vincent's casual dismissal of the relationship as a "scene" in an interview after their breakup, which made Knopfler feel that she had simply dated him to boost her own career.
* RedemptionInTheRain: The general theme of "Hand in Hand".
* ShoutOut:
** "Tunnel of Love" opens with an excerpt from [[Theatre/{{Carousel}} "The Carousel Waltz"]].
** "Romeo and Juliet" takes its title from the famed Shakespeare tragedy [[Theatre/RomeoAndJuliet of the same name]] and uses its characters to explore Knopfler's own romantic woes. The track also references "My Boyfriend's Back" by the Angels and "There's a Place For Us" from ''Theatre/WestSideStory''.
* StealthPun: A great one in "Romeo and Juliet":
--> ''"Now you just say "Oh, Romeo. Yeah, I used to have a scene with him."''

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