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* A somewhat twisted version in the ''Literature/KnightAndRogueSeries''. In general humans are the only species without magic, only having weak abilities like vague senses, but there are some children who can use magic. Children only, becuase only simple children can use magic, and between their powers and their mental impairments and whatever other health problems come with they never last to adulthood.
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* A somewhat twisted version in the ''Literature/KnightAndRogueSeries''. In general humans are the only species without magic, only having weak abilities like vague senses, but there are some children who can use magic. Children only, becuase because only simple children can use magic, and between their powers and their mental impairments and whatever other health problems come with they never last to adulthood.
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[[folder: Live Action TV ]]
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[[folder: Video Games ]]
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[[folder: Western Animation ]]
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-->-- '''Jesus''', [[Literature/TheFourGospels Matthew 11:25]], ''Literature/TheBible''
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-->-- '''Jesus''', '''UsefulNotes/{{Jesus}}''', [[Literature/TheFourGospels Matthew 11:25]], ''Literature/TheBible''
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peter pen needs to be acknowledged to be probably a killer
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* ''Literature/PeterPan'': While there are some adults in Neverland, only kids are allowed to ''visit'' there, and Peter Pan kicks out any kids who "seem to be growing up". Additionally, while there are a few adults who believe in Peter, believing in him is said to be very rare among adults.
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* ''Literature/PeterPan'': While there are some adults in Neverland, only kids are allowed to ''visit'' there, and Peter Pan kicks out (and likely kills) any kids who "seem to be growing up". Additionally, while there are a few adults who believe in Peter, believing in him is said to be very rare among adults.
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* The little girls in Zilpha Keatley Snyder's ''Literature/TheChangeling1970'' believe that "babies are born knowing all sorts of magic stuff, until they start thinking separately and forget everything." They rely on a baby sister as a kind of [[ChildMage oracle/talisman]]. Snyder's subsequent ''[[Literature/GreenSkyTrilogy Green-Sky]]'' fantasy trilogy builds on this idea, then inverts it: infants have ESP but the fact that powers are lost with maturity isn't a cute bit of Wordsworthian nostalgia but a symptom of what's literally wrecking the culture.
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* The little girls in Zilpha Keatley Snyder's Creator/ZilphaKeatleySnyder's ''Literature/TheChangeling1970'' believe that "babies are born knowing all sorts of magic stuff, until they start thinking separately and forget everything." They rely on a baby sister as a kind of [[ChildMage oracle/talisman]]. Snyder's subsequent ''[[Literature/GreenSkyTrilogy Green-Sky]]'' fantasy trilogy builds on this idea, then inverts it: infants have ESP but the fact that powers are lost with maturity isn't a cute bit of Wordsworthian nostalgia but a symptom of what's literally wrecking the culture.
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* In the first episode of ''WesternAnimation/GodTheDevilAndBob'', God tells Bob that only he can see them. Bob's son Andy passes by and greets both of them, leading God to say "Oh, I forgot kids can see us too".
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Compare OtherworldlyVisitsYoungestFirst.
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->''At that time Jesus exclaimed: "I give praise to you, Father, Lord of heaven and earth, for although you have hidden these things from the wise and the learned you have revealed them to little ones.''
-->-- '''[[Literature/TheBible Matthew 11:25]]'''
-->-- '''[[Literature/TheBible Matthew 11:25]]'''
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-->--
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* The short story ''Mimsy Were the Borogoves'' by Lewis Padgett (a pseudonym of Creator/HenryKuttner and Creator/CLMoore) starts with a post-scientist in the far future testing a TimeMachine by sending two boxes of toys into the past; he loses track of them, and considers the test a failure. The first box is discovered in the 20th Century, by Scott and Emma Paradine, who by playing with them, quickly begin thinking in a very ''different'' way. Their parents and other adults cannot comprehend the odd toys. It's explained that the children are not actually increasing their intelligence, but the toys are conditioning them to "non-Euclidean" reasoning; only a child's mind and way of thinking are flexible enough to accommodate or comprehend it because adults have lived their entire lives "conditioned to Euclid". Elsewhere (and, else-when) the second box is found in the 19th Century by young Alice Liddell. She can only barely understand the written material, being slightly older than Scott and Emma, but when describing it to her friend "Uncle Charles" (Lewis Carroll) he finds it interesting and says he'll include them in one of his works. In the main story, the two siblings not only figure out the scientist's original experiment, but why it failed, and construct a device to leave their space-time dimension. A copy of ''Literature/ThroughTheLookingGlass'' is discovered by their parents, the odd title of the story (a line from ''Jabberwocky'' the missing piece used to complete the time-space equation. This is ''not'' to be confused with ''Film/TheLastMimzy'' which is very loosely based on this original work.
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* The short story ''Mimsy Were the Borogoves'' "Literature/MimsyWereTheBorogoves" by Lewis Padgett (a pseudonym of Creator/HenryKuttner and Creator/CLMoore) starts with a post-scientist in the far future testing a TimeMachine by sending two boxes of toys into the past; he loses track of them, and considers the test a failure. The first box is discovered in the 20th Century, by Scott and Emma Paradine, who by playing with them, quickly begin thinking in a very ''different'' way. Their parents and other adults cannot comprehend the odd toys. It's explained that the children are not actually increasing their intelligence, but the toys are conditioning them to "non-Euclidean" reasoning; only a child's mind and way of thinking are flexible enough to accommodate or comprehend it because adults have lived their entire lives "conditioned to Euclid". Elsewhere (and, else-when) the second box is found in the 19th Century by young Alice Liddell. She can only barely understand the written material, being slightly older than Scott and Emma, but when describing it to her friend "Uncle Charles" (Lewis Carroll) he finds it interesting and says he'll include them in one of his works. In the main story, the two siblings not only figure out the scientist's original experiment, but why it failed, and construct a device to leave their space-time dimension. A copy of ''Literature/ThroughTheLookingGlass'' is discovered by their parents, the odd title of the story (a line from ''Jabberwocky'' the missing piece used to complete the time-space equation. This is ''not'' to be confused with ''Film/TheLastMimzy'' which is very loosely based on this original work.
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* In ''WesternAnimation/RiseOfTheGuardian'': While everyone who believes in the Guardians can see them, including adults, and if someone doesn't believe in them they can't see them, even if they're a kid, this trope still applies in that the Guardians explicitly only protect children, and every light on the globe represents a ''child'' who believes.
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* In ''WesternAnimation/RiseOfTheGuardian'': ''WesternAnimation/RiseOfTheGuardians'': While everyone who believes in the Guardians can see them, including adults, and if someone doesn't believe in them they can't see them, even if they're a kid, this trope still applies in that the Guardians explicitly only protect children, and every light on the globe represents a ''child'' who believes.
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* ''{{Transformers}}: Cybertron'': When the parents offered to accompany their children into space to do battle with the Deceptions, it was explained that only the open minds and hearts of children could really comprehend what was going on out there, and that however much the parents ''wanted'' to believe in their own ability to understand the situation, only the children really could.
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* ''{{Transformers}}: Cybertron'': ''Anime/TransformersCybertron'': When the parents offered to accompany their children into space to do battle with the Deceptions, it was explained that only the open minds and hearts of children could really comprehend what was going on out there, and that however much the parents ''wanted'' to believe in their own ability to understand the situation, only the children really could.
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* In ''Acorna's Quest'' by Anne [=McCaffery=] and Margaret Ball, children can see the true form of the Linyaari, even when they are projecting something completely different. It's stated that children of any species are psychically undeveloped.
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* In ''Acorna's Quest'' ''[[Literature/AcornasQuest Acorna's Quest]]'' by Anne [=McCaffery=] and Margaret Ball, children can see the true form of the Linyaari, even when they are projecting something completely different. It's stated that children of any species are psychically undeveloped.
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* The little girls in Zilpha Keatley Snyder's ''The Changeling'' believe that "babies are born knowing all sorts of magic stuff, until they start thinking separately and forget everything." They rely on a baby sister as a kind of [[ChildMage oracle/talisman]]. Snyder's subsequent ''[[Literature/GreenSkyTrilogy Green-Sky]]'' fantasy trilogy builds on this idea, then inverts it: infants have ESP but the fact that powers are lost with maturity isn't a cute bit of Wordsworthian nostalgia but a symptom of what's literally wrecking the culture.
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* The little girls in Zilpha Keatley Snyder's ''The Changeling'' ''Literature/TheChangeling1970'' believe that "babies are born knowing all sorts of magic stuff, until they start thinking separately and forget everything." They rely on a baby sister as a kind of [[ChildMage oracle/talisman]]. Snyder's subsequent ''[[Literature/GreenSkyTrilogy Green-Sky]]'' fantasy trilogy builds on this idea, then inverts it: infants have ESP but the fact that powers are lost with maturity isn't a cute bit of Wordsworthian nostalgia but a symptom of what's literally wrecking the culture.
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* Cliff [=McNish=]
** ''The Doomspell Trilogy'': by the end of the second book, the "magic" inside of every child the world over had been unleashed giving most of them the ability to do just about anything, from fly, to change their hair colour, to kill people. Each child possessed a varying level of ability, but they all had it, more or less. This magic faded away as the child aged into adulthood.
** ''Silver Sequence'': children all over the world develop powers and change physically (often in some borderline BodyHorror ways) in response to a fast-approaching alien threat.
** ''The Doomspell Trilogy'': by the end of the second book, the "magic" inside of every child the world over had been unleashed giving most of them the ability to do just about anything, from fly, to change their hair colour, to kill people. Each child possessed a varying level of ability, but they all had it, more or less. This magic faded away as the child aged into adulthood.
** ''Silver Sequence'': children all over the world develop powers and change physically (often in some borderline BodyHorror ways) in response to a fast-approaching alien threat.
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* Cliff [=McNish=]
[=McNish=]:
**''The Doomspell Trilogy'': ''Literature/TheDoomspellTrilogy'': by the end of the second book, the "magic" inside of every child the world over had been unleashed giving most of them the ability to do just about anything, from fly, to change their hair colour, to kill people. Each child possessed a varying level of ability, but they all had it, more or less. This magic faded away as the child aged into adulthood.
**''Silver Sequence'': ''Literature/SilverSequence'': children all over the world develop powers and change physically (often in some borderline BodyHorror ways) in response to a fast-approaching alien threat.
**
**
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* Scott Christian Sava's ''Dreamland Chronicles'': only children can enter the world of dreams. The random appearance and disappearance of human children from their world is taken in stride by the inhabitants, and people begin to appear there less and less as they age. This is a familiar trope across many fictions dealing with a DreamLand.
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* Scott Christian Sava's ''Dreamland Chronicles'': ''Webcomic/DreamlandChronicles'': only children can enter the world of dreams. The random appearance and disappearance of human children from their world is taken in stride by the inhabitants, and people begin to appear there less and less as they age. This is a familiar trope across many fictions dealing with a DreamLand.
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added related trope
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Contrast EnfanteTerrible.
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Contrast EnfanteTerrible. See also FromTheMouthsOfBabes.
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%%The examples have been alphabetised. Please put new examples in the correct place.
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* ''Anime/SerialExperimentsLain'' has a bizarre subversion of this, with a scientist harnessing the ESP of thousands upon thousands of children in an attempt to digitise reality. The children didn't get the better part of that deal.
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* ''{{Transformers}}: Cybertron'': When the parents offered to accompany their children into space to do battle with the Deceptions, it was explained that only the open minds and hearts of children could really comprehend what was going on out there, and that however much the parents ''wanted'' to believe in their own ability to understand the situation, only the children really could.
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* ''Anime/SerialExperimentsLain'' has a bizarre subversion of this, with a scientist harnessing the ESP of thousands upon thousands of children in an attempt to digitise reality. The children didn't get the better part of that deal.
* ''{{Transformers}}: Cybertron'': When the parents offered to accompany their children into space to do battle with the Deceptions, it was explained that only the open minds and hearts of children could really comprehend what was going on out there, and that however much the parents ''wanted'' to believe in their own ability to understand the situation, only the children really could.
* ''{{Transformers}}: Cybertron'': When the parents offered to accompany their children into space to do battle with the Deceptions, it was explained that only the open minds and hearts of children could really comprehend what was going on out there, and that however much the parents ''wanted'' to believe in their own ability to understand the situation, only the children really could.
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* In ''WesternAnimation/RiseOfTheGuardian'': While everyone who believes in the Guardians can see them, including adults, and if someone doesn't believe in them they can't see them, even if they're a kid, this trope still applies in that the Guardians explicitly only protect children, and every light on the globe represents a ''child'' who believes.
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* The basic idea of SantaClaus and the EasterBunny cites that they only deliver to children. Depending on the family, this may stop at thirteen, eighteen, or any age between the two.
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* In ''Acorna's Quest'' by Anne [=McCaffery=] and Margaret Ball, children can see the true form of the Linyaari, even when they are projecting something completely different. It's stated that children of any species are psychically undeveloped.
* Many interesting essays about why ChildrenAreSpecial, ChildrenAreInnocent and GrowingUpSucks were written in Victorian times. [[https://books.google.com/books?id=E7ozAQAAMAAJ&pg=PA143#v=onepage&q&f=false Here's one, 'The Age of Gold', by folklorist Dinah Craik]] who compiled books of fairytales and wrote novels for kids and adults. Rev. Francis Jacox has an essay specifically about kids WorldBuilding, often later growing up to be authors, "[[https://books.google.com/books?id=DyNLAQAAMAAJ&pg=PA68#v=onepage&q&f=false Glimpses of Daydream-Land]]", in a Dickensian periodical.
* OlderThanFeudalism: In ''Literature/TheBible'', UsefulNotes/{{Jesus}} tells the disciples not to turn away a group of parents hoping to have their children blessed by him because one cannot enter to the kingdom of heaven without being like a child. (That is, eager to learn and open to trying something new and accepting new ideas that might sound crazy to some.)
* The little girls in Zilpha Keatley Snyder's ''The Changeling'' believe that "babies are born knowing all sorts of magic stuff, until they start thinking separately and forget everything." They rely on a baby sister as a kind of [[ChildMage oracle/talisman]]. Snyder's subsequent ''[[Literature/GreenSkyTrilogy Green-Sky]]'' fantasy trilogy builds on this idea, then inverts it: infants have ESP but the fact that powers are lost with maturity isn't a cute bit of Wordsworthian nostalgia but a symptom of what's literally wrecking the culture.
* Many interesting essays about why ChildrenAreSpecial, ChildrenAreInnocent and GrowingUpSucks were written in Victorian times. [[https://books.google.com/books?id=E7ozAQAAMAAJ&pg=PA143#v=onepage&q&f=false Here's one, 'The Age of Gold', by folklorist Dinah Craik]] who compiled books of fairytales and wrote novels for kids and adults. Rev. Francis Jacox has an essay specifically about kids WorldBuilding, often later growing up to be authors, "[[https://books.google.com/books?id=DyNLAQAAMAAJ&pg=PA68#v=onepage&q&f=false Glimpses of Daydream-Land]]", in a Dickensian periodical.
* OlderThanFeudalism: In ''Literature/TheBible'', UsefulNotes/{{Jesus}} tells the disciples not to turn away a group of parents hoping to have their children blessed by him because one cannot enter to the kingdom of heaven without being like a child. (That is, eager to learn and open to trying something new and accepting new ideas that might sound crazy to some.)
* The little girls in Zilpha Keatley Snyder's ''The Changeling'' believe that "babies are born knowing all sorts of magic stuff, until they start thinking separately and forget everything." They rely on a baby sister as a kind of [[ChildMage oracle/talisman]]. Snyder's subsequent ''[[Literature/GreenSkyTrilogy Green-Sky]]'' fantasy trilogy builds on this idea, then inverts it: infants have ESP but the fact that powers are lost with maturity isn't a cute bit of Wordsworthian nostalgia but a symptom of what's literally wrecking the culture.
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* Creator/StephenKing's novels often make a point about how children are better suited to dealing with the supernatural - they can accept it easier than most adults, due to a grown-up's mind being set in the ways about the nature of the 'real world'. Additionally, the titular monster of ''Literature/{{IT}}'' claims that only children can use the power of belief and Chud to stop it. The grown-up protagonists prove it wrong, but this may be to do with the fact that they had defeated it once as children already.
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* OlderThanFeudalism: In ''Literature/TheBible'', UsefulNotes/{{Jesus}} tells the disciples not to turn away a group of parents hoping to have their children blessed by him because one cannot enter to the kingdom of heaven without being like a child. (That is, eager to learn and open to trying something new and accepting new ideas that might sound crazy to some.)
to:
* OlderThanFeudalism: In ''Literature/TheBible'', UsefulNotes/{{Jesus}} tells Creator/DevonMonk's ''Literature/DeadIron'', [=LeFel=] abducted a four-year-old to act as his dreamer.
* ''Literature/EndersGame'' is probably somewhat of a subversion. If a child's trained from a young age in Battle School, then they can become as good a commander as an adult, and can learn how to understand thedisciples Buggers-- [[spoiler:but someone who really understood the buggers couldn't slaughter them, and so the commander needed to be tricked into thinking that the battles against the buggers were a simulation, not real combat with real casualties. Children were selected because they'd be naive enough not to turn away a group of parents hoping to have their suspect the battles were real]]. Which means that yes, children blessed by him because one cannot enter to have the kingdom of heaven without being like trait needed, but it's not necessarily a child. (That is, eager to learn and open to trying something new and accepting new ideas that might sound crazy to some.) positive one.
* ''Literature/EndersGame'' is probably somewhat of a subversion. If a child's trained from a young age in Battle School, then they can become as good a commander as an adult, and can learn how to understand the
* A somewhat twisted version in the ''Literature/KnightAndRogueSeries''. In general humans are the only species without magic, only having weak abilities like vague senses, but there are some children who can use magic. Children only, becuase only simple children can use magic, and between their powers and their mental impairments and whatever other health problems come with they never last to adulthood.
* ''Literature/MaryPoppins'': Specifically, ''babies'' are special. The baby twins George and Barbara can speak to [[BabyLanguage each other]], [[SpeaksFluentAnimal animals]], and even the weather, but they outgrow this while they're still babies; just after their first birthday. Apparently, all babies are like this, and Mary is the only person in the world who never outgrew her ability to speak to babies, animals, and the weather.
* ''Literature/MaryPoppins'': Specifically, ''babies'' are special. The baby twins George and Barbara can speak to [[BabyLanguage each other]], [[SpeaksFluentAnimal animals]], and even the weather, but they outgrow this while they're still babies; just after their first birthday. Apparently, all babies are like this, and Mary is the only person in the world who never outgrew her ability to speak to babies, animals, and the weather.
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* ''Literature/EndersGame'' is probably somewhat of a subversion. If a child's trained from a young age in Battle School, then they can become as good a commander as an adult, and can learn how to understand the Buggers-- [[spoiler:but someone who really understood the buggers couldn't slaughter them, and so the commander needed to be tricked into thinking that the battles against the buggers were a simulation, not real combat with real casualties. Children were selected because they'd be naive enough not to suspect the battles were real]]. Which means that yes, children have the trait needed, but it's not necessarily a positive one.
* In ''Acorna's Quest'' by Anne [=McCaffery=] and Margaret Ball, children can see the true form of the Linyaari, even when they are projecting something completely different. It's stated that children of any species are psychically undeveloped.
* The little girls in Zilpha Keatley Snyder's ''The Changeling'' believe that "babies are born knowing all sorts of magic stuff, until they start thinking separately and forget everything." They rely on a baby sister as a kind of [[ChildMage oracle/talisman]]. Snyder's subsequent ''[[Literature/GreenSkyTrilogy Green-Sky]]'' fantasy trilogy builds on this idea, then inverts it: infants have ESP but the fact that powers are lost with maturity isn't a cute bit of Wordsworthian nostalgia but a symptom of what's literally wrecking the culture.
* In ''Acorna's Quest'' by Anne [=McCaffery=] and Margaret Ball, children can see the true form of the Linyaari, even when they are projecting something completely different. It's stated that children of any species are psychically undeveloped.
* The little girls in Zilpha Keatley Snyder's ''The Changeling'' believe that "babies are born knowing all sorts of magic stuff, until they start thinking separately and forget everything." They rely on a baby sister as a kind of [[ChildMage oracle/talisman]]. Snyder's subsequent ''[[Literature/GreenSkyTrilogy Green-Sky]]'' fantasy trilogy builds on this idea, then inverts it: infants have ESP but the fact that powers are lost with maturity isn't a cute bit of Wordsworthian nostalgia but a symptom of what's literally wrecking the culture.
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* A somewhat twisted version in the ''Literature/KnightAndRogueSeries''. In general humans are the only species without magic, only having weak abilities like vague senses, but there are some children who can use magic. Children only, becuase only simple children can use magic, and between their powers and their mental impairments and whatever other health problems come with they never last to adulthood.
* In Creator/DevonMonk's ''Literature/DeadIron'', [=LeFel=] abducted a four-year-old to act as his dreamer.
* Many interesting essays about why ChildrenAreSpecial, ChildrenAreInnocent and GrowingUpSucks were written in Victorian times. [[https://books.google.com/books?id=E7ozAQAAMAAJ&pg=PA143#v=onepage&q&f=false Here's one, 'The Age of Gold', by folklorist Dinah Craik]] who compiled books of fairytales and wrote novels for kids and adults. Rev. Francis Jacox has an essay specifically about kids WorldBuilding, often later growing up to be authors, "[[https://books.google.com/books?id=DyNLAQAAMAAJ&pg=PA68#v=onepage&q&f=false Glimpses of Daydream-Land]]", in a Dickensian periodical.
* In Creator/DevonMonk's ''Literature/DeadIron'', [=LeFel=] abducted a four-year-old to act as his dreamer.
* Many interesting essays about why ChildrenAreSpecial, ChildrenAreInnocent and GrowingUpSucks were written in Victorian times. [[https://books.google.com/books?id=E7ozAQAAMAAJ&pg=PA143#v=onepage&q&f=false Here's one, 'The Age of Gold', by folklorist Dinah Craik]] who compiled books of fairytales and wrote novels for kids and adults. Rev. Francis Jacox has an essay specifically about kids WorldBuilding, often later growing up to be authors, "[[https://books.google.com/books?id=DyNLAQAAMAAJ&pg=PA68#v=onepage&q&f=false Glimpses of Daydream-Land]]", in a Dickensian periodical.
to:
* A somewhat twisted version in the ''Literature/KnightAndRogueSeries''. In general humans are the only species without magic, only having weak abilities like vague senses, but ''Literature/PeterPan'': While there are some adults in Neverland, only kids are allowed to ''visit'' there, and Peter Pan kicks out any kids who "seem to be growing up". Additionally, while there are a few adults who believe in Peter, believing in him is said to be very rare among adults.
* Creator/StephenKing's novels often make a point about how childrenwho are better suited to dealing with the supernatural - they can use magic. Children only, becuase accept it easier than most adults, due to a grown-up's mind being set in the ways about the nature of the 'real world'. Additionally, the titular monster of ''Literature/{{IT}}'' claims that only simple children can use magic, the power of belief and between their powers and their mental impairments and whatever other health problems come Chud to stop it. The grown-up protagonists prove it wrong, but this may be to do with the fact that they never last to adulthood.
* In Creator/DevonMonk's ''Literature/DeadIron'', [=LeFel=] abducted a four-year-old to acthad defeated it once as his dreamer.
children already.
*Many interesting essays about why ChildrenAreSpecial, ChildrenAreInnocent and GrowingUpSucks were written in Victorian times. [[https://books.google.com/books?id=E7ozAQAAMAAJ&pg=PA143#v=onepage&q&f=false Here's one, 'The Age of Gold', by folklorist Dinah Craik]] who compiled books of fairytales and wrote novels for kids and adults. Rev. Francis Jacox has an essay specifically about kids WorldBuilding, often later growing up to be authors, "[[https://books.google.com/books?id=DyNLAQAAMAAJ&pg=PA68#v=onepage&q&f=false Glimpses of Daydream-Land]]", Played in a Dickensian periodical.dark way in ''Literature/TheWitches'', where children are the only humans that witches can smell, because they give out "stink-waves", which can't be smelt by humans but smell of dog droppings to witches, which is why they have a hatred for human children (think FantasticRacism meets ChildHater).
* Creator/StephenKing's novels often make a point about how children
* In Creator/DevonMonk's ''Literature/DeadIron'', [=LeFel=] abducted a four-year-old to act
*
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* In ''TabletopGame/MonstersAndOtherChildishThings'' only children have monsters... with the exception of an incredibly creepy old man who didn't grow up. It's implied this is because monsters, being immortal, don't really change, and tend to be more childish than the kid in the first place, so the kid outgrows them.
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* In ''TabletopGame/MonstersAndOtherChildishThings'' only children have monsters... with the exception of an incredibly creepy old man who didn't grow up. It's implied this is because monsters, being immortal, don't really change, and tend to be more childish than the kid in the first place, so the kid outgrows them.
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* ''VideoGame/TheSims'': Monsters are real, but they only spawn [[ThingsThatGoBumpInTheNight under the beds]] of kids. Additionally, kids can create imaginary friends and [[{{Tulpa}} have them come to life.]]
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* In ''WesternAnimation/{{Arthur}}'', children outgrow their specialness at a ''very'' young age: babies can speak to each other, animals, and even ''toys'' and ''imaginary beings'', yet they lose this ability once they start to speak. A baby with a small vocabulary can mainly communicate just fine with animals et al but will occasionally have "fuzz-outs" and briefly not be able to understand them (like a phone with a bad connection). Once a toddler knows how to speak fluently, they lose the ability.
* In ''WesternAnimation/DiGataDefenders'', in the episode "the lost children", a man known as the Professor, is searching in a mine for evidence that Ra Dosians are descendants of interstellar travellers. But in the mines is a virus that is deadly to adults, but children are immune to the virus. So the Professor kidnaps children and forces them to work in the mines.
* The characters on ''WesternAnimation/{{Kaeloo}}'' live in a world called Smileyland where ThereAreNoAdults because only children are allowed to access the place because of their belief in magic and their [[ChildrenAreInnocent innocence]].
* In ''WesternAnimation/DiGataDefenders'', in the episode "the lost children", a man known as the Professor, is searching in a mine for evidence that Ra Dosians are descendants of interstellar travellers. But in the mines is a virus that is deadly to adults, but children are immune to the virus. So the Professor kidnaps children and forces them to work in the mines.
* The characters on ''WesternAnimation/{{Kaeloo}}'' live in a world called Smileyland where ThereAreNoAdults because only children are allowed to access the place because of their belief in magic and their [[ChildrenAreInnocent innocence]].
* On ''WesternAnimation/TheFlintstones'', Fred and Barney are [[InvisibleToNormals usually the only ones who can see]] the Great Gazoo, but Pebbles and Bam-Bam can see him, because they believe in him.
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* On ''WesternAnimation/TheFlintstones'', Fred and Barney are [[InvisibleToNormals usually the only ones who can see]] the Great Gazoo, but Pebbles and Bam-Bam can see him, because they believe in him.
* In ''WesternAnimation/DiGataDefenders'', in the episode "the lost children", a man known as the Professor, is searching in a mine for evidence that Ra Dosians are descendants of interstellar travellers. But in the mines is a virus that is deadly to adults, but children are immune to the virus. So the Professor kidnaps children and forces them to work in the mines.
* The characters on ''WesternAnimation/{{Kaeloo}}'' live in a world called Smileyland where ThereAreNoAdults because only children are allowed to access the place because of their belief in magic and their [[ChildrenAreInnocent innocence]].
* In ''WesternAnimation/DiGataDefenders'', in the episode "the lost children", a man known as the Professor, is searching in a mine for evidence that Ra Dosians are descendants of interstellar travellers. But in the mines is a virus that is deadly to adults, but children are immune to the virus. So the Professor kidnaps children and forces them to work in the mines.
* The characters on ''WesternAnimation/{{Kaeloo}}'' live in a world called Smileyland where ThereAreNoAdults because only children are allowed to access the place because of their belief in magic and their [[ChildrenAreInnocent innocence]].
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* OlderThanFeudalism: In ''Literature/TheBible'', UsefulNotes/{{Jesus}} tells the disciples not to turn away a group of parents hoping to have their children blessed by him because one cannot enter to the kingdom of heaven without being like a child... [[WildMassGuessing whatever that's supposed to mean]].
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* OlderThanFeudalism: In ''Literature/TheBible'', UsefulNotes/{{Jesus}} tells the disciples not to turn away a group of parents hoping to have their children blessed by him because one cannot enter to the kingdom of heaven without being like a child... [[WildMassGuessing whatever that's supposed child. (That is, eager to mean]].learn and open to trying something new and accepting new ideas that might sound crazy to some.)
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* In ''TabletopGame/Pokethulhu'' only children are capable of dealing with the thullu without going completely insane or running away in terror.
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* In ''TabletopGame/Pokethulhu'' ''TabletopGame/{{Pokethulhu}}'' only children are capable of dealing with the thullu without going completely insane or running away in terror.
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* The short story ''Mimsy Were the Borogoves'' by Lewis Padgett (a pseudonym of Creator/HenryKuttner and Creator/CLMoore) starts with a post-scientist in the far future testing a TimeMachine by sending two boxes of toys into the past; he loses track of them, and considers the test a failure. The first box is discovered in the 20th Century, by Scott and Emma Paradine, who by playing with them, quickly begin thinking in a very ''different'' way. Their parents and other adults cannot comprehend the odd toys. It's explained that the children are not actually increasing their intelligence, but the toys are conditioning them to "non-Euclidean" reasoning; only a child's mind and way of thinking are flexible enough to accommodate or comprehend it because adults have lived their entire lives "conditioned to Euclid". Elsewhere (and, else-when) the second box is found in the 19th Century by young Alice Liddell. She can only barely understand the written material, being slightly older than Scott and Emma, but when describing it to her friend "Uncle Charles" (Lewis Carroll) he finds it interesting and says he'll include them in one of his works. In the main story, the two siblings not only figure out the scientist's original experiment, but why it failed, and construct a device to leave their space-time dimension. A copy of ''Literature/ThroughTheLookingGlass'' is discovered by their parents, the odd title of the story (a line from ''Jabberwocky'' the missing piece used to complete the time-space equation. This is ''not'' to be confused with ''Film/TheLastMimsy'' which is very loosely based on this original work.
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* The short story ''Mimsy Were the Borogoves'' by Lewis Padgett (a pseudonym of Creator/HenryKuttner and Creator/CLMoore) starts with a post-scientist in the far future testing a TimeMachine by sending two boxes of toys into the past; he loses track of them, and considers the test a failure. The first box is discovered in the 20th Century, by Scott and Emma Paradine, who by playing with them, quickly begin thinking in a very ''different'' way. Their parents and other adults cannot comprehend the odd toys. It's explained that the children are not actually increasing their intelligence, but the toys are conditioning them to "non-Euclidean" reasoning; only a child's mind and way of thinking are flexible enough to accommodate or comprehend it because adults have lived their entire lives "conditioned to Euclid". Elsewhere (and, else-when) the second box is found in the 19th Century by young Alice Liddell. She can only barely understand the written material, being slightly older than Scott and Emma, but when describing it to her friend "Uncle Charles" (Lewis Carroll) he finds it interesting and says he'll include them in one of his works. In the main story, the two siblings not only figure out the scientist's original experiment, but why it failed, and construct a device to leave their space-time dimension. A copy of ''Literature/ThroughTheLookingGlass'' is discovered by their parents, the odd title of the story (a line from ''Jabberwocky'' the missing piece used to complete the time-space equation. This is ''not'' to be confused with ''Film/TheLastMimsy'' ''Film/TheLastMimzy'' which is very loosely based on this original work.
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Changed line(s) 58 (click to see context) from:
* The short story ''Mimsy Were the Borogoves'' by Lewis Padgett (a pseudonym of Creator/HenryKuttner and Creator/CLMoore) starts with a post-scientist in the far future testing a TimeMachine by sending two boxes of toys into the past; he loses track of them, and considers the test a failure. The first box is discovered in the 20th Century, by the two child protagonists of the story, who by playing with them, quickly begin thinking in a very ''different'' way. Their parents and other adults cannot comprehend the odd toys. It's explained that the children are not actually increasing their intelligence, but the toys are conditioning them to "non-Euclidean" reasoning; only a child's mind and way of thinking are flexible enough to accommodate or comprehend it. Elsewhere (and, else-when) the second box is found in the 19th Century by young Alice Liddel. She can only barely understand the written material, being in her teenage years, but when describing it to her friend "Uncle Charles" (Lewis Carroll) he finds it interesting and says he'll include them in one of his works. In the main story, the two siblings not only figure out the scientist's original experiment, but why it failed, and construct a device to leave their space-time dimension. A copy of ''Literature/ThroughTheLookingGlass'' is discovered by their parents, the odd title of the story (a line from ''Jabberwocky'' the missing piece used to complete the time-space equation.
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* The short story ''Mimsy Were the Borogoves'' by Lewis Padgett (a pseudonym of Creator/HenryKuttner and Creator/CLMoore) starts with a post-scientist in the far future testing a TimeMachine by sending two boxes of toys into the past; he loses track of them, and considers the test a failure. The first box is discovered in the 20th Century, by the two child protagonists of the story, Scott and Emma Paradine, who by playing with them, quickly begin thinking in a very ''different'' way. Their parents and other adults cannot comprehend the odd toys. It's explained that the children are not actually increasing their intelligence, but the toys are conditioning them to "non-Euclidean" reasoning; only a child's mind and way of thinking are flexible enough to accommodate or comprehend it. it because adults have lived their entire lives "conditioned to Euclid". Elsewhere (and, else-when) the second box is found in the 19th Century by young Alice Liddel. Liddell. She can only barely understand the written material, being in her teenage years, slightly older than Scott and Emma, but when describing it to her friend "Uncle Charles" (Lewis Carroll) he finds it interesting and says he'll include them in one of his works. In the main story, the two siblings not only figure out the scientist's original experiment, but why it failed, and construct a device to leave their space-time dimension. A copy of ''Literature/ThroughTheLookingGlass'' is discovered by their parents, the odd title of the story (a line from ''Jabberwocky'' the missing piece used to complete the time-space equation. This is ''not'' to be confused with ''Film/TheLastMimsy'' which is very loosely based on this original work.
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* Many interesting essays about why ChildrenAreSpecial, ChildrenAreInnocent and GrowingUpSucks were written in Victorian times. [[https://books.google.com/books?id=E7ozAQAAMAAJ&pg=PA143#v=onepage&q&f=false Here's one, 'The Age of Gold', by folklorist Dinah Craik]] who compiled books of fairytales and wrote novels for kids and adults. Rev. Francis Jacox has an essay specifically about kids WorldBuilding, often later growing up to be authors, "[[https://books.google.com/books?id=DyNLAQAAMAAJ&pg=PA68#v=onepage&q&f=false Glimpses of Daydream-Land]]", in a Dickensian periodical.
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Changed line(s) 58 (click to see context) from:
* The short story ''Mimsy Were the Borogoves'' by Lewis Padgett (a pseudonym of Creator/HenryKuttner and Creator/CLMoore) starts with a post-scientist in the far future testing a TimeMachine by sending two boxes of toys into the past; he loses them, and considers the test a failure. The first box is discovered in the 20th Century, by the two child protagonists of the story, who by playing with them, quickly grow smarter. Their parents and other adults cannot comprehend the odd toys, because only a child's mind and way of thinking can comprehend them. Elsewhere (and, else-when) the second box is found in the 19th Century by young Alice Liddel. She can only barely understand the written material, being in her teenage years, but when describing it to her friend Charles Dodgson (better known today as Lewis Carroll) he finds it interesting and says he'll include them in one of his works. In the main story, the two siblings not only figure out the scientist's original experiment, but why it failed, and construct a device to leave the mortal world. A copy of ''Literature/ThroughTheLookingGlass'' is discovered by their parents, the odd title of the story (a line from ''Jabberwocky'' the missing piece used to complete the time-space equation.
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* The short story ''Mimsy Were the Borogoves'' by Lewis Padgett (a pseudonym of Creator/HenryKuttner and Creator/CLMoore) starts with a post-scientist in the far future testing a TimeMachine by sending two boxes of toys into the past; he loses track of them, and considers the test a failure. The first box is discovered in the 20th Century, by the two child protagonists of the story, who by playing with them, quickly grow smarter. begin thinking in a very ''different'' way. Their parents and other adults cannot comprehend the odd toys, because toys. It's explained that the children are not actually increasing their intelligence, but the toys are conditioning them to "non-Euclidean" reasoning; only a child's mind and way of thinking can are flexible enough to accommodate or comprehend them.it. Elsewhere (and, else-when) the second box is found in the 19th Century by young Alice Liddel. She can only barely understand the written material, being in her teenage years, but when describing it to her friend Charles Dodgson (better known today as Lewis "Uncle Charles" (Lewis Carroll) he finds it interesting and says he'll include them in one of his works. In the main story, the two siblings not only figure out the scientist's original experiment, but why it failed, and construct a device to leave the mortal world.their space-time dimension. A copy of ''Literature/ThroughTheLookingGlass'' is discovered by their parents, the odd title of the story (a line from ''Jabberwocky'' the missing piece used to complete the time-space equation.
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* ''VideoGame/TheSecretWorld'' plays this darkly in Issue 7: "A Dream to Kill". It's revealed that the [[MegaCorp Orochi Group]] scientist [[MadScientist Doctor Schreber]] is a firm believer in this trope...hence the reason why his test subjects are almost exclusively children. Reasoning that children are more adaptable than adults--even citing an incident when his four-year-old granddaughter taught him how to to use a new function on his smartphone--he goes so far as to test [[spoiler: the effects of demonic possession, mutant spores, ghosts, lycanthropy, and even the Filth]] on them. And terrifyingly enough, this approach garners results: [[spoiler: it turns out that the only reason why werewolves transform into their traditional form is because, as adults, they're under the subconscious influence of millennia worth of folklore and genetic memory. The children that Schreber infected with lycanthropy weren't old enough to be influenced, so their transformations are much more varied--hence the boss battle with the child-creature earlier in the issue. He notes to experiment with vamprism next]].
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* ''VideoGame/TheSecretWorld'' plays this darkly in Issue 7: "A Dream to Kill". It's revealed that the [[MegaCorp Orochi Group]] scientist [[MadScientist Doctor Schreber]] is a firm believer in this trope...hence the reason why his test subjects are almost exclusively children. Reasoning that children are more adaptable than adults--even citing an incident when his four-year-old granddaughter taught him how to to use a new function on his smartphone--he goes so far as to test [[spoiler: the effects of demonic possession, mutant spores, ghosts, lycanthropy, and even the Filth]] on them. And terrifyingly enough, this approach garners results: [[spoiler: it turns out that the only reason why werewolves transform into their traditional form is because, as adults, they're under the subconscious influence of millennia worth of folklore and genetic memory. The children that Schreber infected with lycanthropy weren't old enough to be influenced, so their transformations are much more varied--hence the boss battle with the child-creature earlier in the issue. He notes to experiment with vamprism vampirism next]].
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* The characters on ''WesternAnimation/{{Kaeloo}}'' live in a world called Smileyland where ThereAreNoAdults because only children are allowed to access the place because of their belief in magic and their [[ChildrenAreInnocent innocence]].
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* In Pokethullu only children are capable of dealing with the thullu without going completely insane or running away in terror.
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* In Pokethullu ''TabletopGame/Pokethulhu'' only children are capable of dealing with the thullu without going completely insane or running away in terror.
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* ''Anime/DigimonAdventureLastEvolutionKizuna'' seems to combine this with ChildrenAreInnocent as well. The reason why it's mostly children who get partner Digimon is because of the limitless choices for the future ahead of them. Once the child grows up and those choices lessen, the power that lets their Digivice function begins to fade; and ultimately, they must part with their Digimon.
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[[folder:Asian Animation]]
* In the ''Animation/PleasantGoatAndBigBigWolf: Joys of Seasons'' episode "Candy House Fantasy", Paddi's candy house represents the dreams of every child, and as such, evil adults like Wolffy can't destroy it.
[[/folder]]
* In the ''Animation/PleasantGoatAndBigBigWolf: Joys of Seasons'' episode "Candy House Fantasy", Paddi's candy house represents the dreams of every child, and as such, evil adults like Wolffy can't destroy it.
[[/folder]]