Is there an issue? Send a MessageReason:
None
Changed line(s) 42 (click to see context) from:
* The song [[https://www.youtube.com/watch?v=dK2FJQX24Io "Empty Bed"]] by Saint Punk has a very intense beat and melody, and its energy made it popular for Website/{{Twitch}} streamers to use during high-speed car chases on ''Roleplay/NoPixel'' livestreams. However, the lyrics are about missing a romantic partner who has left (hence the "empty bed" of the title), and are rather somber.
to:
* The song [[https://www.youtube.com/watch?v=dK2FJQX24Io "Empty Bed"]] by Saint Punk has a very intense beat and melody, and its energy made it popular for Website/{{Twitch}} Platform/{{Twitch}} streamers to use during high-speed car chases on ''Roleplay/NoPixel'' livestreams. However, the lyrics are about missing a romantic partner who has left (hence the "empty bed" of the title), and are rather somber.
Is there an issue? Send a MessageReason:
None
Changed line(s) 45 (click to see context) from:
** "I Love You", Mahiru Shiina's second song, sheds light on her DestructiveRomance. The chorus joyfully repeats "daisuki" (monstrously in love), especially the "dai" part. It's no coincidence that "dai" sounds like "die", [[spoiler:as the song abruptly ends when Mahiru's boyfriend hangs himself]].
to:
** "After Pain", Muu Kusunoki's first song, is a light rock song about how she was bullied relentlessly.
** "I Love You", Mahiru Shiina's second song, sheds light on her DestructiveRomance. The chorus joyfully repeats "daisuki" (monstrously inlove), especially the "dai" part. It's no coincidence love) such that "dai" it sounds like "die", [[spoiler:as "die, die, die", [[spoiler:and then she actually whispers "die" at the song abruptly ends end when Mahiru's her boyfriend hangs himself]].
** "I Love You", Mahiru Shiina's second song, sheds light on her DestructiveRomance. The chorus joyfully repeats "daisuki" (monstrously in
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* ''Music/{{Songdrops}}'':
** "Tinkle Tinkle in a Jar" has a sentimental tune and is a parody of a lullaby, but it's about [[JarPotty peeing in a jar]].
** "The Wheels on the Bus are Falling Off" is sung cheerfully, but it's about a burning bus full of zombies and mad snakes.
** "The Pool Party" sounds upbeat, but it's about dangerous animals being loose in a pool.
** "I Got a Pea" and "The Long Word Song" have somewhat goofy subject matter, but are sung in a slow, serious way. Perhaps this is why the creator also created faster versions.
** "My Cowgirl" has a slow, romantic sound to it, but it's about how the singer's girlfriend can burp louder than his cousin.
** "I Love U-Kuleles" also sounds like a love song, yet it's about ukuleles.
** "You Turn My Pinkies Blue" sounds slow and emotional, but its lyrics speak of things like throwing up and [[BringMyBrownPants wetting one's pants in fear]].
** "Hippopotami" also sounds slow and emotional, but is about hippopoatmi.
** "I Sneezed a Sneeze" sounds sentimental, but it's about sneezing.
** "Tinkle Tinkle in a Jar" has a sentimental tune and is a parody of a lullaby, but it's about [[JarPotty peeing in a jar]].
** "The Wheels on the Bus are Falling Off" is sung cheerfully, but it's about a burning bus full of zombies and mad snakes.
** "The Pool Party" sounds upbeat, but it's about dangerous animals being loose in a pool.
** "I Got a Pea" and "The Long Word Song" have somewhat goofy subject matter, but are sung in a slow, serious way. Perhaps this is why the creator also created faster versions.
** "My Cowgirl" has a slow, romantic sound to it, but it's about how the singer's girlfriend can burp louder than his cousin.
** "I Love U-Kuleles" also sounds like a love song, yet it's about ukuleles.
** "You Turn My Pinkies Blue" sounds slow and emotional, but its lyrics speak of things like throwing up and [[BringMyBrownPants wetting one's pants in fear]].
** "Hippopotami" also sounds slow and emotional, but is about hippopoatmi.
** "I Sneezed a Sneeze" sounds sentimental, but it's about sneezing.
Is there an issue? Send a MessageReason:
None
Changed line(s) 45,46 (click to see context) from:
** "I Love You", Mahiru Shiina's second song, sheds light on her DestructiveRomance. The chorus joyfully repeats "daisuki" (monstrously in love), especially the "dai" part, until [[spoiler:the boyfriend hangs himself and the music abruptly stops before Mahiru whispers one last "die"]].
** "The Purge March", Amane's second song, is most upbeat in the chorus, where several copies of herself in her headspace march to her cult's doctrines. [[spoiler:In the first chorus, one of her color guards drops a flag and is punished by drowning, mirroring her real-world punishment, while she sings about how pointless it is to beg for mercy. In the last chorus, Amane's copies break form and gleefully charge forward as she sings about resolving to murder her abuser]].
** "The Purge March", Amane's second song, is most upbeat in the chorus, where several copies of herself in her headspace march to her cult's doctrines. [[spoiler:In the first chorus, one of her color guards drops a flag and is punished by drowning, mirroring her real-world punishment, while she sings about how pointless it is to beg for mercy. In the last chorus, Amane's copies break form and gleefully charge forward as she sings about resolving to murder her abuser]].
to:
** "I Love You", Mahiru Shiina's second song, sheds light on her DestructiveRomance. The chorus joyfully repeats "daisuki" (monstrously in love), especially the "dai" part, until [[spoiler:the part. It's no coincidence that "dai" sounds like "die", [[spoiler:as the song abruptly ends when Mahiru's boyfriend hangs himself and the music abruptly stops before Mahiru whispers one last "die"]].
himself]].
** "The Purge March",Amane's Amane Momose's second song, is most upbeat in the chorus, where several copies of herself in her headspace march to her cult's doctrines. [[spoiler:In the first chorus, one of her color guards drops a flag and is punished by drowning, mirroring her real-world punishment, while she which [[spoiler:she sings about how pointless it is to beg the pointlessness of her pleas for mercy. In mercy in the first one (sung over visuals of her drowning) and her resolve to turn it around on her abuser in the last chorus, Amane's copies break form and gleefully charge forward as she sings about resolving to murder her abuser]].one]].
** "The Purge March",
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* ''Music/{{MILGRAM}}'': For a group of prisoners singing about their murders, many of the songs are rather upbeat.
** "I Love You", Mahiru Shiina's second song, sheds light on her DestructiveRomance. The chorus joyfully repeats "daisuki" (monstrously in love), especially the "dai" part, until [[spoiler:the boyfriend hangs himself and the music abruptly stops before Mahiru whispers one last "die"]].
** "The Purge March", Amane's second song, is most upbeat in the chorus, where several copies of herself in her headspace march to her cult's doctrines. [[spoiler:In the first chorus, one of her color guards drops a flag and is punished by drowning, mirroring her real-world punishment, while she sings about how pointless it is to beg for mercy. In the last chorus, Amane's copies break form and gleefully charge forward as she sings about resolving to murder her abuser]].
** "I Love You", Mahiru Shiina's second song, sheds light on her DestructiveRomance. The chorus joyfully repeats "daisuki" (monstrously in love), especially the "dai" part, until [[spoiler:the boyfriend hangs himself and the music abruptly stops before Mahiru whispers one last "die"]].
** "The Purge March", Amane's second song, is most upbeat in the chorus, where several copies of herself in her headspace march to her cult's doctrines. [[spoiler:In the first chorus, one of her color guards drops a flag and is punished by drowning, mirroring her real-world punishment, while she sings about how pointless it is to beg for mercy. In the last chorus, Amane's copies break form and gleefully charge forward as she sings about resolving to murder her abuser]].
Is there an issue? Send a MessageReason:
None
Changed line(s) 36 (click to see context) from:
* [=UB40=]'s version of "[[Music/NeilDiamond Red, Red Wine]]" is so peppy that you can easily ignore the fact that it's about the narrator [[DrowningMySorrows trying to blot out]] crushing depression over a lost love.
to:
* [=UB40=]'s Music/UB40's version of "[[Music/NeilDiamond Red, "Red, Red Wine]]" Wine" is so peppy that you can easily ignore the fact that it's about the narrator [[DrowningMySorrows trying to blot out]] crushing depression over a lost love.love. This does ''not'' apply to the Music/NeilDiamond original, which sounds every bit as miserable as its lyrics.
Is there an issue? Send a MessageReason:
None
Changed line(s) 43 (click to see context) from:
* "2 Phút Hơn" ("2 More Minutes") by Vietnamese singer Pháo, best known for being paired with an animated gif of [[Anime/DARLINGinTheFRANXX Zero Two]] doing a dance from the infamous "[=ME!ME!ME!=]", has a very energetic and party fitting beat, while the lyrics describe a woman forcing herself to get drunk so the man she's with at the bar will love her.
to:
* "2 Phút Hơn" ("2 More Minutes") by Vietnamese singer Pháo, best known for being paired with an animated gif of [[Anime/DARLINGinTheFRANXX Zero Two]] doing a dance from the infamous "[=ME!ME!ME!=]", "[=ME!ME!ME!=]" music video, has a very energetic and party fitting beat, while the lyrics describe a woman forcing herself to get drunk so the man she's with at the bar will love her.
Is there an issue? Send a MessageReason:
None
Changed line(s) 43 (click to see context) from:
* "2 Phút Hơn" "(2 More Minutes) by Vietnamese singer Pháo, best known for being paired with an animated gif of [[Anime/DARLINGinTheFRANXX Zero Two]] doing a dance from the infamous "[=ME!ME!ME!=]", has a very energetic and party fitting beat, while the lyrics describe a woman forcing herself to get drunk so the man she's with at the bar will love her.
to:
* "2 Phút Hơn" "(2 ("2 More Minutes) Minutes") by Vietnamese singer Pháo, best known for being paired with an animated gif of [[Anime/DARLINGinTheFRANXX Zero Two]] doing a dance from the infamous "[=ME!ME!ME!=]", has a very energetic and party fitting beat, while the lyrics describe a woman forcing herself to get drunk so the man she's with at the bar will love her.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* "2 Phút Hơn" "(2 More Minutes) by Vietnamese singer Pháo, best known for being paired with an animated gif of [[Anime/DARLINGinTheFRANXX Zero Two]] doing a dance from the infamous "[=ME!ME!ME!=]", has a very energetic and party fitting beat, while the lyrics describe a woman forcing herself to get drunk so the man she's with at the bar will love her.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* The song [[https://www.youtube.com/watch?v=dK2FJQX24Io "Empty Bed"]] by Saint Punk has a very intense beat and melody, and its energy made it popular for Website/{{Twitch}} streamers to use during high-speed car chases on ''Roleplay/NoPixel'' livestreams. However, the lyrics are about missing a romantic partner who has left (hence the "empty bed" of the title), and are rather somber.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* The Italian song [[https://www.youtube.com/watch?v=UPJxUIktDM8 "Eva"]] and [[https://www.youtube.com/watch?v=fT2JO_uIEcg its first Brazilian version]] is upbeat but somewhat moody to fit that it's about an AdamAndEvePlot. And then Banda Eva, a great representative of the "Carnival lasts all year long" genre known as axé music, [[https://www.youtube.com/watch?v=l86drhSgUEU recorded a version of the cover]] because of the shared name, leading to a party version of the nuclear holocaust. (as comedian Gregório Duvivier commented: "Such joy. Nobody has spoken of the apocalypse with such euphoria! 'It's the end of the terrestrial odyssey. Get off the floor!' (...) She's singing about the end of the human adventure on Earth with the biggest smile possible.")
Is there an issue? Send a MessageReason:
None
Deleted line(s) 5 (click to see context) :
** Note that all of the lyrics
Is there an issue? Send a MessageReason:
None
Added DiffLines:
** Note that all of the lyrics
Added DiffLines:
** The title and all of the lyrics of this song are also written in hiragana, without any Katakana or Kanji. In a native speaker's perspective, it means that you don't know foreign words, which Katakana is used for. This implies that the singer is a ''stray child''.
Is there an issue? Send a MessageReason:
Added an example from the work page.
Added DiffLines:
* Music/CrazyCod: "The Most Frightening Number (Stop The Clock)" has a very pleasant rhythm and instrumentation, but the song is a depressing reminder you're aging with no way to stop the clock and are getting closer to turning 30.
Is there an issue? Send a MessageReason:
None
Changed line(s) 38 (click to see context) from:
* "Six O'Clock News" by Kathleen Edwards. It's an upbeat-sounding song about a woman who can't do anything but watch as her boyfriend goes on a rampage and is shot by police, all the while she is [[spoiler:pregnant with his child.]]
to:
* "Six O'Clock News" by Kathleen Edwards. It's an upbeat-sounding song about a woman who can't do anything but watch as her boyfriend goes on a rampage and is shot [[spoiler:shot by police, police]], all the while she is [[spoiler:pregnant with his child.]]
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* Another Music/{{UTAU}} producer running by the name "Shachi" has a song named "Asayake mo yuuyake mo nainda" (There's no Sunrise or Sunset). It's an upbeat electro-pop song, but the lyrics are easily interpreted as a person about to die of hypothermia on a nighttime street.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* "Six O'Clock News" by Kathleen Edwards. It's an upbeat-sounding song about a woman who can't do anything but watch as her boyfriend goes on a rampage and is shot by police, all the while she is [[spoiler:pregnant with his child.]]
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* A lot of Creator/SeananMcGuire's {{filk song}}s are cheery, bouncy numbers about horrible diseases, zombies, etc. (For example, "Zombie Wedding" actually picks up a little when the narrator mentions she'll be committing suicide to marry her newly-dead boyfriend.)
Is there an issue? Send a MessageReason:
None
Changed line(s) 35 (click to see context) from:
* Music/TheToyDolls: The band's prank-punk stylings completely fail to conceal the fact that "Dougy Giro" is about the life and times of a local homeless man, and "The Lambrusco Kid" about a man's descent into Lambrusco-fueled life-destroying alcoholism.
to:
* Music/TheToyDolls: Music/ToyDolls: The band's prank-punk stylings completely fail to conceal the fact that "Dougy Giro" is about the life and times of a local homeless man, and "The Lambrusco Kid" about a man's descent into Lambrusco-fueled life-destroying alcoholism.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* Music/TheToyDolls: The band's prank-punk stylings completely fail to conceal the fact that "Dougy Giro" is about the life and times of a local homeless man, and "The Lambrusco Kid" about a man's descent into Lambrusco-fueled life-destroying alcoholism.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* [=UB40=]'s version of "[[Music/NeilDiamond Red, Red Wine]]" is so peppy that you can easily ignore the fact that it's about the narrator [[DrowningMySorrows trying to blot out]] crushing depression over a lost love.
Is there an issue? Send a MessageReason:
None
Changed line(s) 1 (click to see context) from:
* One particular Music/{{UTAU}} producer has songs full of this, especially their four most popular songs. While they all have a electropop-ified rendition of traditional Japanese music, the lyrics themselves never match up:
to:
* One particular Music/{{UTAU}} producer has songs full of this, especially their four most popular songs. While they all have a an electropop-ified rendition of traditional Japanese music, the lyrics themselves never match up:
Is there an issue? Send a MessageReason:
None
Changed line(s) 12 (click to see context) from:
* The whole ''salsa romántica'' genre. That same from which Marc Anthony, La India, Gilberto Santa Rosa and the like had emerged. At least the emotional nature of its melodies downplays a bit of this, but putting love-song lyrics around the upbeat nature of salsa music makes this a Latino example of LyricalDissonance.
to:
* The whole ''salsa romántica'' genre. That same from which Marc Anthony, Music/MarcAnthony, La India, Gilberto Santa Rosa and the like had emerged. At least the emotional nature of its melodies downplays a bit of this, but putting love-song lyrics around the upbeat nature of salsa music makes this a Latino example of LyricalDissonance.
Is there an issue? Send a MessageReason:
Adding music example
Added DiffLines:
* "Van Lingle Mungo" by David Frishberg. The music is slow, poignant, and wistful. As for the lyrics, it's a ListSong of old baseball players from Frishberg's youth, many of them with [[InherentlyFunnyWords distinctive names]] (as the title would indicate).
Is there an issue? Send a MessageReason:
None
Changed line(s) 3 (click to see context) from:
** "Yatsume Ana" (Lamprey Hole) is a quiet song about a boy who finds a secret path down the mountain, gets his finger chopped off for looking down a hole, and then taking his friend to the path and ''dying'' when he accidentally trips into the hole and "melts away". The friend meanwhile is traumatized for life and runs away form the scene, repeating the last chorus until the end of the song.
to:
** "Yatsume Ana" (Lamprey Hole) is a quiet song about a boy who finds a secret path down the mountain, gets his finger chopped off for looking down a hole, and then taking his friend to the path and ''dying'' when he accidentally trips into the hole and "melts away". The friend meanwhile is traumatized for life and runs away form from the scene, repeating the last chorus until the end of the song.
Is there an issue? Send a MessageReason:
None
Added DiffLines:
* One particular Music/{{UTAU}} producer has songs full of this, especially their four most popular songs. While they all have a electropop-ified rendition of traditional Japanese music, the lyrics themselves never match up:
** "Kuromaguro ga Tondekuru" (Bluefin Tuna Rains Down on Us) is a slow song about how the bluefin and yellowfin tuna are about to come to town in one day, and when they do, the raining fish kills everybody. Most people interpret the song to be about bombings, with the Bluefin as a bomber plane and the Yellowfin as the missiles, and the glass-shattering effects before the chorus to be windows breaking from the force of the blast.
** "Yatsume Ana" (Lamprey Hole) is a quiet song about a boy who finds a secret path down the mountain, gets his finger chopped off for looking down a hole, and then taking his friend to the path and ''dying'' when he accidentally trips into the hole and "melts away". The friend meanwhile is traumatized for life and runs away form the scene, repeating the last chorus until the end of the song.
** "."/ "Kurage" (Jellyfish) talks about a jellyfish monster that appeared out of nowhere one day, and goes on to describe its violent reproductive habits of [[FaceFullOfAlienWingWong clutching onto human faces]] and melting them down for nutrients to multiply. Depending on how the lyrics are read, this also happens ''to the narrator''. Surprisingly upbeat and rhythmic melody despite this all.
* Any SquaddieSong is this trope embodied. Squaddie songs are unofficial songs made by soldiers in service, contemplating the misery of the military life, the uncertainty and fear, the horrors of the battlefield, the squalor in which they live, the stupidity of the superiors, the insanity of the war and yearning back to home. Many squaddie songs are downright abusive and insultive, and they act as the {{Foil}} to the "official" military music. The US Paratroopers' song ''[[https://www.youtube.com/watch?v=VWgsdexkv18 Blood on the Risers]]'' is an archetypal squaddie song, and is about a young trooper whose first parachute jump [[GoneHorriblyWrong goes horribly wrong]]. Oh, and the melody is the same as "Battle Hymn of the Republic".
* Likewise, the song [[https://www.youtube.com/watch?v=DOr8OtpctpE Stand to Your Glasses]], a WWI combat pilot song, which has downright miserable lyrics but very upright and jolly melody.
* ''Music/{{Tsukiuta}}'':
** Hajime's solo "Aa, Kami wo Nadete, Hoho wo Nadete, Aishiteyaru" ("Aa, I will caress your hair and caress your cheeks and love you") (Music and lyrics by Music/{{Machigerita}}) - In the inverse of the usual type, the song sounds sexy, but dark and a bit dangerous, like you're getting into a relationship you ''don't'' want, but the lyrics are really quite tender and cuddly. Hajime wants to soothe the listener from their loneliness. Though, it's possible that the lyrics could be read a different way.
** Hajime and Haru's duet, "Koiwasuregusa", also by Music/{{Machigerita}}, actually does seem rather upbeat, though it speaks of profound heartbreak.
** Arata's solo "Kimi, Mai-oriru" also seems upbeat for a song about such profound heartbreak.
** Yoru's solo "Koganeiro" (gold-color) is upbeat for a song with such melancholy lyrics, however, there's also "Akaneiro", the same song CoveredUp by the composer himself. The tone of the song is completely different, though the lyrics and melody are the same... except for that one word: Instead of saying "soothed by the sight of your ''yellow'' hair," it says, "soothed by the sight of your ''red'' hair," possibly referring to Yoru's partner, You.
* The whole ''salsa romántica'' genre. That same from which Marc Anthony, La India, Gilberto Santa Rosa and the like had emerged. At least the emotional nature of its melodies downplays a bit of this, but putting love-song lyrics around the upbeat nature of salsa music makes this a Latino example of LyricalDissonance.
** Another Latin American example is found in Argentine cumbia, playing the same role as their salsero counterpart.
* Udo Jurgens' ''Aber Bitte Mit Sahne'' is a German song about a group of people who routinely raid a bakery for its cakes and gorge themselves one by one, until one day, they die from sugar overload. Except it's sung in a bizarrely happy fashion, to the point that it starts with part of the ''Wedding March''.
* Creator/ShelSilverstein: If one of his was put to music, it was definitely cheerful. But the lyrics were pure BlackComedy; just see "A Boy Named Sue" and "You're Always Welcome at Our House"
* 4everfreebrony's ''[[https://www.youtube.com/watch?v=73xP-Ce-h7k Here on the Moon,]]'' a cheery, lighthearted song about [[WesternAnimation/MyLittlePonyFriendshipIsMagic Pinkie Pie]] feeling abandoned by her friends and deciding to go live on the moon. Forever.
-->It's time to say goodbye
-->'Cause I've learned how to fly
-->Don't wanna see you anytime soon
-->All tension's thin out here
-->In this cool atmosphere
-->So I'll be living here on the moon
* {{Music/Enya}} has "One By One", which is ''far'' more upbeat than ''any'' heartbreak song has ''any'' right to be.
* Essentially, this is Music/NicoleDollanganger's [=MO=]. With such a soft, sweet, and childlike voice and the calm instrumentals, she sings of songs covering everything from eating disorders to abuse.
* Music/{{CG5}}'s "Area 51" ends with the singer panicking as he and his friends are gunned down by Area 51 guards... and it's set to the same, peppy tune as the rest of the song.
* This is basically how Music/TheMegas operate: upbeat, snappy songs about [[Franchise/MegaMan Robot Masters]] being gunned down.
** "Programmed to Fight" has a cheery melody about Crashman trying to fight his programming so he can die by Mega Man's hand and allow the Blue Bomber to defeat Wily.
** "Evolution of Circuitry" is pretty snappy and focuses on Elec Man trying to overthrow humanity, with its DarkerAndEdgier version, "Sparked a War", focuses on Spark Man trying to [[KillAllHumans destroy it]].
** "Metal Dance" is a dance number about a BloodKnight lusting for combat.
** "Don't Mess with Magnet Man" is really upbeat for a guy who is, in his own words, magnetically pulling in his own death.
** "Afraid of the Dark" is about Shadow Man SlowlySlippingIntoEvil, but it's just so cheery.
* Music/WasNotWas's MemeticMutation funk anthem "Walk the Dinosaur" is about ''[[NukeEm nuclear Armageddon]]'' of all things, using the death of the dinosaurs as a metaphor for the end of the world as caused by nuclear weapons.
----
** "Kuromaguro ga Tondekuru" (Bluefin Tuna Rains Down on Us) is a slow song about how the bluefin and yellowfin tuna are about to come to town in one day, and when they do, the raining fish kills everybody. Most people interpret the song to be about bombings, with the Bluefin as a bomber plane and the Yellowfin as the missiles, and the glass-shattering effects before the chorus to be windows breaking from the force of the blast.
** "Yatsume Ana" (Lamprey Hole) is a quiet song about a boy who finds a secret path down the mountain, gets his finger chopped off for looking down a hole, and then taking his friend to the path and ''dying'' when he accidentally trips into the hole and "melts away". The friend meanwhile is traumatized for life and runs away form the scene, repeating the last chorus until the end of the song.
** "."/ "Kurage" (Jellyfish) talks about a jellyfish monster that appeared out of nowhere one day, and goes on to describe its violent reproductive habits of [[FaceFullOfAlienWingWong clutching onto human faces]] and melting them down for nutrients to multiply. Depending on how the lyrics are read, this also happens ''to the narrator''. Surprisingly upbeat and rhythmic melody despite this all.
* Any SquaddieSong is this trope embodied. Squaddie songs are unofficial songs made by soldiers in service, contemplating the misery of the military life, the uncertainty and fear, the horrors of the battlefield, the squalor in which they live, the stupidity of the superiors, the insanity of the war and yearning back to home. Many squaddie songs are downright abusive and insultive, and they act as the {{Foil}} to the "official" military music. The US Paratroopers' song ''[[https://www.youtube.com/watch?v=VWgsdexkv18 Blood on the Risers]]'' is an archetypal squaddie song, and is about a young trooper whose first parachute jump [[GoneHorriblyWrong goes horribly wrong]]. Oh, and the melody is the same as "Battle Hymn of the Republic".
* Likewise, the song [[https://www.youtube.com/watch?v=DOr8OtpctpE Stand to Your Glasses]], a WWI combat pilot song, which has downright miserable lyrics but very upright and jolly melody.
* ''Music/{{Tsukiuta}}'':
** Hajime's solo "Aa, Kami wo Nadete, Hoho wo Nadete, Aishiteyaru" ("Aa, I will caress your hair and caress your cheeks and love you") (Music and lyrics by Music/{{Machigerita}}) - In the inverse of the usual type, the song sounds sexy, but dark and a bit dangerous, like you're getting into a relationship you ''don't'' want, but the lyrics are really quite tender and cuddly. Hajime wants to soothe the listener from their loneliness. Though, it's possible that the lyrics could be read a different way.
** Hajime and Haru's duet, "Koiwasuregusa", also by Music/{{Machigerita}}, actually does seem rather upbeat, though it speaks of profound heartbreak.
** Arata's solo "Kimi, Mai-oriru" also seems upbeat for a song about such profound heartbreak.
** Yoru's solo "Koganeiro" (gold-color) is upbeat for a song with such melancholy lyrics, however, there's also "Akaneiro", the same song CoveredUp by the composer himself. The tone of the song is completely different, though the lyrics and melody are the same... except for that one word: Instead of saying "soothed by the sight of your ''yellow'' hair," it says, "soothed by the sight of your ''red'' hair," possibly referring to Yoru's partner, You.
* The whole ''salsa romántica'' genre. That same from which Marc Anthony, La India, Gilberto Santa Rosa and the like had emerged. At least the emotional nature of its melodies downplays a bit of this, but putting love-song lyrics around the upbeat nature of salsa music makes this a Latino example of LyricalDissonance.
** Another Latin American example is found in Argentine cumbia, playing the same role as their salsero counterpart.
* Udo Jurgens' ''Aber Bitte Mit Sahne'' is a German song about a group of people who routinely raid a bakery for its cakes and gorge themselves one by one, until one day, they die from sugar overload. Except it's sung in a bizarrely happy fashion, to the point that it starts with part of the ''Wedding March''.
* Creator/ShelSilverstein: If one of his was put to music, it was definitely cheerful. But the lyrics were pure BlackComedy; just see "A Boy Named Sue" and "You're Always Welcome at Our House"
* 4everfreebrony's ''[[https://www.youtube.com/watch?v=73xP-Ce-h7k Here on the Moon,]]'' a cheery, lighthearted song about [[WesternAnimation/MyLittlePonyFriendshipIsMagic Pinkie Pie]] feeling abandoned by her friends and deciding to go live on the moon. Forever.
-->It's time to say goodbye
-->'Cause I've learned how to fly
-->Don't wanna see you anytime soon
-->All tension's thin out here
-->In this cool atmosphere
-->So I'll be living here on the moon
* {{Music/Enya}} has "One By One", which is ''far'' more upbeat than ''any'' heartbreak song has ''any'' right to be.
* Essentially, this is Music/NicoleDollanganger's [=MO=]. With such a soft, sweet, and childlike voice and the calm instrumentals, she sings of songs covering everything from eating disorders to abuse.
* Music/{{CG5}}'s "Area 51" ends with the singer panicking as he and his friends are gunned down by Area 51 guards... and it's set to the same, peppy tune as the rest of the song.
* This is basically how Music/TheMegas operate: upbeat, snappy songs about [[Franchise/MegaMan Robot Masters]] being gunned down.
** "Programmed to Fight" has a cheery melody about Crashman trying to fight his programming so he can die by Mega Man's hand and allow the Blue Bomber to defeat Wily.
** "Evolution of Circuitry" is pretty snappy and focuses on Elec Man trying to overthrow humanity, with its DarkerAndEdgier version, "Sparked a War", focuses on Spark Man trying to [[KillAllHumans destroy it]].
** "Metal Dance" is a dance number about a BloodKnight lusting for combat.
** "Don't Mess with Magnet Man" is really upbeat for a guy who is, in his own words, magnetically pulling in his own death.
** "Afraid of the Dark" is about Shadow Man SlowlySlippingIntoEvil, but it's just so cheery.
* Music/WasNotWas's MemeticMutation funk anthem "Walk the Dinosaur" is about ''[[NukeEm nuclear Armageddon]]'' of all things, using the death of the dinosaurs as a metaphor for the end of the world as caused by nuclear weapons.
----
