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* ''WesternAnimation/CloudyWithAChanceOfMeatballs'': The Series: Hector Evilman's creation in "Inventors Only" with mice enacting Series/{{Seinfeld}} plays laugh tracks, with Hector explaining: "and this is something I call Mice TV, the only sustainable future of entertainment! What makes it funny is the laugh track telling you it's funny." This leaks into the real world as the track plays when Flint remarks "I came here expecting to get killed." Followed with a D'awww when he continues with "all you've done is murder my fears...with friendship."
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* ''WesternAnimation/CloudyWithAChanceOfMeatballs'': The Series: ''WesternAnimation/CloudyWithAChanceOfMeatballs2017'': Hector Evilman's creation in "Inventors Only" with mice enacting Series/{{Seinfeld}} plays laugh tracks, with Hector explaining: "and this is something I call Mice TV, the only sustainable future of entertainment! What makes it funny is the laugh track telling you it's funny." This leaks into the real world as the track plays when Flint remarks "I came here expecting to get killed." Followed with a D'awww when he continues with "all you've done is murder my fears...with friendship."
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* Used in a segment of the film ''Film/NaturalBornKillers'' establishing Mallory's backstory. Mallory's father threatening to beat up her mother, Mallory's father groping Mallory and her brother asking if he was born of incest with her all have the "audience" rolling in the aisles. [[https://www.youtube.com/watch?v=XXq2rsaOxWQ MASSIVELY disturbing.]]
* In ''Film/AnnieHall'', Alvy visits Hollywood, where his best friend is editing a TV show by having false laughter added to it, much to his chagrin.
-->'''Alvie:''' [[TakeThat Got any booing on there?]]
* In ''Film/AnnieHall'', Alvy visits Hollywood, where his best friend is editing a TV show by having false laughter added to it, much to his chagrin.
-->'''Alvie:''' [[TakeThat Got any booing on there?]]
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* An [[BlackComedy utterly dark version]] appears in ''Film/NaturalBornKillers''. [[https://www.youtube.com/watch?v=XXq2rsaOxWQ The scene]] detailing Mallory's [[AbusiveParents horrifically]] [[ParentalIncest abusive]] [[DomesticAbuse childhood]] is done in the style of a classic multi-camera sitcom called ''I Love Mallory'', complete with a laugh track.
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* An [[BlackComedy utterly dark version]] appears in ''Film/NaturalBornKillers''. [[https://www.youtube.com/watch?v=XXq2rsaOxWQ The scene]] detailing Mallory's [[AbusiveParents horrifically]] [[ParentalIncest abusive]] [[DomesticAbuse childhood]] is done in the style of a classic multi-camera sitcom called ''I Love Mallory'', complete with a laugh track. Mallory's father insulting and threatening to beat up her mother, groping Mallory and her brother asking if he was born of incest with her all have the "audience" rolling in the aisles. [[https://www.youtube.com/watch?v=XXq2rsaOxWQ MASSIVELY disturbing.]]
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* In Creator/RobertRankin's ''A Dog Called Demolition'', The Shrunken Head pub has a laughter track installed, greeting Danny with gales of laughter,though he can't work out where it's coming from.
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* In Creator/RobertRankin's ''A Dog Called Demolition'', The Shrunken Head pub has a laughter track installed, greeting Danny with gales of laughter,though laughter, though he can't work out where it's coming from.
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Naturally, within a few years of its introduction, [[UndeadHorseTrope it was abused and overused]]. ''Every'' punchline, no matter how lame or subtle, would receive the same tsunami of belly laughs from the virtual audience. It became epidemic, even intruding bizarrely into cartoons (''WesternAnimation/TheFlintstones'' and ''WesternAnimation/TheJetsons'', anyone?). By the 1960s, it had become an annoying intrusion, hated but (in the minds of most producers) mandatory. In the 1970s, however, most sitcoms began to switch away from the single-camera, movie-style format and back to the multi-camera format with a studio audience providing real laughter, which producers found more pleasing because it had a better comic "rhythm" and helped them write better jokes. By the 1980s, the only hit that still regularly used a laugh track was ''Series/{{MASH}}'' (which increasingly dispensed with the device toward the end of its run). And while the TurnOfTheMillennium saw a resurgence of single-camera comedies in the US, these were influenced by the new wave of British comedies of the 1990s, which omitted laugh tracks completely (leading to some UsefulNotes/MisplacedNationalism). Some comedies resorted to the use of certain sound effects that served the same purpose, but as the focus of 2010s-era comedies shifted towards either [[{{Dramedy}} dramatic]] or [[CringeComedy outrageous situations]], laugh tracks have seen a decrease in use.
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Naturally, within a few years of its introduction, [[UndeadHorseTrope it was abused and overused]]. ''Every'' punchline, no matter how lame or subtle, would receive the same tsunami of belly laughs from the virtual audience. It became epidemic, even intruding bizarrely into cartoons (''WesternAnimation/TheFlintstones'' and ''WesternAnimation/TheJetsons'', anyone?). By the 1960s, it had become an annoying intrusion, hated but (in the minds of most producers) mandatory. In the 1970s, however, most sitcoms began to switch away from the single-camera, movie-style format and back to the multi-camera format with a studio audience providing real laughter, which producers found more pleasing because it had a better comic "rhythm" and helped them write better jokes. By the 1980s, the only hit that still regularly used a laugh track was ''Series/{{MASH}}'' (which increasingly dispensed with the device toward the end of its run). And while the TurnOfTheMillennium saw a resurgence of single-camera comedies in the US, these were influenced by the new wave of British comedies of the 1990s, which omitted laugh tracks completely (leading to some UsefulNotes/MisplacedNationalism). Some comedies resorted to the use of certain sound effects that served the same purpose, but as the focus of 2010s-era comedies shifted towards either [[{{Dramedy}} dramatic]] or [[CringeComedy outrageous situations]], laugh tracks have seen a decrease in use.
use. They are sometimes PlayedForHorror in the SubvertedSitcom, though.
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*In ''Series/NedsDeclassifiedSchoolSurvivalGuide'', the episode "Class Clown" deals with the gang trying to replace the previous class clown (who has moved out of the school), and Cookie's approach is using a device that adds laugh track to whatever people say, claiming that laugh track makes everything funnier.
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** Eleven years later, their animated ''WesternAnimation/Coneheads'' special utilized this.
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zero context example
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* The live-action segments of ''Series/TheSuperMarioBrosSuperShow'', which leads to a humourous {{Mondegreen}} when the laugh track obscures something Mario [[https://www.youtube.com/watch?v=ogtjjQ6070U says]].
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* In the 1980s, there was a situation comedy series written and produced by Creator/MelBrooks (yes, ''that'' Mel Brooks) called ''The Nutt House''. ExecutiveMeddling resulted in laugh tracks, because the executives felt that ViewersAreMorons. The result was loud, jarring, clumsily dubbed-in laugh tracks that often drowned out the punchlines.
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* In the 1980s, there was a situation comedy series ''Series/TheNuttHouse'': Co-created and written and produced by Creator/MelBrooks (yes, ''that'' Mel Brooks) called ''The Nutt House''. Creator/MelBrooks; ExecutiveMeddling resulted in forced laugh tracks, because the executives felt that ViewersAreMorons. The result was loud, jarring, clumsily dubbed-in laugh tracks that often drowned out the punchlines.
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* ''Series/TheBigBangTheory'' is one of the few shows that proudly uses a StudioAudience. As the show became more popular most of the audience consists of die-hard fans, thus the laughter tended to be a bit more aware of the nuances of the show and were anticipating the punchlines (ie Sheldon starts an innocuous sounding dialogue about Windows 7 and there are some snickers at "It is much more user friendly" before the actual joke of "[[TheyChangedItNowItSucks I don't like it]]"). [[RealityIsUnrealistic This resulted in many people assuming the show did, in fact, use a laugh track]]. One Chuck Lorre VanityPlate at the end of an episode featured a [[http://www.chucklorre.com/index-bbt.php?p=282 composite picture]] of the studio audience with the caption "This is our 'laugh machine'"
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* ''Series/TheBigBangTheory'' is one of the few shows that proudly uses a StudioAudience. As the show became more popular most of the audience consists of die-hard fans, thus the laughter tended to be a bit more aware of the nuances of the show and were anticipating the punchlines (ie Sheldon starts an innocuous sounding dialogue about Windows 7 and there are some snickers at "It is much more user friendly" before the actual joke of "[[TheyChangedItNowItSucks I don't like it]]"). [[RealityIsUnrealistic This resulted in many people assuming the show did, in fact, use a laugh track]]. One Chuck Lorre VanityPlate at the end of an episode featured a [[http://www.chucklorre.com/index-bbt.php?p=282 [[http://chucklorre.com/?e=532 composite picture]] of the studio audience with the caption "This is our 'laugh machine'"
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** When ''M*A*S*H'' was originally brodacast on Creator/TheBBC, it was without the laugh track. The show's producers said at the time that they wished it could have been shown in the US this way. Unfortunately the version now seen on cable/satellite channels in the UK has the laugh track.
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* ''WebVideo/CLWEntertainment'': The ''Anime/{{Doraemon}}'' announcement [[https://youtu.be/ySEfqD4HB7Q "Just Finished a HUGE Episode of Doraemon!!"]] features a very repetitive laugh track PlayedForLaughs. The same soundbite plays whenever anything happens in the video.
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* ''WebVideo/CLWEntertainment'': The ''Anime/{{Doraemon}}'' ''Manga/{{Doraemon}}'' announcement [[https://youtu.be/ySEfqD4HB7Q "Just Finished a HUGE Episode of Doraemon!!"]] features a very repetitive laugh track PlayedForLaughs. The same soundbite plays whenever anything happens in the video.
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* Two Garry Marshall-produced sitcoms (''Theatre/TheOddCouple'' and ''Series/HappyDays'') had laugh tracks in their inaugural seasons, before shifting to a live StudioAudience, with the canned laughter occasionally used for "sweetening."
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* Two Garry Marshall-produced sitcoms (''Theatre/TheOddCouple'' (''Series/TheOddCouple1970'' and ''Series/HappyDays'') had laugh tracks in their inaugural seasons, before shifting to a live StudioAudience, with the canned laughter occasionally used for "sweetening."
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** Goodson-Todman's syndicated reboot of ''Series/{{Concentration}}'' repurposed ''Price'''s audience reaction tracks of "oohs" during the Head Start portion of the game (showing four prizes on the board). They tried to make prizes like cat food and candy sound awesome.
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* The short-lived CBS game ''SeriesGiveNTake'' was produced by and taped at Warner Bros., who used the standard sitcom laugh track of the time mixed in with their live audience reactions.
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* The short-lived CBS game ''SeriesGiveNTake'' ''Series/GiveNTake'' was produced by and taped at Warner Bros., who used the standard sitcom laugh track of the time mixed in with their live audience reactions.
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* The short-lived CBS game ''SeriesGiveNTake'' was produced by and taped at Warner Bros., who used the standard sitcom laugh track of the time mixed in with their live audience reactions.
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Laugh tracks and other uses of recorded laughter can have one interesting benefit in terms of pacing a show. Similar to theater, when the audience laughs, the actors will often pause for the joke to "land" and for the audience to calm back down before continuing. This pause is beneficial in some cases because it prevents dialogue or important details from being missed if the audience is still laughing.
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Laugh tracks and other uses of recorded laughter can have one interesting benefit in terms of pacing a show. Similar to theater, when the audience laughs, the actors will often pause for the joke to "land" and for the audience to calm back down before continuing. This pause is beneficial in some cases because it prevents dialogue or important details from being missed if the audience is still laughing.
laughing. However, the dialog sounds very strange without the laugh track, as the actors must deliver a line then pause for about five to ten seconds for the next one. It also changes the type of dialog one writes; a laugh track forces short, brief, quip-laden dialog. Without a laugh track, more natural dialog and more complex jokes can get the space to breathe.
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sources please. You can;t just say "several reports" without giving a link to said reports.
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** In an inversion, taping reports for the show suggests that some laughter and other audience responses were edited out because it clashed with their intended mood for a scene (such as when Penny kissed Leonard for the first time after they get back together, the scene as aired has no audience noise but apparently the crowd was "whoo"ing on every take). This is referred to as Sweetening, which involves using a live studio Audience, but also editing in canned laughter in order to smooth out transitions or edit scenes where audience response drowns out the acting.
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* Toys/LegoFriends: When appearing on a competitive baking show, the host produces a remote and keeps activating Canned Laughter or Applause sound effects. [[LampshadeHanging Lampshaded]] when a reverse angle of the studio audience area reveals there isn't actually an audience. Cue the FunnyBackgroundEvent when Stephanie checks under a microwave to find out where the sound is coming from.
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* Toys/LegoFriends: ''Toys/LegoFriends'': When appearing on a competitive baking show, the host produces a remote and keeps activating Canned Laughter or Applause sound effects. [[LampshadeHanging Lampshaded]] when a reverse angle of the studio audience area reveals there isn't actually an audience. Cue the FunnyBackgroundEvent when Stephanie checks under a microwave to find out where the sound is coming from.
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* WesternAnimation/RobotChicken had the canned laughter in Blooper's segment. In season 5 however, it [[spoiler: turned out that the host was hallucinating it and the laughter changed into distorted (while telling nobody to "STOP MOCKING ME!"]]
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* WesternAnimation/RobotChicken ''WesternAnimation/RobotChicken'' had the canned laughter in Blooper's segment. In season 5 however, it [[spoiler: turned out that the host was hallucinating it and the laughter changed into distorted (while telling nobody to "STOP MOCKING ME!"]]
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* ''WesternAnimation/TheGrimAdventuresOfBillyAndMandy'': Billy wishes for the perfect dog, but he doesn't know which of the four dogs he should take home. He then convinces Grim to use the magic of his scythe to combine all four dogs into one single perfect dog named Wiggy Jiggy Jed. The dog (who is a parody on Hanna-Barbera characters like Yogi Bear) in question makes quirky jokes that are immediately met by a disembodied laughing. The cast take note of it right away - Mandy: "Where is that creepy laughter coming from?"
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* ''WesternAnimation/TheGrimAdventuresOfBillyAndMandy'': Billy wishes for the perfect dog, but he doesn't know which of the four dogs he should take home. He then convinces Grim to use the magic of his scythe to combine all four dogs into one single perfect dog named Wiggy Jiggy Jed. The dog (who is a parody on Hanna-Barbera characters like Yogi Bear) in question makes quirky jokes that are immediately met by a disembodied laughing. The cast take note of it right away - Mandy: "Where away.
-->'''Mandy''': Where is that creepy laughter comingfrom?"from?
-->'''Mandy''': Where is that creepy laughter coming
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* ''WebVideo/YuYuHakushoAbridged'' has one play whenever Genbu says [[Creator/LarryTheCableGuy "Git-er-done"]].
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* ''WebVideo/YuYuHakushoAbridged'' has one play whenever Genbu says [[Creator/LarryTheCableGuy "Git-er-done"]]. Hiei does not approve, and forcibly interrupts Genbu's last invocation of this trope.
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In some Latin American countries (Argentina, for example), the laugh track is replaced by a crew of off-screen people paid specifically to ''laugh on command'' whenever the comedic situation (presumably) merits a laugh; they are known as ''reidores'' ("laughers"); a senior laugher signals all the others when to laugh. In Mexico, the Chespirito programs, particularly ''Series/ElChavoDelOcho'', had laugh tracks for most of their runs, but in later years this device was dropped, with a disclaimer proclaiming that it was done to respect the audience.
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In some Latin American countries (Argentina, for example), the laugh track is replaced by a crew of off-screen people paid specifically to ''laugh on command'' whenever the comedic situation (presumably) merits a laugh; they are known as ''reidores'' ("laughers"); reidores; a senior laugher signals all the others when to laugh. In Mexico, the Chespirito programs, particularly ''Series/ElChavoDelOcho'', had laugh tracks for most of their runs, but in later years this device was dropped, with a disclaimer proclaiming that it was done to respect the audience.
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** Serie/MatchGame used a laughter track in a bizarre way; during the opening of many episodes, while introducing the celebrity panelists, viewers could hear people giggling and laughing, even if there was nothing funny happening other than some TV star smiling at the camera. In reality the actual sound was likely audience applause (as they can be seen doing so when the camera pulls back to show audience members as the opening concludes). There is a possible rationale for this: some episodes of ''Match Game'' do not add in this sound, leading to a rather quiet, subdued opening.
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** The old daytime version of ''Series/WheelOfFortune'' was known for its canned applause. Compared with the combined cheers and applause from the current syndicated version's live audiences, the 1980s version's canned applause was still much louder. There were also awkward "ooh"s every time a prize was shown or the top dollar on the Wheel was hit, "aww"s whenever someone hit Bankrupt or called a wrong letter, et cetera. The sweetening is particularly noticeable during this infamous "Megaword" [[https://www.youtube.com/watch?v=OHzQLXHFCoQ category puzzle]]. It becomes obvious that the same audience groaning sound is recycled throughout!
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** The old daytime version of ''Series/WheelOfFortune'' was known for its canned applause. Compared with the combined cheers and applause from the current syndicated version's live audiences, the 1980s version's canned applause was still much louder. There were also awkward "ooh"s every time a prize was shown or the top dollar on the Wheel was hit, "aww"s whenever someone hit Bankrupt or called a wrong letter, et cetera. The sweetening is particularly noticeable during this infamous "Megaword" [[https://www.youtube.com/watch?v=OHzQLXHFCoQ category puzzle]]. It becomes obvious that the same audience groaning sound is recycled throughout!
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Duplicate entry.
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* ''WebAnimation/HazbinHotel'': A faint laugh track can be heard a few times in the pilot episode, but only after jokes are made by Alastor, the Radio Demon.
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* Most Hanna-Barbera animated series of the late 1950s and into the 1960s have laugh tracks. Justified somewhat with ''Series/TheFlintstones'' as it was intended to be an animated variant on live-action sitcoms such as ''Series/TheHoneymooners'' which were recorded in front of audiences at the time.
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* Most Hanna-Barbera animated series of the late 1950s and into the 1960s have laugh tracks. Justified somewhat with ''Series/TheFlintstones'' ''WesternAnimation/TheFlintstones'' as it was intended to be an animated variant on live-action sitcoms such as ''Series/TheHoneymooners'' which were recorded in front of audiences at the time.
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* The Brazilian version of ''Series/LastWeekTonightWithJohnOliver'', ''Greg News'' is recorded in front of a live studio audience, but lost that when the COVID-19 pandemic forced the show to be made from host Gregorio Duvivier's home. Yet an unintentional laugh track emerged at times: while John records alone (lest his young children hear [[ClusterFBomb his copious swearing]]), Gregorio's family is watching him off-camera, and their laughter can be heard in jokes they really like.
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-->'''Glynis''': I've got news for you: the date is going poorly.\\
'''Lloyd''': You think if I yelled out "bartender I'll take another" that a laugh track will start playing?\\
'''Glynis''': Why don't you try it and see?\\
'''Lloyd''': Bartender, I'll take another.\\
''The laugh track plays [[LeftTheBackgroundMusicOn before the bartender mutes a television.]]''
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*** All H-B's prime time animated comedies in the 60s had laugh tracks. Their Saturday morning shows, save for ''Scooby Doo, Where Are You!,'' didn't. The only 1970s series that didn't have laugh tracks were those animated in Australia, the odd drama shows (''Sealab 2020, Devlin'') and their WesternAnimation/TomAndJerry 1975 retool. The laugh track was abandoned in 1980.
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*** All H-B's prime time animated comedies in the 60s had laugh tracks. Their Saturday morning shows, save for ''Scooby Doo, Where Are You!,'' didn't. The only 1970s series that didn't have laugh tracks were those animated in Australia, the odd drama shows (''Sealab 2020, Devlin'') and their WesternAnimation/TomAndJerry 1975 retool. The laugh track was abandoned in 1980.1981.
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* In HazbinHotel, Alastor, the Radio Demon, speaks like a 1920s or 1930s radio personality, complete with a constant RadioVoice, even though he's personally present. This is accompanied by didactic period music and a subtle laugh track that sometimes appears when he laughs (though noticeably, [[NothingIsScarier not when he laughs as part of a threat]]). This is used for sinister effect, as a reflection of his demonic powers.
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* In HazbinHotel, ''WebAnimation/HazbinHotel'', Alastor, the Radio Demon, speaks like a 1920s or 1930s radio personality, complete with a constant RadioVoice, even though he's personally present. This is accompanied by didactic period music and a subtle laugh track that sometimes appears when he laughs (though noticeably, [[NothingIsScarier not when he laughs as part of a threat]]). This is used for sinister effect, as a reflection of his demonic powers.
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!!Exploited:
[[folder:Web Animation]]
* In HazbinHotel, Alastor, the Radio Demon, speaks like a 1920s or 1930s radio personality, complete with a constant RadioVoice, even though he's personally present. This is accompanied by didactic period music and a subtle laugh track that sometimes appears when he laughs (though noticeably, [[NothingIsScarier not when he laughs as part of a threat]]). This is used for sinister effect, as a reflection of his demonic powers.
[[/folder]]
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* Both ''Series/TheMuppetShow'' and ''Series/MuppetsTonight'' used laugh tracks. Justified in that both shows were presented as [[ShowWithinAShow shows being performed for an audience]], and it would be entirely impossible to film this show in front of an audience due to the special effects and the puppeteers. Also, unlike most others, the laugh track sounded ''so'' real, people ''actually try to buy tickets for a taping!''
** Actually, some of it ''was'' real laughter. Apparently the stagehands' favorite skits were with the Swedish Chef and would crowd the set to watch the taping. [[https://www.youtube.com/watch?v=g8UE8ADvF_s Listen very closely]] and you can hear a really loud laugh and somebody clapping their hands that doesn't match up with the laugh track
** Actually, some of it ''was'' real laughter. Apparently the stagehands' favorite skits were with the Swedish Chef and would crowd the set to watch the taping. [[https://www.youtube.com/watch?v=g8UE8ADvF_s Listen very closely]] and you can hear a really loud laugh and somebody clapping their hands that doesn't match up with the laugh track
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* Both ''Series/TheMuppetShow'' and ''Series/MuppetsTonight'' used laugh tracks. Justified in that both shows were presented as [[ShowWithinAShow shows being performed for an audience]], and it would be entirely impossible to film this show in front of an audience due to the special effects and the puppeteers. Also, unlike This was something of an embarrassment to Creator/JimHenson, who disliked the artificial quality of canned laughter but conceded it had to be used. This is most others, awkward during musical numbers where nothing particularly funny is happening, but the audience guffaws away for no reason.
** To ''The Muppet Show''s credit, some of the laughter was actually the off-camera cast and crew cracking up at their co-star's antics, mixed in with the laughtrack sounded ''so'' real, people ''actually try to buy tickets track. Richard Hunt had a particularly loud laugh that can be distinctly heard, for a taping!''
** Actually, some of it ''was'' real laughter. Apparentlyexample, in the stagehands' favorite skits were with "Japanese Cake" sketch. Sitting under the table waiting for his cue to bring the cake to life, Richard is audibly in stitches as the Swedish Chef throws candy and would crowd sugar all over the set to watch the taping. [[https://www.youtube.com/watch?v=g8UE8ADvF_s Listen very closely]] and you can hear a really loud laugh and somebody clapping their hands that doesn't match up with the laugh trackset.
** To ''The Muppet Show''s credit, some of the laughter was actually the off-camera cast and crew cracking up at their co-star's antics, mixed in with the laugh
** Actually, some of it ''was'' real laughter. Apparently
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** The Sandra Bullock episode of ''Muppets Tonight'' did a parody of ''Film/{{Speed}}'', where a villain set a bomb that would blow up the studio if the laugh frequency dropped too low. Trying to get the laughs back up, Pepe and Seymour do a truly dire joke that has the audience silent and unamused - and [[MindScrew over the shot of a non-laughing audience, the laugh track gives a big laugh.]]
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* ''Series/ForAllMankind''. Three astronauts are stranded on the Jamestown Moonbase with their only entertainment a Betamax tape with a few episodes of ''Series/TheBobNewhartShow''. When the tape gets eaten in the player, they've all long since memorized the whole thing and just act it out themselves, complete with laugh track.
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* ''Series/ForAllMankind''. Three astronauts are stranded on the Jamestown Moonbase with their only entertainment a Betamax tape with a few episodes of ''Series/TheBobNewhartShow''. When the tape gets eaten in the player, they've all long since memorized the whole thing and just act it out themselves, complete with laugh track.
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* ''Series/ForAllMankind''. Three astronauts are stranded on the Jamestown Moonbase with their only entertainment a Betamax tape with a few episodes of ''Series/TheBobNewhartShow''. When the tape gets eaten in the player, they've all long since memorized the whole thing and just act it out themselves, complete with laugh track.