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Wrong homophone. Unless there are actually bears. I mean, there were in that other play. "Exit, pursued by a bear" and all that.


* GenreRoulette: Is the story a mystery? A grizzly gore fest? A romance? An adventure? Either way, the only thing that stays constant is that it's a comedy.

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* GenreRoulette: Is the story a mystery? A grizzly grisly gore fest? A romance? An adventure? Either way, the only thing that stays constant is that it's a comedy.
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A Kickstarter-exclusive prequel, ''Poor Yorick'', was also made, with illustrations by [[ComicBook/TysonHessesDiesel Tyson Hesse]].

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A Kickstarter-exclusive prequel, ''Poor Yorick'', was also made, with illustrations by [[ComicBook/TysonHessesDiesel Tyson Hesse]].
Creator/TysonHesse.
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* ChooseYourOwnAdventure
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''To Be or Not To Be: That Is the Adventure'' is a ChooseYourOwnAdventure-style adaptation of Creator/WilliamShakespeare's ''Theatre/{{Hamlet}}'', written by {{Creator/Ryan North}}. Using the conceit that it is, in fact, the original story of Hamlet, from which Shakespeare [[CuttingOffTheBranches lifted a single path and later turned that path into a play]], the book allows readers to choose between multiple viewpoint characters and a number of plot tangents of varying levels of realism.

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''To Be or Not To Be: That Is the Adventure'' is a ChooseYourOwnAdventure-style {{Gamebook}} adaptation of Creator/WilliamShakespeare's ''Theatre/{{Hamlet}}'', written by {{Creator/Ryan North}}. Using the conceit that it is, in fact, the original story of Hamlet, from which Shakespeare [[CuttingOffTheBranches lifted a single path and later turned that path into a play]], the book allows readers to choose between multiple viewpoint characters and a number of plot tangents of varying levels of realism.



!!''To Be or Not To Be: That Is the Adventure'' provides examples of the following tropes:

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!!''To Be or Not To Be: That Is the Adventure'' provides examples of the following tropes:
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* LemonyNarrator: It's a parody of ''Theater/{{Hamlet}}'' as a choose-your-own-adventure book; this trope was practically inevitable. Sticking to the canon route mostly has him bemoaning your terrible decisions and attempting to salvage things by retconning events and/or wresting control from you, but he's got plenty of snark to dish out for the rest of the book.

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* LemonyNarrator: It's a parody of ''Theater/{{Hamlet}}'' ''Theatre/{{Hamlet}}'' as a choose-your-own-adventure book; this trope was practically inevitable. Sticking to the canon route mostly has him bemoaning your terrible decisions and attempting to salvage things by retconning events and/or wresting control from you, but he's got plenty of snark to dish out for the rest of the book.
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* AnachronismStew: If you were expecting complete historical accuracy, you're not gonna find it in this book wherein Ophelia invents indoor heating, Hamlet signs to Ophelia "YA SERIOUSLY WTF" and the characters occasionally discuss the sexism inherent in the time period. Of course, this is completely intentional as per RuleOfCool and RuleOfFunny.

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* AnachronismStew: If you were expecting complete historical accuracy, you're not gonna find it in this book wherein Ophelia invents indoor heating, Hamlet signs to Ophelia "YA SERIOUSLY WTF" and the characters occasionally discuss [[DeliberateValuesDissonance the sexism inherent in the time period.period]]. Of course, this is completely intentional as per RuleOfCool and RuleOfFunny.
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* SparedByTheAdaptation: Even if you choose to re-enact the original play, Rosenkrantz and Guildenstern don't die; Hamlet just tells Horatio they did in order to cover up the real events.

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* SparedByTheAdaptation: Even if you choose to re-enact the original play, Rosenkrantz and Guildenstern don't die; Hamlet just tells Horatio they did in order to cover up the real events. They do end up dead in some of the other paths, though; most commonly they are murdered by Ophelia.
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* SparedByTheAdaptation: Even if you choose to re-enact the original play, Rosenkrantz and Guildenstern don't die; Hamlet just tells Horatio they did in order to cover up the real events.

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A Kickstarter-exclusive prequel, ''Poor Yorick'', was also made, with illustrations by [[ComicBook/TysonHessesDiesel Tyson Hesse]].
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It has also been adapted [[http://store.steampowered.com/app/324710/ for the PC,]] [[https://itunes.apple.com/us/app/ryan-norths-to-be-or-not-to-be/id962986396?mt=8 iOS]] and [[https://play.google.com/store/apps/details?id=au.com.tinmangames.tobeornottobe Android.]] It has a sequel entitled ''[[http://comicsalliance.com/ryan-north-romeo-and-or-juliet/ Romeo And/Or Juliet]]''.

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It has also been adapted [[http://store.steampowered.com/app/324710/ for the PC,]] [[https://itunes.apple.com/us/app/ryan-norths-to-be-or-not-to-be/id962986396?mt=8 iOS]] and [[https://play.google.com/store/apps/details?id=au.com.tinmangames.tobeornottobe Android.]] It has a sequel entitled ''[[http://comicsalliance.com/ryan-north-romeo-and-or-juliet/ Romeo And/Or Juliet]]''.
sequel, ''Literature/RomeoAndOrJuliet''.

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* HeManWomanHater: Laertes. His first line in the book is 'If you sleep with Hamlet you're a slut!'



* HeManWomanHater: Laertes. His first line in the book is 'If you sleep with Hamlet you're a slut!'

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* {{Dedication}}: "To Bea."



* {{Dedication}}: "To Bea."
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* ShmuckBait: When introducing the characters you can choose, the narrator waxes on about the awesomeness of Hamlet's dad and suggests that if you choose him, "You ''may'' experience kingly glory." Of course, you're immediately murdered in your sleep.
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* LemonyNarrator: It's a parody of ''Theater/{{Hamlet}}'' as a choose-your-own-adventure book; this trope was practically inevitable. Sticking to the canon route mostly has him bemoaning your terrible decisions and attempting to salvage things by retconning events and/or wresting control from you, but he's got plenty of snark to dish out for the rest of the book.


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* PressStartToGameOver: Picking Hamlet Sr. at the start [[ForegoneConclusion gets you immediately killed by Claudius]]. Fortunately, the narrator takes pity on you and lets you become a ghost, although you can end things there by rejecting the offer.
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How To Create A Works Page explicitly says "No bolding is used for work titles."


'''''To Be or Not To Be: That Is the Adventure''''' is a ChooseYourOwnAdventure-style adaptation of Creator/WilliamShakespeare's ''Theatre/{{Hamlet}}'', written by {{Creator/Ryan North}}. Using the conceit that it is, in fact, the original story of Hamlet, from which Shakespeare [[CuttingOffTheBranches lifted a single path and later turned that path into a play]], the book allows readers to choose between multiple viewpoint characters and a number of plot tangents of varying levels of realism.

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'''''To ''To Be or Not To Be: That Is the Adventure''''' Adventure'' is a ChooseYourOwnAdventure-style adaptation of Creator/WilliamShakespeare's ''Theatre/{{Hamlet}}'', written by {{Creator/Ryan North}}. Using the conceit that it is, in fact, the original story of Hamlet, from which Shakespeare [[CuttingOffTheBranches lifted a single path and later turned that path into a play]], the book allows readers to choose between multiple viewpoint characters and a number of plot tangents of varying levels of realism.
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I'm updating the sequel paragraph, because the book is no longer upcoming.


It has also been adapted [[http://store.steampowered.com/app/324710/ for the PC,]] [[https://itunes.apple.com/us/app/ryan-norths-to-be-or-not-to-be/id962986396?mt=8 iOS]] and [[https://play.google.com/store/apps/details?id=au.com.tinmangames.tobeornottobe Android.]] It has an upcoming sequel entitled ''[[http://comicsalliance.com/ryan-north-romeo-and-or-juliet/ Romeo And/Or Juliet]]''.

to:

It has also been adapted [[http://store.steampowered.com/app/324710/ for the PC,]] [[https://itunes.apple.com/us/app/ryan-norths-to-be-or-not-to-be/id962986396?mt=8 iOS]] and [[https://play.google.com/store/apps/details?id=au.com.tinmangames.tobeornottobe Android.]] It has an upcoming a sequel entitled ''[[http://comicsalliance.com/ryan-north-romeo-and-or-juliet/ Romeo And/Or Juliet]]''.
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* AssholeVictim: In one of the endings, it is mentioned that you (as Hamlet) kill Fortinbras, but he's a jerk, so nobody cares.


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* EndGamePlus: So you've finished the book, but aren't satisfied with the ending? Good news, there's a secret ending afterwards: [[spoiler:put down the book, and be the best damn person you can be]].


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* NewGamePlus: If you reach the ending where Hamlet travels back in time, you're instructed to re-read the book until you reach a certain choice, and instead of picking one of the choices given, you're instructed to do some math to enter the new timeline created by the previous ending.
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* MultipleEndings: Well of course! The endings range from the many ways that Hamlet Sr. can spend his afterlife, to the various ways that Hamlet and Ophelia can kill Claudius, to Ophelia cutting a bloody swath across the character roster, to [[Theatre/Hamlet everybody being total idiots and getting killed in the dumbest ways possible]].

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* MultipleEndings: Well of course! The endings range from the many ways that Hamlet Sr. can spend his afterlife, to the various ways that Hamlet and Ophelia can kill Claudius, to Ophelia cutting a bloody swath across the character roster, to [[Theatre/Hamlet [[Theatre/{{Hamlet}} everybody being total idiots and getting killed in the dumbest ways possible]].
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* EpicFail: One ending, which you can only reach by flipping the page after the introduction, has the narrator calling you out for being incapable of following simple instructions and awards you "maybe learn to read books better sometime" points out of 1000


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* GoldenEnding: If Hamlet chooses to simply kill Claudius, his benevolent and competent rule makes Denmark (and through trade relations, the rest of the world) a better place, and he accidentally steps on [[ButterflyOfDoom a butterfly]] which prevents two [[UsefulNotes/WorldWarI worldwide]] [[UsefulNotes/WorldWarII wars]].


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* MultipleEndings: Well of course! The endings range from the many ways that Hamlet Sr. can spend his afterlife, to the various ways that Hamlet and Ophelia can kill Claudius, to Ophelia cutting a bloody swath across the character roster, to [[Theatre/Hamlet everybody being total idiots and getting killed in the dumbest ways possible]].

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* {{AFGNCAAP}}: Parodied.
-->“That was my uncle Skellington!” screams your husband or wife, depending on your sexual orientation and life choices. If you are not married, you scream it to yourself while looking in the mirror as you realize what you’ve done.

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* {{AFGNCAAP}}: Parodied.
-->“That was my uncle Skellington!” screams your husband or wife, depending on your sexual orientation
AlternateCharacterInterpretation: [[invoked]] Rosencrantz and life choices. If you Guildenstern are not married, you scream it portrayed much more favorably as awesome friends to yourself while looking Hamlet, and the narrator frequently sings their praises in the mirror PARTY BOAT!!! branch. (You can guess North is a fan of Creator/TomStoppard.) In fact, when Hamlet discovers the letter recommending his death to the king of England, Ros and Guil are as you realize what you’ve done.surprised as he is. The covert letter-swap still happens, but rather than designating his friends for death, Hamlet advises the king to set them up lavishly instead. Ros and Guil stay as Hamlet's allies from then on.



* BiTheWay: Ophelia, judging by the fact that one of the people she can date in England is a woman.

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* BiTheWay: BiTheWay:
**
Ophelia, judging by the fact that one of the people she can date in England is a woman.


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* FeaturelessProtagonist: Parodied.
-->“That was my uncle Skellington!” screams your husband or wife, depending on your sexual orientation and life choices. If you are not married, you scream it to yourself while looking in the mirror as you realize what you’ve done.

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'''''To Be or Not To Be: That Is the Adventure''''' is a ChooseYourOwnAdventure-style adaptation of Creator/WilliamShakespeare's ''Theatre/{{Hamlet}}'', written by {{Creator/Ryan North}}. Using the conceit that it is, in fact, the original story of Hamlet, from which Shakespeare lifted a single path and later turned that path into a play, the book allows readers to choose between multiple viewpoint characters and a number of plot tangents of varying levels of realism.

The book was funded by a [[http://www.kickstarter.com/projects/breadpig/to-be-or-not-to-be-that-is-the-adventure Kickstarter campaign]] that, when it ended, was the most successful publishing project in Kickstarter history, attaining 2,904% of its $20,000 goal.

Is has also been adapted [[http://store.steampowered.com/app/324710/ for the PC,]] [[https://itunes.apple.com/us/app/ryan-norths-to-be-or-not-to-be/id962986396?mt=8 iOs]] and [[https://play.google.com/store/apps/details?id=au.com.tinmangames.tobeornottobe Android.]] It now has an upcoming sequel entitled [[http://comicsalliance.com/ryan-north-romeo-and-or-juliet/ Romeo And/Or Juliet]].

to:

'''''To Be or Not To Be: That Is the Adventure''''' is a ChooseYourOwnAdventure-style adaptation of Creator/WilliamShakespeare's ''Theatre/{{Hamlet}}'', written by {{Creator/Ryan North}}. Using the conceit that it is, in fact, the original story of Hamlet, from which Shakespeare [[CuttingOffTheBranches lifted a single path and later turned that path into a play, play]], the book allows readers to choose between multiple viewpoint characters and a number of plot tangents of varying levels of realism.

The book was funded by a [[http://www.kickstarter.com/projects/breadpig/to-be-or-not-to-be-that-is-the-adventure Kickstarter campaign]] that, when it ended, was the most successful publishing project in Kickstarter Website/{{Kickstarter}} history, attaining 2,904% of its $20,000 goal.

Is It has also been adapted [[http://store.steampowered.com/app/324710/ for the PC,]] [[https://itunes.apple.com/us/app/ryan-norths-to-be-or-not-to-be/id962986396?mt=8 iOs]] iOS]] and [[https://play.google.com/store/apps/details?id=au.com.tinmangames.tobeornottobe Android.]] It now has an upcoming sequel entitled [[http://comicsalliance.''[[http://comicsalliance.com/ryan-north-romeo-and-or-juliet/ Romeo And/Or Juliet]].
Juliet]]''.



* LeaningOnTheFourthWall: Throughout the book you can jump between characters. At one point when you're Ophelia and you can't get Hamlet to go along with your plans, you have the option to jump to Hamlet, get him to agree and jump back to Ophelia. Eventually the author chastises you for abusing your reader privileges.

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* LeaningOnTheFourthWall: LeaningOnTheFourthWall:
**
Throughout the book you can jump between characters. At one point when you're Ophelia and you can't get Hamlet to go along with your plans, you have the option to jump to Hamlet, get him to agree and jump back to Ophelia. Eventually the author chastises you for abusing your reader privileges.


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* LongTitle: Parodied with the ShowWithinAShow (or, rather, book-within-a-book), whose full name is ''The Murder of Gonzago: A "The Adventure Is Being Chosen By You" Story! Can You Murder Your Brother Gonzago and Then, Playing as Your Dead Brother's Son, Murder Your Usurping Uncle? I Sure Hope So; Choose From Over 300 Different Possible Endings''.
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** On the other hand, the narrator is pretty hypocritical, is that the characters often make the canonical decisions when the player is controlling someone else. Playing as Ophelia or Hamlet results in Hamlet Sr.'s ghost deciding to task his son with killing Claudius, something the narrator chastises you for if you play as him. Also, two of Ophelia's branches result in her being LateToTheTragedy with everything playing out in Ophelia's absence as it did in the play -- which can only happen if Hamlet chooses the "stupid" canonical options that the narrator dislikes.

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* FixFic: Several routes serve this purpose relative to the original story, especially the ones that go into depth on his relationship with Ophelia.



* LeaningOnTheFourthWall: Throughout the book you can jump between characters. At one point when you're Ophelia and you can't get Hamlet to go along with your plans, you have the option to jump to Hamlet, get him to agree and jump back to Ophelia. Eventually the author chastizes you for abusing your reader privileges.

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* LeaningOnTheFourthWall: Throughout the book you can jump between characters. At one point when you're Ophelia and you can't get Hamlet to go along with your plans, you have the option to jump to Hamlet, get him to agree and jump back to Ophelia. Eventually the author chastizes chastises you for abusing your reader privileges.
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Is has also been adapted [[http://store.steampowered.com/app/324710/ for the PC,]] [[https://itunes.apple.com/us/app/ryan-norths-to-be-or-not-to-be/id962986396?mt=8 iOs]] and [[https://play.google.com/store/apps/details?id=au.com.tinmangames.tobeornottobe Android.]]

to:

Is has also been adapted [[http://store.steampowered.com/app/324710/ for the PC,]] [[https://itunes.apple.com/us/app/ryan-norths-to-be-or-not-to-be/id962986396?mt=8 iOs]] and [[https://play.google.com/store/apps/details?id=au.com.tinmangames.tobeornottobe Android.]]
]] It now has an upcoming sequel entitled [[http://comicsalliance.com/ryan-north-romeo-and-or-juliet/ Romeo And/Or Juliet]].
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* ShoutOut: Dozens. In particular, every time Rosencrantz and Guildenstern show up, you can expect references to SweetBroAndHellaJeff - up to and including actually ''looking'' like them in some of the ending art.

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* ShoutOut: Dozens. In particular, every time Rosencrantz and Guildenstern show up, you can expect references to SweetBroAndHellaJeff Webcomic/SweetBroAndHellaJeff - up to and including actually ''looking'' like them in some of the ending art.
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** On the other hand, the narrator is pretty hypocritical, is that the characters often make the canonical decisions when the player is controlling someone else. Playing as Ophelia or Hamlet results in Hamlet Sr.'s ghost deciding to task his son with killing Claudius, something the narrator chastising him for. Also, two of Ophelia's branches result in her being LateToTheTragedy with everything playing out in Ophelia's absence as it did in the play -- which can only happen if Hamlet chooses the "stupid" canonical options that the narrator dislikes.

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** On the other hand, the narrator is pretty hypocritical, is that the characters often make the canonical decisions when the player is controlling someone else. Playing as Ophelia or Hamlet results in Hamlet Sr.'s ghost deciding to task his son with killing Claudius, something the narrator chastising him for.chastises you for if you play as him. Also, two of Ophelia's branches result in her being LateToTheTragedy with everything playing out in Ophelia's absence as it did in the play -- which can only happen if Hamlet chooses the "stupid" canonical options that the narrator dislikes.
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* BondOneLiner: Both Hamlet and Ophelia love to use these when killing people, usually involving body parts.


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** Also, in some of the bloodier endings, the narrator gets worried about the player's thirst for blood.
--->"After Gertrude's dead... (And no, I'm not telling you how it happened, you are a SICKO for even wanting to know, what is WRONG with you, also you MURDERED A WHOLE TOWN and that's weird too, now that I think about it,)"
** And in another KillEmAll ending:
--->"As gamemaster, I can see across alternate timelines, and dude, this isn't even the first time you've killed everyone in the entire town. It is the first time you camped out in one room and killed them as they walked in, which was easier than the alternative, I guess, but it really seems like maybe you’ve got some issues you maybe want to work out? Maybe there are some things you want to address? Perhaps some impulses within you should be brought to light, just maybe?? AND HERE I’M KINDA REFERRING TO YOU, THE READER, IN REAL LIFE?? ...Naw, I’m just kidding, fantasy is awesome because you can do whatever you want and not get in trouble. Kill ’em all, m’lady!!"

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* LateToTheTragedy: Two of Ophelia's endings result in her arriving late to the throne room to find almost everyone dead as a result of Hamlet's actions, much like at the end of the play. In the "returning from vacation" ending, Fortinbras has already been crowned king. In the "faking drowning" ending, Fortinbras arrives shortly after and is just as clueless about what has transpired as Ophelia is.



* SuspiciouslySpecificDenial: When playing as Claudius, the player can make him run away screaming "I'M NOT A MURDERER!" even though nobody accused him of anything. Also this, on the narrator's part:

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* SuspiciouslySpecificDenial: When playing as Claudius, the player can make him run away screaming "I'M NOT A MURDERER!" even though nobody accused him of anything. The forged letter that Hamlet replaces Claudius's letter with is also this, repeatedly insisting that Claudius really did write the letter even if he claims not to. Also there's this, on the narrator's part:


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** On the other hand, the narrator is pretty hypocritical, is that the characters often make the canonical decisions when the player is controlling someone else. Playing as Ophelia or Hamlet results in Hamlet Sr.'s ghost deciding to task his son with killing Claudius, something the narrator chastising him for. Also, two of Ophelia's branches result in her being LateToTheTragedy with everything playing out in Ophelia's absence as it did in the play -- which can only happen if Hamlet chooses the "stupid" canonical options that the narrator dislikes.
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** When the pirate adventure begins, the background music changes to an upbeat swashbuckling motif that is based on the ''Franchise/PiratesOfTheCaribbean'' theme.
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* DepartmentOfRedundancyDepartment: In the "ways to murder a king" list.
-->Explosion
-->(Requires: explosions.)


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** In a ''very'' OffTheRails side path, Ophelia loudly announces her intention to "KILL EVERYONE IN HAMLET". The narrator then clarifies that she meant kill everyone in ''this'' hamlet. As in, village.


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* OffscreenInertia: Parodied in Ophelia's "ninjas" subplot. Ophelia and Hamlet spy on the other characters, only to find out that everyone else in the story lives awfully dull and uneventful lives when the two of them aren't around.
-->"UM ARE WE THE ONLY TWO INTERESTING PEOPLE IN THE WORLD?" you tap out to Hamlet.


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* SuspiciouslySpecificDenial: When playing as Claudius, the player can make him run away screaming "I'M NOT A MURDERER!" even though nobody accused him of anything. Also this, on the narrator's part:
-->"You go to bed and spend about eight hours lying unconscious while you hallucinate. Wait, humans call that "dreaming," right? Right! Because we're all humans here!"

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