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*** The Thirteenth Doctor's outfit features a noticable amount of blue accents, contrasting with the amber light of her sonic screwdriver.
*** Earlier, the Eleventh Doctor's first console room's walls were an orange-copper colour, contrasting with the bright blue of the police box exterior and door frame.


** In [[WesternAnimation/MyLittlePonyEquestriaGirls2013 the first movie]], the [[HeelFaceTurn then]]-BigBad Sunset Shimmer is a primarily orange and red character with some yellow hues. The main heroine Twilight Sparkle, on the other hand, is colored lavender, violet and blue.

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** In [[WesternAnimation/MyLittlePonyEquestriaGirls2013 [[WesternAnimation/MyLittlePonyEquestriaGirls1 the first movie]], the [[HeelFaceTurn then]]-BigBad Sunset Shimmer is a primarily orange and red character with some yellow hues. The main heroine Twilight Sparkle, on the other hand, is colored lavender, violet and blue.



[[folder:Webcomics]]

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[[folder:Webcomics]][[folder:Web Comics]]


* ''Film/TheFly1986'' has an obvious example with the text and graphics on the telepod-controlling computer being blue and/or orange on a black background, but it's only one way the colors are subtly, extensively used in conjunction with light and shadow throughout. In the early going, Veronica's editor/ex-lover Stathis, who is a [[ClingyJealousGirl Clingy Jealous Guy]], is associated with shadows and orange lighting (the best example being her finding him taking a shower in her apartment). The {{Adorkable}} scientist Seth, her new and true love, is given more light and blue tones. But then Seth makes a TragicMistake that results in a SlowTransformation ''and'' SplitPersonalityTakeover. Soon, ''he'' becomes associated with orange/shadow, and his decaying human skin follows suit, taking on a reddish-orange, rusty shade. Come his penultimate form and the final 20 minutes (which take place at night) blue contrast is brought in by both the lighting and Veronica's blue dress, and as Stathis becomes a HeroAntagonist he also gets light along with a blue-gray sweater. The extremes are further pushed as Seth's final Brundlefly form emerges and [[spoiler: Stathis shoots out the cables connecting Ronnie's telepod to the others, which is followed by the botched teleportation destroying part of a telepod]], leaving the entire loft a blue-suffused scene as smoke fills it for the film's final moments. As with ''Film/TheEmpireStrikesBack'', this film predates most uses of the trope by a good two decades.

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* ''Film/TheFly1986'' has an obvious example with -- the text and graphics on the telepod-controlling computer being are blue and/or orange on a black background, background -- but it's only one way the colors are subtly, extensively used in conjunction with light and shadow throughout. elsewhere. In the early going, Veronica's editor/ex-lover Stathis, who is a [[ClingyJealousGirl Clingy Jealous Guy]], is associated with shadows and orange lighting (the best example being (i.e. her finding him taking a shower in her apartment). The {{Adorkable}} scientist Seth, her new and true love, is given more gets light and blue tones. But then Seth makes a TragicMistake that results in a SlowTransformation ''and'' SplitPersonalityTakeover. Soon, ''he'' He becomes associated with orange/shadow, orange/shadow and his decaying human skin follows suit, taking takes on a reddish-orange, rusty reddish-orange shade. Come his penultimate form and the final 20 minutes (which take place at night) blue contrast is brought in by both comes from the lighting and Veronica's blue dress, and as Stathis becomes a HeroAntagonist he also gets light along with a blue-gray sweater. The extremes are further pushed as Seth's final Brundlefly "Brundlefly" form emerges and [[spoiler: Stathis shoots out the cables connecting Ronnie's telepod to the others, which is followed by the botched teleportation destroying part of a telepod]], pod]], leaving the entire loft a blue-suffused scene as smoke fills it for the film's final moments.it. As with ''Film/TheEmpireStrikesBack'', this film predates most uses of the trope by a good two decades. Creator/DavidCronenberg historian William Beard's commentary track on the 2019 Blu-Ray goes into thorough detail on the film's use of color.


* This is ''Manga/{{Naruto}}''s original color scheme. After the TimeSkip, he swaps the blue for black, which then becomes his default look. Deliberately [[InvokedTrope invoked]] as the author based the colour scheme off of Goku's from ''Dragon Ball''.

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* This is ''Manga/{{Naruto}}''s ''Manga/{{Naruto}}'''s original color scheme. After the TimeSkip, he swaps the blue for black, which then becomes his default look. Deliberately [[InvokedTrope invoked]] as the author based the colour scheme off of Goku's from ''Dragon Ball''.



* In ''Anime/RomeoXJuliet'', Romeo and those aligned with the Montagues are colored cool blues, greens and violets, while Juliet and the Capulet sympathizers are warm oranges, reds and browns.



* ''Disney/{{Aladdin}}''. Most scenes feature both blue and orange prominently. Even the main characters have Blue/Orange contrasts in their outfits.

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* ''Disney/{{Aladdin}}''. ''Disney/{{Aladdin}}'': Most scenes feature both blue and orange prominently. Even the main characters have Blue/Orange contrasts in their outfits.



* Marlin and Dory from ''WesternAnimation/FindingNemo''.

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* Marlin (orange clownfish) and Dory (blue regal tang) from ''WesternAnimation/FindingNemo''.



* ''Film/TheHobbitAnUnexpectedJourney'': The scenes in the goblins' caves. The orange of the flames mixes with the blueness of the darkness.

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* ''Film/TheHobbit'':
**
''Film/TheHobbitAnUnexpectedJourney'': The scenes in the goblins' caves. The orange of the flames mixes with the blueness of the darkness.



* The final scene of [[Recap/CommunityS2E24ForAFewPaintballsMore "For a Few Paintballs More"]] from ''Series/{{Community}}'' has this colouring all over the place, and it looks awesome. Annie, Abed and Troy have white clothes which have been stained with orange paint from the sprinkles, while Jeff, Britta and Pierce are dressed in blue of various shades.

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* The final scene of [[Recap/CommunityS2E24ForAFewPaintballsMore "For "[[Recap/CommunityS2E24ForAFewPaintballsMore For a Few Paintballs More"]] More]]" from ''Series/{{Community}}'' has this colouring all over the place, and it looks awesome. Annie, Abed and Troy have white clothes which have been stained with orange paint from the sprinkles, while Jeff, Britta and Pierce are dressed in blue of various shades.



* ''Series/UchuSentaiKyuranger'': The Orange and Sky Blue Rangers are paired together, both as a sub-unit of the larger team and because they have a big brother/little brother character dynamic.

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* ''Series/UchuSentaiKyuranger'': The Orange and Sky Blue Rangers Rangers, Stinger and Kotaro, are paired together, both as a sub-unit of the larger team and because they have a big brother/little brother character dynamic.



* ''Franchise/MassEffect''

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* ''Franchise/MassEffect''''Franchise/MassEffect'':



* There's a Flash platformer called ''[[https://jayisgames.com/games/tealy-and-orangey/ Tealy and Orangey]]'' - one of those "you control two characters with the same buttons" ones, where one half of the screen is blue and the other is orange. Tealy and Orangey are two balls of their eponymous colors [[spoiler: and are unaffected by hazards of the opposite color]].

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* There's a Flash platformer called ''[[https://jayisgames.com/games/tealy-and-orangey/ Tealy and Orangey]]'' - one of those "you control two characters with the same buttons" ones, where one half of the screen is blue and the other is orange. Tealy and Orangey are two balls of their eponymous colors [[spoiler: and are unaffected by hazards of the opposite color]].color.



* ''VisualNovel/DigitalALoveStory''. The Amie Workbench's color scheme (itself a sendup of the original Amiga Workbench) uses white, black, orange, and blue.

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* ''VisualNovel/DigitalALoveStory''. ''VisualNovel/DigitalALoveStory'': The Amie Workbench's color scheme (itself a sendup of the original Amiga Workbench) uses white, black, orange, and blue.



* ''Website/{{Cracked}}''

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* ''Website/{{Cracked}}''''Website/{{Cracked}}'':



** This trope helps highlight the friendly rivalry between the orange Applejack and the cyan Rainbow Dash. While it's mostly a bonus for the [[MerchandiseDriven toy box art]], this has rarely been used due to miscommunication between the animation and toy divisions.

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** This trope helps highlight the friendly rivalry between the orange Applejack and the cyan electric blue Rainbow Dash. While it's mostly a bonus for the [[MerchandiseDriven toy box art]], this has rarely been used due to miscommunication between the animation and toy divisions.



** This is visible with Starlight Glimmer and Sunburst, two old friends who are often star in shared episodes and who played important roles in each others' backstories, as well as their respective parents, who are heated rivals and often butt heads. Starlight and her family tend towards blue-spectrum colors, whereas Sunburst and his tend towards oranges and other fiery colors. Starlight is purple, with a cyan streak in her mane and tail and the same color prominently displayed in her cutie mark; her father is purple, with a green mane and tail. Sunburst is light orange with a darker orange mane, while his mom has a burnt orange coat and a reddish mane. His dad, although only seen in flashbacks, has a yellow coat and orange mane.
** The Hooffields and [=McColts=], a pair of FeudingFamilies from [[Recap/MyLittlePonyFriendshipIsMagicS5E23TheHooffieldsAndMccolts the episode of the same name]], have their rivalry and division highlighted by this color contrast. The Hooffields are exclusively colored in shades of orange, tan and burnt reds and browns and have curly beards, hair and tails. The [=McColts=], by contrast, have slate blue, gray and teal coats and straight beards, tails and hair.

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** This is visible with Starlight Glimmer and Sunburst, two old friends who are often star in shared episodes and who played important roles in each others' backstories, as well as their respective parents, who are heated rivals and often butt heads.backstories. Starlight and her family tend towards blue-spectrum colors, whereas Sunburst and his tend towards oranges and other fiery colors. Starlight is purple, with a cyan streak in her mane and tail and the same color prominently displayed in her cutie mark; her father is purple, with a green mane and tail. Sunburst is light orange with a darker orange mane, while his mom has a burnt orange coat and a reddish mane. His dad, although only seen in flashbacks, has a yellow coat and orange mane.
** The Hooffields and [=McColts=], a pair of FeudingFamilies from [[Recap/MyLittlePonyFriendshipIsMagicS5E23TheHooffieldsAndMccolts the episode of the same name]], have their rivalry and division highlighted by this color contrast. The Hooffields are exclusively colored in shades of orange, tan and burnt reds and browns and have curly beards, hair and tails. hair. The [=McColts=], by contrast, have slate blue, gray and teal coats and straight beards, tails and hair.



* In the original G1 ''[[WesternAnimation/TheTransformers Transformers]]'' series, the Autobots' crashed-spaceship-used-as-an-H.Q. is orange, and the Decepticons' crashed-spaceship-used-as-an-H.Q. is blue (well, purple).

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* In the original G1 ''[[WesternAnimation/TheTransformers Transformers]]'' series, the Autobots' crashed-spaceship-used-as-an-H.Q. is orange, and the Decepticons' crashed-spaceship-used-as-an-H.Q. is blue (well, purple).blueish-purple.



* ''WesternAnimation/TheBackyardigans'' features a blue penguin and an orange moose who are best friends. Interestingly, they respectively form a RedOniBlueOni duo.

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* ''WesternAnimation/TheBackyardigans'' features best friends Pablo, a blue penguin penguin, and Tyrone, an orange moose who are best friends.moose. Interestingly, they respectively form a RedOniBlueOni duo.



* John Logie Baird, a Scottish television engineer, invented the Telechrome, an early attempt at color television. It used a CRT with two electron guns. They corresponded to cyan and red-orange phosphors, two complementary colors chosen to display skin tones accurately. Perhaps if a video has a particularly extreme blue and orange theme, it would look just fine displayed on a Telechrome. Ultimately, Red, green and blue were decided for color TV, using CRTs with three electron guns.

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* John Logie Baird, a Scottish television engineer, invented the Telechrome, an early attempt at color television. It used a CRT with two electron guns. They corresponded to cyan and red-orange phosphors, two complementary colors chosen to display skin tones accurately. Perhaps if a video has a particularly extreme blue and orange theme, it would look just fine displayed on a Telechrome. Ultimately, Red, green and blue were decided for color TV, using CRTs [=CRTs=] with three electron guns.



* Titan, the largest moon of Saturn, has orange clouds, but a dark blue atmosphere.

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* Titan, [[UsefulNotes/TheMoonsOfSaturn the largest moon of Saturn, Saturn]], has orange clouds, but a dark blue atmosphere.


More [[http://www.cracked.com/article_18664_5-annoying-trends-that-make-every-movie-look-same.html here]], [[http://theabyssgazes.blogspot.com/2010/03/teal-and-orange-hollywood-please-stop.html here]] and [[http://theabyssgazes.blogspot.com/2010/03/teal-and-orange-part-2.html here]] (and more recently [[https://petapixel.com/2017/02/23/orange-teal-look-popular-hollywood/ here]]). Games have also picked up on this trend. A discussion of the coloring trends especially in orange as they pertain to comics is [[http://www.bleedingcool.com/2013/02/23/comics-catfish-and-colour-oranges-are-not-the-only-fruit/ here]].

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More [[http://www.cracked.com/article_18664_5-annoying-trends-that-make-every-movie-look-same.html here]], [[http://theabyssgazes.blogspot.com/2010/03/teal-and-orange-hollywood-please-stop.html here]] and [[http://theabyssgazes.blogspot.com/2010/03/teal-and-orange-part-2.html here]] (and more recently [[https://petapixel.com/2017/02/23/orange-teal-look-popular-hollywood/ here]]). Games have also picked up on this trend. A discussion of the coloring trends especially in orange as they pertain to comics is can be read [[http://www.bleedingcool.com/2013/02/23/comics-catfish-and-colour-oranges-are-not-the-only-fruit/ here]].



%%* [[http://www.flickr.com/groups/18935367@N00 This]] {{Flickr}} group.

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%%* %% * [[http://www.flickr.com/groups/18935367@N00 This]] {{Flickr}} group.group.
%% * [[http://theabyssgazes.blogspot.com/2010/03/teal-and-orange-hollywood-please-stop.html here]]
%% * [[http://theabyssgazes.blogspot.com/2010/03/teal-and-orange-part-2.html here]]
%% * [[https://petapixel.com/2017/02/23/orange-teal-look-popular-hollywood/ here]]).



* As of early 2015, [[http://alternet.org AlterNet]] has shifted to an orange and navy blue color scheme.

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* As of In early 2015, [[http://alternet.org AlterNet]] has shifted to an orange and navy blue color scheme.


Has a vague resemblance to the LoudnessWar common in music; in both cases, something is pushed UpToEleven in post-production, removing all subtlety from the sound or picture. Can be a factor in DigitalDestruction. See also RedGreenContrast.

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Has a vague resemblance to the LoudnessWar common in music; in both cases, something is pushed UpToEleven in post-production, removing all subtlety from the sound or picture. Can be a factor in DigitalDestruction. See also RedGreenContrast.
RedGreenContrast and YellowPurpleContrast.


* ''Film/ElCamino'' has a pretty obvious teal/orange filter, in contrast to the original ''Series/BreakingBad'' series, which for the most part used the complete range of colors.



%%** ''Film/TheFastAndTheFuriousTokyoDrift''
%%** ''Fast & Furious''
%%** ''Fast Five''



* ''Film/ElCamino'' has a pretty obvious teal/orange filter, in contrast to the original ''Series/BreakingBad'' series, which for the most part used the complete range of colors.

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* ''Film/ElCamino'' has a pretty obvious teal/orange filter, in contrast to the original ''Series/BreakingBad'' series, which for the most part used the complete range of colors.


** The original cuts with the proper color timing had their fair share of orange-and-blue.

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** The original cuts with the proper color timing had their fair share of orange-and-blue.orange-and-blue, some 15-20 years before it became commonplace.



* While most films on the Marvel Cinematic Universe are noted for [[InvertedTrope either saturating colors]] or [[SubvertedTrope having all-blueish tones]], ''Film/GuardiansOfTheGalaxy'' gets to use this trope:

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* While most films on the Marvel Cinematic Universe are noted for [[InvertedTrope either saturating colors]] or [[SubvertedTrope [[UnnaturallyBlueLighting having almost all-blueish tones]], ''Film/GuardiansOfTheGalaxy'' gets to use this trope:


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** The first half of ''Film/TheAviator'' used this deliberately, adopting the look of Multicolor stock (the process that Howard Hughes used in a scene of ''Hell's Angels'').


Has a vague resemblance to the LoudnessWar; in both cases, something is pushed UpToEleven in post-production, removing all subtlety from the sound or picture. Can be a factor in DigitalDestruction. See also RedGreenContrast.

to:

Has a vague resemblance to the LoudnessWar; LoudnessWar common in music; in both cases, something is pushed UpToEleven in post-production, removing all subtlety from the sound or picture. Can be a factor in DigitalDestruction. See also RedGreenContrast.



* The ''Milano'', Star-Lord's spaceship in ''Film/GuardiansOfTheGalaxy'', is blue and orange.

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* While most films on the Marvel Cinematic Universe are noted for [[InvertedTrope either saturating colors]] or [[SubvertedTrope having all-blueish tones]], ''Film/GuardiansOfTheGalaxy'' gets to use this trope:
**
The ''Milano'', Star-Lord's spaceship in ''Film/GuardiansOfTheGalaxy'', spaceship, is blue and orange.

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* John Logie Baird, a Scottish television engineer, invented the Telechrome, an early attempt at color television. It used a CRT with two electron guns. They corresponded to cyan and red-orange phosphors, two complementary colors chosen to display skin tones accurately. Perhaps if a video has a particularly extreme blue and orange theme, it would look just fine displayed on a Telechrome. Ultimately, Red, green and blue were decided for color TV, using CRTs with three electron guns.

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* Early two-color (red and green) Technicolor (1916-1935) rendered ''everything'' in teal and orange. In the hands of adept art and costume designers, the results could be striking (e.g., 1930's ''Film/KingOfJazz'' or 1932's ''Film/DoctorX''). Potentially jarring to modern audiences is early filmmakers' custom of making most of the movie in black and white, then switching to color for one scene or reel (e.g., 1928's ''Film/TheWeddingMarch'' or 1933's ''Film/TheVampireBat''). With the introduction of three-color Technicolor in 1934, enabling a greater variety of color, blue and orange palettes ceased to be a technological limitation.

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* ''Film/TheFly1986'' has an obvious example with the text and graphics on the telepod-controlling computer being blue and/or orange on a black background, but it's only one way the colors are subtly, extensively used in conjunction with light and shadow throughout. In the early going, Veronica's editor/ex-lover Stathis, who is a [[ClingyJealousGirl Clingy Jealous Guy]], is associated with shadows and orange lighting (the best example being her finding him taking a shower in her apartment). The {{Adorkable}} scientist Seth, her new and true love, is given more light and blue tones. But then Seth makes a TragicMistake that results in a SlowTransformation ''and'' SplitPersonalityTakeover. Soon, ''he'' becomes associated with orange/shadow, and his decaying human skin follows suit, taking on a reddish-orange, rusty shade. Come his penultimate form and the final 20 minutes (which take place at night) blue contrast is brought in by both the lighting and Veronica's blue dress, and as Stathis becomes a HeroAntagonist he also gets light along with a blue-gray sweater. The extremes are further pushed as Seth's final Brundlefly form emerges and [[spoiler: Stathis shoots out the cables connecting Ronnie's telepod to the others, which is followed by the botched teleportation destroying part of a telepod]], leaving the entire loft a blue-suffused scene as smoke fills it for the film's final moments. As with ''Film/TheEmpireStrikesBack'', this film predates most uses of the trope by a good two decades.

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* The climax of ''Film/FantasticBeastsTheCrimesOfGrindelwald'' juxtaposes the blue flames of Grindelwald's [[KillItWithFire Fiendfyre]] with the orange-gold light of the heroes' joint-effort counterspell.


* ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' makes habitual use of this trope in its character designs:

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* ''WesternAnimation/MyLittlePonyFriendshipIsMagic'' makes habitual use of this trope in its character designs:designs, employing it in some form whenever characters appear in contrast or association with each other.


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** Shimmy Shake and Lighthoof, two cheerleaders [[TheDividual who are effectively a single character in terms of personality and never seen apart]], are distinguished from one another almost solely by their color schemes. Shimmy Shake's eyes, mane and coat are bright orange and her cutie mark magenta, while Lighthoof has a cyan coat, aquamarine mane and eyes, and a purple and dark blue cutie mark.

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