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* The Creator/PBSKids interstitial series ''Through the Woods'' has no musical score whatsoever, instead using ambient nature sounds as background noise to the dialogue. This is done purposely, as the series is about enjoying nature.
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* ''Film/JurassicPark'': The entire ''T. rex'' attack on the tour vehicles, from the first cut back to the stalled cars all the way to the ''rex'''s final roar, is done with no musical score whatsoever, with the drumming of the rain, cracks of thunder, monstrous footsteps, terrified screams, smashing of glass, scraping of metal and dinosaur roars instead providing the soundscape. The music again cuts out during Nedry's encounter with the ''Dilophosaurus'' after he crashes his car, which carries over into much of the next scene as Grant tries to find Tim.
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* ''Series/AllInTheFamily'' had a few isolated incidents of SentimentalMusicCue in the first season (most notably in the scene when Archie comforts Gloria after [[spoiler:she miscarries]]) but this can be chalked up to EarlyInstallmentWeirdness as the series completely lacks any kind of soundtrack (excepting the opening and closing themes) from the second season on, helping to enhance the feeling of watching a videotaped stage play.
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[[folder:Web Video]]
* A common trend in the AnalogHorror genre is to begin the video with a background score, then have it cut out when things start to get eerie or malevolent. The effect is [[MoodWhiplash rather striking when done right]].
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Planning to make it a disambig for Laugh Track and Series.Canned Laughter.


* ''Series/{{MASH}}'' started out using musical scores throughout each episode, like most sitcoms of the era, but starting in the second season on it was gradually phased out, reserved for lengthy comedic sequences and before and after commercial breaks. By season eight, the background music was gone entirely. According to Burt Metcalf, it was removed to be "just like the actual UsefulNotes/KoreanWar". Likewise, the CannedLaughter forced by the network was scaled back as the series wore on, ultimately being absent in the finale.

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* ''Series/{{MASH}}'' started out using musical scores throughout each episode, like most sitcoms of the era, but starting in the second season on it was gradually phased out, reserved for lengthy comedic sequences and before and after commercial breaks. By season eight, the background music was gone entirely. According to Burt Metcalf, it was removed to be "just like the actual UsefulNotes/KoreanWar". Likewise, the CannedLaughter [[LaughTrack canned laughter]] forced by the network was scaled back as the series wore on, ultimately being absent in the finale.
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* Besides the opening sequence, ''Film/DogDayAfternoon'' does not have any music.

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* Besides Music/EltonJohn's "Amoreena" playing in the opening sequence, ''Film/DogDayAfternoon'' does not have any music.
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* ''Film/TheChinaSyndrome'': Except for a song by Stephen Bishop ("Somewhere in Between") that plays on a car radio during the opening credits, there's no music in the film, which increases the tension.

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* ''Film/TheChinaSyndrome'': Except for a song by Stephen Bishop ("Somewhere in Between") that plays on a car radio during the opening credits, and the theme music for the news broadcasts, there's no music in the film, which increases the tension.
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* ''Film/TheChinaSyndrome'': Except for a song by Stephen Bishop ("Somewhere in Between") that plays on a car radio during the opening credits, there's no music in the film, which increases the tension.
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** The (TV) remake with George Clooney also had no music.
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* Something of a trademark for Creator/TheDardennes, Belgian directing brothers who make gritty {{Kitchen Sink Drama}}s about the urban poor. Most of their films, including ''Film/LEnfant'' and ''Film/{{Rosetta}}'', lack a musical score, to add to the realism.
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* The ''Series/BuffyTheVampireSlayer'' season 5 episode "The Body" has absolutely no music, apart from the theme tune during the opening and closing credits. However, the rest of the series has music like normal, making this episode really stand out.

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* The ''Series/BuffyTheVampireSlayer'' season 5 episode "The Body" "[[Recap/BuffyTheVampireSlayerS5E16TheBody The Body]]" has absolutely no music, apart from the theme tune during the opening and closing credits. However, the rest of the series has music like normal, making this episode really stand out.
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* Naturalistic prison drama ''Film/StarredUp'' has so soundtrack.

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* Despite having several orchestral scores listed in its soundtrack, ''VideoGame/BrothersInArms'' does not have any background music. All of these themes instead play during either the main menu or during title sequences, but never in the levels themselves.



* Despite having several orchestral scores listed in its soundtrack, ''VideoGame/BrothersInArms'' does not have any background music. All of these themes instead play during either the main menu or during title sequences, but never in the levels themselves.




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* ''VideoGame/YomawariNightAlone'' and its sequel ''VideoGame/YomawariMidnightShadows'' lack a score, preferring to utilize the sounds of the wind blowing through the trees, the chirping of crickets, the hammering heartbeat of the protagonists and the moans and groans of spirits to create a tenser atmosphere. The only time music is ever played occurs during the game credits.

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* ''VideoGame/GhostOfTsushima'' likewise has a beautiful soundtrack, complete with a suite with various movements, but outside of cutscenes and battle, the game itself is almost completely bereft of music. Some special locations have low-key, atmospheric themes, but they're very rare and you'll probably walk or ride away from the area (or enter combat) before you hear more than a few seconds of them.
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* ''Film/Frankenstein1931'' has no music, except for the opening and end-credits and a brief sequence featuring the village band.

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* ''Film/Frankenstein1931'' has no music, except for the opening opening- and end-credits and a brief sequence featuring the village band.
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* ''Film/Frankenstein1931'' has no music, except for the opening and end-credits and a brief sequence featuring the village band.
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* For the most part, the real life sequences in ''Anime/NetoJuuNoSusume'' have no background music aside from joke scenes. This is in comparison with the lively MMO sequences and is used to show how lonely the protagonist's life is.

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* For the most part, the real life sequences in ''Anime/NetoJuuNoSusume'' ''Manga/RecoveryOfAnMMOJunkie'' have no background music aside from joke scenes. This is in comparison with the lively MMO sequences and is used to show how lonely the protagonist's life is.
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* For the most part, the real life sequences in ''Net-Juu No Susume'' have no background music aside from joke scenes. This is in comparison with the lively MMO sequences and is used to show how lonely the protagonist's life is.

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* For the most part, the real life sequences in ''Net-Juu No Susume'' ''Anime/NetoJuuNoSusume'' have no background music aside from joke scenes. This is in comparison with the lively MMO sequences and is used to show how lonely the protagonist's life is.
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* ''Film/PortraitOfALadyOnFire has almost no soundtrack to reflect how precious Héloïse finds music in a time period (the late 18th century) where recordings don't exist and concerts are typically a privilege only enjoyed by the rich. As such, the only three instances of music are entirely diegetic and very significant: the scene of Marianne playing a bit of "Summer" from Vivaldi's Four Seasons on the harpsichord for Héloïse, the women singing at the bonfire, and [[spoiler: the ending scene, in which Marianne witnesses Héloïse being moved to tears while listening to a full orchestra play "Summer."]]

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* ''Film/PortraitOfALadyOnFire ''Film/PortraitOfALadyOnFire'' has almost no soundtrack to reflect how precious Héloïse finds music in a time period (the late 18th century) where recordings don't exist and concerts are typically a privilege only enjoyed by the rich. As such, the only three instances of music are entirely diegetic and very significant: the scene of Marianne playing a bit of "Summer" from Vivaldi's Four Seasons on the harpsichord for Héloïse, the women singing at the bonfire, and [[spoiler: the ending scene, in which Marianne witnesses Héloïse being moved to tears while listening to a full orchestra play "Summer."]]
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* ''Film/PortraitOfALadyOnFire has almost no soundtrack to reflect how precious Héloïse finds music in a time period (the late 18th century) where recordings don't exist and concerts are typically a privilege only enjoyed by the rich. As such, the only three instances of music are entirely diegetic and very significant: the scene of Marianne playing a bit of "Summer" from Vivaldi's Four Seasons on the harpsichord for Héloïse, the women singing at the bonfire, and [[spoiler: the ending scene, in which Marianne witnesses Héloïse being moved to tears while listening to a full orchestra play "Summer."]]
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* ''VideoGame/HarvestMoonAWonderfulLife'', arguably the darkest but certainly the most realistic ''VideoGame/HarvestMoon'' title, lacks background music with a few exceptions, notably the record player in your house and occasional guitar music at the local bar. You can also sometimes hear music if you visit Lumina's house while she's playing the piano.

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* ''VideoGame/HarvestMoonAWonderfulLife'', arguably the darkest but certainly the most realistic ''VideoGame/HarvestMoon'' ''VideoGame/StoryOfSeasons'' title, lacks background music with a few exceptions, notably the record player in your house and occasional guitar music at the local bar. You can also sometimes hear music if you visit Lumina's house while she's playing the piano.
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[[folder: Anime ]]

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[[folder: Anime ]]
Anime]]



[[folder: Film ]]

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[[folder: Film ]]
Film]]
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** The same goes for Film/TheFrenchConnection and Film/TheSevenUps which followed not long after.
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* Film/{{Bullitt}}: The music score fades out as soon as the car chase starts in earnest. The car chase is a symphony of screeching tires, revving motors, bouncing suspensions, and shotgun blasts.

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* ''Series/TheOuterLimits1995'': Given its premise, the FoundFootage episode "Manifest Destiny" features no music (discounting the opening and closing credits).
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* Creator/JanSvankmajer's ''Film/{{Alice}}'' lacks any background music, aside from a piece of music played over the end credits. If anything, the sound effects (such as Alice sucking her finger or scraping knives) are exaggerated and sound quite loud.

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* Creator/JanSvankmajer's ''Film/{{Alice}}'' ''Film/{{Alice|1988}}'' lacks any background music, aside from a piece of music played over the end credits. If anything, the sound effects (such as Alice sucking her finger or scraping knives) are exaggerated and sound quite loud.
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* ''Film/ThePanicInNeedlePark'', a 1971 film about heroin addicts done in cinema verite style, shot on location, has no soundtrack and no incidental music.
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* ''Film/NoCountryForOldMen'', except in the credits and one scene in the movie, uses no background music, which adds to the tension felt throughout the film.

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