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* AntiClimax: Many critics and listeners considered the album as a whole to be this for The Beatles' career. The [=NME=] famously dismissed it as "a shabby epitaph, a cardboard tombstone". Although a lot of people still consider the album to be quite good, and with some genuinely great songs, there is a fair bit of debate over whether it or ''Music/AbbeyRoad'' should be considered their true "final album", as ''Abbey Road'' was the last to be recorded and is viewed by many as a more fitting finale.

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* RearrangeTheSong: As heard in the outtake version recorded in 1963 (and released on ''Anthology 1''), "One After 909" was originally midtempo, but they sped it up for the rooftop performance.



* RevisitingTheRoots: The album was originally going to be called ''Get Back'' because this was precisely the idea (and that of course is also the reason the song was called "Get Back"). This was an attempt to return to the sort of spontaneous, energetic rock and roll they'd played at the beginning of their career, as opposed to the sophisticated and intricately produced music they'd moved on to. This is also why they recorded "One After 909", a song that sounds like the early Beatles sound because it ''was'' the early Beatles sound, having been written and first recorded in 1963 but then shelved. The recording sessions were a disaster, and they largely abandoned the "back to basics" approach for their last recorded album, ''Music/AbbeyRoad''.

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* RevisitingTheRoots: The album was originally going to be called ''Get Back'' because this was precisely the idea (and that of course is also the reason the song was called "Get Back"). This was an attempt to return to the sort of spontaneous, energetic rock and roll they'd played at the beginning of their career, as opposed to the sophisticated and intricately produced music they'd moved on to. This is also why they recorded "One After 909", a song that sounds like the early Beatles sound because it ''was'' the early Beatles sound, having been written and in the Quarrymen days, then first recorded in 1963 but then shelved. The recording sessions were a disaster, and they largely abandoned the "back to basics" approach for their last recorded album, ''Music/AbbeyRoad''.
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* RecordProducer: Music/PhilSpector. This was the only Beatles album which wasn't produced by George Martin.

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* RecordProducer: Music/PhilSpector. This The liner notes say the album was "reproduced for disc by Music/PhilSpector", making it the only Beatles album which wasn't produced by without George Martin.Martin credited as producer. Martin got a "special thanks" credit, but he took over as the ''de facto'' producer after the studio facilities at Apple proved unusable. Another person in the "special thanks" list, Glyn Johns, was technically the album's engineer, but was given enough input into the album that he could arguably be considered a producer as well.

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* ProtestSong: "Get Back" was written in reaction to the anti-immigration laws in the UK.

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* ProtestSong: ProtestSong:
**
"Get Back" was written in reaction to the anti-immigration laws in the UK.UK.
** An unreleased improvised song from the sessions, "Commonwealth", is a very blatant attack on the anti-immigration movement, specifically subjecting the leader of the movement, Enoch Powell, to a TakeThat.

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* MinisculeRocking: "Maggie May", at forty-one seconds.

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* MinisculeRocking: MinisculeRocking:
**
"Maggie May", at forty-one seconds.seconds.
** "Dig It" is a short excerpt of an improvised jam that runs around [[EpicRocking 15 minutes]] in its unedited state.
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"One After 909" was recorded for a reason, the band was trying to get back to its early sound


** The inclusion of "Across The Universe" and "One After 909" couldn't be anything but filler. The former was recorded in early 1968, long before ''Let It Be'' was released, and the latter was one of the first songs Lennon and [=McCartney=] had ever written; they recorded a version of it in 1963, which was never included on an album because they were never satisfied with it. "One After 909" at least is the 1969 version, recorded live during the famous RooftopConcert. The band ran through several rehearsals of "Across the Universe", but never managed to record a releaseable track. Consequently, the album version is actually the original 1968 track, just slowed down and re-mixed.

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** The inclusion of "Across The the Universe". "Across the Universe" had originally been recorded in 1968, poorly, and given away to a World Wildlife Fund charity album. John Lennon, who was struggling to come up with material during these sessions, went back to "Across the Universe" and "One After 909" couldn't be anything but filler. The former was recorded in early 1968, long before ''Let It Be'' was released, and the latter was one of band rehearsed the first songs Lennon and [=McCartney=] had ever written; song extensively. Unfortunately they recorded a version of it in 1963, which was never included on an album because they were never satisfied with it. "One After 909" at least is the 1969 version, recorded live during the famous RooftopConcert. The band ran through several rehearsals of "Across the Universe", but never managed failed to record a releaseable track. Consequently, decent track, and in the album version is actually end Phil Spector simply took the original 1968 track, just version, slowed down it down, and re-mixed.put it on the album.
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--> ''Jai Guru Deava Ommm'' (Which means "Thanks spiritual master" [[BilingualBonus in Sanskrit]])
--> ''Nothing's gonna change my world.''

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--> ''Jai -->''Jai Guru Deava Ommm'' (Which means "Thanks spiritual master" [[BilingualBonus in Sanskrit]])
-->
Sanskrit]])\\
''Nothing's gonna change my world.''



-->And for the first time that she really done me\\
Ooh she done me\\

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-->And --->And for the first time that she really done me\\
Ooh Ooh, she done me\\



Oh she done me\\

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Oh Oh, she done me\\



** "Dig a Pony" has "You can penetrate any place you go" - and that's just for starters...

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** "Dig a Pony" has "You can penetrate any place you go" - -- and that's just for starters...



--> ''All I can hear''
--> ''I Me Mine''

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--> ''All -->All I can hear''
--> ''I
hear\\
I
Me Mine''



--> ''And when the broken hearted people''
--> ''Living in the world agree''
--> ''There will be answer, let it be''
--> ''For though, they may be parted''
--> ''There is still a chance that they will see''
--> ''There will be an answer, let it be''

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--> ''And -->''And when the broken hearted people''
--> ''Living
people\\
Living
in the world agree''
--> ''There
agree\\
There
will be an answer, let it be''
--> ''For
be\\
For
though, they may be parted''
--> ''There
parted\\
There
is still a chance that they will see''
--> ''There
see\\
There
will be an answer, let it be''



--> ''I got my bag, run to the station''
--> ''Railman says you've got the the wrong location''
--> ''I got my bag, run right home''
--> ''Then I find I've got the number wrong''

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--> ''I -->''I got my bag, run to the station''
--> ''Railman
station\\
Railman
says you've got the the wrong location''
--> ''I
location\\
I
got my bag, run right home''
--> ''Then
home\\
Then
I find I've got the number wrong''




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----

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--------



-->''I'd like to say thank you on behalf of the group and ourselves, and I hope we've passed the audition.''

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* AbortedArc: In 1969, the band decided to record some songs together in a studio, and later in an impromptu concert on the Apple rooftop, in what would become the album ''Get Back'', all while filming a documentary about the experience. The GloryDays revival would even be illustrated with an album cover replicating the ''Music/PleasePleaseMe'' one. The whole ordeal wound up just raising tensions and ultimately leading to the Beatles' breakup, but not before they decided to make ''Music/AbbeyRoad'' before calling it quits. Then the Get Back sessions were submitted to Phil Spector for an orchestral makeover, and the result was ''Let It Be''. (The cover was famously repurposed for the compilation ''1966-1970'', aka ''The Blue Album''.)



** "Dig It" and "Maggie Mae" too. When the album was remixed as ''Let It Be... Naked'' in 2002, both were dropped from the track list, replace by Lennon's "Don't Let Me Down".

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** "Dig It" and "Maggie Mae" too. When the album was remixed as ''Let It Be... Naked'' in 2002, both were dropped from the track list, replace replaced by Lennon's "Don't Let Me Down".



* CultSoundtrack: Subverted. The film ''Film/LetItBe'' was actually intended to be a companion piece to the album. However, seeing that the movie has rarely been seen on TV ever since and is not available on DVD yet, this may be one example where the CD is better known than the movie.

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* CultSoundtrack: Subverted. The film ''Film/LetItBe'' was actually intended to be a companion piece to the album. However, seeing that the movie has rarely been seen on TV ever since and is not available on DVD yet, this may be one example where the CD is better known than the movie.
* DesperatelyLookingForAPurposeInLife: The band once got bored with the void life of a superstar, so they went to India (or somewhere) looking for a spiritual guide to give them the purpose of life. It failed. The result was the song "Across the Universe":
--> ''Jai Guru Deava Ommm'' (Which means "Thanks spiritual master" [[BilingualBonus in Sanskrit]])
--> ''Nothing's gonna change my world.''



* GeorgeLucasAlteredVersion: In 2003, Music/PaulMcCartney would release ''Let It Be... Naked'', a remixed version of the album that stripped out Music/PhilSpector's choral and orchestral overdubs (which were probably necessary at the time to salvage parts of the material), and digitally cleaning tracks using technology not available at the time. Unlike most iterations of this trope, both versions remained readily available.
* GettingCrapPastTheRadar:
** "I've Got A Feeling" has the questionable line "Everybody had a wet dream."
*** An alternate take adds "Everybody had a hard on." Incidentally, at least one take was recorded without the "wet dream" reference, assuming the Beatles were aware of the potential censorship.
** "Don't Let Me Down." [[SarcasmMode Real subtle.]]
-->And for the first time that she really done me\\
Ooh she done me\\
She done me good\\
I guess nobody ever really done me\\
Oh she done me\\
She done me good
** "Dig a Pony" has "You can penetrate any place you go" - and that's just for starters...



* IntentionallyAwkwardTitle: ''Let It Be...Naked''. Often called "Naked" for short and to differentiate it from the original. This trope makes it easier, alas, for "Naked" not to exist.



* LastNoteHilarity: The StudioChatter has some moments, such as John's childish voice after "Dig It", and "Get Back" featuring "I'd like to thank you all on behalf of ourselves and the group, and I hope we passed the audition."



* MinisculeRocking: "Maggie May", at forty-one seconds.



* RealLifeWritesThePlot: "Get Back" was written as a Take That against the then recent anti-immigration laws in the UK.

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* ReCut: Music/PaulMcCartney (who was the main advocate of the "back to the roots" approach in the first place) wasn't happy with Music/PhilSpector's production. Decades later, when opportunity arose to re-edit the album, Paul jumped at it. This new version (titled ''Let It Be... Naked'') stripped away Phil Spector's overdubs, featured a different song selection and track order, and used different takes of some of the songs. Naked also used digital editing (which obviously hadn't been available when the album was originally released) to remove tape noises and to pitch-correct a few of the vocals.
* RealLifeWritesThePlot: "Get Back" was written as a Take That TakeThat against the then recent anti-immigration laws in the UK.



* SixthRanger: Or Fifth Beatle, in the case of Billy Preston after he joined the band for this album. The piano solo in "Get Back" was composed by Preston.



** Lennon namedrops Music/BobDylan's "Like A Rolling Stone", the FBI, the CIA, the BBC, BB King, Doris Day and Scottish soccer player Matt Busby during ''Dig It''.

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** Lennon namedrops Music/BobDylan's "Like A Rolling Stone", the FBI, the CIA, the BBC, BB King, Doris Day Creator/TheBBC, Music/BBKing, Creator/DorisDay and Scottish soccer player Matt Busby during ''Dig It''.


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* SixthRanger: Or Fifth Beatle, in the case of Billy Preston after he joined the band for this album. The piano solo in "Get Back" was composed by Preston.


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* UncommonTime: "Dig a Pony" has verses of thirteen measures and a refrain that could be counted as any number of beats due to lengthy pauses.
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* MusicalSquares: One of the {{Trope Codifier}}s for the four squares version.
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** "I Me Mine" was not properly recorded during the "Get Back" sessions. The Beatles (well, Paul, George, and Ringo) convened a year later, on Jan. 3, 1970, and recorded the song in order to fill out the album. It was the band's last recording session ever.
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** "I Dig a Pygmy" by Creator/CharlesHawtrey of the Deaf Aids. Phase One, in which Doris gets her oats.
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''Let It Be'' is the thirteenth and final studio album by Music/TheBeatles, released in 1970. However, it was mostly recorded before ''Music/AbbeyRoad'', which got a release in 1969. It is also the only Beatles album not produced by George Martin, instead being produced by Creator/PhilSpector.

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''Let It Be'' is the thirteenth and final studio album by Music/TheBeatles, released in 1970. However, it was mostly recorded before ''Music/AbbeyRoad'', which got a release in 1969. It is also the only Beatles album not produced by George Martin, instead being produced by Creator/PhilSpector.
Music/PhilSpector.



* RecordProducer: Creator/PhilSpector. This was the only Beatles album which wasn't produced by George Martin.

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* RecordProducer: Creator/PhilSpector.Music/PhilSpector. This was the only Beatles album which wasn't produced by George Martin.
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Trope Misuse: What the Hell, Hero? is pretty straightforward, given its title: It's when someone, in a work, explicitly tells off the hero/heroes for doing something clearly unheroic, if not outright heinous. It has to be in-universe. It's not an Audience Reaction trope. It's not the audience thinking "Hey, what the hell, [character]?"


* WhatTheHellHero: John's bass playing on "The Long And Winding Road" is terrible--he rarely played bass, but Paul was needed on piano for the live recording. The fact that Lennon not only let it stay in the finished track but also hired Phil Spector to dub strings and a choir over the top in the hope that it would [[DistractedByTheShiny distract attention]] from its terribleness, together invoke this trope. (Another mystery is why nobody thought to have [=McCartney=], one of the best bass players to ever live, simply record a new bass track.)
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[[quoteright:320:http://static.tvtropes.org/pmwiki/pub/images/letitbe_9045.jpg]]
[[caption-width-right:320:''"I wake up to the sound of music..."'']]

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[[quoteright:320:http://static.[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/letitbe_9045.jpg]]
[[caption-width-right:320:''"I [[caption-width-right:350:''"I wake up to the sound of music..."'']]
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[[caption-width-right:320:''I wake up to the sound of music...'']]

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[[caption-width-right:320:''I [[caption-width-right:320:''"I wake up to the sound of music...'']]
"'']]
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[[quoteright:350:http://static.tvtropes.org/pmwiki/pub/images/letitbe_9045.jpg]]
[[caption-width-right:350:''I wake up to the sound of music...'']]

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[[quoteright:350:http://static.[[quoteright:320:http://static.tvtropes.org/pmwiki/pub/images/letitbe_9045.jpg]]
[[caption-width-right:350:''I [[caption-width-right:320:''I wake up to the sound of music...'']]
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* {{Irony}}: A meta-example. The sessions for what would become ''Let It Be'' were intended by the band as a back-to-basics reset which would enable them to recharge their creativity and enthusiasm. Unfortunately, the resulting sessions ended up becoming so tense and bitter that Harrison quit at one point, and the album / film is ultimately remembered as one of the final nails in the coffin before they eventually split up for good (although they managed to rally themselves sufficiently to record ''Music/AbbeyRoad'').

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* WhatTheHellHero: John's bass playing on "The Long And Winding Road" is terrible--he rarely played bass, but Paul was needed on piano for the live recording. The fact that Lennon not only let it stay in the finished track but also hired Phil Spector to dub strings and a choir over the top in the hope that it would [[DistractedByTheShiny distract attention]] from its terribleness, together invoke this trope.

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* VocalTagTeam: A relatively rare example of John and Paul doing this within the same song, as a Lennon composition tentatively titled "Everybody Had a Hard Year" was mashed together with Paul's "I've Got a Feeling".
* WhatTheHellHero: John's bass playing on "The Long And Winding Road" is terrible--he rarely played bass, but Paul was needed on piano for the live recording. The fact that Lennon not only let it stay in the finished track but also hired Phil Spector to dub strings and a choir over the top in the hope that it would [[DistractedByTheShiny distract attention]] from its terribleness, together invoke this trope. (Another mystery is why nobody thought to have [=McCartney=], one of the best bass players to ever live, simply record a new bass track.)
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Music/PaulMcCartney hated what Spector did to their final album. In 2003, a total new version of the album was released, named ''Let It Be... Naked'', where Paul's original vision could finally be heard. All the material on this album was devoid of Spector's production and showcased a simple rock sound with its intended final tracklisting. As a bonus CD a [[LeaveTheCameraRunning Leave the Microphone Running]] recording from the Beatles in their studio was released too, which is more chatting and clowning about than actual recording.

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Music/PaulMcCartney hated what Spector did to their final album. [[note]]Lennon for his part felt completely different, crediting Spector for crafting something listenable out of what Lennon called "badly recorded" tracks[[/note]] In 2003, a total new version of the album was released, named ''Let It Be... Naked'', where Paul's original vision could finally be heard. All the material on this album was devoid of Spector's production and showcased a simple rock sound with its intended final tracklisting. As a bonus CD a [[LeaveTheCameraRunning Leave the Microphone Running]] recording from the Beatles in their studio was released too, which is more chatting and clowning about than actual recording.
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* LiveAlbum: ''Let It Be'' was supposed to be this, with the band rehearsing and recording their new songs live. The sniping and tension within the band (as well as the creative funk John Lennon was mired in at this time) led to several songs being dubbed or altered in the studio, most infamously Paul's "The Long And Winding Road". However, despite all the band's problems seven tracks were still laid down live: "I've Got A Feeling", "One After 909" and "I Dig A Pony" from the Apple rooftop performance, and "Get Back", "Two Of Us", "Dig It" and "Maggie Mae" from studio performances. ("Don't Let Me Down", left off the album after being released as the B-side of the "Get Back" single, was also recorded live).

to:

* LiveAlbum: ''Let It Be'' was supposed to be this, The original idea, with the band rehearsing and recording their new songs live. The sniping and tension within the band (as well as the creative funk John Lennon was mired in at this time) led to several songs being dubbed or altered in the studio, most infamously Paul's "The Long And Winding Road". However, despite all the band's problems seven tracks were still laid down live: "I've Got A Feeling", "One After 909" and "I Dig A Pony" from the Apple rooftop performance, and "Get Back", "Two Of Us", "Dig It" and "Maggie Mae" from studio performances. ("Don't Let Me Down", left off the album after being released as the B-side of the "Get Back" single, was also recorded live).



* WhatTheHellHero: John's bass playing on "The Long And Winding Road" is terrible, and the fact that he not only let it stay in the finished track but also hired Phil Spector to dub strings and a choir over the top in the hope that it would [[DistractedByTheShiny distract attention]] from its terribleness, together invoke this trope.

to:

* WhatTheHellHero: John's bass playing on "The Long And Winding Road" is terrible, and terrible--he rarely played bass, but Paul was needed on piano for the live recording. The fact that he Lennon not only let it stay in the finished track but also hired Phil Spector to dub strings and a choir over the top in the hope that it would [[DistractedByTheShiny distract attention]] from its terribleness, together invoke this trope.
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# "Two Of Us" (3:37)
# "Dig A Pony" (3:55)
# "Across The Universe" (3:48)

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# "Two Of of Us" (3:37)
# "Dig A a Pony" (3:55)
# "Across The the Universe" (3:48)



# "I've Got A Feeling" (3:38)

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# "I've Got A a Feeling" (3:38)



# "The Long And Winding Road" (3:38)

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# "The Long And and Winding Road" (3:38)
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No bolding for work titles (which includes album titles). See format rules on How To Create A Works Page, 4th paragraph "No bolding is used for work titles".


'''''Let It Be''''' is the thirteenth and final studio album by Music/TheBeatles, released in 1970. However, it was mostly recorded before ''Music/AbbeyRoad'', which got a release in 1969. It is also the only Beatles album not produced by George Martin, instead being produced by Creator/PhilSpector.

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'''''Let ''Let It Be''''' Be'' is the thirteenth and final studio album by Music/TheBeatles, released in 1970. However, it was mostly recorded before ''Music/AbbeyRoad'', which got a release in 1969. It is also the only Beatles album not produced by George Martin, instead being produced by Creator/PhilSpector.
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Music/PaulMcCartney hated what Spector did to their final album. In 2002, a total new version of the album was released, named ''Let It Be... Naked'', where Paul's original vision could finally be heard. All the material on this album was devoid of Spector's production and showcased a simple rock sound with its intended final tracklisting. As a bonus CD a [[LeaveTheCameraRunning Leave the Microphone Running]] recording from the Beatles in their studio was released too, which is more chatting and clowning about than actual recording.

to:

Music/PaulMcCartney hated what Spector did to their final album. In 2002, 2003, a total new version of the album was released, named ''Let It Be... Naked'', where Paul's original vision could finally be heard. All the material on this album was devoid of Spector's production and showcased a simple rock sound with its intended final tracklisting. As a bonus CD a [[LeaveTheCameraRunning Leave the Microphone Running]] recording from the Beatles in their studio was released too, which is more chatting and clowning about than actual recording.
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None


Is there an issue? Send a MessageReason:
None


Music/PaulMcCartney hated what Spector did to their final album. In 2002, a total new version of the album was released, named ''Let It Be... Naked'', where Paul's original vision could finally be heard. All the material on this album was devoid of Spector's production and showcased a simple rock sound. As a bonus CD a [[LeaveTheCameraRunning Leave the Microphone Running]] recording from the Beatles in their studio was released too, which is more chatting and clowning about than actual recording.

to:

Music/PaulMcCartney hated what Spector did to their final album. In 2002, a total new version of the album was released, named ''Let It Be... Naked'', where Paul's original vision could finally be heard. All the material on this album was devoid of Spector's production and showcased a simple rock sound.sound with its intended final tracklisting. As a bonus CD a [[LeaveTheCameraRunning Leave the Microphone Running]] recording from the Beatles in their studio was released too, which is more chatting and clowning about than actual recording.
Is there an issue? Send a MessageReason:
None


'''''Let It Be''''' is the thirteenth and final studio album by Music/TheBeatles, released in 1970. However, it was mostly recorded before ''Music/AbbeyRoad'', which got a release in 1969. It is also the only Beatles album not produced by George Martin, instead being produced by Creator/PhilSpector. For a long time this was seen as the least good Beatles album, mostly because of Spector adding rather schmaltzy choirs to several of the songs and because a lot of the material were ThrowItIn songs, all recorded when the unity in the band was basically gone. The CriticalBacklash and passing of time have actually [[VindicatedByHistory vindicated]] the album as being not that bad after all, even perfectly able to stand next to the other Beatles albums. It was listed at nr. #392 in Magazine/RollingStone's [[Music/RollingStone500GreatestAlbumsOfAllTime Rolling Stone 500 Greatest Albums Of All Time]].

Still Music/PaulMcCartney always hated what Spector did to their final album. On ''Music/TheBeatlesAnthology'' (1995/1996) he let the audience hear some of the unaltered tracks, which have a more simple and raw sound. Later, in 2002, a total new version of the album was released, named ''Let It Be... Naked'', where Paul's original vision could finally be heard. All the material on this album was devoid of Spector's production and showcased a simple rock sound. As a bonus CD a [[LeaveTheCameraRunning Leave the Microphone Running]] recording from the Beatles in their studio was released too, which is more chatting and clowning about than actual recording.

to:

'''''Let It Be''''' is the thirteenth and final studio album by Music/TheBeatles, released in 1970. However, it was mostly recorded before ''Music/AbbeyRoad'', which got a release in 1969. It is also the only Beatles album not produced by George Martin, instead being produced by Creator/PhilSpector. For a long time this was seen as the least good Beatles album, mostly because of Spector adding rather schmaltzy choirs to several of the songs and because a lot of the material were ThrowItIn songs, all recorded when the unity in the band was basically gone. The CriticalBacklash and passing of time have actually [[VindicatedByHistory vindicated]] the album as being not that bad after all, even perfectly able to stand next to the other Beatles albums. It was listed at nr. #392 in Magazine/RollingStone's [[Music/RollingStone500GreatestAlbumsOfAllTime Rolling Stone 500 Greatest Albums Of All Time]].

Still
Creator/PhilSpector.

Music/PaulMcCartney always hated what Spector did to their final album. On ''Music/TheBeatlesAnthology'' (1995/1996) he let the audience hear some of the unaltered tracks, which have a more simple and raw sound. Later, in In 2002, a total new version of the album was released, named ''Let It Be... Naked'', where Paul's original vision could finally be heard. All the material on this album was devoid of Spector's production and showcased a simple rock sound. As a bonus CD a [[LeaveTheCameraRunning Leave the Microphone Running]] recording from the Beatles in their studio was released too, which is more chatting and clowning about than actual recording.
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Still Music/PaulMcCartney always hated what Spector did to their final album. On ''Music/TheBeatlesAnthology'' (1995/1996) he let the audience hear some of the unaltered tracks, which have a more simple and raw sound. Later, in 2002, a total new version of the album was released, named ''Let It Be... Naked'', where Paul's original vision could finally be heard. All the material on this album was devoid of Spector's production and showcased a simple rock sound. As a bonus CD a LeaveTheCameraRunning recording from the Beatles in their studio was released too, which is more chatting and clowning about than actual recording.

to:

Still Music/PaulMcCartney always hated what Spector did to their final album. On ''Music/TheBeatlesAnthology'' (1995/1996) he let the audience hear some of the unaltered tracks, which have a more simple and raw sound. Later, in 2002, a total new version of the album was released, named ''Let It Be... Naked'', where Paul's original vision could finally be heard. All the material on this album was devoid of Spector's production and showcased a simple rock sound. As a bonus CD a LeaveTheCameraRunning [[LeaveTheCameraRunning Leave the Microphone Running]] recording from the Beatles in their studio was released too, which is more chatting and clowning about than actual recording.
Is there an issue? Send a MessageReason:
None


'''''Let It Be''''' is the thirteenth and final studio album by Music/TheBeatles, released in 1970. However, it was mostly recorded before ''Music/AbbeyRoad'', which got a release in 1969. It is also the only Beatles album not produced by George Martin, instead being produced by Creator/PhilSpector. For a long time this was seen as the least good Beatles album, mostly because of Spector adding rather schmaltzy choirs to several of the songs and because a lot of the material were ThrowItIn songs, all recorded when the unity in the band was basically gone. The CriticalBacklash and passing of time have actually [[VindicatedByHistory vindicated]] the album as being not that bad after all, even perfectly able to stand next to the other Beatles albums.

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'''''Let It Be''''' is the thirteenth and final studio album by Music/TheBeatles, released in 1970. However, it was mostly recorded before ''Music/AbbeyRoad'', which got a release in 1969. It is also the only Beatles album not produced by George Martin, instead being produced by Creator/PhilSpector. For a long time this was seen as the least good Beatles album, mostly because of Spector adding rather schmaltzy choirs to several of the songs and because a lot of the material were ThrowItIn songs, all recorded when the unity in the band was basically gone. The CriticalBacklash and passing of time have actually [[VindicatedByHistory vindicated]] the album as being not that bad after all, even perfectly able to stand next to the other Beatles albums. \n It was listed at nr. #392 in Magazine/RollingStone's [[Music/RollingStone500GreatestAlbumsOfAllTime Rolling Stone 500 Greatest Albums Of All Time]].

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