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** Similarly, the chorus of "When the Dragon Devours Both Lion and Child" paraphrases the Madman's Parable by Creator/FriedrichNietzsche.
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* SurprisinglyGentleSong: Downplayed by "A Metaphor for the Dead", "The Joystream", and "Requiem".
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* SurprisinglyGentleSong: Downplayed by "A Metaphor for the Dead", "The Joystream", and "Requiem". While they may be far more melodic and even downright emotional than the rest of their material, they still feature sections with brutal instrumental blasters and Dave's signature shrieks.
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* ''[[LongTitle When Fire Rains Down From the Sky, Humanity Will Reap as it has Sown]]'' (EP, 2003)
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* ''[[LongTitle When ''When Fire Rains Down From the Sky, Humanity Will Reap as it has Sown]]'' Sown'' (EP, 2003)
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Dave Hunt was also the vocalist for the DeathMetal band Benediction from 1998 until 2019, while Mick Kenney also works as record producer and co-runs the record label [=FETO=] Records along with Music/NapalmDeath bassist Shane Embury.
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Dave Hunt was also the vocalist for the DeathMetal band Benediction from 1998 until 2019, while Mick Kenney also works as record producer and co-runs the record label [=FETO=] Records along with Music/NapalmDeath bassist Shane Embury. Kenney also has a solo project named Kordhell, with which he produces {{horrorcore}}[=-=]inspired phonk.
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* SpecialGuest: Mike sometimes lets other artists provide vocals on certain tracts. "Atavism" features [[Music/{{Mayhem}} Attila Csihar]], "Tod Heutet Uebel" features Rainier Landfermann, and "Who Thinks of the Executioner" features Alan Dubin of Music/{{Khanate}}.
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* ShoutOut: They directly reference ''[[Film/MontyPythonsTheMeaningOfLife Monty Python's The Meaning of Life]]'' on "The Age of Starlight Ends."
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* ShoutOut: ShoutOut:
** The "charm of making" from ''Film/{{Excalibur}}'' starts with "Anaal nathrakh."
** They directly reference ''[[Film/MontyPythonsTheMeaningOfLife Monty Python's The Meaning of Life]]'' on "The Age of Starlight Ends."
** The "charm of making" from ''Film/{{Excalibur}}'' starts with "Anaal nathrakh."
** They directly reference ''[[Film/MontyPythonsTheMeaningOfLife Monty Python's The Meaning of Life]]'' on "The Age of Starlight Ends."
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* ''[[LongTitle When Fire Rains Down From the Sky, Humanity Will Reap as it has Sown]]'' (EP, 2003)
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* EarlyInstallmentWeirdness: While it firmly established Anaal Nathrakh's reputation as a fearsome band and laid the foundation for their signature sound, ''The Codex Necro'' is a raw, chaotic, and aggressive BlackMetal album with no clean vocals or the experimentation with other extreme genres the band would start doing with ''Domine Non Es Dignus''.
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* EarlyInstallmentWeirdness: While it firmly established Anaal Nathrakh's reputation as a fearsome band and laid the foundation for their signature sound, ''The Codex Necro'' is a raw, chaotic, and aggressive but otherwise largely straightforward BlackMetal album with no clean vocals or the experimentation with other extreme genres the band would start doing become known for starting with ''Domine Non Es Dignus''.Dignus''. The ''When Fire Rains Down from the Sky...'' EP marks the beginning of the transition between the two sounds.
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* SinisterSwine: The cover art of the album ''Endarkenment'' (which isn't present in most of its releases) depicts [[https://www.metal-archives.com/images/9/5/3/2/953270.jpg?4819 an ominous-looking pig head with penises for eyes]]. Pigs are also mentioned in two of the tracks (the title track, whose music video features [[PigMan Pig Men]], and "Libidinous (A Pig with Cocks in Its Eyes)").
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* SinisterSwine: The cover art of the album ''Endarkenment'' (which isn't present in most of its releases) depicts [[https://www.metal-archives.com/images/9/5/3/2/953270.jpg?4819 an ominous-looking pig head with penises for eyes]]. Pigs are also mentioned in two three of the tracks (the title track, whose music video features [[PigMan Pig Men]], “The Age of Starlight Ends,” and "Libidinous (A Pig with Cocks in Its Eyes)").
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* SinisterSwine: The cover art of the album ''Endarkenment'' (which isn't present in most of its releases) depicts [[https://www.metal-archives.com/images/9/5/3/2/953270.jpg?4819 an ominous-looking pig head with penises for eyes]]. Pigs are also mentioned in two of the tracks (the title track, whose music video features [[PigMan Pig Men]], and "Libidinous (A Pig with Cocks in Its Eyes)").
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* DownerEnding: Since at least ''Hell is Empty...'' the group has made a habit of making the last song be the most abrasive[[note]]"Castigation & Betrayal", "Blood Eagles Carved on The Backs of Innoncents", "Ita Mori"[[/note]], nightmarish[[note]]"Portrait of the Artist", "Of Horror and the Black Shawls"[[/note]], or melancholic[[note]]"A Metaphor for the Dead", "Are We Fit for Glory Yet?", "Requiem"[[/note]] on a given album. This is not by coincidence, given their [[ApocalypseHow lyrical]] [[TheWorldIsAlwaysDoomed focus]].
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* SurprisinglyGentleSong: Downplayed by "A Metaphor for the Dead" and "The Joystream".
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* SurprisinglyGentleSong: Downplayed by "A Metaphor for the Dead" and Dead", "The Joystream".Joystream", and "Requiem".
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* ShoutOut: They directly reference ''[[Film/MontyPythonsTheMeaningOfLife Monty Python's The Meaning of Life]]'' on "The Age of Starlight Ends."
-->''"In lockstep with the gourmands''
-->''Who'll lick your fat from their chins''
-->''If they're Mr. Creosote, we're not even a wafer thin' mint"''
-->''"In lockstep with the gourmands''
-->''Who'll lick your fat from their chins''
-->''If they're Mr. Creosote, we're not even a wafer thin' mint"''
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Up To Eleven is a defunct trope
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Their next two releases, ''Domine Non Es Dignus'' and ''Eschaton'', in 2004 and 2006, respectively, continued along the same path as their debut, receiving similar praise from metal publications. Then, with 2007's ''Hell Is Empty and All the Devils Are Here'', they took their already brutalizing sound and make it ''[[UpToEleven even more brutal]]'' by incorporating elements of DeathMetal, {{Grindcore}}, and {{Industrial}} into their sound. This album is considered to be the band's breakthrough release, receiving acclaim from critics and a spot on Metal Storm's "Top 100 Black Metal Albums of All Time" list. Their next four albums have since followed in the same extreme fusion style, and to this day the group is going strong.
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Their next two releases, ''Domine Non Es Dignus'' and ''Eschaton'', in 2004 and 2006, respectively, continued along the same path as their debut, receiving similar praise from metal publications. Then, with 2007's ''Hell Is Empty and All the Devils Are Here'', they took their already brutalizing sound and make it ''[[UpToEleven even ''even more brutal]]'' brutal'' by incorporating elements of DeathMetal, {{Grindcore}}, and {{Industrial}} into their sound. This album is considered to be the band's breakthrough release, receiving acclaim from critics and a spot on Metal Storm's "Top 100 Black Metal Albums of All Time" list. Their next four albums have since followed in the same extreme fusion style, and to this day the group is going strong.
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* ViewersAreGeniuses: The band never publish their lyrics, except for two individual instances with the songs "Tod Huetet Uebel" and "Forward!" before they broke this tradition with ''Endarkenment''. This leaves the fans to pick apart the lyrics themselves, the almost constant IndecipherableLyrics taken UpToEleven be damned.
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* ViewersAreGeniuses: The band never publish their lyrics, except for two individual instances with the songs "Tod Huetet Uebel" and "Forward!" before they broke this tradition with ''Endarkenment''. This leaves the fans to pick apart the lyrics themselves, the almost constant IndecipherableLyrics taken UpToEleven up to eleven be damned.
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Anall Nathrakh are one of the few bands that can get to a hard 10 or 11 while still having a good degree of melody.
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Despite their acclaim, Anaal Nathrakh are ''definitely'' not a band for everyone. Their music is noisy and intense even by extreme metal standards, to the level many ''metalheads'' consider them to be one of the heaviest bands ever. Make of that what you will.
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Despite their acclaim, Anaal Nathrakh are ''definitely'' not a band for everyone. Their music is noisy and intense even by extreme metal standards, to the level many ''metalheads'' consider them to be one of the heaviest bands ever. Despite this, they incorporate a very surprising amount of melodic elements into much of their music. Make of that what you will.
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* FilkSong: "Virus Bomb" appears to be based on the eponymous superweapon in ''TabletopGame/Warhammer40000''.
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* MisanthropeSupreme: The band doesn't have the highest opinion of humanity out there
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* TheWorldIsAlwaysDoomed: Even if just taking song titles like "When Fire Rains Down From the Sky Humanity Will Reap as it has Sown" at face value, almost every other song of theirs is about the world, or at least free society, being destroyed due to man's willful ignorance, degeneracy and hubris.
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trope rename
* GenreMashup: Their genre of choice could be best described as... ''{{Industrial}} [[BlackMetal blackened]] [[DeathMetal death]][[{{Grindcore}} grind]]''.
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* NeoclassicalPunkZydecoRockabilly: Their genre of choice could be best described as... ''{{Industrial}} [[BlackMetal blackened]] [[DeathMetal death]][[{{Grindcore}} grind]]''.
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* ContemptibleCover: The cover art for ''Endarkenment'', which only appears in certain releases of the album, depicts a pig's head with erect penises for eyes. This is pretty much a visual representation of the album's fourth track's title, "Libidinous (A Pig with Cocks in Its Eyes)".
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* MetalScream: Mostly type 1 and type 4 with occasional type 2 and 3s.
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* MetalScream: Mostly type 1 3 and type 4 with occasional type 2 1 and 3s.2s.
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* ReligionRantSong: "Idol" from ''Desideratum'' is a type 1. "Bellum Omnium Contra Omnes" from ''Eschaton'' is remarkably [[SarcasmMode subtle]] about it.
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* ReligionRantSong: "Idol" from ''Desideratum'' is a type 1. "Bellum Omnium Contra Omnes" from ''Eschaton'' is remarkably [[SarcasmMode remarkably subtle]] about it.
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* MohsScaleOfRockAndMetalHardness: Their material usually does not drop below a 10 and frequently pushes deeply into 11 territory, but they also have more melodic elements and clean vocals which often pushes songs that would be an 11 to a 10. On rare occasions, their songs can go down to a hard 9, such as "The Joystream" and "Do Not Speak". "A Metaphor for the Dead" is their softest song, with the possible exception of a couple of their intro tracks, at a soft 8.
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* WarIsHell: This seems to be the main theme of ''A New Kind of Horror''.
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* WarIsHell: This seems to be the main theme of ''A New Kind of Horror''.Horror''.
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!!Discography]:
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