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[[folder: Anime ]]

* For the most part, the real life sequences in ''Net-Juu No Susume'' have no background music aside from joke scenes. This is in comparison with the lively MMO sequences and is used to show how lonely the protagonist's life is.

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* Despite having several orchestral scores listed in its soundtrack, ''VideoGame/BrothersInArms'' does not have any background music. All of these themes instead play during either the main menu or during title sequences, but never in the levels themselves.
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* ''Film/TheFloridaProject'' is, with the exception of its final scene, entirely scoreless.

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Folderizing.


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[[folder: Film ]]



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[[folder: Western Animation ]]


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* Save for the credits, ''Film/{{Sully}}'' has no soundtrack, which only enhances the NothingIsScarier atmosphere after the engines fail.
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** At least a couple of ''Aesop & Son'' shorts, like "The Dog and His Shadow" and "The Sick Lion", did have original scores.
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SisterTrope of SilenceIsGolden, DeliberatelyMonochrome and RealityHasNoSubtitles.

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SisterTrope of SilenceIsGolden, DeliberatelyMonochrome DeliberatelyMonochrome, and RealityHasNoSubtitles.



Contrast LeftTheBackGroundMusicOn and MusicVideoSyndrome.

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Contrast LeftTheBackGroundMusicOn LeftTheBackgroundMusicOn and MusicVideoSyndrome.



* Creator/TheMarxBrothers first film ''Film/TheCocoanuts'' is a perfect example of that. The brothers figured that the audience wouldn't care where the music came from but the executives insisted that film audiences wouldn't suspend their disbelief, so they hired an orchestra to sit on the set in order to justify the musical numbers (even though they were using prerecorded music) - but the director forgot to shoot them and almost all the musical numbers were cut anyway, so the studio wasted that money.

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* Creator/TheMarxBrothers first film ''Film/TheCocoanuts'' is a perfect example of that. The brothers figured that the audience wouldn't care where the music came from from, but [[ExecutiveMeddling the executives insisted insisted]] that film audiences wouldn't suspend their disbelief, so they hired an orchestra to sit on the set in order to justify the musical numbers (even though they were using prerecorded music) - -- but the director forgot to shoot them and almost all the musical numbers were cut anyway, so the studio wasted that money.
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* ''Film/FailSafe'' was intended to contain a score, but this was left out. This just adds to the ominous nature of the film.
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* ''Film/OneOfOurAircraftIsMissing'' contains no musical score. Director Michael Powell strove for "naturalism" and only used diegetic sounds.

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* ''Film/OneOfOurAircraftIsMissing'' contains no musical score. Director Michael Powell Creator/MichaelPowell strove for "naturalism" and only used diegetic sounds.
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* ''One Of Our Aircraft is Missing'' contains no musical score. Director Michael Powell strove for "naturalism" and only used diegetic sounds.

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* ''One Of Our Aircraft is Missing'' ''Film/OneOfOurAircraftIsMissing'' contains no musical score. Director Michael Powell strove for "naturalism" and only used diegetic sounds.
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* ''Series/{{MASH}}'' started out using musical scores throughout each episode, like most sitcoms of the era, but starting in the second season on it was gradually phased out, reserved for lengthy comedic sequences and before and after commercial breaks. By season eight, the background music was gone entirely. According to Burt Metcalf, it was removed to be "just like the actual Korean War". Likewise, the CannedLaughter forced by the network was scaled back as the series wore on, ultimately being absent in the finale.

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* ''Series/{{MASH}}'' started out using musical scores throughout each episode, like most sitcoms of the era, but starting in the second season on it was gradually phased out, reserved for lengthy comedic sequences and before and after commercial breaks. By season eight, the background music was gone entirely. According to Burt Metcalf, it was removed to be "just like the actual Korean War".UsefulNotes/KoreanWar". Likewise, the CannedLaughter forced by the network was scaled back as the series wore on, ultimately being absent in the finale.
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* ''VideoGame/HarvestMoonAWonderfulLife'', arguably the darkest but certainly the most realistic ''VideoGame/HarvestMoon'' title, lacks background music for the most part. Other games in the franchise have background music however unless your disc player is on there's little music aside from cutscenes, Lumima's piano, and the local bar.

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* ''VideoGame/HarvestMoonAWonderfulLife'', arguably the darkest but certainly the most realistic ''VideoGame/HarvestMoon'' title, lacks background music for with a few exceptions, notably the most part. Other games in the franchise have background music however unless your disc record player is on there's little in your house and occasional guitar music aside from cutscenes, Lumima's piano, and at the local bar.bar. You can also sometimes hear music if you visit Lumina's house while she's playing the piano.
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* ''Film/DesertHearts'', a film set in [[TheFifties 1959]], has no background music, although period hits by Music/ElvisPresley, Music/BuddyHolly and Music/JohnnyCash (among others) are heard on radios.
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--> '''WebVideo/TheCinemaSnob:''' ''The director definitely shows the scene in about the most realistic fashion as he can. There's no soundtrack playing, other than the character in the movie playing the harmonic which kinda adds to the atmosphere. Almost nothing about it feels like you're watching a movie. It was one of the most raw sequences put on film at the time.''

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--> '''WebVideo/TheCinemaSnob:''' ''The director definitely shows the scene in about the most realistic fashion as he can. There's no soundtrack playing, other than the character in the movie playing the harmonic harmonica which kinda adds to the atmosphere. Almost nothing about it feels like you're watching a movie. It was one of the most raw sequences put on film at the time.''




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* ''Film/TheTribe'' has no background music, and no diegetic music, to underscore the silence of life in a school for the deaf.
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* ''Film/{{Underground}}'': All music is performed live or played on a recording. However, this also includes the brass band that seems to follow the two main characters wherever they go and provide a jaunty soundtrack to whatever is happening.

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* ''Film/{{Underground}}'': All music is performed live or played on a recording. However, ''Film/{{Underground}}'' turns this also includes the brass band that seems to follow on its head by having the two main characters wherever they go and followed almost everywhere by a live brass band who provide a jaunty soundtrack to whatever is happening.
tune for their various adventures.
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* ''Film/{{Underground}}'': All music is performed live or played on a recording. However, this also includes the brass band that seems to follow the two main characters wherever they go and provide a jaunty soundtrack to whatever is happening.
Is there an issue? Send a MessageReason:
None


Early sound films tended to have no music tracks unless there was an on-scene source (a radio or a stage orchestra). This was partially due to the limitations of early film sound recording technology, as well as a desire for greater realism (and a belief that [[ViewersAreMorons audiences would be asking where the music was coming from]]). In the early years of sound cinema, there was a debate over whether film sound should be naturalistic, corresponding only with the on-screen action; or serve as an artistic counterpoint to the images, with music and sound effects providing a kind of commentary on the action. Eventually the solution was to TakeAThirdOption and strike a happy medium, with dialogue recorded on set complemented with a music score and augmented sound effects.

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Early sound films tended to have no music tracks unless there was an on-scene source (a radio or a stage orchestra). This was partially due to the limitations of early film sound recording technology, as well as a desire for greater realism (and a belief that [[ViewersAreMorons audiences would be asking where the music was coming from]]).from). In the early years of sound cinema, there was a debate over whether film sound should be naturalistic, corresponding only with the on-screen action; or serve as an artistic counterpoint to the images, with music and sound effects providing a kind of commentary on the action. Eventually the solution was to TakeAThirdOption and strike a happy medium, with dialogue recorded on set complemented with a music score and augmented sound effects.
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* Creator/MichaelHaneke's ''Film/CodeUnknown'' features no soundtrack apart from flute music and drums being played in-universe.

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* Creator/MichaelHaneke's ''Film/CodeUnknown'' features no soundtrack apart from flute A trademark of Creator/MichaelHaneke. None of his movies feature a score. All music and drums being played is performed or replayed in-universe.
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* Haneke's ''Film/CodeUnknown'' features no soundtrack apart from flute music and drums being played in-universe.

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* Haneke's Creator/MichaelHaneke's ''Film/CodeUnknown'' features no soundtrack apart from flute music and drums being played in-universe.
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* Haneke's ''Film/CodeUnknown'' features no soundtrack apart from flute music and drums being played in-universe.
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None


* The ''Series/BuffyTheVampireSlayer'' season 5 episode "The Body" [[spoiler:({{the one where}} Joyce dies)]] there is absolutely no music, apart from the theme tune during the opening credits. However, the rest of the series has music like normal, making this episode really stand out.

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* The ''Series/BuffyTheVampireSlayer'' season 5 episode "The Body" [[spoiler:({{the one where}} Joyce dies)]] there is has absolutely no music, apart from the theme tune during the opening and closing credits. However, the rest of the series has music like normal, making this episode really stand out.



* ''Getting On'' (a similar tv show to ''The Thick Of It'', set in a hospital rather than Westminster) has no background music, but it does have title music.

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* ''Getting On'' (a similar tv show to ''The Thick Of It'', set in a hospital rather than Westminster) has no background music, but it does have title music.
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* The Peter Bogdonovich thriller ''Film/{{Targets}}'' has no music soundtrack, except for a diegetic tune heard on a car radio. The opening credits are played over music-free footage from one of star Creator/BorisKarloff's previous films.
* Jan Svankmajer's ''Alice'' lacks any background music, aside from a piece of music played over the end credits. If anything, the sound effects (such as Alice sucking her finger or scraping knives) are exaggerated and sound quite loud.

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* The Peter Bogdonovich Bogdanovich thriller ''Film/{{Targets}}'' has no music soundtrack, except for a diegetic tune heard on a car radio. The opening credits are played over music-free footage from one of star Creator/BorisKarloff's previous films.
* Jan Svankmajer's ''Alice'' Creator/JanSvankmajer's ''Film/{{Alice}}'' lacks any background music, aside from a piece of music played over the end credits. If anything, the sound effects (such as Alice sucking her finger or scraping knives) are exaggerated and sound quite loud.



-->'''WebVideo/TheCinemaSnob:''' The director definitely shows the scene in about the most realistic fashion as he can. There's no soundtrack playing, other than the character in the movie playing the harmonic which kinda adds to the atmosphere. Almost nothing about it feels like you're watching a movie. It was one of the most raw sequences put on film at the time.

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-->'''WebVideo/TheCinemaSnob:''' The --> '''WebVideo/TheCinemaSnob:''' ''The director definitely shows the scene in about the most realistic fashion as he can. There's no soundtrack playing, other than the character in the movie playing the harmonic which kinda adds to the atmosphere. Almost nothing about it feels like you're watching a movie. It was one of the most raw sequences put on film at the time. ''
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* The ''VideoGame/GrandTheftAuto'' series is rather famous for its lack of background music - up until ''VideoGame/GrandTheftAutoV'', there are very few times throughout the series where there is non-digetic music playing. As mentioned, this stopped with ''V'', which contains a fully-featured background score in addition to licensed radio music.
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* The movie ''The Lunchbox'', which presents a bittersweet picture of the depressing nature of modern-day life in India, has no background music, and only once or twice any music playing due to onscreen sources. This is particularly notable in contrast to the most common kind of Indian movie the West sees, the {{Bollywood}} musical, which naturally uses music a great deal.

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* The movie ''The Lunchbox'', which presents a bittersweet picture of the depressing nature of modern-day life in India, has no background music, and only once or twice any music playing due to onscreen sources. This is particularly notable in contrast to the most common kind of Indian movie the West sees, the {{Bollywood}} UsefulNotes/{{Bollywood}} musical, which naturally uses music a great deal.
Is there an issue? Send a MessageReason:
None


* ''VideoGame/HarvestMoonAWonderfulLife'', arguably the darkest but certainly the most realistic ''VideoGame/HarvestMoon'' title, lacks background music for the most part.

to:

* ''VideoGame/HarvestMoonAWonderfulLife'', arguably the darkest but certainly the most realistic ''VideoGame/HarvestMoon'' title, lacks background music for the most part.
part. Other games in the franchise have background music however unless your disc player is on there's little music aside from cutscenes, Lumima's piano, and the local bar.
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None


* ThePianist has no music unless the main character is playing a piano or hearing someone else play an instrument.

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* ThePianist ''Film/ThePianist'' has no music unless the main character is playing a piano or hearing someone else play an instrument.
* ''Film/CastAway'' has no musical score whatsoever when Chuck Noland is stranded on the island, which really drives home how desert islands are both quieter and louder than a city.
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Added The Pianist to the film section



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*ThePianist has no music unless the main character is playing a piano or hearing someone else play an instrument.
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* The ''Series/KraftSuspenseTheatre'' episode "Their Own Executioners" lacks a musical score, unlike the rest of the series.

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SisterTrope of SilenceIsGolden, DeliberatelyMonochrome and RealityHasNoSubtitles. Compare QuieterThanSilence and SilentCredits. Contrast LeftTheBackGroundMusicOn and MusicVideoSyndrome.

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SisterTrope of SilenceIsGolden, DeliberatelyMonochrome and RealityHasNoSubtitles. RealityHasNoSubtitles.

Compare QuieterThanSilence and SilentCredits. SilentCredits.

Contrast LeftTheBackGroundMusicOn and MusicVideoSyndrome.
MusicVideoSyndrome.
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Sometimes, a work forgoes a soundtrack, usually for added realism.

Early sound films tended to have no music tracks unless there was an on-scene source (a radio or a stage orchestra). This was partially due to the limitations of early film sound recording technology, as well as a desire for greater realism (and a belief that [[ViewersAreMorons audiences would be asking where the music was coming from]]). In the early years of sound cinema, there was a debate over whether film sound should be naturalistic, corresponding only with the on-screen action; or serve as an artistic counterpoint to the images, with music and sound effects providing a kind of commentary on the action. Eventually the solution was to TakeAThirdOption and strike a happy medium, with dialogue recorded on set complemented with a music score and augmented sound effects.

Almost ubiquitous in fly-on-the-wall and {{Mockumentary}}[=-style=] works.

SisterTrope of SilenceIsGolden, DeliberatelyMonochrome and RealityHasNoSubtitles. Compare QuieterThanSilence and SilentCredits. Contrast LeftTheBackGroundMusicOn and MusicVideoSyndrome.

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!Examples

[[AC:{{Film}}]]
* Besides the opening sequence, ''Film/DogDayAfternoon'' does not have any music.
* In keeping with the genre of FoundFootageFilms, ''Film/{{Cloverfield}}'' has no music other than diegetic (until the end credits, which have epic symphonic battle music called "Roar!")
* The Israeli drama film ''The Exchange'' uses absolutely no music, except on one occasion when relevant in-universe, and when the credits roll. Since it takes place in a quiet neighbourhood, the silence can be almost eerie.
* ''Film/TheBirds'' uses natural and electronic bird noises in place of a musical score.
* ''Film/AboutSchmidt'' has no musical soundtrack. In one scene, Schmitt's daughter has the radio on, but it is the only music you'll hear in the movie.
* Creator/TheMarxBrothers first film ''Film/TheCocoanuts'' is a perfect example of that. The brothers figured that the audience wouldn't care where the music came from but the executives insisted that film audiences wouldn't suspend their disbelief, so they hired an orchestra to sit on the set in order to justify the musical numbers (even though they were using prerecorded music) - but the director forgot to shoot them and almost all the musical numbers were cut anyway, so the studio wasted that money.
* The Peter Bogdonovich thriller ''Film/{{Targets}}'' has no music soundtrack, except for a diegetic tune heard on a car radio. The opening credits are played over music-free footage from one of star Creator/BorisKarloff's previous films.
* Jan Svankmajer's ''Alice'' lacks any background music, aside from a piece of music played over the end credits. If anything, the sound effects (such as Alice sucking her finger or scraping knives) are exaggerated and sound quite loud.
* ''One Of Our Aircraft is Missing'' contains no musical score. Director Michael Powell strove for "naturalism" and only used diegetic sounds.
* ''Film/ForbiddenPlanet'' doesn't have a conventional music score, instead using electronic sounds to give an outer worldly atmosphere. At one point a recording of similar sounds is played by the characters and theorized to be music from the extinct race of aliens that once populated the planet.
* The infamous 25 minute rape scene in ''Film/ISpitOnYourGrave'' is without any musical score.
-->'''WebVideo/TheCinemaSnob:''' The director definitely shows the scene in about the most realistic fashion as he can. There's no soundtrack playing, other than the character in the movie playing the harmonic which kinda adds to the atmosphere. Almost nothing about it feels like you're watching a movie. It was one of the most raw sequences put on film at the time.
* The movie ''The Lunchbox'', which presents a bittersweet picture of the depressing nature of modern-day life in India, has no background music, and only once or twice any music playing due to onscreen sources. This is particularly notable in contrast to the most common kind of Indian movie the West sees, the {{Bollywood}} musical, which naturally uses music a great deal.

[[AC:LiveActionTV]]
* ''Series/{{MASH}}'' started out using musical scores throughout each episode, like most sitcoms of the era, but starting in the second season on it was gradually phased out, reserved for lengthy comedic sequences and before and after commercial breaks. By season eight, the background music was gone entirely. According to Burt Metcalf, it was removed to be "just like the actual Korean War". Likewise, the CannedLaughter forced by the network was scaled back as the series wore on, ultimately being absent in the finale.
* ''Series/TheWire'' is, perhaps, the definitive example of a TV series which doesn't use background music (except in the End Of Season montages).
* The ''Series/BuffyTheVampireSlayer'' season 5 episode "The Body" [[spoiler:({{the one where}} Joyce dies)]] there is absolutely no music, apart from the theme tune during the opening credits. However, the rest of the series has music like normal, making this episode really stand out.
* ''Series/TheSopranos'' generally avoids non-{{diegetic music}}. When it does appear, it's always ''[[SoundtrackDissonance very]]'' noticeable, and the most dramatic scenes tend to be music-free.
* ''Series/TheThickOfIt'' is a totally straight example. It doesn't even have title music.
* ''Getting On'' (a similar tv show to ''The Thick Of It'', set in a hospital rather than Westminster) has no background music, but it does have title music.
* ''Series/TheOfficeUK'' and ''Series/TheOfficeUS'' have no soundtrack beyond title and closing themes and occasional transitional music, owing to their mockumentary nature.
** Likewise, spin-off ''Series/ParksAndRecreation'' lacks a non-diegetic soundtrack.

[[AC:VideoGames]]
* ''VideoGame/HarvestMoonAWonderfulLife'', arguably the darkest but certainly the most realistic ''VideoGame/HarvestMoon'' title, lacks background music for the most part.

[[AC:WesternAnimation]]
* The individual segments of ''WesternAnimation/RockyAndBullwinkle'' have no background music outside of their opening and closing sequences. This appears to be more due to low budgets than to artistic reasons, although with its rapid-fire dialogue, a music score seems redundant. The exception is ''WesternAnimation/DudleyDoRight'', which has a piano score as part of its spoofing of (ironically) silent film conventions.
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